The Love Boat (TV Series)
No Girls for Doc/Marriage of Convenience/The Caller/The Witness (1980)
Full Cast & Crew
Directed by
| Gordon Farr | ... | (segment "No Girls for Doc, Marriage of Convenience, The Ca") |
| Richard Kinon | ... | (segment "The Witness") |
Writing Credits
| Fred S. Fox | ... | (written by) (segment "No Girls for Doc") and |
| Seaman Jacobs | ... | (written by) (segment "No Girls for Doc") and |
| Harvey Bullock | ... | (written by) (segment "Marriage of Convenience") and |
| Larry Markes | ... | (written by) (segment "The Caller") and |
| Sidney Reznick | ... | (written by) (segment "The Caller") and |
| R.S. Allen | ... | (written by) (segment "The Witness") |
| Tony Webster | ... | (story editor) and |
| Ken Hecht | ... | (story editor) |
| Jeraldine Saunders | ... | (suggested by) |
| Wilford Lloyd Baumes | ... | (developed by) (as W. L. Baumes) |
Cast (in credits order) complete, awaiting verification
Produced by
| R.S. Allen | ... | producer (as Ray Allen) |
| Harvey Bullock | ... | producer |
| Henry Colman | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Gordon Farr | ... | supervising producer |
| Hudson Hickman | ... | associate producer |
| Aaron Spelling | ... | executive producer |
Music by
| Ben Lanzarone | ||
Cinematography by
| Irving Lippman | ... | director of photography |
Editing by
| Norman Wallerstein | ||
Casting By
| Susan Newell | ||
Art Direction by
| Paul Sylos | ||
| Tom Trimble | ||
Set Decoration by
| John Told | ||
Costume Design by
| Nolan Miller | ||
Makeup Department
| Naomi Cavin | ... | hair stylist (as Naoma Cavin) |
| Larry Darr | ... | makeup artist |
Production Management
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | unit production manager |
| Dick Reilly | ... | post-production supervisor |
| Arnold Baker | ... | assistant post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| John Anderson Jr. | ... | first assistant director (as John Anderson) |
| Christopher Goss | ... | second assistant director |
| Ernest Johnson | ... | second assistant director (as Ernest J. Johnson) |
| Richard A. Wells | ... | first assistant director (as Richard Wells) |
Art Department
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
| John Klima | ... | property master |
| Roger Montesano | ... | property master |
Sound Department
| Rocky Moriana Jr. | ... | sound editor |
| Michael O'Corrigan | ... | sound editor (as Mike Corrigan) |
| Bruce Smith | ... | sound engineer |
Special Effects by
| Robert W. King | ... | special effects foreman (uncredited) |
Casting Department
| Dennis Hammer | ... | casting associate |
| Marc Edson | ... | extras casting (uncredited) |
Costume and Wardrobe Department
| Lucille Cusolito | ... | costumer: women (as Lucille Taylor) |
| Lee Peters | ... | costumer: women |
| Nat Tolmach | ... | costumer: men |
Editorial Department
| Michael S. McLean | ... | supervising film editor |
Music Department
| Charles Fox | ... | composer: theme music |
| Jack Jones | ... | singer: theme music |
| Dino A. Moriana | ... | music editor (as Dino Moriana) |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
| Laurie Higgins Tobias | ... | assistant music editor (uncredited) |
| Franklin Jones Jr. | ... | score mixer (uncredited) |
| Steve Livingston | ... | music editor (uncredited) |
Script and Continuity Department
| Helen Parker | ... | script supervisor |
Additional Crew
| Lynne Farr | ... | creative consultant |
| Phill Norman | ... | title design |
