Directed by
| Jonathan Ogilvie | ||
Writing Credits
| Jonathan Ogilvie | ... | (written by) |
Cast (in credits order)
Produced by
| John Brousek | ... | producer |
| John Cairns | ... | executive producer |
| Michelle Harrison | ... | producer |
| Mike Klein | ... | executive producer |
| Bjorg Veland | ... | executive producer |
| Sue Wild | ... | line producer |
Music by
| Chris Abrahams | ||
Cinematography by
| Geoffrey Simpson | ||
Editing by
| Ken Sallows | ||
Casting By
| Gregory Apps | ||
Production Design by
| Pete Baxter | ||
Art Direction by
| Janie Parker | ||
Set Decoration by
| Marian Murray | ||
Costume Design by
| Cappi Ireland | ||
Makeup Department
| Kirsten Veysey | ... | makeup designer |
| Nik Dorning | ... | tattoo manufacture (uncredited) |
Production Management
| Mark 'Sharky' Johnson | ... | unit manager |
Second Unit Director or Assistant Director
| Manuel Caracciolo | ... | third assistant director |
| Marshall Crosby | ... | first assistant director |
| Julian Duggan | ... | additional assistant director |
| Todd Embling | ... | second assistant director |
Art Department
| Christopher Bruce | ... | props maker |
| Kristen Condon | ... | art department additional |
| Nick Hepburn | ... | art department runner |
| Honi Keller | ... | buyer / set dresser |
| Hannah Knowlton | ... | property master |
Sound Department
| Liam Egan | ... | sound designer |
| Les Fiddess | ... | foley artist |
| Sam Hayward | ... | foley editor |
| Phil Judd | ... | re-recording mixer |
| Tony Murtagh | ... | lead dialogue editor |
| Martin Oswin | ... | foley mixer |
| Jan Petrov | ... | adr recordist |
| Alicia Slusarski | ... | sound effects editor |
| Jenny T. Ward | ... | adr supervisor |
| Mark J. Wasiutak | ... | boom operator |
Special Effects by
| Sam Abbott | ... | special effects technician |
| Thomas Eucla Davies | ... | special effects technician |
| Angelo Sahin | ... | special effects supervisor |
| Dave Seaborn | ... | special effects technician |
Visual Effects by
| Simon Alberry | ... | CG visual effects / I/O supervisor |
| Sam Cole | ... | on set visual effects supervisor: FUEL International |
| Brad Floyd | ... | compositor |
| Michelle Hunt | ... | main title design |
| Andreas Wanda | ... | visual effects supervisor |
Stunts
| Zev Eleftheriou | ... | stunt coordinator |
| Brendan Guerin | ... | stunt performer |
| Siros Niaros | ... | stunt performer |
| Mark Rayner | ... | stunt performer |
Camera and Electrical Department
| Robert Abboud | ... | additional lighting technician |
| Mal Booth | ... | rigging grip |
| Chris Hansford | ... | a cam dolly grip |
| Jason Hansford | ... | on-set grip |
| Rob Hansford | ... | key grip |
| Michelle Marchant | ... | second assistant camera |
| Sarah O'May Turner | ... | additional assistant camera |
| Mark Kupenga | ... | additional lighting technician (uncredited) |
Casting Department
| Alex Christopoulos | ... | extras casting assistant |
| Lilly Dawson | ... | additional casting |
Costume and Wardrobe Department
| Fiona MacKinnon | ... | costume assistant |
Editorial Department
| Meri Blazevski | ... | assistant editor |
| Marcus Herrick | ... | assistant editor |
| Phillip Lefesi | ... | additional editor |
| Ian Letcher | ... | colorist |
| Rachel McKellar | ... | rushes coordinator (as Rachel McKellar-Harding) |
| Amanda Short | ... | rushes colorist |
Music Department
| Kim Green | ... | music licensing |
Script and Continuity Department
| Jane Forbes | ... | script supervisor |
Additional Crew
| Daniel F. Cardone | ... | production secretary (as Daniel Cardone) |
| Libby Evans | ... | unit nurse |
| Serena Gattuso | ... | production coordinator |
| Becky Head | ... | producer's assistant |
| Michelle Hunt | ... | title designer |
| Nathan Smith | ... | digital liaison |
