During the sequence preparing the hotel for the hitman's arrival, the team places a door placard inside the hitman's intended room with the identification of it being Room 7, this occurring well prior to the hitman using dice at the front desk counter to randomly select room number 7 at check-in.
When Dana is "machine gunned", Lorca should have noticed that her wounds are not bleeding as badly as they should.
He had ducked under cover and had no way of knowing how many times she had been hit. Plus, he was more concerned with his own agenda to be bothered with exactly how much she was hurt. He did nothing to try and help her.
He had ducked under cover and had no way of knowing how many times she had been hit. Plus, he was more concerned with his own agenda to be bothered with exactly how much she was hurt. He did nothing to try and help her.
Jim takes a photo of Barney standing against a wall. Barney is posed between two clocks that have cords running down the wall. When the "instant" photo is shown moments later, neither the clocks nor the wires are shown, even though the framing is wide enough that they should be.
The camera placed in a light fixture in the killer's room is quite plainly visible. Any cursory glance in its direction would have immediately and irrevocably blown the IMF's cover.
When Lorca calls the bag woman from the hotel, the hotel's phone book directory has 215, S. Elm St. printed on the cover, however, there would not be a comma after 215 as part of the address, it should be 215 S. Elm St.
The lady operating the sewing machine would've been a professional seamstress. She would've been able to solve any problem and not become flustered.
When Dana gets shot, she crosses her legs as she's falling to the ground.
As Eddie Lorca (Robert Conrad), was exiting the hotel after checking in, there is a reflection of the entire crew, cameras and lights in the rear quarter and side of the red taxi that Paris (Leonard Nimoy) is waiting in. As the camera zooms in for a close shot of Paris, the reflection of the camera rolling closer to the taxi for the closeup is visible.
When Lorca gets out of the taxi in front of the Bower Hotel the shadow of the boom mic can be seen in the lower left corner of the frame.
When Lorca is lowering his hand-made bomb down the vent duct, it seems somewhat farfetched that he would be able to determine the precise location of the other vent screen, considering he is in a room two floors above.