| Photos (see all 5 | slideshow) | Videos (see all 5) |
| Ville Virtanen | ... | Eerik | |
| Tommi Eronen | ... | Knut | |
| Viktor Klimenko | ... | Semenski | |
| Rain Tolk | ... | Rogosin | |
| Kari Ketonen | ... | Musko | |
| Sonja Petäjäjärvi | ... | Poika | |
| Vilhelmiina Virkkunen | ... | Tytär | |
| Taisto Reimaluoto | ... | Isäntä | |
| Ismo Kallio | ... | Kylänvanhin | |
| Kati Outinen | ... | Eukko | |
| Dick Idman | ... | Roukkula | |
| Ivo Kubecka | ... | Munkki | |
| Elena Leeve | ... | Isännän tyttären ääni (voice) | |
| Elena Spirina | ... | Rogosinin äidin tuutulaulu (voice) | |
| Peter Holmlund | ... | Ruotsalaisten tulkki | |
| Asko Vainio | ... | Ondrei Suurinen | |
| Timo Halonen | ... | Ruotsalainen knihti | |
| Eero Jaakkola | ... | Ruotsalainen knihti | |
| Aleksei Kettunen | ... | Venäläinen streltsi | |
| Juha Linna | ... | Venäläinen streltsi | |
| Stefano Pallanza | ... | Venäläinen streltsi | |
| Antti Eskola | ... | Pohjalainen talonpoika | |
| Markku Salo | ... | Pohjalainen talonpoika | |
| Heikki Tuomaala | ... | Karjalainen talonpoika | |
| Ari Wirta | ... | Kaatamolainen talonpoika | |
| Tarmo Leppänen | ... | Kaatamolainen talonpoika | |
| Kari Nurmi | ... | Kaatamolainen talonpoika | |
| Olavi Kari | ... | Kaatamolainen talonpoika |
Directed by | |||
| Antti-Jussi Annila | (as AJ Annila) | ||
Writing credits(in alphabetical order) | ||
| Iiro Küttner | written by | |
Produced by | |||
| Jesse Fryckman | .... | producer | |
| Filip Hejduk | .... | line producer | |
| Tero Kaukomaa | .... | producer | |
| Anna Konttinen | .... | post-production producer | |
| Heikki Leikola | .... | associate producer | |
| San Fu Maltha | .... | associate producer | |
| Artturi Mutanen | .... | associate producer | |
| Martti Ylöstalo | .... | post-production producer | |
Original Music by | |||
| Panu Aaltio | |||
Cinematography by | |||
| Henri Blomberg | |||
Film Editing by | |||
| Joona Louhivuori | |||
Casting by | |||
| Tutsa Paananen | (as Tutsa Virtanen) | ||
| Pia Pesonen | |||
| Ivan Vorlícek | |||
Production Design by | |||
| Béda Vladimír Dvorák | (as Vladimir Bedrich Dvorak) | ||
| Antti Nikkinen | |||
| Ville Vauras | |||
Costume Design by | |||
| Anna Vilppunen | |||
Makeup Department | |||
| Martina Janatova | .... | assistant makeup artist | |
| Linda Kopecka | .... | makeup assistant | |
| Salla Mäntymaa | .... | makeup artist | |
| Tereza Pracharova | .... | makeup assistant | |
| Laura Rantaniemi | .... | assistant makeup artist | |
Production Management | |||
| David Promberger | .... | production manager | |
| Essi Suomela | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Shakir Hafoudh | .... | second assistant director | |
| Antti Lahtinen | .... | assistant director | |
Art Department | |||
| Ellinoora Aro | .... | set assistant | |
| Timo Hyppönen | .... | graphic designer | |
| Jiri Maran | .... | set decorating stand-by | |
| Jiri Navratil | .... | props | |
| Petri Österlund | .... | property master | |
| Ahti Pursiainen | .... | set assistant | |
| Michael Rossler | .... | property master | |
| Juha Säkkinen | .... | property master: second unit | |
| Saara Salmi | .... | set assistant | |
| Riina Sipovaara | .... | graphic designer | |
| Frantisek Sloup | .... | set decorating stand-by | |
| Petr Votava | .... | prop buyer | |
Sound Department | |||
| Joonas Jyrälä | .... | sound recordist | |
| Vesa Meriläinen | .... | sound | |
| Miia Nevalainen | .... | foley editor | |
| Miia Nevalainen | .... | foley mixer | |
| Olli Pärnänen | .... | sound mixer | |
| Panu Riikonen | .... | sound recordist | |
| Panu Riikonen | .... | sound | |
Special Effects by | |||
| Erkki Feodoroff | .... | special effects technician | |
| Jarno Jernström | .... | special effects technician | |
| Jiri Maran | .... | special effects stand-by | |
| Jukkis Nissilä | .... | special effects foreman | |
| Jonas Nourisson | .... | special effects technician | |
| Mikko Sarkkinen | .... | special effects coordinator | |
| Terhi Silenius | .... | special effects assistant | |
| Frantisek Sloup | .... | special effects stand-by | |
| Ilkka Vanhamäki | .... | special effects technician | |
Visual Effects by | |||
| Juha Jokinen | .... | visual effects | |
| Pasi Kaarto | .... | visual effects coordinator | |
| Lasse Kilpiä | .... | animator: titles | |
| Sakari Leppä | .... | visual effects | |
| Timo-Pekko Nieminen | .... | visual effects | |
| Antti Peltoranta | .... | visual effects | |
| Eric Raunio | .... | animator: titles | |
| Carlos Santos | .... | animator: titles | |
| Olli Leppänen | .... | visual effects (uncredited) | |
Stunts | |||
| Pavel Bezdek | .... | stunt coordinator | |
| David Matousek | .... | stunts | |
Camera and Electrical Department | |||
| Sari Aaltonen | .... | first assistant camera | |
| Antti Härkönen | .... | first assistant camera: 2nd unit | |
| Jindra Kares | .... | lighting technician (as Jindrich Kares) | |
| Aleksi Koskinen | .... | still photographer | |
| Kosti Lehikoinen | .... | key grip | |
| Jarkko Liikanen | .... | second assistant camera | |
| Sami Mäntymaa | .... | lighting technician | |
| Harri Naarajärvi | .... | key grip: 2nd unit | |
| Juha Niska | .... | best boy | |
| Joel Siitonen | .... | grip assistant | |
| Sami Toro | .... | key grip | |
| Anne Vahlsten | .... | second assistant camera: 2nd unit | |
| Henry Wacklin | .... | gaffer | |
Casting Department | |||
| Frantisek Petrak | .... | extras casting | |
Costume and Wardrobe Department | |||
| Katka Coufalikova | .... | costume assistant (as Katerina Coufalikova) | |
| Henrik Heiskanen | .... | seamstress | |
| Onerva Hemmilä | .... | costume cutter | |
| Onerva Hemmilä | .... | head of sewing room | |
| Apolena Krotka | .... | costume assistant | |
| Emmi Leeve | .... | assistant to costume designer | |
| Katja Rautapohja | .... | seamstress | |
| Susanna Tekkala | .... | seamstress | |
Editorial Department | |||
| Giuseppe Di Giorgio | .... | digital transfer | |
| Pentti Keskimäki | .... | color grader | |
| Outi Kinnunen | .... | film scanner | |
| Joonas Kiviharju | .... | film scanner | |
| Antti Reikko | .... | assistant editor | |
| Ville-Matti Vasama | .... | on-line editor | |
Music Department | |||
| Panu Aaltio | .... | musician: synthesizer | |
| Panu Aaltio | .... | orchestrator | |
| Niall Acott | .... | music recordist | |
| Dave Daniels | .... | musician: solo cello | |
| Matt Dunkley | .... | conductor | |
| Mark Forster | .... | assistant music recordist | |
| Isobel Griffiths | .... | orchestra coordinator | |
| Charlotte Matthews | .... | assistant orchestra coordinator | |
| Perry Montague Mason | .... | concert master (as Perry Montague-Mason) | |
| Mikko Oinonen | .... | music mixer | |
| Anna-Kaisa Pippuri | .... | musician: English horn | |
Transportation Department | |||
| Lubomir Dopita | .... | driver: makeup bus | |
| Juha-Antti Heikkinen | .... | transportation | |
| Petr Hybner | .... | transportation | |
| Jiri Kotan | .... | transportation | |
| Timo Lahtinen | .... | transportation | |
| Jirí Malek | .... | driver: costume bus (as Jiri Malek) | |
| Jirí Malek | .... | driver: production trailer | |
| Jirí Marek | .... | driver: off-road vehicle | |
| Kamil Zimmer | .... | transportation | |
Thanks | |||
| Antti Hukkanen | .... | thanks | |
| Timo-Pekko Nieminen | .... | special thanks | |
| Jarmo Puskala | .... | thanks | |
| Timo Vuorensola | .... | special thanks | |
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| Home from the Hill | La tregua | Mark of the Spur | L'albero degli zoccoli | Andrey Rublyov |
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| Full cast and crew | Company credits | External reviews |
| IMDb History section | IMDb Finland section | Add this title to MyMovies |
Euro-horror is doing good business lately. France, Great-Britain and Spain are all battling on the front lines, but smaller countries like Belgium are producing splendid genre works too. Enter Finland, a somewhat cinematic void for me, showing their muscles with Sauna. A horror film that fairs well with its European peers but also succeeds in giving Finnish cinema a face, although a grim one.
The film's premise is kept rather vague and for people not living close to Finland or familiar with its history the film might take a flying start. Two teams, one Finnish and one Russian, are sent out to draft a new border after a long-raging war. They cross the barren lands in order to fight a more civilized war in trying to decide who gets what. Even though the film is set a good 400 years back in history, it could've well been just 50 years ago. Not that the film looks too modern for its setting, it's just that the characters are never really surrounded by recognizable cultural references. Safe from a pair of glasses and the clothing, it's all swamp and unforgiving nature that is served to the audience.
The two teams don't get along very well, but the one really stirring things up is Erik, a long-life warrior who has trouble adjusting to the new-found peace. Even though he wears glasses to fake a distinguished look, he is a true barbarian, murdering and abusing everyone coming across his way. The only one he seems to care for is his little brother, who was sheltered from the war as college student. The first half of the film is spent drawing out the relationships between the different characters, giving the audience some time to adjust to the happenings in the film. From the moment they arrive in an unlisted village in the middle of a swamp, the the core plot and the titular Sauna make their entrance.
Sauna has a couple of things going for it. First of all there is the performance of Ville Virtanen, portraying the Erik character as someone that is simply terrifying. As simple as those glasses may be, they make him out as someone with a certain sense of civilization while in reality he is as bad as they come by. His performance is hard as nails and unsettling. The rest of the casts plays along nicely, although none of them really make a big impression.
Visually the film is very consistent. Grey, dark colors and rough landscapes make up most of the visual scenery. No bright colors are seen, even the blood in the film is dark red, almost black. The camera work is solid too and helps in setting the atmosphere nicely. But even though it gives the film plenty of flair, there's never that little extra to make the film rise above its rivals. The soundtrack too is extremely fitting, with some very nifty sound deformations and good, supporting music. It has an ambient-like quality only furthering the grim and dark atmosphere of the film.
As the film progresses the story is slowly revealed an even though the premise is intriguing, you'll be left guessing at least for a little on how it all fits together. The ending is somewhat vague and even though impressive, won't bring you any clear answers. Looking back at the film, it has a lot of parallels with Vinyan (even small details - just think of the shots of water becoming blood-soaked), though Sauna is a much more subdued film, without any real climaxes or cinematic bursts. Depending on what you like more, you might prefer this one over Vinyan which has more curves compared to the straight line that is this film.
Nonetheless, Sauna is an impressive experience, solid in just about every department. Extremely strong lead, nice and fitting visuals, great soundtrack and intriguing storyline. And if you won't miss the climaxes, this will be exactly your thing. A recommendation for all fans of European horror out there. Just don't be expecting guts and gore, Sauna plays at atmosphere, grit and travels through the darker parts of the human mind. 4.0*/5.0*