Writer Michelle Gallery (later of L. A. Law), director Burt Brinckerhoff, and composer Patrick Williams join forces to do a faux-film noir episode of LOU GRANT. It begins, of course, with an off-screen narrator (Lou) setting up the story, accompanied by a sexy saxophone. Unlike most episodes (which focus on a current social issue investigated by the newspaper), this is a fairly traditional mystery, with the newspaper gang trying to solve an old murder from the golden age of Hollywood.
I can understand why people love this episode: it has loads of old Hollywood stars, and does a good job of sending up the traditions of film noir. But if you're honest, you have to confess that it's just a high-concept, contrived plot that doesn't really fit the mold of the series. You can almost imagine the writers' meeting: "HEY! How about this?" It's more like what they used to do on "Moonlighting."
Margaret "Wicked Witch" Hamilton (pushing 80 here) does a funny turn as a hard-boiled, retired columnist. Nina Foch and Marie Windsor still look lovely, and character actor George Chandler delivers the last of his over 400 screen roles.
I can understand why people love this episode: it has loads of old Hollywood stars, and does a good job of sending up the traditions of film noir. But if you're honest, you have to confess that it's just a high-concept, contrived plot that doesn't really fit the mold of the series. You can almost imagine the writers' meeting: "HEY! How about this?" It's more like what they used to do on "Moonlighting."
Margaret "Wicked Witch" Hamilton (pushing 80 here) does a funny turn as a hard-boiled, retired columnist. Nina Foch and Marie Windsor still look lovely, and character actor George Chandler delivers the last of his over 400 screen roles.