Directed by
| Adam DeViller | ||
Writing Credits (in alphabetical order)
| Matt Chisholm | ||
| Adam DeViller | ||
Cast
 |
Rene Bishop | ... | Willard |
| Sara Campbell | ... | Old Lady | |
| Bob Mann | ... | Bob | |
|
|
Maria Marteli | ... | News Reporter |
|
|
Michael McPhee | ... | News Anchor |
| Taylor Olson | ... | Matt | |
Produced by
| Marc Almon | ... | executive producer |
| Adam DeViller | ... | producer |
| Kevin A. Fraser | ... | producer |
| Taylor Olson | ... | producer |
| Melani Wood | ... | producer |
Music by
| Josh Cruddas | ||
Cinematography by
| Kevin A. Fraser | ||
Editing by
| Adam DeViller | ||
Production Design by
| Matt Likely | ||
Art Direction by
| Mike Ryan Hall | ... | (as Mike Hall) |
Makeup Department
| Kyla Nicolle | ... | makeup artist |
Production Management
| Jake Ivany | ... | production manager |
Second Unit Director or Assistant Director
| Luke Freeman | ... | first assistant director |
Sound Department
| Matt Dawson | ... | re-recording mixer |
| Cory Sewell | ... | sound mixer |
Stunts
| Rene Bishop | ... | stunt coordinator |
| Leslie Walsh | ... | old lady |
Camera and Electrical Department
| Mike Doucette | ... | gaffer |
| Mackenzie Garland | ... | best boy |
| Keith Mitchell | ... | key grip |
| Will Semple | ... | crane grip |
| Andre St-Jules | ... | electrician |
| Scott Thorne | ... | dit |
| Carter Thurber | ... | second assistant camera |
| Riley Turner | ... | first assistant camera |
| Scott Wells | ... | crane operator |
Editorial Department
| Shawn Beckwith | ... | post-production coordinator |
Location Management
| Collin Canning | ... | location manager |
Script and Continuity Department
| T. Nicole Holland | ... | script supervisor |
Additional Crew
| Andrew Coll | ... | production assistant |
| Gwydion Morris | ... | production assistant |
| Reid Morrison | ... | production assistant |