The lineup for the 77th Cannes Film Festival has officially been unveiled. As of right now, 19 films will be competing for the prestigious top prize, the Palme d’Or. The festival will be running from May 14 through the closing ceremony on May 25 in the small town on the French Riviera. This year’s jury will be led by Greta Gerwig, fresh off of her success writing and directing “Barbie,” which earned her an Oscar nomination for Best Adapted Screenplay. The remaining members of the jury have yet to be announced.
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
- 4/18/2024
- by Charles Bright
- Gold Derby
Updated: The Cannes Film Festival will have an admirable UK and Irish presence in 2024, including three films from Dublin, London and Belfast-based production company Element Pictures, Andrea Arnold’s Bird in Competition and features from fresh talents Sandhya Suri and Rungano Nyoni, as well as Sister Midnight in Directors’ Fortnight.
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
- 4/17/2024
- ScreenDaily
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
British filmmaker Andrea Arnold is packing her bags for the Cannes Film Festival. She’ll need to make some space in her luggage for Directors’ Fortnight Golden Coach Award but the will she replicate the double showcase that Kelly Reichardt had in 2022 when she was honored in the Quinzaine and shored up (Showing Up) in Palme d’Or competition as well? The competition line-up for the 77th edition of the Cannes Film Festival will be unveiled on Thursday and the perennial favorite Arnold is among the best bets for a Palme d’Or competition berth.
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
Arnold’s debut feature Red Road (2006) was one of those rare moments where a debut feature film was inserted in a Palme d’Or line-up.…...
- 4/9/2024
- by Eric Lavallée
- IONCINEMA.com
British filmmaker Andrea Arnold is set to receive the Golden Coach Award at this year’s Directors Fortnight, which runs alongside the Cannes Film Festival.
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
The ceremony will take place on May 15 during the opening ceremony for Directors’ Fortnight.
The honorary award, handed out by the governing body of the Cannes sidebar the Society of French Directors (Sfr), launched in 2002 and is handed out to filmmakers boasting “innovative qualities, courage and independent-mindedness of his or her work.”
The French guild described Arnold as an “avid explorer of the fringes of society” and “a dynamiter of social film codes” who has “a knack of sounding out the power of bodies and souls.”
Arnold’s latest film, “Bird,” is rumored to be in the pipeline for this year’s competition roster at the Cannes Film Festival.
“From ‘Milk’ to ‘Red Road,’ from ‘Wuthering Heights’ to ‘American Honey,’ you scrutinize society from every angle,...
- 4/9/2024
- by Elsa Keslassy
- Variety Film + TV
The French Directors’ Guild (Srf) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
Arnold will receive the prize at the opening ceremony of the parallel section, running alongside the main Cannes Film Festival from May 15 to 25.
She is the first UK director to be honored with the award and follows in the wake of the likes of Kelly Reichardt, John Carpenter, Martin Scorsese, Jia Zhangke, Jane Campion, Agnès Varda, Naomi Kawase and Jim Jarmusch.
Arnold has been a regular in the Cannes Film Festival’s Official Selection since her debut feature Red Road, which won the Jury Prize in 2006.
She went on to win the Jury Prize again for Fish Tank in 2009 and American Honey in 2016. Her last film Cow played in the Cannes Premiere section in 2021.
The announcement of the Directors’ Fortnight honor...
- 4/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Exclusive: I’m hearing that Oscar nominee and Avengers star Scarlett Johansson (Marriage Story) is set to lead true-crime thriller Featherwood, which is one of the hottest new scripts ahead of next week’s EFM market in Berlin.
In a role that has some buyers already speculating awards potential, Johansson will portray Carol Blevins, a heroin addict and “Aryan Princess featherwood” (property of a gang member) who became one of the FBI’s most important informants during an epic, six-year investigation into the murderous, neo-Nazi crime and drug syndicate known as the Aryan Brotherhood Of Texas. Blevins, who lived with the gang, memorized details, pre-empted murders and interrupted robberies, helped convict 13 members of the group. However, her harrowing journey left her with significant physical and mental scars and she lives under constant threat of reprisal by the Abt.
The movie is based on the award-winning, six-part Dallas Morning News article...
In a role that has some buyers already speculating awards potential, Johansson will portray Carol Blevins, a heroin addict and “Aryan Princess featherwood” (property of a gang member) who became one of the FBI’s most important informants during an epic, six-year investigation into the murderous, neo-Nazi crime and drug syndicate known as the Aryan Brotherhood Of Texas. Blevins, who lived with the gang, memorized details, pre-empted murders and interrupted robberies, helped convict 13 members of the group. However, her harrowing journey left her with significant physical and mental scars and she lives under constant threat of reprisal by the Abt.
The movie is based on the award-winning, six-part Dallas Morning News article...
- 2/9/2024
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: American Honey director Andrea Arnold’s next film is gearing up as Deadline has confirmed that Barry Keoghan and Franz Rogowski are in talks to star in Bird.
Not much is known about the film other than it begins filming next month which is why Keoghan had to part ways with Ridley Scott’s Gladiator sequel which shoots at the same time.
Keoghan is coming off a Best Supporting Actor Oscar nomination for the 1920s-set The Banshees of Inisherin. Next up he can be seen in Emerald Fennell’s Saltburn opposite Jacob Elordi and is shooting Trey Edward Shults’ latest movie, which also stars Jenna Ortega and The Weeknd.
Following his star-making role in the sci fi pic Transit, Rogowski has been on the industry’s radar as one of the rising stars to keep an eye on. He recently wrapped production on the A24 comedy Wizards! opposite Pete Davidson,...
Not much is known about the film other than it begins filming next month which is why Keoghan had to part ways with Ridley Scott’s Gladiator sequel which shoots at the same time.
Keoghan is coming off a Best Supporting Actor Oscar nomination for the 1920s-set The Banshees of Inisherin. Next up he can be seen in Emerald Fennell’s Saltburn opposite Jacob Elordi and is shooting Trey Edward Shults’ latest movie, which also stars Jenna Ortega and The Weeknd.
Following his star-making role in the sci fi pic Transit, Rogowski has been on the industry’s radar as one of the rising stars to keep an eye on. He recently wrapped production on the A24 comedy Wizards! opposite Pete Davidson,...
- 5/19/2023
- by Justin Kroll
- Deadline Film + TV
Happening director Audrey Diwan will head up this year’s jury for the Cannes Critics’ Week sidebar, organizers unveiled on Wednesday.
The French filmmaker won the Golden Lion in Venice for Happening, an abortion drama set in early 1960s France, which was her second feature. She will take over duties as jury president for the Critics’ Week, a parallel Cannes festival sidebar that focuses on first and second features from emerging talents.
Joining Diwan on this year’s Critics’ Week jury are German actor Franz Rogowski (A Hidden Life, Disco Boy), Portuguese cinematographer Rui Poças (Frankie, Tabu), Sundance festival programming director Kim Yutani, and Indian journalist and Berlinale festival programmer Meenakshi Shedde.
Originally set up by an association of French film critics in 1962, Critics’ Week is the oldest non-official Cannes sidebar. The section is credited with discovering some of the biggest names in independent and arthouse cinema, many of whom...
The French filmmaker won the Golden Lion in Venice for Happening, an abortion drama set in early 1960s France, which was her second feature. She will take over duties as jury president for the Critics’ Week, a parallel Cannes festival sidebar that focuses on first and second features from emerging talents.
Joining Diwan on this year’s Critics’ Week jury are German actor Franz Rogowski (A Hidden Life, Disco Boy), Portuguese cinematographer Rui Poças (Frankie, Tabu), Sundance festival programming director Kim Yutani, and Indian journalist and Berlinale festival programmer Meenakshi Shedde.
Originally set up by an association of French film critics in 1962, Critics’ Week is the oldest non-official Cannes sidebar. The section is credited with discovering some of the biggest names in independent and arthouse cinema, many of whom...
- 4/12/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
It’s five years since Theresa May, then the United Kingdom’s first prime minister of the Brexit era, coined the term “citizen of nowhere” to denigrate residents of the country who identified themselves more globally. Those three words swiftly became a media catchphrase to encapsulate the Conservative government’s apparent hostility toward immigrants; liberal-minded multinationals adopted the term as a badge of pride. Yet for the disenfranchised émigré who can’t go home again, but hasn’t found home in the U.K. either, it’s not such an easy label to claim: Transplanted to working-class Glasgow from West Africa, shorn of any sense of belonging anywhere, the wary, vulnerable mother and daughter at the heart of Adura Onashile’s tender character study “Girl” respond by making their world as small as possible — barely stretching beyond the front door of their shabby council apartment.
The gradual, pained steps they...
The gradual, pained steps they...
- 1/28/2023
- by Guy Lodge
- Variety Film + TV
It feels serendipitous that Scrapper, a somber slice-of-life British melodrama, screened at the Sundance Film Festival just days after hysterical reporting on Prince Harry’s book, Spare, and the announcement of King Charles’ coronation plans. Finding it a bit hard to sympathize and identify with––or care about––the ongoing drama surrounding the U.K.’s Royal Family? You can bet the characters in Scrapper wouldn’t care less, either. Audience members watching Charlotte Regan’s film will, however, care deeply about 12-year-old Georgie and her existence on the outskirts of London.
Scrapper is a remarkably assured first feature for director Charlotte Regan, who follows a string of acclaimed shorts and music videos. While its working-class milieu calls to mind noteworthy British dramas like Andrea Arnold’s Fish Tank and Clio Barnard’s Ali & Ava, Scrapper has a different feel. There is more humor, for starters––some of it derived from its protagonist,...
Scrapper is a remarkably assured first feature for director Charlotte Regan, who follows a string of acclaimed shorts and music videos. While its working-class milieu calls to mind noteworthy British dramas like Andrea Arnold’s Fish Tank and Clio Barnard’s Ali & Ava, Scrapper has a different feel. There is more humor, for starters––some of it derived from its protagonist,...
- 1/27/2023
- by Christopher Schobert
- The Film Stage
From Red Road to Prometheus, the Scottish actor has quietly amassed one of the most impressive CVs on screen. Our film critic talks to one of his favourite actors
Earlier this year, an Observer reader asked me the question: “Which actor do you think has produced the greatest quality of work across their career?” My answer was Kate Dickie. The Scottish star made a splash in Andrea Arnold’s directorial feature debut, Red Road, in 2006, for which she won a Scottish Bafta, and has gone on to appear in a bewilderingly diverse array of films. These range from Ridley Scott’s sci-fi blockbuster Prometheus (2012) to Robert Eggers’s indie chiller The Witch (2015), Tom Geens’s mysterious, grief-stricken Couple in a Hole, and more recently David Lowery’s epic chivalric poem adaptation The Green Knight (2021). In some of these films Dickie takes the lead; in others she plays a supporting role.
Earlier this year, an Observer reader asked me the question: “Which actor do you think has produced the greatest quality of work across their career?” My answer was Kate Dickie. The Scottish star made a splash in Andrea Arnold’s directorial feature debut, Red Road, in 2006, for which she won a Scottish Bafta, and has gone on to appear in a bewilderingly diverse array of films. These range from Ridley Scott’s sci-fi blockbuster Prometheus (2012) to Robert Eggers’s indie chiller The Witch (2015), Tom Geens’s mysterious, grief-stricken Couple in a Hole, and more recently David Lowery’s epic chivalric poem adaptation The Green Knight (2021). In some of these films Dickie takes the lead; in others she plays a supporting role.
- 8/28/2022
- by Mark Kermode
- The Guardian - Film News
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All the Old Knives (Janus Metz Pedersen)
All the Old Knives wants you to sweat and swoon in equal measure. Playing in the same tried and true sandbox as some of the great espionage thrillers before it, director Janus Metz Pedersen’s adaptation of Olen Steinhaur’s 2015 novel traffics in all necessary trappings of its genre. Between the clandestine correspondence and popped peacoat collars against wet European streets, it’s certainly not shy about cinematic crushes. This infatuation is wholly appropriate, because––chilly demeanor notwithstanding––All the Old Knives is a burning romantic at heart. – Conor O. (full review)
Where to Stream: Amazon Prime
Bull (Paul Andrew Williams)
It’s been ten years since Bull’s (Neil Maskell) son Aiden was taken...
All the Old Knives (Janus Metz Pedersen)
All the Old Knives wants you to sweat and swoon in equal measure. Playing in the same tried and true sandbox as some of the great espionage thrillers before it, director Janus Metz Pedersen’s adaptation of Olen Steinhaur’s 2015 novel traffics in all necessary trappings of its genre. Between the clandestine correspondence and popped peacoat collars against wet European streets, it’s certainly not shy about cinematic crushes. This infatuation is wholly appropriate, because––chilly demeanor notwithstanding––All the Old Knives is a burning romantic at heart. – Conor O. (full review)
Where to Stream: Amazon Prime
Bull (Paul Andrew Williams)
It’s been ten years since Bull’s (Neil Maskell) son Aiden was taken...
- 4/8/2022
- by Jordan Raup
- The Film Stage
The spring often brings the most interesting slate of releases––films operating outside the prescribed box of awards season contenders while also attempting to steer clear of a summer movie season dominated by tentpoles––and this April is no exception. With a number of our festival favorites from the past few years, a couple of promising wide releases, and more, there’s plenty to discover.
15. Ambulance (Michael Bay; April 8 in theaters)
However one may feel about Michael Bay, he remains one of the few Hollywood directors who actually bring a bold (if ridiculously over-the-top) vision to studio filmmaking. After teaming with Netflix, he’s now back in theatrical mode for Ambulance. Led by Jake Gyllenhaal, Yahya Abdul-Mateen II, and Eiza González, this remake of the Danish film follows a decorated veteran who, desperate for money to cover his wife’s medical bills, embarks on a bank heist with his adoptive brother.
15. Ambulance (Michael Bay; April 8 in theaters)
However one may feel about Michael Bay, he remains one of the few Hollywood directors who actually bring a bold (if ridiculously over-the-top) vision to studio filmmaking. After teaming with Netflix, he’s now back in theatrical mode for Ambulance. Led by Jake Gyllenhaal, Yahya Abdul-Mateen II, and Eiza González, this remake of the Danish film follows a decorated veteran who, desperate for money to cover his wife’s medical bills, embarks on a bank heist with his adoptive brother.
- 3/31/2022
- by Jordan Raup
- The Film Stage
Following up her road trip epic American Honey, Andrea Arnold turned to something with a far smaller scale. Cow, which arrives in the U.S. on April 8 in theaters and on VOD, follows the life of a dairy cow named Luma residing on an English cattle farm. Capturing birthing, milking, and mating, the documentary premiered at Cannes last year and now the U.S. trailer has arrived ahead of next month’s release from IFC Films.
Ed Frankl said in his review, “Andrea Arnold, director of stylized social-realist dramas like Red Road and Fish Tank, takes a drastic turn with an in-your-face documentary about a farmyard cow. Yet despite a lo-fi, handheld-camera cragginess, it still has something of the lyricism that marks so much of her work, going back to the Oscar-winning short Wasp. Arnold’s camera meets cattle at eye-level, as close to the animal’s point-of-view as possible,...
Ed Frankl said in his review, “Andrea Arnold, director of stylized social-realist dramas like Red Road and Fish Tank, takes a drastic turn with an in-your-face documentary about a farmyard cow. Yet despite a lo-fi, handheld-camera cragginess, it still has something of the lyricism that marks so much of her work, going back to the Oscar-winning short Wasp. Arnold’s camera meets cattle at eye-level, as close to the animal’s point-of-view as possible,...
- 3/5/2022
- by Jordan Raup
- The Film Stage
"Crafts a hypnotic spell." IFC Films has revealed a new US trailer for the acclaimed documentary film Cow, following the lives of two cows on a dairy farm in the UK. This premiered at the 2021 Cannes Film Festival last summer, where it received rave reviews (read ours here). It's made by filmmaker Andrea Arnold, best known for her films Red Road, Fish Tank, Wuthering Heights, and American Honey. She explains why she made this: "This film is an endeavour to consider cows. To move us closer to them. To see both their beauty and the challenge of their lives. Not in a romantic way but in a real way... It's a film about one dairy cow's reality and acknowledging her great service to us. When I look at Luma, our cow, I see the whole world in her." It is "a mesmerizing and emotional work of cinema vérité." Its power lies in its transparency,...
- 3/4/2022
- by Alex Billington
- firstshowing.net
Red Road, Citizen Kane, Reservoir Dogs… some debut features feel like anything but
The start of a new year always makes one feel inclined to do something new, whether it’s taking up knitting, committing to a workout regime or, for the more ambitious among us, making a film. In a suitable spirit of beginnings, Mubi annually serves this impulse with its First Films First series of essential debut features by major film-makers – though most of them, admittedly, don’t inspire a surge of hopeful “I could do that” confidence.
Mubi’s debut selections this year are a formidable bunch, beginning with their admittedly pretty downbeat New Year’s Day pick, Andrea Arnold’s sharp, lean, unshakable revenge drama Red Road (2006), which set the tone for one of the great sensory film-making careers in British cinema. That’s followed up with Roy Andersson’s A Swedish Love Story, a gentle,...
The start of a new year always makes one feel inclined to do something new, whether it’s taking up knitting, committing to a workout regime or, for the more ambitious among us, making a film. In a suitable spirit of beginnings, Mubi annually serves this impulse with its First Films First series of essential debut features by major film-makers – though most of them, admittedly, don’t inspire a surge of hopeful “I could do that” confidence.
Mubi’s debut selections this year are a formidable bunch, beginning with their admittedly pretty downbeat New Year’s Day pick, Andrea Arnold’s sharp, lean, unshakable revenge drama Red Road (2006), which set the tone for one of the great sensory film-making careers in British cinema. That’s followed up with Roy Andersson’s A Swedish Love Story, a gentle,...
- 1/1/2022
- by Guy Lodge
- The Guardian - Film News
"Nearly wordless, yet extremely loud." Mubi has debuted the first trailer for the acclaimed documentary film Cow, following the lives of two cows on a dairy farm in the UK. This originally premiered at the 2021 Cannes Film Festival, which is a prestigious place to premiere a film that has no dialogue and is only about animals (and how much they suffer at the hands of humans). It's made by filmmaker Andrea Arnold, best known for her films Red Road, Fish Tank, Wuthering Heights, American Honey. "This film is an endeavour to consider cows. To move us closer to them. To see both their beauty and the challenge of their lives. Not in a romantic way but in a real way... It's a film about one dairy cow's reality and acknowledging her great service to us. When I look at Luma, our cow, I see the whole world in her." I...
- 12/23/2021
- by Alex Billington
- firstshowing.net
Ghostbusters: Afterlife director Jason Reitman takes hosts Joe Dante and Josh Olson on a journey through some of his favorite cinematic tonal shifts.
Show Notes: Movies Referenced In This Episode
Ghostbusters: Afterlife (2021)
Thank You For Smoking (2006)
Up In The Air (2009)
Juno (2007)
Young Adult (2011)
Citizen Kane (1941) – John Landis’s trailer commentary
Seven Samurai (1954) Brian Trenchard-Smith’s trailer commentary
Lawrence of Arabia (1962)
Rififi (1955)
Titane (2021)
Cannibal Girls (1973)
Raw (2016)
Hellraiser (1987)
A Serbian Film (2010)
Cast Away (2000)
What Lies Beneath (2000)
Million Dollar Baby (2004)
Downhill Racer (1968) – Glenn Erickson’s Criterion Blu-ray review
Breaking Away (1979)
Boys Don’t Cry (1999)
From Dusk Till Dawn (1996)
The Great Waldo Pepper (1975)
Psycho (1960) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
Psycho (1998) – Ti West’s trailer commentary
Last Night In Soho (2021)
Funny Games (1997)
Funny Games (2008)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray
I, The Jury (1982)
Mother! (2017)
Mulholland Drive (2001)
Tully (2018)
Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary links...
Show Notes: Movies Referenced In This Episode
Ghostbusters: Afterlife (2021)
Thank You For Smoking (2006)
Up In The Air (2009)
Juno (2007)
Young Adult (2011)
Citizen Kane (1941) – John Landis’s trailer commentary
Seven Samurai (1954) Brian Trenchard-Smith’s trailer commentary
Lawrence of Arabia (1962)
Rififi (1955)
Titane (2021)
Cannibal Girls (1973)
Raw (2016)
Hellraiser (1987)
A Serbian Film (2010)
Cast Away (2000)
What Lies Beneath (2000)
Million Dollar Baby (2004)
Downhill Racer (1968) – Glenn Erickson’s Criterion Blu-ray review
Breaking Away (1979)
Boys Don’t Cry (1999)
From Dusk Till Dawn (1996)
The Great Waldo Pepper (1975)
Psycho (1960) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
Psycho (1998) – Ti West’s trailer commentary
Last Night In Soho (2021)
Funny Games (1997)
Funny Games (2008)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray
I, The Jury (1982)
Mother! (2017)
Mulholland Drive (2001)
Tully (2018)
Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary links...
- 11/23/2021
- by Kris Millsap
- Trailers from Hell
Amazon Prime Video’s epic The Lord of the Rings series won’t arrive until 2022. Thankfully, with its list of new releases for November 2021, Amazon has a pretty major fantasy adaptation to hold us over.
The Wheel of Time is set to premiere on Nov. 19 and will bring Robert Jordan’s massive fantasy universe to life. Rosamund Pike stars as Moiraine, a powerful magic-user who guides five young people on a perilous journey around the world. One of them just might be the reincarnation of the Dragon, a powerful entity who could save the world…or destroy it.
Read more TV The Wheel of Time: Who Are the Aes Sedai? By Michael Ahr TV How The Wheel of Time Adapts a Sprawling Epic Fantasy By Michael Ahr
In addition to that bit of fantasy fun, Amazon Prime also has some other TV options this month. Lesbian dating show Tampa Baes (Nov.
The Wheel of Time is set to premiere on Nov. 19 and will bring Robert Jordan’s massive fantasy universe to life. Rosamund Pike stars as Moiraine, a powerful magic-user who guides five young people on a perilous journey around the world. One of them just might be the reincarnation of the Dragon, a powerful entity who could save the world…or destroy it.
Read more TV The Wheel of Time: Who Are the Aes Sedai? By Michael Ahr TV How The Wheel of Time Adapts a Sprawling Epic Fantasy By Michael Ahr
In addition to that bit of fantasy fun, Amazon Prime also has some other TV options this month. Lesbian dating show Tampa Baes (Nov.
- 11/1/2021
- by Alec Bojalad
- Den of Geek
Amazon Prime Video’s October 2021 schedule features a raft of Alien movies, two Nutty Professors and an extra helping of Arnold Schwarzenegger in Jingle All the Way and its sequel.
Prime originals scheduled right around Thanksgiving include season 3 of Hanna,
Do, Re & Mi Holiday Special: Merry Nestivus, plus the original movies Anni da cane and Burning.
For the full list of new programming for November, see below.
November 1
Movies
50/50 (2011)
Alien (1979)
Alien 3 (1992)
Alien Resurrection (1997)
Alien Vs. Predator (2004)
Alpha Dog (2005)
American Assassin (2017)
Born On The Fourth Of July (1989)
Bringing Down The House (2003)
Casanova, Last Love (2021)
Cast Away (2000)
Children Of Men (2006)
Crazy, Stupid, Love (2011)
Dan In Real Life (2007)
Dead Poets Society (1989)
Dragonball Evolution (2009)
Dude, Where’s My Car? (2000)
Eragon (2006)
Fantastic Mr. Fox (2009)
Gnomeo & Juliet (2011)
Hope Springs Eternal (2018)
I Now Pronounce You Chuck & Larry (2007)
In Time (2011)
It’s Complicated (2009)
Jane Eyre (2011)
Jingle All The Way (1996)
Jingle All The Way 2 (2014)
Johnny English (2003)
Kung Pow: Enter The Fist...
Prime originals scheduled right around Thanksgiving include season 3 of Hanna,
Do, Re & Mi Holiday Special: Merry Nestivus, plus the original movies Anni da cane and Burning.
For the full list of new programming for November, see below.
November 1
Movies
50/50 (2011)
Alien (1979)
Alien 3 (1992)
Alien Resurrection (1997)
Alien Vs. Predator (2004)
Alpha Dog (2005)
American Assassin (2017)
Born On The Fourth Of July (1989)
Bringing Down The House (2003)
Casanova, Last Love (2021)
Cast Away (2000)
Children Of Men (2006)
Crazy, Stupid, Love (2011)
Dan In Real Life (2007)
Dead Poets Society (1989)
Dragonball Evolution (2009)
Dude, Where’s My Car? (2000)
Eragon (2006)
Fantastic Mr. Fox (2009)
Gnomeo & Juliet (2011)
Hope Springs Eternal (2018)
I Now Pronounce You Chuck & Larry (2007)
In Time (2011)
It’s Complicated (2009)
Jane Eyre (2011)
Jingle All The Way (1996)
Jingle All The Way 2 (2014)
Johnny English (2003)
Kung Pow: Enter The Fist...
- 10/26/2021
- by Tom Tapp
- Deadline Film + TV
Exclusive: IFC Films has taken North American rights to Andrea Arnold’s well-received Cannes Film Festival documentary Cow.
Cow, which made its world premiere earlier this month in the newly created Cannes Premiere section, reps IFC and Arnold’s second teaming together after her award-winning Fish Tank, which starred Katie Jarvis and Michael Fassbender.
U.S. sales rep Submarine Entertainment brokered the deal for Cow on behalf of the filmmakers. Submarine sold Todd Haynes’ The Velvet Underground to Apple TV+ back in October; that doc also made its world premiere at Cannes this year.
Cow was shot over seven years, and repped Arnold’s return to Cannes after her 2016 young-adult movie American Honey. It was produced by Kat Mansoor of Halcyon Pictures and executive produced by Rose Garnett of BBC Film and Maxyne Franklin and Sandra Whipham of Doc Society.
This film is an endeavour to consider cows. To move us closer to them.
Cow, which made its world premiere earlier this month in the newly created Cannes Premiere section, reps IFC and Arnold’s second teaming together after her award-winning Fish Tank, which starred Katie Jarvis and Michael Fassbender.
U.S. sales rep Submarine Entertainment brokered the deal for Cow on behalf of the filmmakers. Submarine sold Todd Haynes’ The Velvet Underground to Apple TV+ back in October; that doc also made its world premiere at Cannes this year.
Cow was shot over seven years, and repped Arnold’s return to Cannes after her 2016 young-adult movie American Honey. It was produced by Kat Mansoor of Halcyon Pictures and executive produced by Rose Garnett of BBC Film and Maxyne Franklin and Sandra Whipham of Doc Society.
This film is an endeavour to consider cows. To move us closer to them.
- 7/28/2021
- by Anthony D'Alessandro
- Deadline Film + TV
‘The World To Come’, ‘Riders Of Justice’ also hit cinemas.
M. Night Shyamalan’s ageing thriller Old heads the new openers at the UK-Ireland box office this weekend, as new releases persist despite concerns over rising Covid-19 cases.
The UK and Ireland reported a combined 41,094 new cases on Thursday, July 22. This is up 565% from 6,180 on May 17, the day cinemas reopened in England.
The vaccine rollout should reduce the spread and potency of the virus, with all UK adults now offered a first dose. However there are still concerns that the third wave will affect box office releases; yesterday Entertainment Film Distributors...
M. Night Shyamalan’s ageing thriller Old heads the new openers at the UK-Ireland box office this weekend, as new releases persist despite concerns over rising Covid-19 cases.
The UK and Ireland reported a combined 41,094 new cases on Thursday, July 22. This is up 565% from 6,180 on May 17, the day cinemas reopened in England.
The vaccine rollout should reduce the spread and potency of the virus, with all UK adults now offered a first dose. However there are still concerns that the third wave will affect box office releases; yesterday Entertainment Film Distributors...
- 7/23/2021
- by Ben Dalton
- ScreenDaily
Andrea Arnold, director of stylized social-realist dramas like Red Road and Fish Tank, takes a drastic turn with an in-your-face documentary about a farmyard cow. Yet despite a lo-fi, handheld-camera cragginess, it still has something of the lyricism that marks so much of her work, going back to the Oscar-winning short Wasp.
Arnold’s camera meets cattle at eye-level, as close to the animal’s point-of-view as possible, to follow a milking cow named Luma. Her life is bleak: birthing calves who are then immediately removed from her embrace so that humans can use her milk.
Arnold relentlessly focuses close on the cows’ faces, however messy the camera framing might be, trusting perhaps that Luma’s eyes are the window to her soul. Much like Victor Kossakovsky’s Gunda, to which Cow arrives as an inevitable companion piece, Arnold clearly suggests that these animals have personalities, quirks, and individual traits.
Arnold’s camera meets cattle at eye-level, as close to the animal’s point-of-view as possible, to follow a milking cow named Luma. Her life is bleak: birthing calves who are then immediately removed from her embrace so that humans can use her milk.
Arnold relentlessly focuses close on the cows’ faces, however messy the camera framing might be, trusting perhaps that Luma’s eyes are the window to her soul. Much like Victor Kossakovsky’s Gunda, to which Cow arrives as an inevitable companion piece, Arnold clearly suggests that these animals have personalities, quirks, and individual traits.
- 7/19/2021
- by Ed Frankl
- The Film Stage
Andrea Arnold has refused to speak about her experience on season 2 of “Big Little Lies” — her last major credit before her Cannes-premiering documentary “Cow” — despite subtly hinting that all was not kosher in post production.
Asked how long she was editing on “Cow,” Arnold said there was “a lot of stopping and starting” because “we were trying to edit it at the same time I was editing ‘Big Little Lies,’ which was not happening,” the British director smirked. “It had five editors, ‘Big Little Lies.'”
Arnold directed season 2 of HBO’s “Big Little Lies,” taking over for Canadian director Jean-Marc Vallée who helmed season 1. After the show premiered in 2019 it quickly became clear that sequences were disjointed and scenes felt uneven — highly uncharacteristic of Arnold’s normally raw but robust style. In an exposé by Indiewire, it was later revealed that HBO, executive producer David E. Kelley and Vallée...
Asked how long she was editing on “Cow,” Arnold said there was “a lot of stopping and starting” because “we were trying to edit it at the same time I was editing ‘Big Little Lies,’ which was not happening,” the British director smirked. “It had five editors, ‘Big Little Lies.'”
Arnold directed season 2 of HBO’s “Big Little Lies,” taking over for Canadian director Jean-Marc Vallée who helmed season 1. After the show premiered in 2019 it quickly became clear that sequences were disjointed and scenes felt uneven — highly uncharacteristic of Arnold’s normally raw but robust style. In an exposé by Indiewire, it was later revealed that HBO, executive producer David E. Kelley and Vallée...
- 7/9/2021
- by Manori Ravindran
- Variety Film + TV
The brutish life of a British dairy cow is the subject of this unusual, gripping documentary from director Andrea Arnold. “Cow” screened in the new Cannes Premiere section at this year’s festival, where Arnold is also serving as head of the Un Certain Regard jury and where she has previously won awards for “Red Road,” “Fish Tank” and “American Honey.” Even her debut short, “Wasp,” was garlanded here on the Croisette.
Safe to say, Arnold has form — but her probing camera takes a different, risky slant here, being mostly attached to a beast called Luma. The gamble pays off handsomely and results in a uniquely fascinating experiment.
Although there are similarities with Russian film maker Victor Kossakovksy’s 2020 farmyard doc “Gunda,” Arnold’s film is far grittier and concerned with only one species and indeed one animal, although a couple of her calves are roped in for good measure.
Safe to say, Arnold has form — but her probing camera takes a different, risky slant here, being mostly attached to a beast called Luma. The gamble pays off handsomely and results in a uniquely fascinating experiment.
Although there are similarities with Russian film maker Victor Kossakovksy’s 2020 farmyard doc “Gunda,” Arnold’s film is far grittier and concerned with only one species and indeed one animal, although a couple of her calves are roped in for good measure.
- 7/8/2021
- by Jason Solomons
- The Wrap
Parasite Photo: © 2019 Cj Enm Corporation, Barunson E&a The Cannes Film Festival is returning next week after a year's hiatus due to the pandemic, so to get in the mood, we've picked a selection of winners from the past 70 years for our Streaming Spotlight this week to get you in the mood. It is worth noting that, as with many prizes across the globe, gender inequality remains evident, with Jane Campion still the only woman to have won the coveted Palme d'Or, although women have made inroads with other gongs at the fest. Andrea Arnold has won the Jury Prize three times, for Red Road, Fish Tank and American Honey, while Maïwenn took home the same award for Polisse. Female winners of the festival Grand Prix include Mati Diop (Atlantics) and Naomi Kawase (The Mourning Forest). We'll be bringing you features and reviews throughout this year's festival, which runs from July 6 to 17.
Parasite,...
Parasite,...
- 7/2/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
Documentary will world premiere in new Cannes Premieres section.
Mubi has acquired all UK, Ireland and Turkey rights for Andrea Arnold’s UK documentary Cow, which will world premiere at the Cannes Film Festival this month.
The London-based streaming platform and distributor struck the deal with Paris-based mk2 Films, which is handling international sales, and plans to release the film theatrically in the UK and Ireland. The deal excludes free TV rights in the UK.
Cow marks the fifth feature by UK filmmaker Arnold and will screen in a new strand of the festival titled Cannes Premieres, which is dedicated to films from well-established directors.
Mubi has acquired all UK, Ireland and Turkey rights for Andrea Arnold’s UK documentary Cow, which will world premiere at the Cannes Film Festival this month.
The London-based streaming platform and distributor struck the deal with Paris-based mk2 Films, which is handling international sales, and plans to release the film theatrically in the UK and Ireland. The deal excludes free TV rights in the UK.
Cow marks the fifth feature by UK filmmaker Arnold and will screen in a new strand of the festival titled Cannes Premieres, which is dedicated to films from well-established directors.
- 7/1/2021
- by Michael Rosser
- ScreenDaily
Cannes Official Selection section will showcase 20 films this year.
UK director Andrea Arnold has been announced as president of the Un Certain Regard jury at the 74th edition of the Cannes Film Festival which is due to unfold July 6-17.
The other jury members will comprise French-Algerian director, screenwriter and producer Mounia Meddour, French actress Elsa Zylberstein, Argentinian director, producer and screenwriter Daniel Burman and US writer/director, producer and actor Michael Covino.
Arnold will also be attending the festival with her documentary Cow which is due to show in the new Cannes Première section.
She has a long relationship with the festival.
UK director Andrea Arnold has been announced as president of the Un Certain Regard jury at the 74th edition of the Cannes Film Festival which is due to unfold July 6-17.
The other jury members will comprise French-Algerian director, screenwriter and producer Mounia Meddour, French actress Elsa Zylberstein, Argentinian director, producer and screenwriter Daniel Burman and US writer/director, producer and actor Michael Covino.
Arnold will also be attending the festival with her documentary Cow which is due to show in the new Cannes Première section.
She has a long relationship with the festival.
- 6/14/2021
- by Melanie Goodfellow
- ScreenDaily
British director Andrea Arnold (Fish Tank, American Honey) will head up the international jury for Cannes’ 2021 Un Certain Regard section, the premier festival sidebar alongside Cannes’ competition line-up.
Joining Arnold on the 2021 Un Certain Regard jury are U.S. filmmaker Michael Covino (The Climb), French actor Elsa Zylberstein (I’ve Loved You So Long), Argentine director Daniel Burman (Lost Embrace), and Algerian filmmaker Mounia Meddour (Papicha).
Arnold is a Cannes regular, having won three Jury Awards for her three Cannes competition entries — her debut Red Road (2006), Fish Tank (2009), and American Honey (2016). Arnold’s latest, the bovine-focused documentary Cow, will bow ...
Joining Arnold on the 2021 Un Certain Regard jury are U.S. filmmaker Michael Covino (The Climb), French actor Elsa Zylberstein (I’ve Loved You So Long), Argentine director Daniel Burman (Lost Embrace), and Algerian filmmaker Mounia Meddour (Papicha).
Arnold is a Cannes regular, having won three Jury Awards for her three Cannes competition entries — her debut Red Road (2006), Fish Tank (2009), and American Honey (2016). Arnold’s latest, the bovine-focused documentary Cow, will bow ...
- 6/14/2021
- The Hollywood Reporter - Film + TV
British director Andrea Arnold (Fish Tank, American Honey) will head up the international jury for Cannes’ 2021 Un Certain Regard section, the premier festival sidebar alongside Cannes’ competition line-up.
Joining Arnold on the 2021 Un Certain Regard jury are U.S. filmmaker Michael Covino (The Climb), French actor Elsa Zylberstein (I’ve Loved You So Long), Argentine director Daniel Burman (Lost Embrace), and Algerian filmmaker Mounia Meddour (Papicha).
Arnold is a Cannes regular, having won three Jury Awards for her three Cannes competition entries — her debut Red Road (2006), Fish Tank (2009), and American Honey (2016). Arnold’s latest, the bovine-focused documentary Cow, will bow ...
Joining Arnold on the 2021 Un Certain Regard jury are U.S. filmmaker Michael Covino (The Climb), French actor Elsa Zylberstein (I’ve Loved You So Long), Argentine director Daniel Burman (Lost Embrace), and Algerian filmmaker Mounia Meddour (Papicha).
Arnold is a Cannes regular, having won three Jury Awards for her three Cannes competition entries — her debut Red Road (2006), Fish Tank (2009), and American Honey (2016). Arnold’s latest, the bovine-focused documentary Cow, will bow ...
- 6/14/2021
- The Hollywood Reporter - Movie News
MK2 Films will handle international sales for “Cow,” the fifth feature of celebrated British director Andrea Arnold, which will bow in Official Selection in Cannes next month.
U.S sales banner Submarine Entertainment is handing North America sales.
“Cow” will unspool in the new section called Cannes Premieres which is dedicated to anticipated movies from well-established directors. Each film will have a gala premiere at the Debussy Theater.
Arnold is considered a Cannes regular, having previously won three Jury Prizes for “American Honey” in 2016, “Fish Tank” in 2009 and “Red Road” in 2006. She was also a jury member for the 2012 Competition.
A passion project for Arnold, “Cow” has been in the making for over six years. “This film is an endeavour to consider cows. To move us closer to them. To see both their beauty and the challenge of their lives. Not in a romantic way but in a real way,...
U.S sales banner Submarine Entertainment is handing North America sales.
“Cow” will unspool in the new section called Cannes Premieres which is dedicated to anticipated movies from well-established directors. Each film will have a gala premiere at the Debussy Theater.
Arnold is considered a Cannes regular, having previously won three Jury Prizes for “American Honey” in 2016, “Fish Tank” in 2009 and “Red Road” in 2006. She was also a jury member for the 2012 Competition.
A passion project for Arnold, “Cow” has been in the making for over six years. “This film is an endeavour to consider cows. To move us closer to them. To see both their beauty and the challenge of their lives. Not in a romantic way but in a real way,...
- 6/3/2021
- by Elsa Keslassy
- Variety Film + TV
A new trailer has been launched for James Webber’s feature film debut ‘Sorority’ which heads to festivals later in the year.
The film tells the story of two sisters, Harriet (Sophie Kennedy Clark) and Sarah (Emily Haigh). When both women find themselves heading in opposite directions in life, they must first come to terms with their tragic past and reconcile with their estranged mother Val (Kate Dickie), before looking ahead to a brighter future.
The feature film debut of writer/director James Webber, whose previous work includes the BAFTA long-listed and Channel 4 screened short film ‘Driftwood.’
Sorority stars BAFTA winner Sophie Kennedy Clark, Emily Haigh, Sam Gittins and double BAFTA winner Kate Dickie.
Also in trailers – Welcome to the houseguest from hell – New trailer for ‘Guest House’ lands
‘Sorority’ will be heading to international film festivals late 2020.
The post Strained family relationships are at the heart of the...
The film tells the story of two sisters, Harriet (Sophie Kennedy Clark) and Sarah (Emily Haigh). When both women find themselves heading in opposite directions in life, they must first come to terms with their tragic past and reconcile with their estranged mother Val (Kate Dickie), before looking ahead to a brighter future.
The feature film debut of writer/director James Webber, whose previous work includes the BAFTA long-listed and Channel 4 screened short film ‘Driftwood.’
Sorority stars BAFTA winner Sophie Kennedy Clark, Emily Haigh, Sam Gittins and double BAFTA winner Kate Dickie.
Also in trailers – Welcome to the houseguest from hell – New trailer for ‘Guest House’ lands
‘Sorority’ will be heading to international film festivals late 2020.
The post Strained family relationships are at the heart of the...
- 7/22/2020
- by Zehra Phelan
- HeyUGuys.co.uk
The coronavirus pandemic is still going on, and shutdowns are being lifted oh so gently. That generally means two things: go outside with a mask on while strafing away from passersby on the sidewalk, or stay in and watch stuff. Luckily, The Criterion Channel has announced its June 2020 lineup, which is full of things old and new.
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
- 5/20/2020
- by Matt Cipolla
- The Film Stage
Exclusive: Tony Curran (Ray Donovan), Keith Machekanyanga (Dear White People), Lamar Johnson (The Hate You Give) and Benjamin Flores, Jr. (Rim of the World) are set for recurring roles opposite Bryan Cranston in Your Honor, Showtime’s limited series based on the hot Israeli drama format (Kvodo). The legal thriller hails from Peter Moffat, whose BAFTA-winning Criminal Justice was the basis for HBO’s Emmy-winning limited series The Night Of, and The Good Wife‘s Robert and Michelle King. The series, produced by CBS TV Studios, is in production in New Orleans.
Written by British TV writer-playwright Moffat, the 10-episode limited series rips through all strata of New Orleans society.
Curran plays Frankie, a trusted associate of crime boss Jimmy Baxter (Michael Stuhlbarg). Machekanyanga plays Little Mo, a gang leader who enlists the help of one of his crew, Kofi Jones (Johnson), in a crime. Flores plays Eugene, Kofi’s...
Written by British TV writer-playwright Moffat, the 10-episode limited series rips through all strata of New Orleans society.
Curran plays Frankie, a trusted associate of crime boss Jimmy Baxter (Michael Stuhlbarg). Machekanyanga plays Little Mo, a gang leader who enlists the help of one of his crew, Kofi Jones (Johnson), in a crime. Flores plays Eugene, Kofi’s...
- 10/18/2019
- by Denise Petski
- Deadline Film + TV
The first time I interviewed Montreal filmmaker Jean-Marc Vallée, at Telluride for “Wild,” he started crying. Like an actor, his feelings are close to the surface. He also feels strongly about what he’s trying to convey, whether it’s the isolation of Reese Witherspoon as hiker Cheryl Strayed in “Wild,” the struggle of Matthew McConaughey’s fight against AIDS in “Dallas Buyers Club” – which won the actor an Oscar – or the intense sexual dynamic between an abusive husband and his pummeled wife (Alexander Skarsgard and Nicole Kidman) in Emmy-winning “Big Little Lies.”
This time, I find the director huddled in a dark editing bay as he gives “Big Little Lies 2” the once-over before it hits HBO June 7. “They needed some help,” he said. “Since I know the series, these characters, the music and the cutting, I’m here working with the editors checking their stuff.”
After applying his trademark...
This time, I find the director huddled in a dark editing bay as he gives “Big Little Lies 2” the once-over before it hits HBO June 7. “They needed some help,” he said. “Since I know the series, these characters, the music and the cutting, I’m here working with the editors checking their stuff.”
After applying his trademark...
- 6/4/2019
- by Anne Thompson
- Thompson on Hollywood
The first time I interviewed Montreal filmmaker Jean-Marc Vallée, at Telluride for “Wild,” he started crying. Like an actor, his feelings are close to the surface. He also feels strongly about what he’s trying to convey, whether it’s the isolation of Reese Witherspoon as hiker Cheryl Strayed in “Wild,” the struggle of Matthew McConaughey’s fight against AIDS in “Dallas Buyers Club” – which won the actor an Oscar – or the intense sexual dynamic between an abusive husband and his pummeled wife (Alexander Skarsgard and Nicole Kidman) in Emmy-winning “Big Little Lies.”
This time, I find the director huddled in a dark editing bay as he gives “Big Little Lies 2” the once-over before it hits HBO June 7. “They needed some help,” he said. “Since I know the series, these characters, the music and the cutting, I’m here working with the editors checking their stuff.”
After applying his trademark...
This time, I find the director huddled in a dark editing bay as he gives “Big Little Lies 2” the once-over before it hits HBO June 7. “They needed some help,” he said. “Since I know the series, these characters, the music and the cutting, I’m here working with the editors checking their stuff.”
After applying his trademark...
- 6/4/2019
- by Anne Thompson
- Indiewire
The lies are back, baby, and they’re bigger and littler than ever. HBO has dropped the teaser for “Big Little Lies,” the show so nice they made it twice despite it originally being intended as a miniseries. Also of note is the official reveal of the premiere date, which is just around the corner. Watch the teaser below.
In the preview’s opening moments, a surfer on the beach queries Shailene Woodley: “You’re one of the Monterey Five, right?” Relaying the incident to the rest of her gang — Reese Witherspoon, Nicole Kidman, and Laura Dern — she says it’s “like we all have scarlet letters on our backs” after the incidents of the first season, which saw the death of a character who, let’s be real, totally had it coming. Zoë Kravitz isn’t feeling too great about things, either: “It’s gonna get us, it’s gonna get us all,...
In the preview’s opening moments, a surfer on the beach queries Shailene Woodley: “You’re one of the Monterey Five, right?” Relaying the incident to the rest of her gang — Reese Witherspoon, Nicole Kidman, and Laura Dern — she says it’s “like we all have scarlet letters on our backs” after the incidents of the first season, which saw the death of a character who, let’s be real, totally had it coming. Zoë Kravitz isn’t feeling too great about things, either: “It’s gonna get us, it’s gonna get us all,...
- 4/14/2019
- by Michael Nordine
- Indiewire
“Big Little Lies” is coming back with more drama from the seaside community of Monterey. HBO has announced that season two is coming back in June, but hasn’t formally set an official date. Perhaps most excitingly, it’s been confirmed that Andrea Arnold, the filmmaker behind “Red Road,” “Fish Tank” and “American Honey,” and more recently many directed fantastic episodes of Jill Soloway’s “Transparent” and “I Love Dick,” will be directing all of the seven episodes of season two.
Continue reading ‘Big Little Lies’: Andrea Arnold Will Direct All S2 Coming In June, Season 3 Looks Unlikely at The Playlist.
Continue reading ‘Big Little Lies’: Andrea Arnold Will Direct All S2 Coming In June, Season 3 Looks Unlikely at The Playlist.
- 2/9/2019
- by Rodrigo Perez
- The Playlist
A second season of “Big Little Lies” was far from guaranteed, given that the first season adapted Liane Moriarty’s novel in its entirety, but the show turned into such a runaway success that another go-round was ordered nevertheless. It may not happen again: Nicole Kidman, in a Variety interview, says that getting the band back together would be extremely difficult: “I think it would simply be hard to get the whole group together. But we would love to do it.”
“We” includes Meryl Streep, as the three-time Oscar winner was such a fan of the HBO series that she joined the cast without even seeing a script. “She goes, I suppose now I have to join you. And we were like, What? That’s how much she wanted to support us,” according to Kidman.
Andrea Arnold will be directing the second season, taking over for Jean-Marc Vallée, who won...
“We” includes Meryl Streep, as the three-time Oscar winner was such a fan of the HBO series that she joined the cast without even seeing a script. “She goes, I suppose now I have to join you. And we were like, What? That’s how much she wanted to support us,” according to Kidman.
Andrea Arnold will be directing the second season, taking over for Jean-Marc Vallée, who won...
- 11/25/2018
- by Michael Nordine
- Indiewire
Awkward alum Barret Swatek has booked a recurring role in Yellowstone, Paramount Network’s straight-to-series period drama starring Kevin Costner that premieres this month. From Oscar-nominated writer/executive producer Taylor Sheridan, Yellowstone follows the Dutton family, led by John Dutton (Costner), who controls the largest contiguous ranch in the United States, which is under constant attack by those it borders — land developers, an Indian reservation and America’s first National Park. Swatek will play elegant, attractive, Victoria Jenkins who is married to Dan Jenkins (Danny Huston). She’s wealthy and bored to tears with the life she’s living, and is ready for any kind of excitement. Swatek is known for her role as Ally Saxton on Awkward. She also recurred on American Housewife and 2 Broke Girls, among other credits. She’s repped by Buchwald and Stokes Management.
Defiance alum Tony Curran is set for...
Defiance alum Tony Curran is set for...
- 6/13/2018
- by Denise Petski
- Deadline Film + TV
Carmen Dell’Orefice: "The thing about Guo Pei is that she is the purest child. She doesn't envy. Her love is so pure. That's what makes her artistry just unique." Photo: Anne-Katrin Titze
When I commented to Pietra Brettkelly at the Tribeca Film Festival world premiere of Yellow Is Forbidden, about her very creative use of a film about Balenciaga that Guo Pei admired, the director gave credit to her "extraordinary" editor Nicolas Chaudeurge. Carmen Dell’Orefice followed up from the stage with her personal feelings for Guo Pei and what makes her artistry unique.
Guo Pei evening gown - China: Through the Looking Glass Costume Institute exhibition at The Metropolitan Museum of Art Photo: Anne-Katrin Titze
Rihanna, in 2015, wore a yellow cape gown designed by Guo Pei to Anna Wintour's Costume Institute Gala at The Metropolitan Museum of Art for the exhibition China: Through the Looking Glass,...
When I commented to Pietra Brettkelly at the Tribeca Film Festival world premiere of Yellow Is Forbidden, about her very creative use of a film about Balenciaga that Guo Pei admired, the director gave credit to her "extraordinary" editor Nicolas Chaudeurge. Carmen Dell’Orefice followed up from the stage with her personal feelings for Guo Pei and what makes her artistry unique.
Guo Pei evening gown - China: Through the Looking Glass Costume Institute exhibition at The Metropolitan Museum of Art Photo: Anne-Katrin Titze
Rihanna, in 2015, wore a yellow cape gown designed by Guo Pei to Anna Wintour's Costume Institute Gala at The Metropolitan Museum of Art for the exhibition China: Through the Looking Glass,...
- 4/24/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
“Big Little Lies” is officially coming back. After months of speculation over whether or not the hit limited series would return, HBO has officially given the green light to Season 2.
Reese Witherspoon and Nicole Kidman are set to star. No other cast members have been confirmed, but the “most of the cast is expected to return and negotiations are underway.”
David E. Kelley — who wrote all of Season 1 — will pen Season 2, as well, “partially” based on a story by the book’s author (and series producer) Liane Moriarty. But he’ll be working with a new director: Andrea Arnold will direct all seven episodes of Season 2. She replaces Jean-Marc Vallee, who won an Emmy for directing Season 1, but expressed disinterest in returning for more episodes.
Read More:‘Big Little Lies’: Reese Witherspoon Teases Season 2, Fans Still Hate Alexander Skarsgård, and More from the Cast
Vallee remains attached as an executive producer,...
Reese Witherspoon and Nicole Kidman are set to star. No other cast members have been confirmed, but the “most of the cast is expected to return and negotiations are underway.”
David E. Kelley — who wrote all of Season 1 — will pen Season 2, as well, “partially” based on a story by the book’s author (and series producer) Liane Moriarty. But he’ll be working with a new director: Andrea Arnold will direct all seven episodes of Season 2. She replaces Jean-Marc Vallee, who won an Emmy for directing Season 1, but expressed disinterest in returning for more episodes.
Read More:‘Big Little Lies’: Reese Witherspoon Teases Season 2, Fans Still Hate Alexander Skarsgård, and More from the Cast
Vallee remains attached as an executive producer,...
- 12/8/2017
- by Ben Travers
- Indiewire
The gravitational pull that exists between great directors and great cinematographers is natural. Many of the best pairings throughout film history have been project based, with the director or producer picking a cinematographer to achieve a specific look for a particular film. There’s a difference between providing a talented cinematographer with the perfect platform to apply their skills and a director-cinematographer collaboration that elevates the work of both artists, regardless of material.
This list is less about identifying the best looking films of the era – although many are here – and more about celebrating collaborations that have allowed many of the best filmmakers working today to fully express themselves on the big screen.
Dir: Paul Thomas Anderson, Dp: Robert Elswit
The first time Paul Thomas Anderson did not work with Elswitt – “The Master,” shot by Mihai Mălaimare Jr. – the results were (thankfully) great, but it’s fascinating that the director...
This list is less about identifying the best looking films of the era – although many are here – and more about celebrating collaborations that have allowed many of the best filmmakers working today to fully express themselves on the big screen.
Dir: Paul Thomas Anderson, Dp: Robert Elswit
The first time Paul Thomas Anderson did not work with Elswitt – “The Master,” shot by Mihai Mălaimare Jr. – the results were (thankfully) great, but it’s fascinating that the director...
- 11/1/2017
- by Chris O'Falt
- Indiewire
The end of the London Film Festival highlights the growing success of a new wave of UK film-makers, including Michael Pearce and Rungano Nyoni
Ever since the late Colin Welland collected his screenwriting Oscar for Chariots of Fire in 1982 and declared with a most un-British triumphalism that “The British are coming!”, such public displays of confidence in the country’s film industry have been uncommon, even frowned upon. Perhaps it is time to amend Welland’s cry this year and state the obvious: the British are here. In 2017, there have been more distinctive homegrown debut features funded, made and released, displaying a greater diversity of theme and focus, than in any other year in recent memory.
Previously it has been possible to identify small, localised pockets of new talent: think of 2006, when both Andrea Arnold (Red Road) and Paul Andrew Williams (London to Brighton) made their debuts, or 2008, which brought...
Ever since the late Colin Welland collected his screenwriting Oscar for Chariots of Fire in 1982 and declared with a most un-British triumphalism that “The British are coming!”, such public displays of confidence in the country’s film industry have been uncommon, even frowned upon. Perhaps it is time to amend Welland’s cry this year and state the obvious: the British are here. In 2017, there have been more distinctive homegrown debut features funded, made and released, displaying a greater diversity of theme and focus, than in any other year in recent memory.
Previously it has been possible to identify small, localised pockets of new talent: think of 2006, when both Andrea Arnold (Red Road) and Paul Andrew Williams (London to Brighton) made their debuts, or 2008, which brought...
- 10/14/2017
- by Ryan Gilbey
- The Guardian - Film News
For the past few decades, gritty arthouse British movies have invariably been an urban affair: from Mike Leigh to “Nil By Mouth” and “Trainspotting”, to “Kidulthood” and “Red Road,” almost every element of contemporary city life in the U.K. has been mapped. But there’s been an interesting trend in the last year or so as filmmakers have finally headed out into the countryside, with a number of the most notable films of the last year looking at the difficulties of rural farm life.
Continue reading Ruth Wilson & Sean Bean Head Down A ‘Dark River’ For Clio Barnard [BFI London Film Fest Review] at The Playlist.
Continue reading Ruth Wilson & Sean Bean Head Down A ‘Dark River’ For Clio Barnard [BFI London Film Fest Review] at The Playlist.
- 10/9/2017
- by Oliver Lyttelton
- The Playlist
Andrea Arnold — the celebrated British director behind American Honey, Fish Tank and Red Road — has been named jury president for the official competition of the BFI London Film Festival, which kicks off Wednesday.
The helmer will lead a group of jury members including filmmaker Babak Anvari, who won a BAFTA last year for his debut feature Under the Shadow; actor Eric Bana; film journalist and programmer Ashley Clarke; actress and model Lily Cole; Russian filmmaker Alexei Popogrebsky; and Emma Thomas, producer of Dunkirk, the Dark Knight trilogy and Inception.
Elsewhere, documentary filmmaker and Passion Pictures head John Battsek will lead...
The helmer will lead a group of jury members including filmmaker Babak Anvari, who won a BAFTA last year for his debut feature Under the Shadow; actor Eric Bana; film journalist and programmer Ashley Clarke; actress and model Lily Cole; Russian filmmaker Alexei Popogrebsky; and Emma Thomas, producer of Dunkirk, the Dark Knight trilogy and Inception.
Elsewhere, documentary filmmaker and Passion Pictures head John Battsek will lead...
- 10/2/2017
- by Alex Ritman
- The Hollywood Reporter - Movie News
A new video essay explores the acclaimed filmmaker’s exquisite usage of atmosphere.
When asked which female director he would most like to see direct a Star Wars film, Gareth Edwards said “I’d be first in line for Andrea Arnold.” Although it’s highely unlikely Arnold would ever trade in her gritty, uncompromising indie career for one directing tentpoles, the pairing makes sense: no one is quite as skilled and effective when it comes to building a unique, lived-in atmosphere as she is.
The English filmmaker broke onto the scene in 2003 with her Oscar-winning short Wasp, before following up with the widely acclaimed lo-fi indies Red Road and Fish Tank, the latter winning the Grand Prix at Cannes. In recent years, she has directed an adaptation of Wuthering Heights, as well as the new A24 cult classic American Honey.
This informative video essay courtesy of Fandor does a great job of giving you the skinny on...
When asked which female director he would most like to see direct a Star Wars film, Gareth Edwards said “I’d be first in line for Andrea Arnold.” Although it’s highely unlikely Arnold would ever trade in her gritty, uncompromising indie career for one directing tentpoles, the pairing makes sense: no one is quite as skilled and effective when it comes to building a unique, lived-in atmosphere as she is.
The English filmmaker broke onto the scene in 2003 with her Oscar-winning short Wasp, before following up with the widely acclaimed lo-fi indies Red Road and Fish Tank, the latter winning the Grand Prix at Cannes. In recent years, she has directed an adaptation of Wuthering Heights, as well as the new A24 cult classic American Honey.
This informative video essay courtesy of Fandor does a great job of giving you the skinny on...
- 4/18/2017
- by Fernando Andrés
- FilmSchoolRejects.com
There few filmmakers out there whose work is as visceral as Andrea Arnold‘s. Her body of work is diverse as well, ranging from the bleak housing estates of “Red Road” and “Fish Tank” to the brooding moors of “Wuthering Heights” and the sun-dazzled highways of “American Honey.”
In her Fandor video essay “Andrea Arnold’s Women in Landscapes,” Jessica McGoff looks at the ways Arnold presents the loneliness of her female protagonists in different yet similarly affecting ways.
Continue reading See How Andrea Arnold Visualizes Loneliness In This Video Essay at The Playlist.
In her Fandor video essay “Andrea Arnold’s Women in Landscapes,” Jessica McGoff looks at the ways Arnold presents the loneliness of her female protagonists in different yet similarly affecting ways.
Continue reading See How Andrea Arnold Visualizes Loneliness In This Video Essay at The Playlist.
- 4/10/2017
- by Chris Barsanti
- The Playlist
The director dishes on industry bias, ‘Taxi Driver’ and turning a perceived setback into opportunity.
The buzz surrounding Prevenge, the pregnancy revenge horror film written, directed and starring Alice Lowe, is well-deserved. Prevenge follows Ruth (Lowe), a grieving woman who embarks on a killing spree and believes that her unborn child is guiding her in this quest for revenge after the loss of her partner. Chock-full of biting British humor, this mother-to-be’s rampage is both relatable as well as a refreshing new twist on the sub-genre that has often been plagued by rape plot lines. But most of all, it’s wickedly funny, which comes as no surprise considering Lowe’s remarkable career in comedy across the pond.
Although Prevenge is her directorial debut, Lowe has worked alongside some of the biggest names in British comedy for the better part of fifteen years, including Rob Brydon’s Annually Retentive, Horrible Histories...
The buzz surrounding Prevenge, the pregnancy revenge horror film written, directed and starring Alice Lowe, is well-deserved. Prevenge follows Ruth (Lowe), a grieving woman who embarks on a killing spree and believes that her unborn child is guiding her in this quest for revenge after the loss of her partner. Chock-full of biting British humor, this mother-to-be’s rampage is both relatable as well as a refreshing new twist on the sub-genre that has often been plagued by rape plot lines. But most of all, it’s wickedly funny, which comes as no surprise considering Lowe’s remarkable career in comedy across the pond.
Although Prevenge is her directorial debut, Lowe has worked alongside some of the biggest names in British comedy for the better part of fifteen years, including Rob Brydon’s Annually Retentive, Horrible Histories...
- 3/23/2017
- by Jamie Righetti
- FilmSchoolRejects.com
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