The lives of ordinary Cuban citizens living in a poor neighborhood of Havana are examined. The daily struggle for survival of these people caught in one of the poorest countries of the hemisphere takes center stage in Humberto Solas' ambitious tale of life in contemporary Cuba. In fact, one wonders how could the director get away with some of his critical views of what is really happening. Like Fernando Perez's in "Suite Havana", this film takes a hard look at what it is like to live in today's Cuba.
The film starts as a woman is taking a bath using a can to rinse herself. This neighborhood of Havana obviously lacks running water. The feeling of the place is much like a 'favela', or marginal slum, devoid of any material comforts. The one thing in common is that everyone is poor. The only exception is Chino's family who might be considered middle class, in comparison with the others in the film.
Their meager access to food is made clear. Some enterprising individuals resort to stealing from the government whatever they can barter for something they, or someone else will need to make a swap. This is the case with the family that has nothing but rice and beans to eat, and suddenly someone brings a big piece of meat from one of the places only reserved for hard currency payment, or for tourists. Corruption seems to be everywhere, in spite of the propaganda. Necessity creates this type of mentality when there is nothing else around, not even hope.
The narrative interlaces several individuals that don't necessarily know one another. It is a favorite technique employed with success by the Mexican director Alejandro Gonzalez Inurritu and others. Mr. Sola, the director tried to encompass a lot of wrongs he saw in a political and social system, that, like all totalitarian regimes, doesn't seem to work. Thus, the only escape from their humdrum existence is leaving the country.
Humberto Solas, who died not too long ago, enjoyed his success in the Cuban cinema, notably for "Lucia" the film that propelled him into the recognition he deserved.
The film starts as a woman is taking a bath using a can to rinse herself. This neighborhood of Havana obviously lacks running water. The feeling of the place is much like a 'favela', or marginal slum, devoid of any material comforts. The one thing in common is that everyone is poor. The only exception is Chino's family who might be considered middle class, in comparison with the others in the film.
Their meager access to food is made clear. Some enterprising individuals resort to stealing from the government whatever they can barter for something they, or someone else will need to make a swap. This is the case with the family that has nothing but rice and beans to eat, and suddenly someone brings a big piece of meat from one of the places only reserved for hard currency payment, or for tourists. Corruption seems to be everywhere, in spite of the propaganda. Necessity creates this type of mentality when there is nothing else around, not even hope.
The narrative interlaces several individuals that don't necessarily know one another. It is a favorite technique employed with success by the Mexican director Alejandro Gonzalez Inurritu and others. Mr. Sola, the director tried to encompass a lot of wrongs he saw in a political and social system, that, like all totalitarian regimes, doesn't seem to work. Thus, the only escape from their humdrum existence is leaving the country.
Humberto Solas, who died not too long ago, enjoyed his success in the Cuban cinema, notably for "Lucia" the film that propelled him into the recognition he deserved.
