In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Los Angeles and other cities around the world are being bombarded by meteors that seem to be slowing down once they hit the earth's atmosphere. The earth is suddenly being invaded by space aliens that have landed off the shore of LA, and who begin killing everybody along the beach. The military is ordered into action. Marine Staff Sergeant Nantz (Aaron Eckhart), who was about to retire, is reassigned to a new platoon. The platoon, flown by chopper to the forward operating base at Santa Monica Airport, is being led by a new 2nd Lt. Martinez (Ramon Rodriguez). They are sent on a mission to rescue some civilians who are trapped at the police station within alien territory. They only have 3 hours to complete their mission and get out before the Air Force bombs that zone. Written by
Douglas Young (the-movie-guy)
TSgt. Santos' (Michelle Rodriguez) military unit exists in real life. The 61st Air Base Wing (61 ABW) is a wing of the US Air Force stationed at Los Angeles Air Force Base, El Segundo, California. The 61st is the host unit at Los Angeles AFB, and commands all the Air Force support groups and units assigned to the base. See more »
When the command and control center is destroyed, the Copperhead rounds are shown with an exhaust trail. Copperhead rounds are not self propelled as they use aerodynamic surfaces to glide to the target and do not have an exhaust trail. See more »
Reporter on TV:
...an unprecedented meteor shower falling off the coast of Tokyo. The entire city is mesmerized by this incredible sight. Two hours after the first contact, an unidentified enemy has reached our coastlines in a swift and militaristic attack. Right now one thing is clear: The world is at war.
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There are no opening credits, except for the film's title. See more »
Everyone described this film as BLACK HAWK DOWN meets ALIENS and who am I to contradict public opinion . One thing I didn't notice in the reviews was similarity to the John Wyndham novel The Kraken Wakes . Meteors land in the ocean and very quickly alien incursions attack the coastline . One criticism of Wyndham's criminally underrated novel is that if an alien race was this advanced then there's no reason for them to be hostile down to evolutionary psychology . In simplistic terms a civilization alien or otherwise would have to evolve beyond petty tribalsitic squabbles and pool their resources in to conquering physics and mastering interstellar travel . In other words an advanced civilization should in theory be a non aggressive race not bent on conquest
This is speculation of course because there's no evidence that there's life on any other planet and the novels of John Wyndham are quickly forgotten as the laser bolts fly and the aliens emerge from the sea . This is a pity because I was expecting a bit more mystery and suspense allowing the story to breath before the aliens were revealed . It's still not really a great loss at this point because I was still very impressed by the epic scope and spectacle as the marines fly to Camp Pendleton via helicopter dodging airbursts caused by the aliens . As the action then takes place as a ground war in the ruins of LA I was reminded to a certain extent of BLACK HAWK DOWN . The problem after the initial fighting however is that the scale and scope stops and started reminding me of any Michael Bay film you care to mention
Goodbye epic scope and scale we had when the marines were airborne and hello to close up and elliptic editing done via shaky cam . One can understand director Jonathan Liebesman trying to do a sci-fi blockbuster in a realist style but we've seen too many films with " blink and you'll miss it " type editing and you'd think with the utter contempt that many movie fans hold Michael Bay in you'd think most directors would avoid this style rather than constantly embrace it , but no they still continue as if it's part of their job remit . Would I cynical in thinking in this case it's too disguise the fact that the aliens aren't all convincing if you look at them longer than a nanosecond ? Hmm CGI and blink and you'll miss it editing . You spend tens of millions of dollars on a movie and you don't bother hiring an editor or a screenwriter . Remind me why Hollywood producers live in big mansions with a swimming pool while there's so many people with potential living in poverty ?
This is a the type of film like WORLD WAR Z that constantly gets pumped out by Hollywood where there's a germ of a good idea in there somewhere that blossoms in to a big headache inducing mess that makes for a great trailer but doesn't have any substance to sustain it for two hours . Obviously any idiot can be a Hollywood producer but it takes someone of relative intelligence to analyse if they want to spend money watching films like this at the cinema just because the trailer looked good . I'm glad I didn't spend money on a cinema ticket to watch this
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