Directed by
Richard A. Harris |
Writing Credits
Scott Johnston | ... | (screenplay) (as Scott Johnson) |
Scott Johnston | ... | (story) (as Scott Johnson) and |
Elaine Corrington | ... | (story) |
Cast (in credits order) complete, awaiting verification
Produced by
Pamela Easley | ... | associate producer |
Michael Elias | ... | executive producer |
Rich Eustis | ... | executive producer |
Susan B. Landau | ... | producer |
Music by
Phil Galdston | ... | (music by) |
John Sebastian | ... | (music by) |
Cinematography by
Robert Ebinger | ... | director of photography |
Editing by
Ralph Wikke |
Casting By
Sue Hessel |
Production Design by
Gregory Bolton |
Art Direction by
Robert Needle |
Set Decoration by
Ann Bielowicz | ... | (as Anne Bielowicz) |
Makeup Department
Jim Alfonso | ... | assistant hair stylist / assistant makeup artist |
Lynn Wolverton-Parker | ... | hair supervisor (as Lynn Wolverton) / makeup supervisor (as Lynn Wolverton) |
Production Management
Susan Vogelfang | ... | production manager |
Second Unit Director or Assistant Director
Susan Vogelfang | ... | first assistant director |
Mary Ellen Woods | ... | second assistant director |
Art Department
April Jackson Hill | ... | props |
Parker Poole | ... | construction coordinator |
April M. Stephens | ... | production artist |
Sound Department
Paul B. Clay | ... | supervising sound editor (as Paul Clay) |
Gordon L. Day | ... | re-recording mixer (as Gordon Day) |
Jim Hawkins | ... | sound mixer |
Shirley Libby | ... | sound boom |
James Troutman | ... | supervising sound editor (as Jim Troutman) |
Stan Wetzel | ... | re-recording mixer |
Howard Wilmarth | ... | re-recording mixer |
Visual Effects by
Neil Krepela | ... | special optical effects |
Stunts
Richard E. Butler | ... | stunt coordinator (as Dick Butler) |
Tom Harper | ... | stunts |
Mike Ketchel | ... | stunts |
Camera and Electrical Department
Timothy W. Bennett | ... | electrician |
David L. Blackburn | ... | second assistant camera (as David Blackburn) |
Mike Clayton | ... | key grip (as Michael Clayton) |
Paul Elliott | ... | director of photography: second unit (as Paul Elliot) |
Jack English | ... | gaffer |
Eddie Evans | ... | best boy |
Brian Gunter | ... | electrician |
Joe Jackson | ... | first assistant camera |
Larry Markart | ... | first assistant camera: second unit |
Steve McMahon | ... | key grip: second unit |
Margaret Pittings | ... | camera operator |
James L. Sedlak | ... | best boy |
Roger Sherer | ... | grip |
Casting Department
Joey Douglas | ... | casting assistant: Atlanta |
Sylvia Mays | ... | casting assistant: Atlanta (as Sylvia D. Mays) |
Costume and Wardrobe Department
Katherine Dover | ... | costume supervisor (as Kathy Dover) |
Jacqueline Pinon | ... | assistant costume (as Jacqueline Piñon) |
Editorial Department
Douglas Murray | ... | assistant editor |
William Pine | ... | lab timer (as Bill Pine) |
Bob Sarles | ... | assistant editor |
Location Management
Fred H. Dresch | ... | location manager |
Music Department
Marti Robertson | ... | music engineer |
Script and Continuity Department
Charlene Webb | ... | script supervisor (as Charlene H. Webb) |
Additional Crew
Laura Bafford | ... | production assistant |
Frank Blair | ... | production assistant |
Michael Keck | ... | production assistant |
Carol Mack | ... | production assistant |
Daniel Maughon | ... | production assistant |
Ricky Moore | ... | production assistant |
Nellie Nugiel | ... | production auditor |
Elaine Smith | ... | production coordinator |
Janice Yarbrough | ... | assistant to producer |