A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982. Written by
John Nordling, Producer
The title of the film (as well as the novel upon which it was based) refers to the fact that, according to myth, vampires must be invited in before they can enter someone's home (this is shown in the film when Eli asks Oskar to invite her into his apartment). The English-translated title of the book and film, "Let The Right One In", is taken from lyrics to the song "Let the Right One Slip In" by Morrissey. See more »
The bully would have had to rotate his arm 180 degrees from the direction in which he'd "normally" hold Oscar's hair, for it to be positioned with his knuckles facing back toward himself, as shown in the underwater shot. See more »
This film is the best vampire film in my life during 25 years in cinema world.
I saw it in Bangkok International Film Festival 2008 and love this movie very much.
It has something big and stunning about this lovely storyline to rivet my attention from the beginning to the end. Moreover, the cinematography and atmosphere in this film are undeniably superb. The chemistry between two preteen protagonists is outstanding and very believable. Everything in this film is well-made in synchronization.
This is the first film related to a vampire that I think is least connected to Vampire's teeth baring at audience all the times, like other familiar horror we used to see. Other than some gory scenes in this film, we can yet see some flesh and blood moment of humane Vampire. And that is truly written to the core plot.
The last scene at swimming pool is totally mesmerizing and mind-blowing.
By the way, if Sweden submits this movie to be in competition with other nominees around the world for Oscar foreign-language film category this year, this masterpiece should win or at least be short-listed for the final fives.
10 out of 10
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