| Videos (see all 4 NEW) |
| Jonathan Bennett | ... | Bo Duke | |
| Randy Wayne | ... | Luke Duke | |
| April Scott | ... | Daisy Duke | |
| Joel Moore | ... | Cooter | |
| Harland Williams | ... | Rosco P. Coltrane | |
| Sherilyn Fenn | ... | Lulu Hogg | |
| Christopher McDonald | ... | Jefferson Davis 'Boss' Hogg | |
| Willie Nelson | ... | Uncle Jesse Duke | |
| Todd Grinnell | ... | Hughie | |
| Adam Shulman | ... | Enos | |
| Trishelle Cannatella | ... | Ally Handy | |
| Jennifer Hill | ... | Brooke Handy | |
| Gary Cole | ... | Balladeer (voice) | |
| Rufus Dorsey | ... | DMV Examiner | |
| Joe Gieb | ... | Carnival Midget | |
| Challen Cates | ... | Psychic | |
| Bud Mathis | ... | Old Man Abernathy | |
| Grace C. Gerber | ... | Grace | |
| Carrie Minter | ... | Sunbathing Girl #1 | |
| Casey Durkin | ... | Sunbathing Girl #2 | |
| Doug Jones | ... | Patron | |
| Doug Pieschel | ... | Buyer | |
| Sam Zeller | ... | Shiner #1 | |
| Lance Smith | ... | MC | |
| Sy Richardson | ... | Shiner #2 | |
| Alex Boling | ... | Father | |
| Beans Morocco | ... | Old Shiner | |
| Eve Sigall | ... | Tough Woman | |
| rest of cast listed alphabetically: | |||
| Johnny Wilson | ... | Deputy #1 | |
| Kimberly Bosso | ... | Hogget Hottie (uncredited) | |
| Brittney Harrington | ... | Other Dream Girl (uncredited) | |
| Joshua Mason | ... | Shop Class Student (uncredited) | |
| Vanessa Motta | ... | Cocktail waitress (uncredited) | |
| Patricia Nasr | ... | Townsperson (uncredited) | |
| Eric Shackelford | ... | Shiner / Townie (uncredited) | |
| Gary Sievers | ... | Moonshinner (uncredited) | |
| Kym Stys | ... | Mechanical Bullrider (uncredited) | |
Directed by | |||
| Robert Berlinger | |||
Writing credits(in alphabetical order) | ||
| Shane Morris | writer | |
Produced by | |||
| Robert Benjamin | .... | co-producer | |
| Bill Gerber | .... | producer | |
| Phillip B. Goldfine | .... | producer | |
| Taylor Latham | .... | associate producer | |
| Alison Semenza | .... | executive producer | |
Original Music by | |||
| John DeFaria | |||
Cinematography by | |||
| Roy H. Wagner | |||
Set Decoration by | |||
| Robin Peyton | |||
Costume Design by | |||
| Tricia Gray | |||
Makeup Department | |||
| Peter Montagna | .... | key makeup artist | |
Production Management | |||
| Darren M. Demetre | .... | unit production manager | |
| Jan Kikumoto | .... | post-production supervisor | |
Art Department | |||
| Colleen Broderick | .... | set decoration buyer | |
| Ron Licari | .... | props | |
| John McKey | .... | storyboard artist | |
| Michael Panevics | .... | first assistant property master | |
| Jason Puga | .... | painter | |
| Stella Starlight | .... | graphic designer | |
Sound Department | |||
| Bob Arons | .... | sound effects editor | |
| David S. DiPietro | .... | sound recordist | |
| Paul Drenning | .... | adr mixer | |
| Shelik Fernandez | .... | sound recordist | |
| Stephen Fitzmaurice | .... | sound re-recording mixer | |
| Michael J. Fox | .... | adr mixer | |
| Mark Lanza | .... | supervising sound editor | |
| Erik Magnus | .... | additional production sound mixer | |
| Marla McGuire | .... | adr supervisor | |
| Matthew Nicolay | .... | production sound mixer | |
| Vic Radulich | .... | dialogue editor | |
| Eric Reuveni | .... | adr mixer | |
| Stacey A. Washer | .... | boom operator | |
Special Effects by | |||
| Aida Caefer | .... | hair technician | |
| Joe Giles | .... | creature effects crew | |
| Jim Greenall | .... | animatronic designer and fabricator: pig | |
| Doug Hudson | .... | creature effects crew | |
| Reggie Rizzo | .... | fabrication & hair punching of animatronic pig | |
| William H. Schirmer | .... | special effects supervisor | |
Visual Effects by | |||
| Stefan Bredereck | .... | digital effects artist: EdenFX | |
| John F. Gross | .... | visual effects supervisor | |
| Sean M. Scott | .... | digital effects artist | |
| Jason Michael Zimmerman | .... | compositing supervisor | |
| Rick Cortes | .... | Inferno artist (uncredited) | |
Stunts | |||
| Brian Avery | .... | stunt double | |
| Joe Bucaro III | .... | stunt double | |
| Jacob Chambers | .... | stunt double | |
| John Clagett | .... | stunt driver | |
| Courtney Farnsworth | .... | utility stunts | |
| Diamond Farnsworth | .... | stunt coordinator | |
| Nicola C. Hindshaw | .... | utility stunts | |
| Chris LaCentra | .... | utility stunts | |
| Dina L. Margolin | .... | stunts | |
| Tom McComas | .... | stunt driver | |
| Vanessa Motta | .... | stunts | |
| Mike Mukatis | .... | stunt double | |
| Tarah Paige | .... | stunts | |
| Joni Podesta | .... | stunts | |
| Rick Seaman | .... | stunt driver | |
| Kym Stys | .... | stunt performer | |
| Tom McComas | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Eric Anderson | .... | director of photography: second unit | |
| Michael Avallon | .... | generator operator | |
| Ethan Brannon | .... | grip | |
| Brian Crane | .... | gaffer | |
| Sean Patrick Crowell | .... | key grip | |
| Sam Emerson | .... | still photographer | |
| David Fordham | .... | grip | |
| Bobby Foster | .... | dolly grip | |
| Cory Gunter | .... | assistant camera | |
| John Koth | .... | best boy grip | |
| Darin Krask | .... | second assistant camera | |
| James E. Krattiger | .... | gaffer: second unit | |
| Chris Lewis | .... | chief lighting technician: underwater reshoot | |
| Kenji Luster | .... | b camera / steadicam operator | |
| Bryan Marks | .... | electrician | |
| Conan Mastrangelo | .... | electrician | |
| Graham McPherson | .... | grip | |
| Greg Morris | .... | first assistant camera | |
| Lance Oyabu | .... | electrician | |
| Blake Santoro | .... | grip | |
| Simon Scheeline | .... | grip | |
| Al Stewart | .... | grip | |
| David Thielhart | .... | best boy electric | |
| David Wood | .... | electrician | |
Casting Department | |||
| Vanessa Portillo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Danielle Feller | .... | costume supervisor | |
| Alyssa Kim | .... | set costumer | |
| Aaron Millsap | .... | costumer | |
| Susan Strubel | .... | key set costumer | |
Editorial Department | |||
| Adam M. Duthie | .... | assistant editor | |
| Nick Smith | .... | assistant editor | |
Music Department | |||
| Will Kaplan | .... | music editor | |
Transportation Department | |||
| J. Armin Garza II | .... | driver: camera car | |
| Dennis Lape | .... | driver | |
| Frank Mejerski | .... | transportation coordinator | |
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| The Dukes of Hazzard | The Graduate | The Ballad of Cable Hogue | Into the Wild | Pat Garrett & Billy the Kid |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Growing up The Dukes of Hazzard was one of my favorite shows. The cast had charisma, and the show had an authentic, country feel to it. The 2005 movie was part of the "re-imagination" trend in movies that started with The Flintstones and continues today with this atrocity. Instead of re-imagining them in today's times they should have cast the younger Dukes in the 1960's when they would have been legit teenagers, to keep in continuity with the show. They should have done this with the 2005 movie, too. This movie is a cynical, straight-to-DVD-and-TV, bottom-of-the-barrel hack job and it barely held my attention.
The problem with the plot is that it's a low-rent version of the TV show. Aren't there any writers in Hollywood who can write an original Dukes of Hazzard movie? My guess is there are plenty, but the producers have too much contempt for their audience to think they would appreciate a gritty, true-to-the-spirit-of-Hazzard script. Fans of the original series shouldn't avoid it because of profanity, they should avoid it because it is Dukes of Hazzard in name only now.
The most important thing to me is the casting of Daisy, and they failed miserably here. In the series Daisy was a smart woman who happened to wear cut-off shorts. In 2005 she was a sexpot wearing cut-off shorts, nothing more than eye candy, playing the part as a parody. There's little to say about April Scott: she isn't even close to being a young Daisy in this movie. I'm not talking about physical proportions (although I think she's too thin for a southern Belle); I'm talking about charisma and the intangibles you need to play an iconic character. She doesn't have it.
The lameness extends to all aspects of the re-imagining. The characters have become lame caricatures of themselves, and Hazzard County is no longer the dusty, mythical Confederate backdrop it once was. There's no point in "re-imagining" the Dukes of Hazzard if you're going to get politically correct. The original series was uncynically proud to be Dixie, and that was a huge part of it's appeal. If this movie is a finger-in-the-wind to see if a new TV series will work, I hope it fails miserably in ratings and sales.
And Willie, did you really need the paycheck?