I had the pleasure of being in the audience during the East Coast premiere of "Derailroaded." Never having heard of Wild Man Fischer, I didn't know quite what to expect other than a documentary on an outsider musician in the vein of Wesley Willis. This film tells a touching story about a troubled rock and roll singer. There were moments in the film where I almost felt tears swell up, and there were moments when I got shivers watching Wild Man perform. It's a very nice human interest piece. The only real problems with it is the sound editing. The volume is often too high during sections of Wild Man's 2001 performance in Los Angeles. There are also moments where the background music buries the interview dialogue so you can hardly make out what's being said. We were told this was because the audio sources varied, but I still felt like this could've been corrected. Disregarding this, a lot of us in the audience came out humming Wild Man songs. This really sparked an interest for me and I feel it is a fitting tribute to an almost rock legend.
10 Reviews
Wild Man Fischer, a life wasted
rlockh0215 September 2005
Derailroaded played at the Kansas Film Festival on 09/10/05 and I got a ticket. The documentary is of Wild Man Fischer, a Rock singer from the 1960's. I never heard of him but Frank Zappa produced one of his albums and he was the initial pitchman for Rhino records and recorded the Rhino radio jingle. Wild Man Fischer suffers from paranoid schizophrenia which has profoundly impacted his life and career. In some of the concern footage from the early 60's you see him jamming with Frank Zappa (very nice to see him again) and see glimpses of what might have been. For years Dr. Demento was a big fan. In fact he played once at Giants stadium with Zappa, Janice Joplin, The Byrds and Hendrix so he wasn't a hack. If you have never been around true mental illness this film is an eye-opener. Mental illness isn't funny; in fact it is extremely scary. Fascinating movie. Two things stand out for me. The first is Billy Mummy (the kid from "Lost in Space") turned out pretty well. In fact he seemed to have his stuff together. He might be Wild Man's only friend. The second was the Dr. Demento puppet show where Frank Zappa finds out how crazy Wild Man really is and breaks it off. The family interviews are touching and tragic. His family has pretty much stuck by Wild Man all these years and seem to truly care about his welfare. From the Aunt dying of cancer who gives him a place to live to his brother dropping off groceries. A wonderful glimpse into the birth of Rock and Roll and a life completely out of control. See it.
The best rock doc I have ever seen.
kelleypowell835 June 2006
I saw Derailroaded at the ICA in London and I am thrilled to see it is being released on DVD. This film stuck in my head for days (as well did the song "Merry Go Round"). I was not aware of Wild Man Fischer, or any Outsider Music for that matter before seeing this film. My sister was diagnosed with schizophrenia in 1998 and I often watch films with themes of mental illness. This is one of the best films I have ever seen about mental illness and definitely the best documentary about a rock musician I have ever seen. I find that most rock documentaries and "bio-pics" about musicians share the same theme: Talented musician gets hooked on drugs, falls in love, gets off drugs, dies. Many studios feel that if they find someone that closely resembles Ray Charles or Johnny Cash, it is an excuse to make a film. Obviously, these films make money and become popular, but to me they are growing very old. Wild Man Fischer has lived a one-of-a-kind life and has a one-of-a-kind-mind...and Derailroaded is a one-of-a-kind experience. An amazing, heavy, unique rock and roll story, told with passion and sensitivity by the Ubin Twinz. It is often humorous, but not exploitative. This is a BRILLIANT film and now it's one of my new favourites.
merry go merry go merry go round oop oop oop
John-44427 May 2005
Derailroaded might be about music, but Wild Man Fischer isn't particularly musical in any conventional sense. More of an outsider artist, or maybe just an exploited freakshow, suffering from paranoid schizophrenia and creating during his manic peaks. This is more a study of mental illness than anything else, and we see Fischer beginning to treat the film crew as he has finally treated everyone who has tried to help him in the past. Notable scenes include a re-enactment of an interview between Dr. Demento & Frank Zappa, done with puppets, in which each reveals to the other just how beyond-the-pale crazy Fischer is.
It's not about the music, it's about the man
Mudsharkbytes7 January 2009
Warning: Spoilers
I've read several reviews here that are very negative principally because the reviewer found Wild Man Fischer's music to be either annoying or talentless or some combination of the two.
While it is true that without his music Wild Man Fischer would have no claim to fame, and sometimes it's difficult to see the connection between all the plaudits lauded upon him by the various celebrities in this documentary and the numerous rather poor examples of his songs generously placed throughout the film, this documentary isn't really about how great or annoying his music is, it's about the Wild Man himself, and it turns out that it's a genuinely interesting story expertly told.
I have to admit here some bias. I am one of the handful of people who actually purchased "An Evening With Wild Man Fischer" when it was originally released in the late 60s. I listened to that record quite a bit actually. I never once thought of Wild Man Fischer as a great Artist (with a capital "A") but I did recognize that there was more to the music than the surface - the music revealed the man underneath and his tragic story which was interesting. Plus, the record WAS entertaining in an odd sort of way.
Larry "Wild Man" Fischer in many ways was saved by his music. Not only has it been his means of escape throughout his life, a bizarre sort of self therapy, but it has also served as a magnet drawing in people who through their influence and belief in his music have gone out of their way to be helpful to him. People like Frank Zappa, Mark Mothersbaugh, Barnes & Barnes & Rosemary Clooney to name just a few. That's really what this story is about.
And as it turns out, Larry doesn't make it very easy to be helpful to him.
Time after time his paranoia causes those close to him to have to distance themselves - sometimes for their own safety - because Larry really is a wild man who is subject to paranoid delusions as well as auditory hallucinations. This even happens to the filmmakers during the course of filming this documentary.
The filmmakers do an exceptional job not only of following Wild Man Fischer around and documenting his various moods and behaviors, but they manage to get access to many people who have known or worked with Larry in the past and get their takes on different events (I do wish though that Dr. Demento had been encouraged to sit up for his interview - he reclines on his side with his head propped up for the duration of his interview while duded out in his Dr. D outfit - complete with top hat - it's distracting and makes him look like a pretentious doofus). In addition there's a lot of rare archival footage in the movie which I found highly entertaining. There's an exceptional animated segment produced by Pat Moriarity that was also memorable.
What I wasn't prepared for was the overall sadness of the movie, sad in that here is a man who genuinely has a vision and a desire and the determination to try to make something of himself but whose affliction is at the same time both the wellspring of his inspiration and the source of his inability to achieve his goals. When he has his paranoid schizophrenia in check he loses his 'pep' as he calls it, his ability to create and perform, so the irony is that when he loses his mental disorder, he loses his art. Put another way, if Larry wasn't crazy, he'd be a nobody.
Sad also because here is a man who obviously craves attention and love and yet his paranoia constantly rears its ugly head and destroys important relationships needlessly. Bill Mumy, probably the longest running relationship in his life, finally had to distance himself from Larry. When asked what was the best thing about working with Barnes & Barnes Fischer answers without hesitation that the best thing about it was having Bill Mumy to talk to - having him to talk to all the time. When asked how he feels about the fact that he no longer has a relationship with Bill Mumy, he tears up some papers the filmmakers are working from then walks off.
The final scenes in the film at the side of his bed-ridden aunt, probably the only family member who really believed in him and gave him unconditional love, are genuinely heart rending.
"Derailroaded", like all good documentaries, encompasses the totality of its subject and brings it home in all its ugly-beautiful reality. In many ways, this documentary reminded me of "Crumb" in its mixture of oddball outsider pathos. Deserves to be seen.
While it is true that without his music Wild Man Fischer would have no claim to fame, and sometimes it's difficult to see the connection between all the plaudits lauded upon him by the various celebrities in this documentary and the numerous rather poor examples of his songs generously placed throughout the film, this documentary isn't really about how great or annoying his music is, it's about the Wild Man himself, and it turns out that it's a genuinely interesting story expertly told.
I have to admit here some bias. I am one of the handful of people who actually purchased "An Evening With Wild Man Fischer" when it was originally released in the late 60s. I listened to that record quite a bit actually. I never once thought of Wild Man Fischer as a great Artist (with a capital "A") but I did recognize that there was more to the music than the surface - the music revealed the man underneath and his tragic story which was interesting. Plus, the record WAS entertaining in an odd sort of way.
Larry "Wild Man" Fischer in many ways was saved by his music. Not only has it been his means of escape throughout his life, a bizarre sort of self therapy, but it has also served as a magnet drawing in people who through their influence and belief in his music have gone out of their way to be helpful to him. People like Frank Zappa, Mark Mothersbaugh, Barnes & Barnes & Rosemary Clooney to name just a few. That's really what this story is about.
And as it turns out, Larry doesn't make it very easy to be helpful to him.
Time after time his paranoia causes those close to him to have to distance themselves - sometimes for their own safety - because Larry really is a wild man who is subject to paranoid delusions as well as auditory hallucinations. This even happens to the filmmakers during the course of filming this documentary.
The filmmakers do an exceptional job not only of following Wild Man Fischer around and documenting his various moods and behaviors, but they manage to get access to many people who have known or worked with Larry in the past and get their takes on different events (I do wish though that Dr. Demento had been encouraged to sit up for his interview - he reclines on his side with his head propped up for the duration of his interview while duded out in his Dr. D outfit - complete with top hat - it's distracting and makes him look like a pretentious doofus). In addition there's a lot of rare archival footage in the movie which I found highly entertaining. There's an exceptional animated segment produced by Pat Moriarity that was also memorable.
What I wasn't prepared for was the overall sadness of the movie, sad in that here is a man who genuinely has a vision and a desire and the determination to try to make something of himself but whose affliction is at the same time both the wellspring of his inspiration and the source of his inability to achieve his goals. When he has his paranoid schizophrenia in check he loses his 'pep' as he calls it, his ability to create and perform, so the irony is that when he loses his mental disorder, he loses his art. Put another way, if Larry wasn't crazy, he'd be a nobody.
Sad also because here is a man who obviously craves attention and love and yet his paranoia constantly rears its ugly head and destroys important relationships needlessly. Bill Mumy, probably the longest running relationship in his life, finally had to distance himself from Larry. When asked what was the best thing about working with Barnes & Barnes Fischer answers without hesitation that the best thing about it was having Bill Mumy to talk to - having him to talk to all the time. When asked how he feels about the fact that he no longer has a relationship with Bill Mumy, he tears up some papers the filmmakers are working from then walks off.
The final scenes in the film at the side of his bed-ridden aunt, probably the only family member who really believed in him and gave him unconditional love, are genuinely heart rending.
"Derailroaded", like all good documentaries, encompasses the totality of its subject and brings it home in all its ugly-beautiful reality. In many ways, this documentary reminded me of "Crumb" in its mixture of oddball outsider pathos. Deserves to be seen.
A startling and sobering portrait of a seriously troubled, yet talented and singular musical artist
Woodyanders1 November 2013
Warning: Spoilers
Larry "Wild Man" Fischer was without a doubt one of the most colorful and idiosyncratic musical artists to emerge from the frenzied 1960's Los Angeles psychedelic rock scene. A diagnosed paranoid schizophrenic and manic depressive, Fischer's mental problems both hurt and helped him in equal measure. On one hand, the psychological demons that plagued Fischer throughout his anguished existence resulted in music that's shockingly raw and alive in its unbridled eccentricity. On the other hand, Fischer was his own worst enemy, as his volatile and unpredictable nature made him difficult to be around and care about, resulting in the alienation of both friends and family alike and further putting the kibosh on any chance Fischer might have had in achieving the rock music stardom he desperately yearned for. That said, Fischer did manage to record several albums that include a now legendary double album collaboration with Frank Zappa (who eventually dumped Fisher after realizing how dangerously unstable he was) and the very first album for Rhino Records as well as recorded a duet with Rosemary Clooney called "It's a Hard Business."
Amongst the people interviewed are Larry's exceptionally tolerant and long suffering older brother David, Barnes & Barnes (they did two albums with Fisher in the early 1980's), Dr. Demento, Weird Al Yankovic, Mark Mothersbaugh of Devo (who describes Larry as "pure"), and even soulman Solomon Burke (who gave Larry his Wild Man nickname). The archive footage of Fischer in his gloriously loopy 1960's prime is absolute gold (he even appeared on "Rowan & Martin's Laugh In"!); ditto the footage of Fischer live in concert in 2001. However, this documentary sometimes borders on the uncomfortably voyeuristic with the interviews done with an aged, burnt-out, lonely, and friendless Larry in the present; it's both sad and upsetting to see Fischer degenerate into a quivering ball of paranoid nerves in front of the camera, yet these scenes are vital in presenting Fischer in a warts and all manner. Stripping bare both Fischer's tortured soul and unbalanced mind, this documentary rates as essential viewing for fans of this quintessential embodiment of true outsider music.
Amongst the people interviewed are Larry's exceptionally tolerant and long suffering older brother David, Barnes & Barnes (they did two albums with Fisher in the early 1980's), Dr. Demento, Weird Al Yankovic, Mark Mothersbaugh of Devo (who describes Larry as "pure"), and even soulman Solomon Burke (who gave Larry his Wild Man nickname). The archive footage of Fischer in his gloriously loopy 1960's prime is absolute gold (he even appeared on "Rowan & Martin's Laugh In"!); ditto the footage of Fischer live in concert in 2001. However, this documentary sometimes borders on the uncomfortably voyeuristic with the interviews done with an aged, burnt-out, lonely, and friendless Larry in the present; it's both sad and upsetting to see Fischer degenerate into a quivering ball of paranoid nerves in front of the camera, yet these scenes are vital in presenting Fischer in a warts and all manner. Stripping bare both Fischer's tortured soul and unbalanced mind, this documentary rates as essential viewing for fans of this quintessential embodiment of true outsider music.
Must avoid documentary
kentbartholomew6 March 2007
Derailroaded has to be one of the worst, most unnecessary pieces of filmaking ever. The object of this film is Larry "Wildman" Fischer a quasi musician of dubious importance. We learn Wildman Fischer enjoyed some minor success as a fringe artist in the seventies. I use the term artist in the most liberal terms, as Larry's artistry consists of screaming nonsensical lyrics into the microphone. Absolutely awful sounding. It couldn't really be fairly described as music.
They follow the exploits of Fischer, a paranoid schizophrenic, from his early years through the near present. Most of the current footage is done with a camera and microphone in Larry's face with predictably obvious results. The audience doesn't need an hour and a half of this to see the poor fellow needs some help. The whole wretched thing has a carnival side-show feel to it. This film is so over the top that for a while I thought it was a docu-drama spoof in the vein of Blair Witch Project.
In the end you wonder if this was about mental illness or the fall of a Rock Musician. Sad to say I don't think many people have even heard or care about Fischer as a musician. Even fewer will care about the films treatment of schizophrenia. Either way it's a complete flop.
They follow the exploits of Fischer, a paranoid schizophrenic, from his early years through the near present. Most of the current footage is done with a camera and microphone in Larry's face with predictably obvious results. The audience doesn't need an hour and a half of this to see the poor fellow needs some help. The whole wretched thing has a carnival side-show feel to it. This film is so over the top that for a while I thought it was a docu-drama spoof in the vein of Blair Witch Project.
In the end you wonder if this was about mental illness or the fall of a Rock Musician. Sad to say I don't think many people have even heard or care about Fischer as a musician. Even fewer will care about the films treatment of schizophrenia. Either way it's a complete flop.
Fine Film, Poor Music
lokidog6 March 2007
It is hard to separate a documentary from it's subject. The film was entertaining and insightful. It captured the life of Wild Man in a way that was honest and insightful. I really enjoyed the inclusion of his family as well as his past friends and collaborators. What I found hard to stomach in this film was his music - and a few of his 'critics' who thought his music was original outsider art/music. I could not fathom anyone thinking his lyrics and especially his music anything but naive babble. I know that a big part of outsider art is it's naiveté and that it is sometimes hard to find the core of creativity in this. But usually something - composition, a vision, a perspective - something comes through to make it art. His music is mostly spontaneous ramblings that have no coherence. I've heard much of this sort of thing coming from toddlers and preschool children. I composed some great tunes to my dog last night (but I may have obscured my tunes in too much irony to qualify as outsider music?) One of the critics, I believe it was the Rhino records executive, started to analyze one of Wild Man's tunes as if it were a clever comment on society and I laughed out loud. I think he is most akin to the dadaists - and most of their work has not stood the test of time - and is more important as a historical movement than an artistic one. Can you name a Dadaist - besides Man Ray or Marcel Duchamp (both of whom may also be classified in other artistic movements). But opposed to the Dadaists, his music is not really protesting anything - and is not (as the really annoying Mark Mothersbaugh in this film suggests) reacting to prevalent musical trends occurring in the late 60's and 70's - resulting in a nascent punk genre? Mothersbaugh's contention that the white-get-drunk-party 'concert' rock of the 70's as being bereft of meaning and conformist is ridiculous. His music is the answer? I have Devo albums and although I like them still - they are silly, pretentious at times, and hardly have any deep meaning. I also have some Styx albums (an example of the concert rock genre) - and although also silly and contrived at times, I believe have more heartfelt and sincere sentiment (mostly non-conformist at that) in the lyrics than most new wave (is this even a music term anymore) or punk tunes. 'Concert' rock was perhaps over-produced, and punk - under - but both were often saying very similar things. Disco however.... (Although I like some Disco too - usually in an ironic way - but then again that foot sometimes starts tapping itself into places where the ears fear to tread).
Now I have to compare this to another documentary that I saw a few years ago - 'The Devil and Daniel Johnston' the subject of whom is mentioned in Derailroaded (most annoying title of a film?). See this film if possible - it's finally released. This film is amazing! It brought me to tears - in several scenes. The film haunted my dreams, early morning groggy thoughts, and daydreams. And Daniel Johnston, as opposed to Wild Man, is an artist. His music has a point and is almost pure emotion that sometimes tears you apart. (Not so sure about his visual art). Wow.
The pathology of each of these people is rather similar, although mention was not made of Wild Man's drug use (if there was any), and it was a prominent part of Daniel Johnston. However, the personality of each is markedly different. Wild Man - I find very annoying - I think that I am on the side of his family here. I did not believe his depiction of his mother, Frank Zappa, or most other people in his life. Not only is he schizophrenic, and bi-polar (I think manic depressive is actually more descriptive here), but he is also self absorbed, selfish, and egocentric. Daniel Johnston is none of these things. So this makes it also hard to separate these films - Johnston is likable - Wild Man is not. I've know a few people like Wild Man (without the extreme pathology) and have had to work with them - it is not fun - extremely exasperating only touches the surface of a description of the experience. Maybe this personality type is so antithetical to mine that I can not judge the merits of this film objectively - but isn't that true for many of us?
Now I have to compare this to another documentary that I saw a few years ago - 'The Devil and Daniel Johnston' the subject of whom is mentioned in Derailroaded (most annoying title of a film?). See this film if possible - it's finally released. This film is amazing! It brought me to tears - in several scenes. The film haunted my dreams, early morning groggy thoughts, and daydreams. And Daniel Johnston, as opposed to Wild Man, is an artist. His music has a point and is almost pure emotion that sometimes tears you apart. (Not so sure about his visual art). Wow.
The pathology of each of these people is rather similar, although mention was not made of Wild Man's drug use (if there was any), and it was a prominent part of Daniel Johnston. However, the personality of each is markedly different. Wild Man - I find very annoying - I think that I am on the side of his family here. I did not believe his depiction of his mother, Frank Zappa, or most other people in his life. Not only is he schizophrenic, and bi-polar (I think manic depressive is actually more descriptive here), but he is also self absorbed, selfish, and egocentric. Daniel Johnston is none of these things. So this makes it also hard to separate these films - Johnston is likable - Wild Man is not. I've know a few people like Wild Man (without the extreme pathology) and have had to work with them - it is not fun - extremely exasperating only touches the surface of a description of the experience. Maybe this personality type is so antithetical to mine that I can not judge the merits of this film objectively - but isn't that true for many of us?
what the hell?
Stacey4U3 October 2005
Very disappointing! I saw this documentary at a screening event and I actually walked out of the theater cause it was so bad. The sound editing was terrible, fisher's voice is enough to drive anyone into a mental institution (seriously - like freakin long pointy nails on a chalk board), and the bottom line is i don't think anyone really even knows of or cares about this man. I mean I certainly never heard of him, my friends never heard of him, so why make a film about him? why? My suggestion to the producers....try making a documentary about something worth watching next time and hire a different editor and sound person while you are at it. Also, maybe go back to film school, if you even attended, and try it again
Oh Come On
arfdawg-112 September 2019
I don't care how many celebs and quasi artists tout this guy as the next coming. He's untalented and this doc is really a giant waste of time. It's not even interesting.
The doc on Daniel Johnston is way more interesting and at least he had some musical ability and interesting tunes. This dude just rants the same crap over and over. Oh Linda Oh Laura, Who cares?
So stoopid. And he actually thinks he's in the "music business."
No wonder his one record bombed.
The doc on Daniel Johnston is way more interesting and at least he had some musical ability and interesting tunes. This dude just rants the same crap over and over. Oh Linda Oh Laura, Who cares?
So stoopid. And he actually thinks he's in the "music business."
No wonder his one record bombed.
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