- Runtime
- 2h 19m(139 min)
- 3h 8m(188 min) (Extended Cut)
- 3h 9m(189 min) (extended cut)
- Sound mix
- Color
- Aspect ratio
- 1.85 : 1
- Camera
- Arricam LT, Zeiss Master Prime and Ultra Prime Lenses
- Arricam ST, Zeiss Master Prime and Ultra Prime Lenses
- Arriflex 235, Zeiss Master Prime and Ultra Prime Lenses
- Arriflex 435, Zeiss Master Prime Lenses
- Dalsa Evolution
- IMAX MSM 9802
- Panavision 65 HR Camera, Panavision System 65 Lenses
- Phantom HD Gold, Zeiss Master Prime Lenses
- Red One Camera, Zeiss Master Prime Lenses(some shots)
- Laboratory
- DeLuxe, Hollywood (CA), USA(also prints)
- EFILM Digital Laboratories, Hollywood (CA), USA(digital intermediate)
- Laser Pacific Media Corporation, Los Angeles (CA), USA
- Film Length
- 3,794 m(France)
- 3,824 m
- 3,824 m
- Negative Format
- 35 mm(Kodak Vision2 200T 5217, Vision2 500T 5218)
- 65 mm(also horizontal, Kodak Vision2 200T 5217, Vision2 500T 5218)
- Redcode RAW
- Cinematographic Process
- Digital(4K, source format, some shots)
- Digital Intermediate(4K, master format)
- IMAX(source format, some scenes)
- Panavision Super 70(source format, some scenes)
- Redcode RAW(4K, source format, some shots)
- Spherical(source format)
- Printed Film Format
- 35 mm(Fuji Eterna-CP 3523XD)
- D-Cinema
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