Before we continue to point out all the limitations of "Broken" or any of Mr. Ferrari's (is that his real name?) productions, we must understand the limitations of said video- grapher. First, Mr. Ferrari never attended a real film school where they teach content, story, history or originality. He went to a technical film school called "Full Sail" in Florida, know as the APEX Tec of film schools. His films have a juvenile fascination with technical feats and special effects. Stories, characters and ideas never rise past a 10th grade comic book reading level. Like some one pointed out "Broken' would be cool if a 18 -19 year old made it. Having a lack of education in film and literary history allows him to fall into every cliché and stereotype with out knowing it's already been done. Like a teenager he gravitates to violent action with no story. Everything is a stereotype, nothing is deep. He sites his hero's as Tarrintino and Robert Rodriquez, two supposedly self taught filmmaker. Well, Tarrintino is a film scholar in his own right, and a gifted artist. Mr. Rodriquez did go to film school in Austin and has a sense of humor which Ferrari has none. All Mr. Ferrari and his collaborators do is make inferior hack versions of movies they like. When looking at his reel it feels like a bunch of stunted 30 something year old males got together and made home movies like they are 12 years old. He's more excited about a muzzle flash or squibs then the story. The other thing that is annoying about Ferrari is that he calls himself a filmmaker. The guy has only shot a few feet of film for that abortive film trailer, and a spec spot or two. Now that video is available to everyone, we have to deal with a high volume of garbage. Real film has become the currency of serious filmmakers. Robert Rodriquez makes HD films now, after shooting miles of real film. Ferrari and company should keep their money on shooting a 35mm short that has a story, real actors, a brain, and no cheesy childish gags or gimmicks. Mr. Ferrari's ego dose not allow him to be anything but a "director". But his talents indicate he should be a special effects supervisor. Alex, please leave the directing to those with vision, originality and talent.