71
Metascore
16 reviews · Provided by Metacritic.com
- 91The A.V. ClubScott TobiasThe A.V. ClubScott TobiasIt isn't pretty to witness, but the pain of it smarts.
- 90The Hollywood ReporterThe Hollywood ReporterThe intensity of observation reminds one of Bergman's "Scenes From a Marriage," though of course played in a much more benign key. For the patient, the deliberate pacing is perfect, as each additional layer is quietly and subtly put in place.
- 90The New York TimesManohla DargisThe New York TimesManohla DargisA sun-kissed German film about a young couple in love and in doubt, might not be perfect, but so much is right and true in this lovely, delicate work that it comes breathtakingly close.
- 80Film ThreatFilm ThreatWriter/director Maren Ade has a laid-back, almost lackadaisical style that feels breezy, lived-in, and rich.
- 80Boxoffice MagazineAmy NicholsonBoxoffice MagazineAmy NicholsonSmart, empathetic and wholly believable.
- 75USA TodayMike ClarkUSA TodayMike ClarkThe film is an impressive effort, yet often a trying one.
- 75New York PostV.A. MusettoNew York PostV.A. MusettoThe well-acted, pleasantly lensed drama doesn't recall Hollywood's generic approach to fragile couples, and that's just fine with me.
- 70The New YorkerAnthony LaneThe New YorkerAnthony LaneIf there's one movie this spring that you shouldn't see with a date, it's Everyone Else, unless you are looking for a quick, low-budget way to break up. Not that Maren Ade's film is especially gloomy or cynical; merely that it functions as a fearsome seismograph, charting not just the major quakes in a relationship but also the barest tremors.
- 70Village VoiceJ. HobermanVillage VoiceJ. HobermanAn exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more fascinating than enjoyable.
- 30VarietyDerek ElleyVarietyDerek ElleySimply fuzzy filmmaking of the worst sort.