"Murder, She Wrote" The Monte Carlo Murders (TV Episode 1992) Poster

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7/10
"All the Boys Sink as a Spy"
WeatherViolet11 February 2010
This episode begins with a pre-title Prologue, containing footage of Peter Templeton's (Ian Ogilvy) scaling exterior walls of a Monte Carlo hotel, swinging from roof to roof, and entering the window of Barbara Calloway (Maryam d'Abo) to romance and to threaten with murder unless she stops cheating on him, and then to romance further.

Jessica Fletcher (Angela Lansbury) soon arrives in Monte Carlo to visit her dear old friend Annie Floret (Dina Merrill), a recent widow of hotel co-owner Andre, who now must operate the lavish resort building alone, and amid a series of difficulties.

Annie's young adult son, Richie Floret (Neill Barry), assists where needed but now becomes interested in photography, and developing photographs of surveillance and espionage in his campaign to blackmail those who try to destroy Annie.

Peter Templeton also serves on the hotel staff, as pianist, on a roster which also includes Chef Robert (Reuven Bar-Yotam), Suzette, the Desk Clerk (Diane Manzo), and Armand Beauclaire (Victor Touzie), a waiter who also spies upon guests, by planting telephone bugs, and recording sinister conversations.

Law enforcement officer of the hour, Inspector Morel (Patrick Bauchau), arrives early on the scene this time around, to bargain with Shop Proprietor (Jon Rashad Kamal) on Jessica's behalf, as she tours Monte Carlo's Old Quarter to purchase glassware.

Earl Harper (David Birney), meanwhile, causes trouble for Annie and Richie, by threatening to foreclose upon the hotel come Monday, as his balloon loan, charging outrageous interest amounts, cannot be met in time.

Financier Scott Larkin (Bo Hopkins), who operates a fleet of vessels, and seeks a measures to attempt to rise to Annie's assistance, leads to another objection of Earl, his rival, with whom he brawls.

And while Earl Harper sneaks around with Barbara Calloway, they fall out not only with Peter Templeton, but also with Earl's wife, Cynthia Harper (Lise Hilboldt), who happens to be seeing bodyguard Henry (Scott James) on the sly.

Jessica sports many fashionable afternoon dresses, jackets and evening gowns around Monte Carlo, often seeming to change costumes around every turn. But they're quite becoming to Angela, to afford a sleek and state of the art effect, and very stylish, while appearing comfortable.

Back to the plot, Albert DeVere (Gustav Vintas) approaches Jessica on the ballroom dance floor, after she concludes a number with Inspector Morel. She pleads that she feels too tired for another spin, causing the exiting Albert to continue to spy upon her from across the hall...and around lobby corners the next day, when he approaches her for an autograph, against which she again pleads for want of time.

Cynthia Harper discovers the first body in a hotel room, demonstrating that Lise Hilboldt's ability to scream ranks right up there with the best of them, those hotel chambermaids, who often stumble across bodies. (It would have been nice to have seen Miss Hilboldt's role expanded a bit here, as well as Mr. Ogilvy's, naturally, but, alas, Peter Templeton is arrested for murder and carted off, causing Jessica to suspect others in the theft of the missing Alexandra Stone necklace.)

So, Jessica investigates a trail of clues involving the abundance of espionage transpiring around the hotel, when she stumbles across a second stabbing victim (but not by a pair of scissors this time), who breathes dying words to Jessica in French.

And, when Jessica finally gets around to autographing for Albert DeVere the French language version of one of her books, she suddenly realizes the key to solving the "The Monte Carlo Murders."

This episode represents the first of two "MSW" appearances for Gustav Vintas, the second of two each for Dina Merrill and Bo Hopkins, the third of three for Lise Hilboldt, the third of four for David Birney, and the third of five "MSW" guest roles for Ian Ogilvy.
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7/10
The mortgage held by a lizard
bkoganbing12 July 2018
This Murder She Wrote story might be the first one I've ever seen set in Monte Carlo where the center of the plot wasn't gambling. Jessica Fletcher has come to the Riviera to visit another old classmate Dina Merrill who is a widow trying to keep control of the hotel she owns. The mortgage is held by a real lizard of a human being in David Birney. So you know right away that Birney is slated to be the victim in this story.

There are two victims however Birney and a waiter at the hotel Victor Touzie who doubled as a spy for hire. It's what Touzie did as an avocation that sends Angela Lansbury on the track of the real killer who the Monte Carlo cops think is Neill Barry, Merrill's son.

Nicely done story with Birney a real standout.
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6/10
A decent episode, just too predictable.
Sleepin_Dragon3 October 2023
Jessica travels to Monaco to stay with an old friend, a friend that's being coerced out of her hotel by an unscrupulous businessman.

I'm a little indifferent towards this episode, they've done a cracking job throughout this series of putting Jessica in new situations, we've had none of the nephews and neighbours and tonnes of friends, here we're back to Jessica having another friend, who happens to be a hotelier.... overdone.

Too easy to spot who was going to be killed, and bty whom.

It's a good looking episode, and though we know full well that it's as much Monte Carlo as it is Burkina Faso, it's still passable, visually it's pretty good.

Some really good actors and familiar faces here, I don't feel they made good use of any of them, especially Ian Ogilvy.

There are a few moments that didn't quite hang together, I didn't think you'd die by being stabbed in the shoulder? I may be wrong. Jessica popping in and out of the kitchen, well that's a health and safety nightmare right there.

6/10.
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6/10
A very good episode...with a rather weak ending.
planktonrules15 February 2023
Like most episodes of "Murder, She Wrote", the murder victim is very obvious. After all, for nearly half the episode, the guy took delight in being a giant jerk-face...and the only question was WHO was going to off this guy! But that's okay, as the show was still quite enjoyable and well worth seeing. But I should mention that the ending, well, it's weak. The two-time killer inexplicably, felt bad about the killings and quickly confessed to Jessica his misdeeds...and this was without the police being nearby to save her in case the killer decided to off her as well. Still, setting the show in Monte Carlo was a nice change of pace and even a weak episode of "Murder, She Wrote" is still very good.
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10/10
Whoever knew Monte Carlo could be so deadly?
TheLittleSongbird24 October 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

Season 8 is back on track after stumbling a little with "Incident in Lot 7" (a good episode but just a little disappointing after three wonderful episodes in a row) with one of its better episodes "The Monte Carlo Murders". There is just so much that it benefits from, including the splendidly exotic Monte Carlo itself that looks gorgeous and the ever slick and stylish production values, one of the most visually beautiful later episodes.

The mystery always holds one's attention and is intriguing without being too simplistic or convoluted. The ending is simply terrific, one that one does not see coming at all and one that actually has proper evidence to back it up rather than being overly reliant on coincidence or accidental slip ups, and there is a very clever clue concerning the dying words.

Angela Lansbury is spot on and she has one of Season 8's best guest supporting casts to support her. Standouts include a resplendent Dina Merrill, Patrick Bauchau at his classiest, a suitably repellent David Birney and Ian Ogilvy and Maryam D'Abo managing to make criminals charming and likable. Agree that Lise Hilboldt makes for a splendid scream queen, a contender for the best since Emma Samms in "Snow White, Blood Red".

Music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

Writing is tight, thought-provoking and typically amiable and the characters and chemistry.

Overall, wonderful episode and sees Season 8 on track. 10/10 Bethany Cox
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7/10
A slick yet fun episode
coltras3520 May 2022
This episode is a rather slick affair with grandiose scenery but some good suspects. This time, Jessica probes a Monte Carlo murder for which her hotelier friend (Dina Merrill) is a suspect. There's a good performance by David Birney, who plays an oily character. He, of course, becomes a victim, and he has got plenty of enemies. One of them being Ian Oglivy, whose character amusingly has a surname of Templeton ( perhaps a nod to Simon Templar).
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3/10
Three bad scenes significantly take this one down in scoring
FlushingCaps21 March 2023
Warning: Spoilers
We open with what appears to be a cat burglar sneaking into the window of a woman's hotel room at night. But instead of burglarizing her room, the black-clad intruder goes right over to her bed and plants a single kiss on her. She wakes up and smiles.

She not only knows him, but they conspire together to steal a huge diamond from another guest at this hotel in Monte Carlo.

Before we advance that part of the plot, Jessica arrives in Monte Carlo to visit another of her 9,054 "dear" friends, whom she hasn't seen in a decade. This friend owns the hotel, but is faced with losing it if she can't make a $1 million balloon payment on it by Monday. The guy who is planning to take it away plans to tear it down and build something else. Before long, we see that he must be the main victim tonight since everyone seems to have a reason for hating him. I say "main victim" knowing that is not a spoiler since the title of the episode tells you that two or more will be killed.

I won't recount the entire plot, but wish to write about three rather troubling scenes that do not really make sense. They are the basis for my low score, because otherwise this was a typically entertaining episode.

First was a scene in a glassware shop Jessica visits where she asks about a small figurine and the proprietor attempts to charge her a fortune for a piece he misrepresents. A friendly other customer in the store steps up as Jessica is dismayed at the high price asked. He speaks to the man in French, then the proprietor says it was a mistake, the piece is only (about one fifth what he had first asked for), to which Jessica says she'll take it. My problem: Her dear friend Annie recommended this store to her as a good place to go. Is it often her practice to steer customers to a dishonest shop owner?

Then there was the scene where one of the "suspects-to-be" is angry at the future victim. In the presence of at least two other witnesses, including the man's bodyguard, he picks up a large pair of scissors and reaches up as if about to do a Norman Bates attack on him, only to be stopped by the bodyguard, who wouldn't be blamed if he broke the man's arm in stopping him. It's a bit hard to root for someone who appeared about to kill a man in such a way, especially when he was not physically threatening him or anyone else.

Then there's the finale. The reason for the first murder was terribly, terribly weak. Committed by someone who you would not suspect (at least I didn't) it was just really not in keeping with the person's demonstrated character. I am purposely being vague to avoid spoiling the ending. There is actually a second weak point about that scene: Jessica truly put herself at risk without having anyone nearby to keep her from becoming another victim if the killer so chose. Frequently she appears to be doing so, but she has police hiding nearby who come to the rescue. This time, she trusted the killer would not harm her...for reasons that escape me.

So I feel forced to give this only a score of 3 out of 10. Those problems greatly take away from the nice parts.
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