Directed by
| Roger Duchowny | ||
Writing Credits
| Art Baer | ... | (written by) (segments "The Love Lamp Is Lit", "The Critical Success", "Rent a Family", "Take My Boyfriend, Please") and |
| Ben Joelson | ... | (written by) (segments "The Love Lamp Is Lit", "The Critical Success", "Rent a Family", "Take My Boyfriend, Please") and |
| Margie Peters | ... | (written by) (segment "The Man in Her Life") |
| Lee Aronsohn | ... | (story editor) and |
| Tony Webster | ... | (story editor) |
| Jeraldine Saunders | ... | (suggested by) |
| Wilford Lloyd Baumes | ... | (developed by) (as W. L. Baumes) |
Cast (in credits order) complete, awaiting verification
Produced by
| David Auerbach | ... | associate producer |
| Art Baer | ... | producer |
| Henry Colman | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Gordon Farr | ... | supervising producer |
| Ben Joelson | ... | producer |
| Aaron Spelling | ... | executive producer |
Music by
| Artie Kane | ||
Cinematography by
| Irving Lippman | ... | director of photography |
Editing by
| Norman Wallerstein | ||
Casting By
| Susan Newell | ||
Art Direction by
| Eugene Harris | ... | (as Gene Harris) |
| Paul Sylos | ||
Set Decoration by
| Jeff Haley | ||
| Richard Reams | ... | (as Rich Reams) |
Costume Design by
| Nolan Miller | ||
Makeup Department
| Naomi Cavin | ... | hair stylist (as Naoma Cavin) |
| Larry Darr | ... | makeup artist |
Production Management
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | unit production manager |
| Dick Reilly | ... | post-production supervisor |
| Arnold Baker | ... | assistant post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Christopher Goss | ... | second assistant director |
| Ernest Johnson | ... | second assistant director (as Ernest J. Johnson) |
| Ann Kindberg | ... | first assistant director |
| Richard A. Wells | ... | first assistant director (as Richard Wells) |
Art Department
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
| Roger Montesano | ... | property master |
Sound Department
| Andy Kopetzky | ... | sound editor |
| Curtis Mick | ... | sound editor |
| Bruce Smith | ... | sound engineer |
Special Effects by
| Robert W. King | ... | special effects foreman (uncredited) |
Costume and Wardrobe Department
| Lee Peters | ... | costumer: women |
| Nat Tolmach | ... | costumer: men |
| Joan Joseff | ... | costume jeweller (uncredited) |
| Tina Joseff | ... | costume jeweller (uncredited) |
Editorial Department
| Michael S. McLean | ... | supervising film editor |
Music Department
| Richard C. Avedon | ... | music editor |
| Charles Fox | ... | composer: theme music |
| Jack Jones | ... | singer: theme music |
| Dino A. Moriana | ... | music editor (as Dino Moriana) |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
| Laurie Higgins Tobias | ... | assistant music editor (uncredited) |
| Franklin Jones Jr. | ... | score mixer (uncredited) |
Script and Continuity Department
| Helen Parker | ... | script supervisor |
Additional Crew
| Lynne Farr | ... | executive consultant |
| Phill Norman | ... | title design |
