Spider-Man: Across the Spider-Verse sling-shotted past the competition to dominate the 51st Annie Awards, which were handed out Sunday night at UCLA’s Royce Hall. The Sony Animation sequel snared Best Feature and six other trophies — the same number that Spider-Man: Into the Spider-Verse scored at the 2019 Annies — setting it up as the front-runner for the Animated Feature Oscar next month.
Spider-Man: Into the Spider-Verse went on to take Best Animated Feature at the 91st Academy Awards.
Since the Best Animated Feature Oscar category was launched in 2002, 14 of the 21 winners of the Annies’ top feature prize – and seven of the past 11 – went on to claim the golden statuette. Last year followed suit, as Netflix’s Guillermo del Toro’s Pinocchio triumphed at both trophy shows.
On Sunday, Spider-Man scored wins for Directing, Music, Production Design, Character Design, FX and editing.
Gkids’ Hayao Miyazaki hit The Boy and the Heron...
Spider-Man: Into the Spider-Verse went on to take Best Animated Feature at the 91st Academy Awards.
Since the Best Animated Feature Oscar category was launched in 2002, 14 of the 21 winners of the Annies’ top feature prize – and seven of the past 11 – went on to claim the golden statuette. Last year followed suit, as Netflix’s Guillermo del Toro’s Pinocchio triumphed at both trophy shows.
On Sunday, Spider-Man scored wins for Directing, Music, Production Design, Character Design, FX and editing.
Gkids’ Hayao Miyazaki hit The Boy and the Heron...
- 2/18/2024
- by Patrick Hipes
- Deadline Film + TV
Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” swung its way to victory at the 51st Annie Awards, snatching up seven prizes, including best feature. It was also a good night for Netflix, whose projects earned a total of nine awards, with period revenge series “Blue Eye Samurai” snagging six of those, including best TV/Media – Mature.
In addition to best feature, the “Spider-Verse” sequel’s Joaquim Dos Santos, Kemp Powers and Justin K. Thompson were honored for their direction while Daniel Pemberton and Metro Boomin won for music. The film also picked up awards for FX, character design, production design and editorial.
Arcadia Motion Pictures’ bittersweet Spanish-French film “Robot Dreams,” about a lonely dog who builds a robot companion, won for best feature – independent.
Netflix’s feature “Nimona,” which had the most nominations with nine, picked up two Annies, one for Chloe Grace Moretz’s voice work as the...
In addition to best feature, the “Spider-Verse” sequel’s Joaquim Dos Santos, Kemp Powers and Justin K. Thompson were honored for their direction while Daniel Pemberton and Metro Boomin won for music. The film also picked up awards for FX, character design, production design and editorial.
Arcadia Motion Pictures’ bittersweet Spanish-French film “Robot Dreams,” about a lonely dog who builds a robot companion, won for best feature – independent.
Netflix’s feature “Nimona,” which had the most nominations with nine, picked up two Annies, one for Chloe Grace Moretz’s voice work as the...
- 2/18/2024
- by Terry Flores
- Variety Film + TV
“Nimona,” Netflix’s sci-fi fantasy about a disgraced knight and a shape-shifting teenager, led the features category of the 51st Annie Awards nominations with nine, including best feature, director, character animation, character design, production design, storyboarding, voice acting, writing and editorial.
In the feature race, “Nimona,” produced by Annapurna Animation for Netflix, will go up against critical darling “Spider-Man: Across the Spider-Verse” from Sony Pictures Animation, Japanese fantasy-adventure “Suzume” from CoMix Wave Films and Story and distributed by Crunchyroll/Sony Pictures, Paramount and Nickelodeon’s “Teenage Mutant Ninja Turtles: Mutant Mayhem” and newly minted Golden Globe winner “The Boy and the Heron,” the first feature from auteur Hayao Miyazaki in a decade, out of Studio Ghibli and distributed by Gkids.
“Blue Eye Samurai,” also a Netflix project, topped the field in the TV/media categories, picking up seven noms. It was followed closely by Disney TV Animation’s “Moon Girl and Devil Dinosaur...
In the feature race, “Nimona,” produced by Annapurna Animation for Netflix, will go up against critical darling “Spider-Man: Across the Spider-Verse” from Sony Pictures Animation, Japanese fantasy-adventure “Suzume” from CoMix Wave Films and Story and distributed by Crunchyroll/Sony Pictures, Paramount and Nickelodeon’s “Teenage Mutant Ninja Turtles: Mutant Mayhem” and newly minted Golden Globe winner “The Boy and the Heron,” the first feature from auteur Hayao Miyazaki in a decade, out of Studio Ghibli and distributed by Gkids.
“Blue Eye Samurai,” also a Netflix project, topped the field in the TV/media categories, picking up seven noms. It was followed closely by Disney TV Animation’s “Moon Girl and Devil Dinosaur...
- 1/11/2024
- by Terry Flores
- Variety Film + TV
A funny thing happened on the way to the presumed two-horse awards-season race between 2023 toon feature juggernauts. Netflix’s Nimona picked a fight today with Gkids’ Hayao Miyazaki hit The Boy and the Heron and Sony’s global smash Spider-Man: Across the Spider-Verse, scoring a leading nine Annie Awards nominations. The others managed seven noms apiece.
All three are up for the marquee Best Feature prize along with Toho’s anime Suzume, which also landed seven Annie noms, and Teenage Mutant Ninja Turtles: Mutant Mayhem from Paramount and Nickelodeon Film, which got six.
Notably missing from the top toon feature race is Disney/Pixar’s Elemental, which also scooped six nominations from Asifa-Hollywood. Meanwhile, Universal/Illumination The Super Mario Bros. Movie — the No. 2 film of 2023, which plumbed $1.36 billion worldwide — was clogged up with just a single Annie nom for Jack Black’s voice work as the villainous Bowser.
With all...
All three are up for the marquee Best Feature prize along with Toho’s anime Suzume, which also landed seven Annie noms, and Teenage Mutant Ninja Turtles: Mutant Mayhem from Paramount and Nickelodeon Film, which got six.
Notably missing from the top toon feature race is Disney/Pixar’s Elemental, which also scooped six nominations from Asifa-Hollywood. Meanwhile, Universal/Illumination The Super Mario Bros. Movie — the No. 2 film of 2023, which plumbed $1.36 billion worldwide — was clogged up with just a single Annie nom for Jack Black’s voice work as the villainous Bowser.
With all...
- 1/11/2024
- by Erik Pedersen
- Deadline Film + TV
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