I attended the Outfest screening for this film last night and was mightily and pleasantly surprised. I'd read the descriptive blurb in the Outfest program and thought "Yeah, whatever...a surfer film." But it was at the John Ford Amphitheatre, my favorite festival venue, which, frankly, was my main reason to go last night. Within the first ten minutes, the venue was quite secondary. I was easily drawn into the story and found myself deeply moved soon in. Having grown up in small town America, the story held a profound resonance for me. Yet, even if that is not your particular experience, this film defies you not to be moved. If you are looking for imperfection here, you will find it. If you allow yourself to be engaged in the story, you won't be disappointed. This one will be with me for a while.
110 Reviews
Outstanding
nicole_ward23 February 2011
I only recently found out about this movie and I'm so glad I did! The movie is so amazing and inspiring to watch. It is a great film and I would urge people to watch it if they have no already. However, if you like huge box office smashers with plenty of action, this movie is not for you. It's so true to real life and has the ability to inspire others. The storyline is very simple yet so interesting and moving. It's a simple movie with a beautiful meaning behind it and I'm so happy I got to see it. It is now definitely one of my best movies and I wish more people would make movies like this, instead of all the non meaningful rubbish thats out there today. I really do recommend people to watch it, especially if you are thinking about it, it is worth it and you will hopefully enjoy it as much as I did!
Sometimes we want a happy ending
brownt21823 April 2011
Warning: Spoilers
Although this is called a surfer movie, the surfing here was treated as an incidental. I think one of the surfing scenes, maybe the first one, should have been longer and shown the two leads riding the same wave. But aside from such artistic flaws here and there, the situation and plot grab you and carry you along to a memorable finale. It was so refreshing to have a gay-themed movie set in an ordinary town and with an ordinary blue-collar family, with not a single nightclub scene. It was also enjoyable to see gay characters allowed to interact with a young boy and play the Best Uncle role that so many of us carry in real life. The female roles were murkier, and it was hard to fathom what was going through their minds. But the guy/guy romance of the film was stunning. I particularly enjoyed the early scenes when Brad is mystified by the male attraction he's starting to feel. With a cipher of a father, it's obvious Brad needed and found an older brother figure in Shaun. Both guys are good-looking but not Hollywood perfect, which also made the film more credible. If we examined the plot with brutal realism, we might say it would be far-fetched for Brad to be admitted to art school a second time with a full scholarship, or that Shaun would be ready to take on both a partner and a toddler. But I think gay people are entitled to an escapist happy ending once in a while, and Shelter fills the bill quite nicely.
An Exceptional Film About Love, Family, And Relationships
unknwnnm220 April 2008
What an amazing movie about love, family, and relationships. It was great to watch a film that used characters that stepped outside of the gay stereotypes seen in most films. It was even better to see a movie that focused on the love (rather than the sex) between the two lead characters.
While there are some scenes that scream "low budget," the end product as a whole was very rewarding. The acting, writing, and directing were all solid.
After so many disappointing gay films, I'm thrilled to have a movie like this come along. If this is a sign of things to come in gay cinema, then I am excited about future films. If you haven't seen "Shelter" yet, go give it watch. You'll be glad you did. Enjoy.
While there are some scenes that scream "low budget," the end product as a whole was very rewarding. The acting, writing, and directing were all solid.
After so many disappointing gay films, I'm thrilled to have a movie like this come along. If this is a sign of things to come in gay cinema, then I am excited about future films. If you haven't seen "Shelter" yet, go give it watch. You'll be glad you did. Enjoy.
lyrical, sweet and poignant
jvframe30 April 2008
I'm previewing a disc version for the Brisbane Queer Film Festival where Shelter screens on Saturday 24th May 2008. Even in this low res screener, Shelter shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers.
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". Surfing is simply a fact of life element in "Shelter" - it's not used or abused as a device.
"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.
We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writers and director of Shelter have done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.
"Shelter" deserves every accolade that any individual or Festival might care to bestow.
Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?
Beautifully done --acting and direction
lancemyers13 June 2008
It's not really about rich and poor, it's about honesty and honor, and the lack of it.
The one stand-up guy (Trevor Wright) reminds us that there actually *are* good, selfless people in the world. Zach has to deal with and master an unfair world, and part of that iniquity is himself, because he's gay. Trouble outside, trouble inside.
This is a very kind, wonderfully acted movie. Kudos to all involved.
It's odd that we need straight actors to convince us that gay folk are actually human, but these guys do it without apologies.
We should all be so kind.
The one stand-up guy (Trevor Wright) reminds us that there actually *are* good, selfless people in the world. Zach has to deal with and master an unfair world, and part of that iniquity is himself, because he's gay. Trouble outside, trouble inside.
This is a very kind, wonderfully acted movie. Kudos to all involved.
It's odd that we need straight actors to convince us that gay folk are actually human, but these guys do it without apologies.
We should all be so kind.
The anti-Brokeback?
laweat16 June 2007
Don't get me wrong, I'm a huge fan of Brokeback Mt., but I saw a screening of this film at the SF Gay and Lesbian Film Festival tonight and loved it as much as BBM and in some ways appreciated it more. At the Q & A after the screening the producer mentioned that the production company exec who green-lighted the project said he wanted to make "the anti-Brokeback," and in this I think they have succeeded magnificently. This is a genuine, heartfelt story about gay love minus all the tragedy and shattered lives. Which isn't to say there's no drama... Let's just say that some characters in the story have some problems, but mostly they're not a direct result of the love story at the film's core. For my money the acting (with avowed heterosexuals playing the gay roles, as in BBM) was more convincing, the kissing more natural, the sex scenes extremely sexy and moving; another milestone in the realistic portrayal of gay love and sex. The family setting provided a context that allowed one man's coming out story to be just one among many changes all families go through together while simultaneously putting some evil homophobic stereotypes to bed, you should pardon the expression, rather than dwelling on them as in BBM. Bravo to the filmmakers and excellent cast, and I hope you get a chance to see it soon if you weren't lucky enough to be among the 1400 people at the Castro theater tonight. Oh, and the lead actors are drop dead gorgeous and playing surfers. Enough said.
Best Film at the San Francisco LGBT Film Festival
lylecass18 June 2007
This has got to be the best film I've seen at the San Francisco LGBT film festival in years. The director and cast were in attendance at the world premiere and they were given a worthy standing ovation. Writer/director Jonah Markowitz did a fantastic job of flushing out real characters. Trevor Wright was a real natural and convincing as someone struggling to come out. He really made you feel his pain. The story about his codependent sister is dead-on. Brad Rowe is like a young Greg Kinnear. You can't help liking him. The soundtrack was excellent and I hope to see it released. This is the first film from here! Network and I hope to see more of this quality. Incidentally, I've noticed on the IMDb search that there are two other films being released in 2007 with the title "Shelter" and there a half dozen films in the past with the same title. Also, on the allmovie guide (AMG) site there is an Italian film with the same title. Interesting enough, that film is being shown at the SF LGBT festival and was changed to Shelter Me. Hopefully, the "surfer gay movie" will stand out.
A fine and unexpected film
Virginia_Farmboy23 June 2010
I didn't know quite what I'd be seeing when I watched "Shelter." A lot of gay movies rely on stereotypes for laughs or wallow in their own grief. Thankfully, none of that showed up in "Shelter." While the movie is a love story that follows the formula of many of its predecessors, it does so in a straightforward and refreshing manner. The story gets right to the point and doesn't wallow on too many extraneous details. Just about all the acting is spot-on, from Wright to Rowe to Holmes--this is no amateur job. Much of the acting is understated, in fact, and not in-your-face.
There is an especially interesting undercurrent to the film, that of class difference. Zach is from a poorer, city-dwelling family that contrasts greatly with the suburban lifestyle of Shaun. This establishes all that's at stake in the two's relationship, and is a welcome alternative to many gay films which depict the lifestyles of middle- or upper-class people. Kudos to the filmmakers for showing us another side of LA.
There is an especially interesting undercurrent to the film, that of class difference. Zach is from a poorer, city-dwelling family that contrasts greatly with the suburban lifestyle of Shaun. This establishes all that's at stake in the two's relationship, and is a welcome alternative to many gay films which depict the lifestyles of middle- or upper-class people. Kudos to the filmmakers for showing us another side of LA.
Excellent
corysher1330 July 2007
This film is inspiring and the acting is superb. Trevor Wright does an amazing job in making us believe he is struggling to be everything to his family while dealing with his sexuality. Brad Rowe is also incredible. Casting him with Trevor was perfect. They are a true couple in this story. Jonah will go far in his career if he continues to make outstanding films like this one! Nice job to here! Networks for producing such quality work. I would like to know how Jonah came up with the idea for Shelter? As the film gets distributed in theaters, I also hope it makes it to GLBT youth programs so that young audiences can see this film, and be proud of who they are.
A Successful Translation of a straight love story formula
myc497122 February 2010
Like any feel good romantic movie, Shelter leaves you smiling after the movie has ended. The problem is I'm not sure if it's a success in truly depicting the coming out process of Zach. As a story, I think it would have also been successful if it's a straight love story. Hence, the movie was successful in translating the formula that your usual straight romance movies use into a love story between two guys.
Is that a good thing? To some extent, yes but I actually find myself having a problem with it because the movie could have achieved greater heights if it was able to explore the coming out tale better if it was able to exploit the journey of the decision process and how hard it was for Zach to come out of the closet which I think is something more unique to gay movies.
In my opinion, the two most laudable things about the movie are: (1) Trevor Wright's sensitive performance and amazingly surprising acting ensemble (also notable is Tina Holmes playing Zach's sister). It's very rare for independent low budget movies to employ great actors. Most of the cast are familiar to me from various TV shows and it's refreshing to see them showcase what they're capable off. I truly wish I could see more of Trevor Wright and Tina Holmes in mainstream movies in the future. (2) The screenplay's successful translation of the formula that makes straight love story effective.
Is that a good thing? To some extent, yes but I actually find myself having a problem with it because the movie could have achieved greater heights if it was able to explore the coming out tale better if it was able to exploit the journey of the decision process and how hard it was for Zach to come out of the closet which I think is something more unique to gay movies.
In my opinion, the two most laudable things about the movie are: (1) Trevor Wright's sensitive performance and amazingly surprising acting ensemble (also notable is Tina Holmes playing Zach's sister). It's very rare for independent low budget movies to employ great actors. Most of the cast are familiar to me from various TV shows and it's refreshing to see them showcase what they're capable off. I truly wish I could see more of Trevor Wright and Tina Holmes in mainstream movies in the future. (2) The screenplay's successful translation of the formula that makes straight love story effective.
A surprising, wonderful film!
vitaminbee19 July 2007
Warning: Spoilers
This one is currently making the festival rounds, and last night played at Los Angeles' Outfest, to an enthusiastic crowd. That it was produced by Here! TV (creators of such awful crud as Dante's Cove) didn't exactly fill me with much hope, but to my surprise, I walked out of last night's screening believing that I'd seen one of the best films Outfest has programmed in years, and one of the best gay films about family dynamics ever. From writer/director Jonah Markowitz down to even the smallest details, this one's a winner. The story seems very simple, but Markowitz takes his very familiar coming-of-age premise and molds it into a very rich and rewarding experience for movie viewers. In a nutshell, the story is about Zach, a talented young artist struggling to balance the demands and responsibilities of his disintegrating family with his need to express himself as an individual and deal with his budding sexuality. Lead actor, Trevor Wright, deserves a lot of praise for giving such a commanding performance in a role that involves a lot of quiet moments. You see so much of the story in Wright's beautiful eyes and nuanced expressions. He has one small scene, while driving home, that had the Outfest audience thunderously cheering, and all it involves is a slow, satisfied smile that creeps across his lips. And that's just one of many truly lovely moments. The rest of the cast is top-notch as well. And the cinematography of Joseph White (lots of beautiful long shots, as well as some amazing surfing footage courtesy of surf director of photography David Warshauer) and the evocative score by J. Peter Robinson (and original songs by Shane Mack) really help make this one of the best gay-themed films made in years. I can't praise it highly enough. See it the first chance you get!
It had its pro's and con's
green_eyed_deception1 June 2008
Warning: Spoilers
*******Contains very slight spoiler about ending******** I had read a lot of hype about hits movie, and since I consider myself a connoisseur of gay movies, I knew I had to check it out. I must admit, while I did enjoy it, I was a bit disappointed. I expected it to be 'the' gay film of the year, but sadly, it was not. For a low budget film, it was above average. It definitely wasn't as bad as that god awful 'Tan Lines', I will give it that. I personally felt that while the characters themselves were pretty well rounded and relate-able, I felt the relationship between Zach and Shaun could have been fleshed out MUCH more. You don't get to learn to much about their history, though if you pay attention, you can tell it's implied that they both used to have feelings for each other, whether or not they were aware of the feelings. The dialog could have been amped up A LOT more, some of it seemed very stiff and/or just simply a filler. There were many good things about this film however, Zach and Shaun of course were amazing eye candy, which never hurts. I also really loved the relationship between Zach and his little nephew Cody, it really tugs at those heartstrings. One other thing I found really great was that the ending was happy. The complete opposite of Brokeback! This is one of the few gay movies where the two are allowed to be happy and walk off into the sunset together. If you want to see another movie where they are allowed that happy ending, but want a more fleshed out story/characters then I highly recommend 'Maurice.' It is my favorite films of all time, gay or otherwise. But all this being said, I would recommend watching 'Shelter' if you want a feel good movie that doesn't require much thinking and has nice surfer boys to ogle!
mediocre gay rom com
tolga-dorken29 October 2009
i think that most people who 'loved' this movie would have called it mediocre at best if the main characters were straight. the acting in general was very poor and far from believable. seems like brad rowe was the only one who could act really, though he needs to practice the kissing bit, it was more like two chicken pecking each other. trevor wright, cute as he was, seemed more confused as an actor than the character himself. the story was OK, but had plenty rom com clichés translated into 'gay'. pictures were unsatisfactory. the ever repeating surf scenes looked like they were thrown in randomly. gay, straight, whatever, it was a poor one...
Wow! Go see this...
phoneb6913 March 2008
I saw this the other night at a screening in NYC...wasn't even going to go but decided at the last minute to go and so happy I did. This movie completely surprised me and impressed me. Wonderfully directed, great script and spot on acting. Absolutely the best gay themed movie I've seen since Brokeback Mountain and in some ways surpasses that movie. How refreshing to see a film that deals with gay characters and none of them have a disease or are all about sex. Not that there's anything wrong with that but it's about time we see more movies that represent the ENTIRE spectrum of the gay community. The situations here were believable...the two leads had actual chemistry and there was an overall realism to it that we've rarely seen on screen with gay characters. This film has absolute mainstream appeal to it...Go see it and bring your friends!
A work of heart.
curaceau5 February 2010
Warning: Spoilers
I'm still trying to figure out why I can't stop thinking about this film! After several months, dozens of viewings and more long-winded message board posts than I dare admit, I've decided to take my time and ride out this wave until the next cinematic revelation comes along.
So, why the movie madness? . . . Here are some of the things that I love about Shelter - regardless of logic or reason:
The story: It's easy to dismiss kitchen sink realism as the stuff of made-for-TV movies, but this treatment is so appropriate for Shelter's plot. The domestic scenes allow the viewer to relate to the characters, internalize even the subtlest emotions and experience the level of intimacy portrayed.
The significance: Although the film-making process highlights its independent approach, the movie stands out by deftly combining key elements from television and popular culture. A transcendent quality reflects the same images found on the average TV screen: the family-driven Lifetime/Hallmark drama; the sexy HBO/Showtime series; the slick MTV/VHI music video (I think Zach and Shaun's nebulous age gap is best described as the difference between these two channels); not to mention, the youth-oriented ESPN/X Games sports culture. There's even a Jerry Springer/Oprah tinge to Zach's family struggles and his sister's promiscuity. In my opinion, the film's most powerful attraction is its post-millennial take on two popular 80's flicks: Flashdance and The Karate Kid. Shelter's anti-Brokeback ambitions are wonderfully realized, but, to me, the movie's anti-Cinderella subtext stands as its most enchanting (and radical) feature. In this departure from the original tale, a codependent family dynamic must rescue itself from implosion and the battle for true love involves three charming princes and only one "evil" sister.
The sensitivity: If a wave of pop culture makes Shelter relevant, a strong undercurrent of art makes the movie resonate. The visuals are both edgy and ethereal, perfectly capturing the conflict between Zach's dismal reality and his suppressed desires. The dialog is mundane, profane and poetic all at the same time. The melodic soundtrack establishes the stream of consciousness upon which the plot drifts forward. Most of all, the narrative arcs are largely left up to the viewer's interpretation and emotional projection. These layers help Shelter succeed at being an art film in the classic sense while serving as a contemporary work of *heart*.
The sensibleness: I know my explanation may not appeal to logic or reason, but it doesn't mean that the film can't. My absolute favorite aspect of the story is that it makes sense. Sure, there are discussion boards picking apart missing details, but, overall, I think this is one of the most logical love stories that I've seen in a long time. The very fact that I'm using the words "logical" and "love story" in the same sentence is amazing enough. The movie illustrates the deep connection between our emotional responses and our past experiences. It also reveals how finding intimacy helps us to embrace our true selves. Shelter reminds us that life has its own inner wisdom and that our existence flows in directions which we cannot immediately understand. Upon looking back (or up at a movie screen), however, we realize that these currents are what pull us towards our destiny.
So, why the movie madness? . . . Here are some of the things that I love about Shelter - regardless of logic or reason:
The story: It's easy to dismiss kitchen sink realism as the stuff of made-for-TV movies, but this treatment is so appropriate for Shelter's plot. The domestic scenes allow the viewer to relate to the characters, internalize even the subtlest emotions and experience the level of intimacy portrayed.
The significance: Although the film-making process highlights its independent approach, the movie stands out by deftly combining key elements from television and popular culture. A transcendent quality reflects the same images found on the average TV screen: the family-driven Lifetime/Hallmark drama; the sexy HBO/Showtime series; the slick MTV/VHI music video (I think Zach and Shaun's nebulous age gap is best described as the difference between these two channels); not to mention, the youth-oriented ESPN/X Games sports culture. There's even a Jerry Springer/Oprah tinge to Zach's family struggles and his sister's promiscuity. In my opinion, the film's most powerful attraction is its post-millennial take on two popular 80's flicks: Flashdance and The Karate Kid. Shelter's anti-Brokeback ambitions are wonderfully realized, but, to me, the movie's anti-Cinderella subtext stands as its most enchanting (and radical) feature. In this departure from the original tale, a codependent family dynamic must rescue itself from implosion and the battle for true love involves three charming princes and only one "evil" sister.
The sensitivity: If a wave of pop culture makes Shelter relevant, a strong undercurrent of art makes the movie resonate. The visuals are both edgy and ethereal, perfectly capturing the conflict between Zach's dismal reality and his suppressed desires. The dialog is mundane, profane and poetic all at the same time. The melodic soundtrack establishes the stream of consciousness upon which the plot drifts forward. Most of all, the narrative arcs are largely left up to the viewer's interpretation and emotional projection. These layers help Shelter succeed at being an art film in the classic sense while serving as a contemporary work of *heart*.
The sensibleness: I know my explanation may not appeal to logic or reason, but it doesn't mean that the film can't. My absolute favorite aspect of the story is that it makes sense. Sure, there are discussion boards picking apart missing details, but, overall, I think this is one of the most logical love stories that I've seen in a long time. The very fact that I'm using the words "logical" and "love story" in the same sentence is amazing enough. The movie illustrates the deep connection between our emotional responses and our past experiences. It also reveals how finding intimacy helps us to embrace our true selves. Shelter reminds us that life has its own inner wisdom and that our existence flows in directions which we cannot immediately understand. Upon looking back (or up at a movie screen), however, we realize that these currents are what pull us towards our destiny.
A great movie.. Makes me proud im gay..
bammark8 February 2011
Warning: Spoilers
There are "sleeper" films, and then there is Shelter. This small indie film received a very limited theatrical release in the spring of 2007 with a television debut on the subscription-only here! network only a month later. And suddenly, it was all anyone could talk about. Plenty of folks deemed it "the gay surfer movie," but it's ultimately as much about surfing as Brokeback Mountain is about animal husbandry. Instead, Shelter is a riveting family drama and a story of first gay love set in a working class world. Starring Billy's Hollywood Screen Kiss's Brad Rowe in a career-reviving performance and newcomer Trevor Wright, there are no gay bars in Shelter, no drugs, no drag queens, no circuit anthems, no gay- bashings, no AIDS scares, and no screaming parents to speak of. And we gay folks loved it anyway. Or maybe, because it was so fresh and different, that's why we loved it.
A Superb Gay Drama
walterparada31 March 2008
Warning: Spoilers
How I wish this film existed when I was 18 years old. It would have helped me reconcile my inner-struggles and feelings about being a homosexual much more easily and given me more structure of what to expect from someone should I have become involved with another guy. Fortunately, younger generations now and to come will benefit not only at an entertaining level with "Shelter," but also be rewarded with a reflection of themselves of the two stellar, magnificent male characters, Zach and Shaun, in the film.
After some months of hearing about this film through blogs and on MySpace, I finally got to see "Shelter" this past weekend. It is an absolutely superb, wonderfully woven film. With a strong California look and feel as a backdrop, the film is about young Zach (played remarkably by Trevor Wright) struggling with maintaining responsibility to his family while dealing with friends and potentially giving up his academic dreams to be an artist. Eventually, he develops feelings for his best friend's brother (played by veteran talent, Brad Rowe) during the course of events, triggering conflicting feelings almost beyond his control. Fortunate for him, the grand support of Shaun, his best friend's gay brother, Zach can see there is light at the end of his dark tunnel. And eventually he develops not only the strength to accept himself and Shaun into his life, but become an extraordinary father-figure to his 5 year old nephew, Cody.
The beautiful thing about "Shelter" is that it doesn't rely on inane gay stereo-types (i.e.: flamboyant characters, drag queens, limp-wristed high-pitched voiced effete men, gratuitous sex bordering on pornography, etc.) or heavy-handed subject matter (drug addiction, HIV/AIDS). "Shelter" handles the hurtle of coming-out with such warmth, humor, and touching grace. And the sub-theme of two gay men becoming aptly-able father figures to a young child sends a remarkable message that perhaps not all heterosexuals may be capable of raising a child as effectively as two responsible gay men with strong family values in their hearts.
Once more, what sets "Shelter" apart from most other gay films is how straight-forward and beautifully portrayed it is. Where most other American-made gay films offer are poor writing, terrible acting, bad direction, typical campy content, leading and supporting promiscuous gay characters, shrilling dialouge -- need I list those horrible films -- "Shelter" is strongly distinguished, sincere, and authentic. This is a wonderful film which will undoubtedly become a future classic.
After some months of hearing about this film through blogs and on MySpace, I finally got to see "Shelter" this past weekend. It is an absolutely superb, wonderfully woven film. With a strong California look and feel as a backdrop, the film is about young Zach (played remarkably by Trevor Wright) struggling with maintaining responsibility to his family while dealing with friends and potentially giving up his academic dreams to be an artist. Eventually, he develops feelings for his best friend's brother (played by veteran talent, Brad Rowe) during the course of events, triggering conflicting feelings almost beyond his control. Fortunate for him, the grand support of Shaun, his best friend's gay brother, Zach can see there is light at the end of his dark tunnel. And eventually he develops not only the strength to accept himself and Shaun into his life, but become an extraordinary father-figure to his 5 year old nephew, Cody.
The beautiful thing about "Shelter" is that it doesn't rely on inane gay stereo-types (i.e.: flamboyant characters, drag queens, limp-wristed high-pitched voiced effete men, gratuitous sex bordering on pornography, etc.) or heavy-handed subject matter (drug addiction, HIV/AIDS). "Shelter" handles the hurtle of coming-out with such warmth, humor, and touching grace. And the sub-theme of two gay men becoming aptly-able father figures to a young child sends a remarkable message that perhaps not all heterosexuals may be capable of raising a child as effectively as two responsible gay men with strong family values in their hearts.
Once more, what sets "Shelter" apart from most other gay films is how straight-forward and beautifully portrayed it is. Where most other American-made gay films offer are poor writing, terrible acting, bad direction, typical campy content, leading and supporting promiscuous gay characters, shrilling dialouge -- need I list those horrible films -- "Shelter" is strongly distinguished, sincere, and authentic. This is a wonderful film which will undoubtedly become a future classic.
Superb and Moving Film of Love and Sacrifice
bgtaylor80219 August 2011
When I first watched this film, I was unprepared for and deeply moved by the honest and touching screenplay by director Jonah Markowitz and the superb quality of acting by a fine cast. Trevor Wright can be proud of his convincing and moving portrayal of a young man at a point in his life at which he is confused about and questioning his sexual orientation. Trevor Wright develops his character, Zach, in a completely natural and unforced manner. His control of his body language and facial expression -- particularly his eyes -- has to be seen to be believed in an actor of his age. His dialog flows naturally, giving one the impression that it is all being said for the first time. This last is true of the entire cast attesting to the knowing guidance of their director.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
Also brilliant are the performances by Brad Rowe, Tina Holmes, Ross Thomas, Katie Walder and Jackson Wurth. Repeated viewing of the film makes even more clear the depth of characterizations by this very able cast. Most impressive is the emotion expressed by eye contact achieved between Trevor Wright and Brad Rowe -- something very uncommon and unforgettable in a film of this kind.
My only criticism is that a few scenes seem a little rushed. Another 8 to 10 minutes wouldn't have hurt this fine film. One example is the night scene in Zach's (Trevor Wright) backyard, beautifully shot incidentally, with the lights of the Vincent Thomas bridge in the background. A little more time could have been given to Zach's indecision to go to Shaun (Brad Rowe) and allow the scene to flow more naturally; a closeup of Zach's looking out at the bridge and then a shot of the bridge that will take him to Shaun might have been nice.
It is regrettable that this fine movie has not been given wide theatrical distribution.
NOT Brokeback Mountain
diavolos8 April 2008
This film starts out in a very mundane and repetitive fashion, but once the two leads come together it starts to unify, and when they had their first kiss I became riveted.
Trevor Wright is mesmerizing and carries this film easily on his shoulders. What makes the film special is the naturalism with which he plays his part, and also the subtle blossoming of the love affair. Brad Rowe was also very good as the gay man trying to be just a little more butch all the time. I was totally moved and enchanted.
That being said, I must disagree that this film is better than Brokeback Mountain. The two can hardly be compared, and why would they be?
Trevor Wright is mesmerizing and carries this film easily on his shoulders. What makes the film special is the naturalism with which he plays his part, and also the subtle blossoming of the love affair. Brad Rowe was also very good as the gay man trying to be just a little more butch all the time. I was totally moved and enchanted.
That being said, I must disagree that this film is better than Brokeback Mountain. The two can hardly be compared, and why would they be?
Gay Cinema Is Alive And Well
eslgr811 June 2008
Warning: Spoilers
I see as many "gay movies" as I can, and have accumulated quite a collection of DVDs. I think it comes from having grown up and been a young adult and even not so young adult at a time when there were few gay characters in movies, let alone a genre called "gay cinema." As people who know me are aware, I'm pretty forgiving as a theatergoer/film-goer, and often manage to see good even in plays and movies that have gotten mostly negative reviews.
Tonight I saw a movie that I can rave about without reservations, Jonah Markowitz' Shelter, a film every bit as fine (in all respects) as those which get nominated for Independent Spirit awards every year.
Shelter is the story of Zach, a 20ish surfer/skateboarder/artist with a dead-end job and a dead-end life. With an older sister more interested in going after the wrong men than in taking care of her 6-year-old son, it falls on Zach's shoulders to be the father figure in young Cody's life. (Zach and Jeanne's mother is dead, and their father pretty much non-existent since injuring his back.) Zach has a best friend, Gabe, and an on-again-off-again girlfriend Tori. The return of Gabe's older brother Shaun makes Zach realize something about himself that he'd managed to avoid thinking about, and soon the two end up "more than friends." What makes Shelter such a fine film, besides Markowitz' gifts as a director/writer, the quality of its music, editing, and art direction, and the excellent performances of its cast (and that's already saying a lot), is the way it deals with seen-that-done-that themes in new and non-clichéd ways. Yes, it's a coming out story, yes, Zach has trouble accepting who he is, yes, Zach's sister doesn't react well to having a gay brother, but no, Zach's best friend doesn't desert him, and no, his girlfriend doesn't have a hissy fit when she learns the truth, and in the end, Zach turns out to be quite a man.
Ultimately, Shelter treats its gay romance pretty much like any straight indie film would treat a boy-girl one, and if ever there was a film which shows how "love makes a family," Shelter is that film.
Trevor Wright (Zach), Brad Rowe (Shaun), Tina Holmes (Jeanne), Ross Thomas (Gabe), Katie Walder (Tori), and young Jackson Worth (Cody) couldn't be better and deserve to be remembered in award season, as do the filmmakers.
Keep a copy of Shelter handy to loan to anyone who bemoans the state of gay cinema in 2008. It's alive and well, thank you very much.
(Note: Rowe and Holmes made their marks in two of 1998's best gay films, he in Billy's Hollywood Screen Kiss and she in Edge Of Seventeen. It was his 2nd, her 1st movie, and the beginning of successful Hollywood careers for both. It's great to see the two of them return to the genre 10 years later in such an outstanding film.)
Tonight I saw a movie that I can rave about without reservations, Jonah Markowitz' Shelter, a film every bit as fine (in all respects) as those which get nominated for Independent Spirit awards every year.
Shelter is the story of Zach, a 20ish surfer/skateboarder/artist with a dead-end job and a dead-end life. With an older sister more interested in going after the wrong men than in taking care of her 6-year-old son, it falls on Zach's shoulders to be the father figure in young Cody's life. (Zach and Jeanne's mother is dead, and their father pretty much non-existent since injuring his back.) Zach has a best friend, Gabe, and an on-again-off-again girlfriend Tori. The return of Gabe's older brother Shaun makes Zach realize something about himself that he'd managed to avoid thinking about, and soon the two end up "more than friends." What makes Shelter such a fine film, besides Markowitz' gifts as a director/writer, the quality of its music, editing, and art direction, and the excellent performances of its cast (and that's already saying a lot), is the way it deals with seen-that-done-that themes in new and non-clichéd ways. Yes, it's a coming out story, yes, Zach has trouble accepting who he is, yes, Zach's sister doesn't react well to having a gay brother, but no, Zach's best friend doesn't desert him, and no, his girlfriend doesn't have a hissy fit when she learns the truth, and in the end, Zach turns out to be quite a man.
Ultimately, Shelter treats its gay romance pretty much like any straight indie film would treat a boy-girl one, and if ever there was a film which shows how "love makes a family," Shelter is that film.
Trevor Wright (Zach), Brad Rowe (Shaun), Tina Holmes (Jeanne), Ross Thomas (Gabe), Katie Walder (Tori), and young Jackson Worth (Cody) couldn't be better and deserve to be remembered in award season, as do the filmmakers.
Keep a copy of Shelter handy to loan to anyone who bemoans the state of gay cinema in 2008. It's alive and well, thank you very much.
(Note: Rowe and Holmes made their marks in two of 1998's best gay films, he in Billy's Hollywood Screen Kiss and she in Edge Of Seventeen. It was his 2nd, her 1st movie, and the beginning of successful Hollywood careers for both. It's great to see the two of them return to the genre 10 years later in such an outstanding film.)
Role Model
bkoganbing31 August 2018
Young gay kid Trevor Wright is living with his sister where he acts as the male
role model in his young nephew's life. Wright and little Jackson Wurth really
enjoy each other's company. Holmes's husband had died and she doesn't want
to live with dear old homphobic dad who never liked the guy she married and
beat up his son and threw him out of the house when he discovered that Wright
was gay.
But Holmes has reservations too which come out when she leaves for a bit and Wright brings the kid along when he spends time with his surfing buddy Brad Rowe and the two get romantically involved. Would she have the same reservations if it was a woman Wright was seeing?
Shelter is a nice story about young gay life that doesn't involve, disease or promiscuity. It's not just a positive LGBT film but it shows there are actually people out there except for dear old dad who actually don't give sexual orientation another thought when evaluating the content of people's character.
A great film for young LGBT audiences.
But Holmes has reservations too which come out when she leaves for a bit and Wright brings the kid along when he spends time with his surfing buddy Brad Rowe and the two get romantically involved. Would she have the same reservations if it was a woman Wright was seeing?
Shelter is a nice story about young gay life that doesn't involve, disease or promiscuity. It's not just a positive LGBT film but it shows there are actually people out there except for dear old dad who actually don't give sexual orientation another thought when evaluating the content of people's character.
A great film for young LGBT audiences.
You cant miss this
gtsrec5 May 2008
This film is truly enjoyable in all aspects. Its not a big millions of dollars production but is so well realized that once more we think and got sure that too much money isn't everything. The main roles are really believable, in special the main one: The "white trash" boy that re-connects with the old brother of his best friend that happens to be gay. The actor is superb in showing the feelings of an out teen phase that is in fact already a man full of responsibilities in life, always putting his fragile family (well, whats left of it) upfront his own life. Discovering and admitting who he really is.
Some say that Shawn (the older one and love of the main character) was too much patient but you know when we recognize in the other "a right one" in special in the harsh circunstances that the he lived. Patience in a relation is mandatory, of course when there's love.
The movie is about love and care .. and shows it 100% Its a movie for anyone, not only for gays ;) don't miss it.
Some say that Shawn (the older one and love of the main character) was too much patient but you know when we recognize in the other "a right one" in special in the harsh circunstances that the he lived. Patience in a relation is mandatory, of course when there's love.
The movie is about love and care .. and shows it 100% Its a movie for anyone, not only for gays ;) don't miss it.
Cute film but also a no brainer
amheba4 December 2018
I should have walked out
JohnstoneBrian28 August 2008
I would have walked out of this film after half an hour, but my date insisted on staying since we'd paid for the tickets. Afterwards, he apologized, and agreed that we should have left early.
On the one hand, it's nice to see a gay film that's trying to be something more than a pointless parade of naked guys. On the other hand, this film hasn't found anything else to offer.
On the plus side: * Reasonably well shot * A gay film that actually tries to show grown up relationships and responsible human beings.
On the downside: * Very weak script * Painfully predictable plot * Bad casting. (There's a complete lack of chemistry between the two romantic leads) * Weak editing (The film keeps cutting away from the action to show long surfing montages that don't advance the plot in any way.)
On the one hand, it's nice to see a gay film that's trying to be something more than a pointless parade of naked guys. On the other hand, this film hasn't found anything else to offer.
On the plus side: * Reasonably well shot * A gay film that actually tries to show grown up relationships and responsible human beings.
On the downside: * Very weak script * Painfully predictable plot * Bad casting. (There's a complete lack of chemistry between the two romantic leads) * Weak editing (The film keeps cutting away from the action to show long surfing montages that don't advance the plot in any way.)
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