The 24th edition of the biennial Europalia International Arts Festival in Europe will be dedicated to India to celebrate the centenary year of Indian cinema.
The festival will be held in several cities of Belgium and The Netherlands including Brussels, Antwerpen and Den Haag from October 4, 2013 – January 26, 2014.
Five of Kashyap’s films will be screened under the Anurag Kashyap Focus – Cinematek section: Ugly (2013), Black Friday (2004), Dev D (2009), Gulal (2009) and Gangs of Wasseypur I and II (2012). Besides, three films recommended by Kashyap will also be screened at the festival: Gurvinder Singh’s Anhey Ghorey Da Daan, Hansal Mehta’s Shahid and Satish Manwar’s Gabhricha Paus.
Pather Panchali, Aparajito, Apur Sansar and Jalsaghar will be presented as part of the Satyajit Ray Retrospective. Guru Dutt Retrospective will screen his films Baazi, Jaal, Baaz, Aar Paar, Mr. And Mrs. 55, Pyaasa, Sahib Biwi aur Ghulam and Kagaz Ke Phool.
Filmmakers Anurag Kashyap, Vikas Bahl...
The festival will be held in several cities of Belgium and The Netherlands including Brussels, Antwerpen and Den Haag from October 4, 2013 – January 26, 2014.
Five of Kashyap’s films will be screened under the Anurag Kashyap Focus – Cinematek section: Ugly (2013), Black Friday (2004), Dev D (2009), Gulal (2009) and Gangs of Wasseypur I and II (2012). Besides, three films recommended by Kashyap will also be screened at the festival: Gurvinder Singh’s Anhey Ghorey Da Daan, Hansal Mehta’s Shahid and Satish Manwar’s Gabhricha Paus.
Pather Panchali, Aparajito, Apur Sansar and Jalsaghar will be presented as part of the Satyajit Ray Retrospective. Guru Dutt Retrospective will screen his films Baazi, Jaal, Baaz, Aar Paar, Mr. And Mrs. 55, Pyaasa, Sahib Biwi aur Ghulam and Kagaz Ke Phool.
Filmmakers Anurag Kashyap, Vikas Bahl...
- 9/27/2013
- by NewsDesk
- DearCinema.com
Locarno Open Doors will be held alongside the 64th Locarno International Film Festival from August 6-9, 2011. Open Doors 2011 that focuses on India, has selected 12 projects for its co-production lab. Satish Manwar’s Jat Panchayat is one of them. Manwar’s debut feature Gabhricha Paus premiered at Rotterdam International Film Festival in 2009. In the second in the series, DearCinema brings to you details about the filmmaker and the project, in the words of the filmmaker:
My project Jat Panchayat is about social systems, judicial systems; basically about power systems that govern human life. Above all, it’s about human nature. Every system consists of its rules and regulations, which are at variance from group to group. Yet power structures operate in the same inhuman, dispassionate manner. The structure of the film is that of a road movie and it will explore the life style and belief systems of Nomads from India.
My project Jat Panchayat is about social systems, judicial systems; basically about power systems that govern human life. Above all, it’s about human nature. Every system consists of its rules and regulations, which are at variance from group to group. Yet power structures operate in the same inhuman, dispassionate manner. The structure of the film is that of a road movie and it will explore the life style and belief systems of Nomads from India.
- 8/4/2011
- by Satish Manwar
- DearCinema.com
A still from Gabhricha Paus
This comes as a breather for Indian cinema, particularly Marathi cinema from Cannes. Gabhricha Paus, a Marathi film directed by Satish Manwar and produced by Prashant Pethe has been selected to screen in “Cannes Cinéphiles”. This is a sidebar of Festival de Cannes which presents films from the Official Selection, other parallel selections and films that have traveled widely in select theatres in the city of Cannes.
The film as part of Cinéphiles, Screens, Junior section will compete with 8-10 other films which are focused on themes aimed at young people.
“It is a great feeling to have Gabhricha Paus screen in a competitive section at Cannes. The Jury includes students from film institutes and if the film wins, it will be used for the purpose of academic studies. It is a great honour,” director Satish Manwar told DearCinema.
Gabhricha Paus portrays the story of...
This comes as a breather for Indian cinema, particularly Marathi cinema from Cannes. Gabhricha Paus, a Marathi film directed by Satish Manwar and produced by Prashant Pethe has been selected to screen in “Cannes Cinéphiles”. This is a sidebar of Festival de Cannes which presents films from the Official Selection, other parallel selections and films that have traveled widely in select theatres in the city of Cannes.
The film as part of Cinéphiles, Screens, Junior section will compete with 8-10 other films which are focused on themes aimed at young people.
“It is a great feeling to have Gabhricha Paus screen in a competitive section at Cannes. The Jury includes students from film institutes and if the film wins, it will be used for the purpose of academic studies. It is a great honour,” director Satish Manwar told DearCinema.
Gabhricha Paus portrays the story of...
- 5/4/2011
- by NewsDesk
- DearCinema.com
Panaji, Nov 30 (Ians) The drought-stricken farmers of Vidarbha in eastern Maharashtra whose despairing lives have been captured in award-winning Marathi film “Gabhricha Paus” are yet to see the film, the movie’s producer said.
“Their story needed to be told to them. I was not able to do that. I consider it a failure,” Prashant Pethe told Ians.
Pethe, whose film has been featured in the competition section at the 40th edition of the International Film Festival of India (Iffi) said although he did screen the film in 10 odd towns in Vidarbha using DVD projectors at marriage halls, a lot more needed to be done.
“There is no infrastructure to screen the movie to this section of society..
“Their story needed to be told to them. I was not able to do that. I consider it a failure,” Prashant Pethe told Ians.
Pethe, whose film has been featured in the competition section at the 40th edition of the International Film Festival of India (Iffi) said although he did screen the film in 10 odd towns in Vidarbha using DVD projectors at marriage halls, a lot more needed to be done.
“There is no infrastructure to screen the movie to this section of society..
- 11/30/2009
- by realbollywood
- RealBollywood.com
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