| William Shatner | ... | Captain James T. Kirk | |
| Leonard Nimoy | ... | Mr. Spock | |
| Stewart Moss | ... | Tormolen | |
| Majel Barrett | ... | Nurse Christine Chapel | |
| Bruce Hyde | ... | Kevin Riley | |
| DeForest Kelley | ... | Dr. McCoy | |
| Grace Lee Whitney | ... | Yeoman Janice Rand | |
| George Takei | ... | Sulu | |
| James Doohan | ... | Scott | |
| Nichelle Nichols | ... | Uhura | |
| William Knight | ... | Amorous Crewman | |
| John Bellah | ... | Laughing Crewman | |
| rest of cast listed alphabetically: | |||
| Bill Blackburn | ... | Lt. Hadley (uncredited) | |
| Frank da Vinci | ... | Lt. Brent (uncredited) | |
| Eddie Paskey | ... | Lt. Ryan (uncredited) | |
| Ron Veto | ... | Crewman (uncredited) | |
| Episode Crew |
Directed by | |||
| Marc Daniels | |||
Writing credits | ||
| John D.F. Black | (written by) | |
| Gene Roddenberry | (creator) | |
Produced by | |||
| John D.F. Black | .... | associate producer | |
| Robert H. Justman | .... | associate producer | |
| Gene Roddenberry | .... | producer | |
Original Music by | |||
| Alexander Courage | |||
Cinematography by | |||
| Gerald Perry Finnerman | (director of photography) (as Jerry Finnerman) | ||
Film Editing by | |||
| Bruce Schoengarth | |||
Casting by | |||
| Joseph D'Agosta | |||
Production Design by | |||
| Walter M. Jefferies | |||
Art Direction by | |||
| Rolland M. Brooks | |||
Set Decoration by | |||
| Carl Biddiscombe | (as Carl F. Biddiscombe) | ||
Costume Design by | |||
| William Ware Theiss | (as William Theiss) | ||
Makeup Department | |||
| Virginia Darcy | .... | hair stylist | |
| Fred B. Phillips | .... | makeup artist | |
Production Management | |||
| Herbert F. Solow | .... | executive in charge of production | |
| Bernard A. Widin | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gregg Peters | .... | assistant director | |
Art Department | |||
| Irving A. Feinberg | .... | property master | |
Sound Department | |||
| Jack F. Lilly | .... | sound mixer | |
| Joseph G. Sorokin | .... | sound editor | |
Special Effects by | |||
| James Rugg | .... | special effects (as Jim Rugg) | |
Visual Effects by | |||
| Melissa Berryann | .... | assistant to executive producer (remastered version) | |
| Petri Blomqvist | .... | technical consultant (remastered version) | |
| Chris DeCristo | .... | 2D supervisor (remastered version) | |
| Doug Drexler | .... | technical consultant (remastered version) | |
| Max Gabl | .... | matte painter (remastered version) | |
| James Holt | .... | digital compositor (remastered version) | |
| Jena Huynh | .... | visual effects coordinator (remastered version) | |
| Robert H. Justman | .... | technical consultant (remastered version) | |
| Gary Kerr | .... | technical consultant (remastered version) | |
| David LaFountaine | .... | visual effects executive producer (remastered version) | |
| Denise Okuda | .... | producer (remastered version) | |
| Michael Okuda | .... | producer (remastered version) | |
| Luis F. Pazos | .... | production assistant: visual effects (remastered version) | |
| David Rossi | .... | producer (remastered version) | |
| Wendy Ruiz | .... | visual effects coordinator (remastered version) | |
| Heekyung Shin | .... | digital artist (remastered version) | |
| John Small | .... | systems support engineer (remastered version) | |
| Chris Tezber | .... | visual effects coordinator (remastered version) | |
| Brian Vogt | .... | lead lighting technical director (remastered version) | |
| Craig Weiss | .... | director of visual effects: CBS Digital (remastered version) | |
| Niel Wray | .... | visual effects supervisor (remastered version) | |
| Darrell A. Anderson | .... | visual effects (uncredited) | |
| Howard A. Anderson | .... | visual effects (uncredited) | |
| Toni Pace Carstensen | .... | visual effects producer (uncredited) (remastered version) | |
Camera and Electrical Department | |||
| George H. Merhoff | .... | gaffer | |
| George Rader | .... | head grip | |
Costume and Wardrobe Department | |||
| Marge Makau | .... | wardrobe mistress (as Margaret Makau) | |
Editorial Department | |||
| Bill Heath | .... | post-production executive | |
Music Department | |||
| Alexander Courage | .... | conductor | |
| Julian Davidson | .... | music coordinator | |
| Wilbur Hatch | .... | music consultant | |
| Robert H. Raff | .... | music editor | |
Other crew | |||
| George Rutter | .... | script supervisor (as George A. Rutter) | |
| Bill Blackburn | .... | stand-in: DeForest Kelley (uncredited) | |
| Frank da Vinci | .... | stand-in: Leonard Nimoy (uncredited) | |
| Jeannie Malone | .... | stand-in: Grace Lee Whitney and female guest star (uncredited) | |
| Eddie Paskey | .... | stand-in: William Shatner (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Action section | IMDb USA section |
The Naked Time is one of the more entertaining Star Trek episodes, even though there is the usual percentage of danger involved. It's also one of those stories that uses its central plot device (in this case a virus) as a means to explore the essence of the show's characters, which is always welcome, given the series' general lack of long-term psychological development.
The aforementioned virus is brought on board after the exploration of a planet where everyone was killed without a logical explanation. Soon enough, though, it becomes apparent that the cause of death has reached the Enterprise: the disease removes the infected person's inhibitions, unveiling his or her most hidden desires. Because of this, Sulu starts running around shirtless with a sword in his hand, Spock discovers a female crew member is in love with him (it also turns out he isn't as cold and rational as he likes to make us believe, thanks to his human half) and Kirk is torn between his duties as captain and wishes of a more personal nature. Someone must come up with a solution fast, or this kind of behavior could mean the end of the Enterprise.
The Naked Time is essentially a 45-minute extravaganza where we get to see how Kirk and the others would behave if they lost their common sense and reverted to the animal side of their nature. The story is rather thin (it's basically a succession of entertaining skits), but the performances make it worth watching, especially Nimoy's work, which apparently was so well received by fans that the writers decided to play on Spock's dual nature as often as they could. A very wise decision indeed.