The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
On the day of James Kirk's birth, his father dies on his ship in a last stand against a mysterious alien time-traveling vessel looking for Ambassador Spock, who, in this time, is also a child on Vulcan disdained by his neighbors for his half-human heritage. Twenty-five years later, Kirk has grown into a young troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy instructors like young Commander Spock. Suddenly, there is an emergency at Vulcan and the newly commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of it begins. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The Korean-American actor John Cho was initially uncertain about being cast as the Japanese-American officer Hikaru Sulu, but George Takei, who played Sulu in Star Trek (1966), encouraged him to take the role as Sulu was a character who represented all of Asia. See more »
In the fight on the drill's platform, which is at an extremely high altitude, Kirk and Sulu remove their helmets. On Earth, humans would find it very difficult to breathe at that height without supplemental oxygen; in Trek mythology, Vulcan's atmosphere is thinner than Earth's. It was an acceptable practice, when visiting or residing on Vulcan, to receive an injection of a Tri-ox compound to assist in breathing (Star Trek: Amok Time (1967)). Knowing that they would be fighting on Vulcan at a high altitude, it seems logical that the away team would be given a similar injection (considering McCoy's penchant for injecting Kirk on the fly), though it was not shown on screen. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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There are no opening credits in the film except for the title card, making this the second consecutive Star Trek film that doesn't list its cast at the beginning. See more »
There was no way that this reboot was going to avoid all references to either the original series of Star Trek or the other spin-off series - anyone going in to see this film had to accept that as a given. But any cheesy bits (of which there were relatively few) are blown away by the sheer beauty and bravado of this film.
I was a fairly big Trekkie in my youth, but in the last 10 years only really kept up with it by watching a few new episodes here and there and seeing the big screen outings (OK, I admit that I have all 10 films on special edition DVD - £47 was a bargain!) - but Abrams' vision here has me thinking the new franchise will be even better than what has come before.
What made this film special for me was not the story (remarkably good, bearing in mind that, like the first film in any new franchise, it's backbone was character development). What made this film for me was the....photography? Can you even call CGI photography? Well, either way, this film was a visual feast. The way that scale was conveyed was breath-taking. I'm not sure whether I read this somewhere or if I can take credit for it myself, but the difference came in the way that Abrams shoved aside the traditional Star Trek view of Enterprise as a lumbering naval ship and took a more Star Wars-esquire dogfight approach. This has set a high standard for a new era of Star Trek that I hope will spawn at least a couple more films.
It's not that I wasn't impressed with the character development, the acting, the script or the story - it's just that this film looked so gorgeous that I haven't been able to think of anything else since I saw it last night! But sufficed to say, this was overall an excellent feature. It might not quite deserve a 100% rating, but it's worth more than 90% in my eyes - so, by rounding up, it gets 10/10 from me! Final warning: see this film in the cinema. Do not wait for it to come out on DVD. It. Will. Not. Do. It. Justice.
JJ, you've won a fan!
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