The Academy of Motion Picture Arts and Sciences has launched an Academy Originals podcast, “The Art of Documentary.”
The new podcast is hosted by Oscar-nominee and “Crip Camp” documentarian Jim LeBrecht. The six-episode season will include LeBrecht sitting down with documentary filmmakers, as they reveal to the host and the audience their filmmaking processes.
“The Art of Documentary,” will chronicle “how a filmmaker approaches their subject and how they engage with it,” according to the press release. The podcast will highlight how the various documentarians work to find new filmmaking approaches, all in an effort to tell their stories in innovative ways. LeBrecht and guests will discuss how they achieve special access and how far they’ll go to get their story — even if that means taking dangerous risks.
The first episode features an interview with “Anonymous Club” documentarian Danny Cohen. The remaining five episodes will include interviews with filmmakers including Bing Liu,...
The new podcast is hosted by Oscar-nominee and “Crip Camp” documentarian Jim LeBrecht. The six-episode season will include LeBrecht sitting down with documentary filmmakers, as they reveal to the host and the audience their filmmaking processes.
“The Art of Documentary,” will chronicle “how a filmmaker approaches their subject and how they engage with it,” according to the press release. The podcast will highlight how the various documentarians work to find new filmmaking approaches, all in an effort to tell their stories in innovative ways. LeBrecht and guests will discuss how they achieve special access and how far they’ll go to get their story — even if that means taking dangerous risks.
The first episode features an interview with “Anonymous Club” documentarian Danny Cohen. The remaining five episodes will include interviews with filmmakers including Bing Liu,...
- 5/17/2023
- by Charna Flam
- Variety Film + TV
Proximity Media has debuted In Proximity. The show features conversations between key Proximity executives and collaborators, providing listeners with a deep dive into the creative process of making movies, television, music, podcasts, and more, as well as a behind-the-scenes look at the making of the multimedia company’s highly acclaimed projects and future titles. Proximity’s Head of Audio Paola Mardo serves as producer. Mardo executive produces alongside Proximity’s founders Ryan Coogler, Zinzi Coogler, and Sev Ohanian.
The show’s first episode is between Proximity founder and writer/director Ryan Coogler and Creed collaborator, actor, producer, and first-time director Michael B. Jordan - and is available now.
The two take it back to their first meeting over ten years ago before collaborating on Fruitvale Station, and revitalizing a beloved franchise working on Creed, all the way through the decisions and journey of heading their own production companies today.
“We...
The show’s first episode is between Proximity founder and writer/director Ryan Coogler and Creed collaborator, actor, producer, and first-time director Michael B. Jordan - and is available now.
The two take it back to their first meeting over ten years ago before collaborating on Fruitvale Station, and revitalizing a beloved franchise working on Creed, all the way through the decisions and journey of heading their own production companies today.
“We...
- 3/13/2023
- Podnews.net
The Park: "XYZ Films is proud to announce that they will be releasing Shal Ngo's dystopian thriller The Park on North American VOD March 2nd. A tale of apocalyptic adventure and survival set within a long-abandoned amusement park, the thriller, which occurs in a world without adults, stars an amazing ensemble of young talent.
Filmmaker Shal Ngo's feature debut is a thrilling, dark journey through a dystopian world where children rule - and life is fleeting.
When a mysterious virus starts killing all adults, society is left to be governed by children living on borrowed time. After the adult population is wiped out, rival kids battle for control of an abandoned theme park. Danger lurks around every corner, and they must do whatever it takes to survive their hellish Neverland.
James Emanuel Shapiro, XYZ Films' Executive Vice President of U.S. Distribution, notes, "The Park is one of the...
Filmmaker Shal Ngo's feature debut is a thrilling, dark journey through a dystopian world where children rule - and life is fleeting.
When a mysterious virus starts killing all adults, society is left to be governed by children living on borrowed time. After the adult population is wiped out, rival kids battle for control of an abandoned theme park. Danger lurks around every corner, and they must do whatever it takes to survive their hellish Neverland.
James Emanuel Shapiro, XYZ Films' Executive Vice President of U.S. Distribution, notes, "The Park is one of the...
- 2/10/2023
- by Jonathan James
- DailyDead
The Sundance Film Festival got a heavy dose of Steph Curry on Monday night, hosting the world premiere of Stephen Curry: Underrated with the NBA superstar in attendance as he received multiple standing ovations and a hero’s welcome in Park City.
The film — from Sundance vet and award-winning director Pete Nicks, Apple Original Films and A24 — debuted inside Park City’s Eccles Theatre to a capacity crowd that included Ryan Coogler, a producer of the film, W. Kamau Bell, beloved coach Bob McKillop and a handful of Curry’s teammates from Davidson, the Cinderella stars of March Madness in 2008, including Jason Richards, Thomas Sander and Andrew Lovedale, all of whom appear in the film.
Stephen Curry: Underrated is described as an intimate look at the NBA superstar’s “improbable coming of age at tiny Davidson College, where, under the wing of coach Bob McKillop, the team made a thrilling run in the 2008 NCAA tournament.
The film — from Sundance vet and award-winning director Pete Nicks, Apple Original Films and A24 — debuted inside Park City’s Eccles Theatre to a capacity crowd that included Ryan Coogler, a producer of the film, W. Kamau Bell, beloved coach Bob McKillop and a handful of Curry’s teammates from Davidson, the Cinderella stars of March Madness in 2008, including Jason Richards, Thomas Sander and Andrew Lovedale, all of whom appear in the film.
Stephen Curry: Underrated is described as an intimate look at the NBA superstar’s “improbable coming of age at tiny Davidson College, where, under the wing of coach Bob McKillop, the team made a thrilling run in the 2008 NCAA tournament.
- 1/24/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
“Far below NBA standard in regard to explosiveness and athleticism… at 6-2, he’s extremely small for the NBA shooting guard position… Needs to add some muscles to his upper body, but appears as though he’ll always be skinny.”
That was just a taste of Steph Curry’s underwhelming 2009 NBA draft report. A pair of point guards (Ricky Rubio, Jonny Flynn) were ultimately selected ahead of Curry, who went on to become a four-time NBA champion, two-time league Mvp, and the greatest shooter in basketball history. (He was also...
That was just a taste of Steph Curry’s underwhelming 2009 NBA draft report. A pair of point guards (Ricky Rubio, Jonny Flynn) were ultimately selected ahead of Curry, who went on to become a four-time NBA champion, two-time league Mvp, and the greatest shooter in basketball history. (He was also...
- 1/24/2023
- by Marlow Stern
- Rollingstone.com
The Sundance Film Festival has rich history when it comes to documentary — and sports documentaries, in particular. Hoop Dreams, one of the greatest documentaries ever, made its premiere at Sundance ’94, while When We Were Kings (’96), Murderball (’05), O.J.: Made in America (’16) and Icarus (’17) all debuted at the fest.
One of the splashy late additions to the Sundance 2023 was Stephen Curry: Underrated, a documentary from director Peter Nicks (The Waiting Room) and producers Ryan Coogler (Black Panther) and Erick Peyton billing itself as “an intimate look at NBA superstar Stephen Curry’s...
One of the splashy late additions to the Sundance 2023 was Stephen Curry: Underrated, a documentary from director Peter Nicks (The Waiting Room) and producers Ryan Coogler (Black Panther) and Erick Peyton billing itself as “an intimate look at NBA superstar Stephen Curry’s...
- 1/23/2023
- by Marlow Stern
- Rollingstone.com
Director Peter Nicks just wants people to listen to kids.
“Homeroom,” Nicks’ Hulu documentary about Oakland High School’s senior class of 2020 and their fight to disband the school police department, sets out to do just that. It’s the third in a trilogy about the city’s social institutions, after 2012’s “The Waiting Room” about Highland Hospital, and 2017’s “The Force,” about the Oakland Police Department.
When Nicks started shooting the vérité piece, he didn’t know what kinds of stories the 17 and 18-year-olds would have to tell him. He just knew he wanted to make a film that would reveal “the emotional lives of students.” But after meeting the school’s two “student directors,” who represented their classmates’ interests in front of the school board, he began to understand the student body in a way he hadn’t expected.
From there, the film’s characters began to emerge,...
“Homeroom,” Nicks’ Hulu documentary about Oakland High School’s senior class of 2020 and their fight to disband the school police department, sets out to do just that. It’s the third in a trilogy about the city’s social institutions, after 2012’s “The Waiting Room” about Highland Hospital, and 2017’s “The Force,” about the Oakland Police Department.
When Nicks started shooting the vérité piece, he didn’t know what kinds of stories the 17 and 18-year-olds would have to tell him. He just knew he wanted to make a film that would reveal “the emotional lives of students.” But after meeting the school’s two “student directors,” who represented their classmates’ interests in front of the school board, he began to understand the student body in a way he hadn’t expected.
From there, the film’s characters began to emerge,...
- 8/30/2021
- by Selome Hailu
- Variety Film + TV
Since its inception, the award given to the best documentary director at the annual Sundance Film Festival has seen a who’s who of documentary auteurs. Be it Errol Morris for a film like A Brief History Of Time or Morgan Spurlock for Supersize Me, the award, in all of its various iterations, has helped spark the careers of some true non-fiction film making titans.
After The Force, director Peter Nicks is absolutely one of them. Previously known for the underrated The Waiting Room, Nicks is back with The Force, and it’s a stark change in pace for the filmmaker.
Inspired in many ways by the films of Fredrick Wiseman, Nicks’ latest film is classical cinema verite. The film introduces us to the Oakland Police Department, which at the start of 2014, was in the middle of ever increasing controversy. Itself a the A1 example of the modern state of policing,...
After The Force, director Peter Nicks is absolutely one of them. Previously known for the underrated The Waiting Room, Nicks is back with The Force, and it’s a stark change in pace for the filmmaker.
Inspired in many ways by the films of Fredrick Wiseman, Nicks’ latest film is classical cinema verite. The film introduces us to the Oakland Police Department, which at the start of 2014, was in the middle of ever increasing controversy. Itself a the A1 example of the modern state of policing,...
- 9/22/2017
- by Joshua Brunsting
- CriterionCast
It was supposed to be a joyous moment on July 10 when 39-year-old Jannelle Villarreal of San Antonio, Texas, welcomed her baby girl. But just minutes after the planned C-section, things took a turn for the worst, leaving both mother and child fighting for their lives.
Jannelle, who lost a baby boy last year at just 21 weeks, went into the hospital on June 30 so doctors could closely monitor her because they suspected she had preeclampsia, a pregnancy complication characterized by high blood pressure and signs of damage to another organ system. Her baby girl, Eden Raine, had been developing slowly and...
Jannelle, who lost a baby boy last year at just 21 weeks, went into the hospital on June 30 so doctors could closely monitor her because they suspected she had preeclampsia, a pregnancy complication characterized by high blood pressure and signs of damage to another organ system. Her baby girl, Eden Raine, had been developing slowly and...
- 7/20/2017
- by Caitlin Keating
- PEOPLE.com
Spike TV has provided us with a sneak peak at next week’s episode of “The Mist” (read our review), which airs July 20th at 10Pm. Richard Laxton directs the episode “The Waiting Room” that was penned by Amanda Segel and Christian Torpe. In the episode, “Kevin and the others reach a hospital where Kevin has […]...
- 7/14/2017
- by Brad Miska
- bloody-disgusting.com
Getting out early can be an advantage in the documentary race, which is often front loaded at January’s Sundance Film Festival. While a raft of movies made their mark, the question is which ones can sustain support through the end of the year.
Among that festival’s breakouts were three Syria documentaries. Daring and timely “City of Ghosts” (July 14, A & E/Amazon Studios), which is Matthew Heineman’s follow-up to his Oscar-nominated border drug war thriller “Cartel Land,” will get a major push. Any footage from Syria came from the fearless Raqqa journalists he tracked through Turkey and Germany, where they discover that they are not necessarily safe — anywhere.
It remains to be seen if there will be room for more than one Syrian documentary. HBO Documentary Films is forgoing Emmy consideration for “Winter on Fire” nominee Evgeny Afineevsky’s harrowing “Cries From Syria” (March 10, HBO), planning an Oscar push this fall.
Among that festival’s breakouts were three Syria documentaries. Daring and timely “City of Ghosts” (July 14, A & E/Amazon Studios), which is Matthew Heineman’s follow-up to his Oscar-nominated border drug war thriller “Cartel Land,” will get a major push. Any footage from Syria came from the fearless Raqqa journalists he tracked through Turkey and Germany, where they discover that they are not necessarily safe — anywhere.
It remains to be seen if there will be room for more than one Syrian documentary. HBO Documentary Films is forgoing Emmy consideration for “Winter on Fire” nominee Evgeny Afineevsky’s harrowing “Cries From Syria” (March 10, HBO), planning an Oscar push this fall.
- 7/5/2017
- by Anne Thompson
- Indiewire
Ira Sach’s “Little Men” follows Jake Jardine (Theo Taplitz), a 13-year-old who lives with his parents (Greg Kinnear and Jennifer Ehle) in Manhattan. When Jake’s grandfather dies, the family moves into his Brooklyn apartment where they find dressmaker Leonor (Paulina Garcia) who owns a shop in the building with her son Tony (Michael Barbieri). Jake and Tony become quick friends but when Jake’s parents try to raise the rent on Leonor, tensions run high and the kids are brought into uncomfortable adult conflicts faster than they anticipated.
Read More: Ira Sachs: How a Daring Independent Filmmaker Went Family-Friendly With ‘Little Men’
The film has garnered widespread positive reviews for its humanistic approach, powerful performances, and emotionally resonant writing, but one of “Little Men’s” most striking elements is its score. Composed by Dickon Hinchliffe, a founding member of the English band the Tindersticks, the score’s...
Read More: Ira Sachs: How a Daring Independent Filmmaker Went Family-Friendly With ‘Little Men’
The film has garnered widespread positive reviews for its humanistic approach, powerful performances, and emotionally resonant writing, but one of “Little Men’s” most striking elements is its score. Composed by Dickon Hinchliffe, a founding member of the English band the Tindersticks, the score’s...
- 8/3/2016
- by Vikram Murthi
- Indiewire
Congratulations to Wendy Lidell, whom we have known during her outstanding career spanning over 25 years, for being appointed as the Kino Lorber'snew Senior Vice President, Theatrical Distribution and Acquisitions.
As the head of Kino Lorber’s theatrical division, Ms. Lidell will oversee and manage all aspects of the company’s theatrical and non-theatrical slate, over 25 films per year, reporting directly to CEO Richard Lorber. Reporting to her are the company’s current team: Jonathan Hertzberg, Director of Theatrical Sales (who will continue to handle film bookings nationwide), Sylvia Savadjian, Director of Marketing, and Rodrigo Brandão, VP of Marketing and Publicity.
In addition to her new duties, Lidell will work directly with Richard Lorber to drive new business opportunities for the company, including identifying new content acquisitions and strategic growth areas.
She previously worked with Richard Lorber when he acquired International Film Circuit in 1998, to become the theatrical division of his company Fox Lorber. While at Fox Lorber, which later became Wellspring Media, Lidell released six to eight titles per year, including Alexander Sokurov’s "Russian Ark", François Ozon’s "Under the Sand", starring Charlotte Rampling, "Yi Yi“ by Edward Yang (named Best Film of the Year by the National Society of Film Critics), and "On the Ropes" (nominated for a documentary Academy Award).
After returning to International Film Circuit in 2004, Lidell released dozens of films, including "Don't Move," starring Penelope Cruz, "Darwin's Nightmare," which earned her a second documentary Academy Award nomination, and "Yoo-Hoo, Mrs. Goldberg, "which joined the elite group of documentaries that have grossed over $1 million theatrically. Other notable successes included "My Perestroika," "The Waiting Room," Nancy Spielberg’s "Above and Beyond" and "Sholem Aleichem: Laughing in the Darkness."
“It’s a very happy opportunity for Kino Lorber and me, personally, to work with Wendy again,” said Kino Lorber CEO Richard Lorber. “She has distinguished herself as a brilliant forward thinking film executive and passionate entrepreneur in our challenging environment, regularly acquiring and bringing to screen films of exceptional quality and commercial promise. In all my earlier years working with her, she never disappointed me – while her eye for quality and intelligence of execution never failed her. We couldn’t be more pleased to have her lead our theatrical team into the future. “
“It will be an enormous pleasure to join the Kino Lorber team,” wrote Wendy Lidell. “There are few film companies that combine a passion for great cinema with the business acumen required to navigate the challenges of a rapidly changing distribution landscape. Together, I hope we can continue for many years to bring more great films to bigger and more diverse audiences.”
Current and upcoming released from Kino Lorber include Amos Gitai’s "Rabin, the Last Day, Jia Zhangke’s "Mountains May Depart," Jayro Bustamante's "Ixcanul," and "Sons My Brother Taught Me. "...
As the head of Kino Lorber’s theatrical division, Ms. Lidell will oversee and manage all aspects of the company’s theatrical and non-theatrical slate, over 25 films per year, reporting directly to CEO Richard Lorber. Reporting to her are the company’s current team: Jonathan Hertzberg, Director of Theatrical Sales (who will continue to handle film bookings nationwide), Sylvia Savadjian, Director of Marketing, and Rodrigo Brandão, VP of Marketing and Publicity.
In addition to her new duties, Lidell will work directly with Richard Lorber to drive new business opportunities for the company, including identifying new content acquisitions and strategic growth areas.
She previously worked with Richard Lorber when he acquired International Film Circuit in 1998, to become the theatrical division of his company Fox Lorber. While at Fox Lorber, which later became Wellspring Media, Lidell released six to eight titles per year, including Alexander Sokurov’s "Russian Ark", François Ozon’s "Under the Sand", starring Charlotte Rampling, "Yi Yi“ by Edward Yang (named Best Film of the Year by the National Society of Film Critics), and "On the Ropes" (nominated for a documentary Academy Award).
After returning to International Film Circuit in 2004, Lidell released dozens of films, including "Don't Move," starring Penelope Cruz, "Darwin's Nightmare," which earned her a second documentary Academy Award nomination, and "Yoo-Hoo, Mrs. Goldberg, "which joined the elite group of documentaries that have grossed over $1 million theatrically. Other notable successes included "My Perestroika," "The Waiting Room," Nancy Spielberg’s "Above and Beyond" and "Sholem Aleichem: Laughing in the Darkness."
“It’s a very happy opportunity for Kino Lorber and me, personally, to work with Wendy again,” said Kino Lorber CEO Richard Lorber. “She has distinguished herself as a brilliant forward thinking film executive and passionate entrepreneur in our challenging environment, regularly acquiring and bringing to screen films of exceptional quality and commercial promise. In all my earlier years working with her, she never disappointed me – while her eye for quality and intelligence of execution never failed her. We couldn’t be more pleased to have her lead our theatrical team into the future. “
“It will be an enormous pleasure to join the Kino Lorber team,” wrote Wendy Lidell. “There are few film companies that combine a passion for great cinema with the business acumen required to navigate the challenges of a rapidly changing distribution landscape. Together, I hope we can continue for many years to bring more great films to bigger and more diverse audiences.”
Current and upcoming released from Kino Lorber include Amos Gitai’s "Rabin, the Last Day, Jia Zhangke’s "Mountains May Depart," Jayro Bustamante's "Ixcanul," and "Sons My Brother Taught Me. "...
- 2/24/2016
- by Sydney Levine
- Sydney's Buzz
Stuart A. Staples has been making music as part of Tindersticks for 25 years. The band, in a couple different incarnations, has created not only its own records, but six scores for films by Claire Denis, with a seventh to be written for the director later this year for her upcoming “High Life.” The latest proper Tindersticks LP, "The Waiting Room", acts in a way as a bridge between the band’s music and the world of cinema. The record is accompanied by a set of 11 short films, one for each song, from filmmakers including Denis, Christoph Girardet, Pierre Vinour, Rosie Pedlow and Joe King, Gregorio Graziosi, Richard Dumas and Gabriel Sanna. Read More: New Plot Details Emerge For Claire Denis' Sci-Fi 'High Life' With Robert Pattinson As Staples explained by phone as he works with the band to prepare a spring European tour, the short films accompanying...
- 2/16/2016
- by Russ Fischer
- The Playlist
If you’ve listened to a lot of Tindersticks — or seen almost any Claire Denis movie — you might agree that few contemporary bands so deserve a visual album. Marked by enigmatic lyrics, opulent production, and weighty arrangements, their songs create vivid images of longing, pain, and atmosphere — like a series of unrequited romances playing out inside the most densely populated and well-lit French café. Needless to say, their new album, The Waiting Room, caught my attention for taking just that approach.
Ahead of an official release on January 22, Tindersticks have debuted their album and full, 51-minute video project on NPR. Several international artists (including Denis and frontman Stuart A. Staples) have directing credits, each operating under the rule that their works “should attempt not to describe the music, but to create a visual counter-point, a space for the music to inhabit.” What emerges — contrary to the way I often envision...
Ahead of an official release on January 22, Tindersticks have debuted their album and full, 51-minute video project on NPR. Several international artists (including Denis and frontman Stuart A. Staples) have directing credits, each operating under the rule that their works “should attempt not to describe the music, but to create a visual counter-point, a space for the music to inhabit.” What emerges — contrary to the way I often envision...
- 1/15/2016
- by Nick Newman
- The Film Stage
The Doha Film Institute has announced the recipients of the Fall 2015 session of its grants program following the Dubai International Film Festival, where 15 of the Institute’s previous grantees, 4 of which are world premieres, were showcased. Thirty projects from 19 countries – comprising 16 feature-length narrative films, 10 feature documentaries and 4 short films – will receive funding for development, production or post-production.
The Fall session marks the 11th session of the grants program, which is dedicated to supporting new cinematic talent, with a focus on first- and second-time filmmakers.
Twenty-four of the projects are from the Middle East and North Africa (Mena) region, while 6 are from the rest of the world. For the first time, filmmakers from Chile, Peru and Spain will receive funding from the program.
Stories of displacement, physical or spiritual journeys, tales of family life, the power of nature and the importance of protecting the environment are highlighted in the selections this Fall.
Four projects from Qatar-based filmmakers were awarded grants – Hafiz Ali Abdullah’s "The Search for the Star Pearl," about a young pearl diver from Doha who discovers a map to the most valuable gem on Earth, and sets sail with three teenage friends in search of it; Hamida Al Kawari’s "To the Ends of the Earth" – the first Qatari feature documentary to receive a grant from the Institute – which follows a Qatari woman on an environmental expedition to Antarctica in search of hope; A.J. Al Thani’s "Kashta," a family drama about a father who takes his sons out into the desert to teach them about hunting and survival; and Hend Fakhroo’s "The Waiting Room," about an Arab and a Western family who find themselves sharing a hospital room.
Among the 30 projects selected for funding, 5 are from Morocco – Fyzal Boulifa’s "Pagan Magic," the story of a poor youngster working as a maid for a middle-class family; second-time grantee Uda Benyamina’s "Bastard," about a 15-year-old girl who lives with her mother in a rough Parisian suburb; Yakout Elhababi’s "Behind the Doors," which looks at family life and childhood set high in the Rif mountains of Morocco; Hind Bensari’s "Weight Throwers," a documentary look at the struggles of two young athletes as they train for the 2016 Paralympic Games in Rio de Janeiro; and "Behind The Wall," by Karima Zoubir, a short film set in a Casablanca slum.
Also featuring strongly are three animation projects – established filmmaker Haifaa Al Mansour’s "Miss Camel," the story of a teenage Saudi camel who challenges the deep-rooted restrictions of her culture by travelling across the kingdom to compete in the Miss Camel beauty pageant in Doha; Mortada Gzar’s "Language," about a blind man on the streets of Baghdad who wakes up as a giant and reads the devastation of the city by touch; and Hafiz Ali Abdullah’s "The Search for the Star Pearl."
As in several previous sessions of the grants program, powerful projects from Argentina have also secured funding. Milagros Mumenthaler’s Swiss/Argentinian film "The Idea of a Lake" is about a photographer who undergoes a personal exploration of her past and the absence of her father while creating a book of her work, while Maximiliano Schonfeld’s "The Black Frost" is a drama set on a plantation where a pernicious black frost threatens to devastate the countryside until a mysterious woman arrives.
Continuing the environmental theme, Heidi Brandenburg and Mathew Orzel’s "When Two Worlds Collide" is the story of an indigenous Peruvian man and his people, and of the fate of one of our planet’s most valuable natural resources – the Amazon rainforest. The film, which has its world premiere at the Sundance Film Festival in January, is the first-ever Peruvian recipient of a grant from the Institute.
Fatma Al Remaihi, CEO of the Doha Film Institute, said: “Our Fall grantees cover a broad range of subjects and represent some powerful new voices in cinema, especially from Qatar and North Africa with several projects supported from Morocco and Algeria.”
“Animated films are very popular in our region so it is very encouraging to see an acclaimed filmmaker like Haifaa Al Mansour turn her skills to this important genre; we support two other animated projects in this grants cycle as well.”
“Our grantees represent the core of the Doha Film Institute’s mandate to support emerging filmmakers and contribute to the development of the regional film industry. We have supported more than 255 films since the inception of the grants program and we continue to seek out projects with a strong directorial vision that are challenging, creative and thought-provoking. Our new round of grantees is no exception and I am delighted to welcome this outstanding crop of projects to our growing community of grantee alumni.”
Submissions for the next funding round open January 6 and close January 19, 2016. Funding is available to projects by filmmakers from around the world, with an emphasis on support for filmmakers from the Mena region. Certain categories of funding reserved for Mena and Qatari filmmakers.
The fund is primarily for first and second-time filmmakers. Post-production funding is available to established filmmakers from the Mena region.
For more information about eligibility and submissions, please visit
http://www.dohafilminstitute.com/financing/grants/guidelines
A full directory of past grant recipients is available to view at
http://www.dohafilminstitute.com/financing/projects/grants
The Doha Film Institute Grants Program funding recipients for the Fall 2015 session are:
Feature Narrative / Development
"Death Street" by Mohanad Hayal (Iraq)
Tariq, the sniper of Haifa Street in Baghdad, kills Ahmed on his wedding day. While Tariq prevents anyone from approaching the corpse in the street, an intimate and telling drama unfolds.
"Miss Camel" by Haifaa Al Mansour (Saudia Arabia)
A teenage Saudi camel challenges the deep-rooted restrictions of her culture by traveling across the kingdom to compete in the Miss Camel beauty pageant in Doha.
"Pagan Magic" by Fyzal Boulifa (Morocco, France)
A young, poor and uneducated girl works as a maid for a middle-class family in contemporary Morocco. Her use of pagan rites to confront her entrapment and make sense of her world ultimately corrupt her.
"The Search for the Star Pearl" by Hafiz Ali Abdullah (Qatar)
Ali, a 17-year-old pearl diver from Doha, discovers a map to the Star Pearl of Abu Derya, the most valuable gem on Earth, and sets sail with three teenaged friends in search of the pearl. Along the way, they face mythological beasts that challenge their skills and friendship.
Feature Narrative / Production
"Cactus Flower" by Hala Elkoussy (Egypt)
A flood leaves three Cairenes homeless. As they journey across the city in search of shelter, they depend upon one another to survive and keep their dreams alive.
"Poisonous Roses" by Fawzi Saleh (Egypt)
The world has left nothing to Taheya apart from her brother Saqr. When he disappears, Taheya pursues him in desperation.
"The Return" by Meyar Al-Roumi (Syria, France)
A love story blossoms between Taysir and Lina, exiles from Syria, while they drive across their homeland to bury Taysir’s brother, a victim of the armed conflict.
"Till the Swallows Return" by Karim Moussaoui (Algeria, France)
This is the story of three characters who are a product of the conflicted Algeria of the 2000s. Their ideals shattered and their moral strength drained, each now faces a difficult life choice.
Feature Narrative / Post-production
"Bastard" by Uda Benyamina (Morocco, France)
Fifteen-year-old Dounia lives with her mother in a rough Parisian suburb, where she has been saddled with the nickname “bastard”.
"The Black Frost" by Maximiliano Schonfeld (Argentina)
Soon after a mysterious woman arrives on a plantation, a pernicious black frost ceases to devastate the countryside. Hope emerges. Might she might be a saviour?
"Blue Bicycle" by Ümit Köreken (Turkey)
Young Ali saves up all the money he can working at a tyre repair shop to buy a coveted blue bicycle. Meanwhile, at school, his love for his schoolmate Elif leads him to defend her dismissal as school president. A story of childish love, dreams and resistance.
"The Dark Wind" by Hussein Hassan (Iraq)
Radical Islamists attack a village in Iraq where two young Yazidis are preparing for their marriage. At that moment, their lives become a nightmare.
"The Idea of a Lake" (note: previously titled Air Pocket) by Milagros Mumenthaler (Switzerland, Argentina)
Inés, a photographer, is creating a book of her work. Gradually, the process becomes a personal exploration of her past and the absence of her father, who was disappeared during the military dictatorship in Argentina.
"The Mimosas" by Oliver Laxe (Spain, Morocco, France)
In the Atlas Mountains in the past, a caravan searches for the path to take a Sufi master home to die. Among the party is Ahmed, a rascal who eventually becomes inspired to lead the caravan to its destination. Along the way, he is assisted by Shakib, a man sent from contemporary Morocco to guide Ahmed on his journey.
"Rey" (King) by Niles Atallah (Chile)
In 1860, a French lawyer dreamed of becoming the King of Patagonia – and he did just that. Or so it seemed.
"Suspension" by Ala Eddine Slim (Tunisia)
N is a candidate for an illegal crossing of the Mediterranean from Tunisia. A supernatural voyage, during which N will confront Nature and himself, begins.
Feature Documentary / Development
"Agnus Dei" by Karim Sayad (Algeria, Switzerland)
In Algeria, Ali and his sheep, bought for slaughter on Eid Al-Adha, are getting ready for the fight. Once the bets are in, the referee invites the owners into the ring…
"Behind the Doors" by Yakout Elhababi (Morocco)
High in the Rif mountains of Morocco, the people survive by growing kif. Beneath the shadow of the ambiguous legality of the crop, ‘Behind the Doors’ tells the story of a family through its children and their mirroring games.
"The Great Family" by Eliane Raheb (Lebanon)
In 1976, at the age of four, Marlene was put up for adoption in Lebanon and raised in France. In delving into her past, she discovers she is a survivor of the massacre at the Tal Al-Zaatar Palestinian refugee camp, and a family of survivors grows around her.
Feature Documentary / Production
"The Colonel’s Stray Dogs" by Khalid Shamis (Libya, South Africa)
While director Khalid Shamis watched television in his suburban London home, his father was plotting the overthrow of Muammar Gadaffi in his study. When the regime fell, Shamis sought answers about Libya under Gadaffi and his father’s role in its failed liberation.
"Ibrahim" by Lina Alabed (Jordan)
‘Ibrahim’ uncovers the long journey of the director’s father as a young man, when he was a secret member of Abu Nidal, a militant Palestinian revolutionary organisation.
"Searching for Janitou" by Mohamed El Amine hattou (Algeria)
A journey to unravel love in past and contemporary Algeria by exploring the unique phenomenon of a Bollywood film that swept the country in the 1980s.
"To the Ends of the Earth" by Hamida Al Kawari ( Qatar)
A Qatari woman travels on an environmental expedition to Antarctica in search of hope, before returning to the Gulf and finding unity and inspiration for positive change.
"Weight Throwers" by Hind Bensari (Morocco)
‘Weight Thowers’ follows the struggles of Azzedine and Youssef, disabled members of Morocco’s unemployed and disillusioned young generation, as they struggle to train for the 2016 Paralympic Games in Rio de Janeiro.
Feature Documentary / Post-production
"Tadmor" by Lokman Slim, Monika Borgmann (Lebanon)
A group of Lebanese men re-enact the ordeals they experienced as detainees in Syria’s notorious Tadmor prison. An ode to the human will to survive.
"When Two Worlds Collide" by Heidi Brandenburg, Mathew Orzel (Peru)
A story of a man and a people, and of the fate of one of our planet’s most valuable natural resources – the Amazon rainforest.
Short Narrative / Production
"Behind the Wall" by Karima Zoubir (Morocco)
Nadia, a little girl, lives in a Casablanca slum that is surrounded by a wall. One day, the municipality begins to paint the wall – but why this sudden interest?
"Kashta" by A.J. Al Thani (Qatar)
A father takes his two sons out to the desert to learn about hunting and survival, but the results are not quite what he was expecting.
"Language" by Mortada Gzar (Iraq)
An old blind man walks throught the streets of Baghdad, then falls asleep while reading a book in Braille. When he wakes up, he finds he has become a giant and reads the devastation of the city by touch.
"The Waiting Room" by Hind Fakhroo (Qatar)
An Arab family and a Western family find themselves sharing a hospital room; the only thing that separates them is a curtain.
The Fall session marks the 11th session of the grants program, which is dedicated to supporting new cinematic talent, with a focus on first- and second-time filmmakers.
Twenty-four of the projects are from the Middle East and North Africa (Mena) region, while 6 are from the rest of the world. For the first time, filmmakers from Chile, Peru and Spain will receive funding from the program.
Stories of displacement, physical or spiritual journeys, tales of family life, the power of nature and the importance of protecting the environment are highlighted in the selections this Fall.
Four projects from Qatar-based filmmakers were awarded grants – Hafiz Ali Abdullah’s "The Search for the Star Pearl," about a young pearl diver from Doha who discovers a map to the most valuable gem on Earth, and sets sail with three teenage friends in search of it; Hamida Al Kawari’s "To the Ends of the Earth" – the first Qatari feature documentary to receive a grant from the Institute – which follows a Qatari woman on an environmental expedition to Antarctica in search of hope; A.J. Al Thani’s "Kashta," a family drama about a father who takes his sons out into the desert to teach them about hunting and survival; and Hend Fakhroo’s "The Waiting Room," about an Arab and a Western family who find themselves sharing a hospital room.
Among the 30 projects selected for funding, 5 are from Morocco – Fyzal Boulifa’s "Pagan Magic," the story of a poor youngster working as a maid for a middle-class family; second-time grantee Uda Benyamina’s "Bastard," about a 15-year-old girl who lives with her mother in a rough Parisian suburb; Yakout Elhababi’s "Behind the Doors," which looks at family life and childhood set high in the Rif mountains of Morocco; Hind Bensari’s "Weight Throwers," a documentary look at the struggles of two young athletes as they train for the 2016 Paralympic Games in Rio de Janeiro; and "Behind The Wall," by Karima Zoubir, a short film set in a Casablanca slum.
Also featuring strongly are three animation projects – established filmmaker Haifaa Al Mansour’s "Miss Camel," the story of a teenage Saudi camel who challenges the deep-rooted restrictions of her culture by travelling across the kingdom to compete in the Miss Camel beauty pageant in Doha; Mortada Gzar’s "Language," about a blind man on the streets of Baghdad who wakes up as a giant and reads the devastation of the city by touch; and Hafiz Ali Abdullah’s "The Search for the Star Pearl."
As in several previous sessions of the grants program, powerful projects from Argentina have also secured funding. Milagros Mumenthaler’s Swiss/Argentinian film "The Idea of a Lake" is about a photographer who undergoes a personal exploration of her past and the absence of her father while creating a book of her work, while Maximiliano Schonfeld’s "The Black Frost" is a drama set on a plantation where a pernicious black frost threatens to devastate the countryside until a mysterious woman arrives.
Continuing the environmental theme, Heidi Brandenburg and Mathew Orzel’s "When Two Worlds Collide" is the story of an indigenous Peruvian man and his people, and of the fate of one of our planet’s most valuable natural resources – the Amazon rainforest. The film, which has its world premiere at the Sundance Film Festival in January, is the first-ever Peruvian recipient of a grant from the Institute.
Fatma Al Remaihi, CEO of the Doha Film Institute, said: “Our Fall grantees cover a broad range of subjects and represent some powerful new voices in cinema, especially from Qatar and North Africa with several projects supported from Morocco and Algeria.”
“Animated films are very popular in our region so it is very encouraging to see an acclaimed filmmaker like Haifaa Al Mansour turn her skills to this important genre; we support two other animated projects in this grants cycle as well.”
“Our grantees represent the core of the Doha Film Institute’s mandate to support emerging filmmakers and contribute to the development of the regional film industry. We have supported more than 255 films since the inception of the grants program and we continue to seek out projects with a strong directorial vision that are challenging, creative and thought-provoking. Our new round of grantees is no exception and I am delighted to welcome this outstanding crop of projects to our growing community of grantee alumni.”
Submissions for the next funding round open January 6 and close January 19, 2016. Funding is available to projects by filmmakers from around the world, with an emphasis on support for filmmakers from the Mena region. Certain categories of funding reserved for Mena and Qatari filmmakers.
The fund is primarily for first and second-time filmmakers. Post-production funding is available to established filmmakers from the Mena region.
For more information about eligibility and submissions, please visit
http://www.dohafilminstitute.com/financing/grants/guidelines
A full directory of past grant recipients is available to view at
http://www.dohafilminstitute.com/financing/projects/grants
The Doha Film Institute Grants Program funding recipients for the Fall 2015 session are:
Feature Narrative / Development
"Death Street" by Mohanad Hayal (Iraq)
Tariq, the sniper of Haifa Street in Baghdad, kills Ahmed on his wedding day. While Tariq prevents anyone from approaching the corpse in the street, an intimate and telling drama unfolds.
"Miss Camel" by Haifaa Al Mansour (Saudia Arabia)
A teenage Saudi camel challenges the deep-rooted restrictions of her culture by traveling across the kingdom to compete in the Miss Camel beauty pageant in Doha.
"Pagan Magic" by Fyzal Boulifa (Morocco, France)
A young, poor and uneducated girl works as a maid for a middle-class family in contemporary Morocco. Her use of pagan rites to confront her entrapment and make sense of her world ultimately corrupt her.
"The Search for the Star Pearl" by Hafiz Ali Abdullah (Qatar)
Ali, a 17-year-old pearl diver from Doha, discovers a map to the Star Pearl of Abu Derya, the most valuable gem on Earth, and sets sail with three teenaged friends in search of the pearl. Along the way, they face mythological beasts that challenge their skills and friendship.
Feature Narrative / Production
"Cactus Flower" by Hala Elkoussy (Egypt)
A flood leaves three Cairenes homeless. As they journey across the city in search of shelter, they depend upon one another to survive and keep their dreams alive.
"Poisonous Roses" by Fawzi Saleh (Egypt)
The world has left nothing to Taheya apart from her brother Saqr. When he disappears, Taheya pursues him in desperation.
"The Return" by Meyar Al-Roumi (Syria, France)
A love story blossoms between Taysir and Lina, exiles from Syria, while they drive across their homeland to bury Taysir’s brother, a victim of the armed conflict.
"Till the Swallows Return" by Karim Moussaoui (Algeria, France)
This is the story of three characters who are a product of the conflicted Algeria of the 2000s. Their ideals shattered and their moral strength drained, each now faces a difficult life choice.
Feature Narrative / Post-production
"Bastard" by Uda Benyamina (Morocco, France)
Fifteen-year-old Dounia lives with her mother in a rough Parisian suburb, where she has been saddled with the nickname “bastard”.
"The Black Frost" by Maximiliano Schonfeld (Argentina)
Soon after a mysterious woman arrives on a plantation, a pernicious black frost ceases to devastate the countryside. Hope emerges. Might she might be a saviour?
"Blue Bicycle" by Ümit Köreken (Turkey)
Young Ali saves up all the money he can working at a tyre repair shop to buy a coveted blue bicycle. Meanwhile, at school, his love for his schoolmate Elif leads him to defend her dismissal as school president. A story of childish love, dreams and resistance.
"The Dark Wind" by Hussein Hassan (Iraq)
Radical Islamists attack a village in Iraq where two young Yazidis are preparing for their marriage. At that moment, their lives become a nightmare.
"The Idea of a Lake" (note: previously titled Air Pocket) by Milagros Mumenthaler (Switzerland, Argentina)
Inés, a photographer, is creating a book of her work. Gradually, the process becomes a personal exploration of her past and the absence of her father, who was disappeared during the military dictatorship in Argentina.
"The Mimosas" by Oliver Laxe (Spain, Morocco, France)
In the Atlas Mountains in the past, a caravan searches for the path to take a Sufi master home to die. Among the party is Ahmed, a rascal who eventually becomes inspired to lead the caravan to its destination. Along the way, he is assisted by Shakib, a man sent from contemporary Morocco to guide Ahmed on his journey.
"Rey" (King) by Niles Atallah (Chile)
In 1860, a French lawyer dreamed of becoming the King of Patagonia – and he did just that. Or so it seemed.
"Suspension" by Ala Eddine Slim (Tunisia)
N is a candidate for an illegal crossing of the Mediterranean from Tunisia. A supernatural voyage, during which N will confront Nature and himself, begins.
Feature Documentary / Development
"Agnus Dei" by Karim Sayad (Algeria, Switzerland)
In Algeria, Ali and his sheep, bought for slaughter on Eid Al-Adha, are getting ready for the fight. Once the bets are in, the referee invites the owners into the ring…
"Behind the Doors" by Yakout Elhababi (Morocco)
High in the Rif mountains of Morocco, the people survive by growing kif. Beneath the shadow of the ambiguous legality of the crop, ‘Behind the Doors’ tells the story of a family through its children and their mirroring games.
"The Great Family" by Eliane Raheb (Lebanon)
In 1976, at the age of four, Marlene was put up for adoption in Lebanon and raised in France. In delving into her past, she discovers she is a survivor of the massacre at the Tal Al-Zaatar Palestinian refugee camp, and a family of survivors grows around her.
Feature Documentary / Production
"The Colonel’s Stray Dogs" by Khalid Shamis (Libya, South Africa)
While director Khalid Shamis watched television in his suburban London home, his father was plotting the overthrow of Muammar Gadaffi in his study. When the regime fell, Shamis sought answers about Libya under Gadaffi and his father’s role in its failed liberation.
"Ibrahim" by Lina Alabed (Jordan)
‘Ibrahim’ uncovers the long journey of the director’s father as a young man, when he was a secret member of Abu Nidal, a militant Palestinian revolutionary organisation.
"Searching for Janitou" by Mohamed El Amine hattou (Algeria)
A journey to unravel love in past and contemporary Algeria by exploring the unique phenomenon of a Bollywood film that swept the country in the 1980s.
"To the Ends of the Earth" by Hamida Al Kawari ( Qatar)
A Qatari woman travels on an environmental expedition to Antarctica in search of hope, before returning to the Gulf and finding unity and inspiration for positive change.
"Weight Throwers" by Hind Bensari (Morocco)
‘Weight Thowers’ follows the struggles of Azzedine and Youssef, disabled members of Morocco’s unemployed and disillusioned young generation, as they struggle to train for the 2016 Paralympic Games in Rio de Janeiro.
Feature Documentary / Post-production
"Tadmor" by Lokman Slim, Monika Borgmann (Lebanon)
A group of Lebanese men re-enact the ordeals they experienced as detainees in Syria’s notorious Tadmor prison. An ode to the human will to survive.
"When Two Worlds Collide" by Heidi Brandenburg, Mathew Orzel (Peru)
A story of a man and a people, and of the fate of one of our planet’s most valuable natural resources – the Amazon rainforest.
Short Narrative / Production
"Behind the Wall" by Karima Zoubir (Morocco)
Nadia, a little girl, lives in a Casablanca slum that is surrounded by a wall. One day, the municipality begins to paint the wall – but why this sudden interest?
"Kashta" by A.J. Al Thani (Qatar)
A father takes his two sons out to the desert to learn about hunting and survival, but the results are not quite what he was expecting.
"Language" by Mortada Gzar (Iraq)
An old blind man walks throught the streets of Baghdad, then falls asleep while reading a book in Braille. When he wakes up, he finds he has become a giant and reads the devastation of the city by touch.
"The Waiting Room" by Hind Fakhroo (Qatar)
An Arab family and a Western family find themselves sharing a hospital room; the only thing that separates them is a curtain.
- 1/5/2016
- by Sydney Levine
- Sydney's Buzz
Wadjda director among 30 awarded grants in the Doha Film Institute’s latest round of funding.Scroll down for the full list of projects
Haifaa Al Mansour, the director of 2012 Bafta-nominated Wadjda, has received a grant for her first animated feature project Miss Camel (in development) as part of the Doha Film Institute’s Fall 2015 round of funding.
The film will follow a teenage camel in Saudi Arabia which travels across the country to compete in a beauty pageant.
In total, 30 projects have received grants, including 16 feature films, three of which are animations, and 10 documentaries.
Of the projects selected, 24 are from the Mena region, while for the first time filmmakers from Chile, Peru and Spain will all receive funding.
Fatma Al Remaihi, CEO of the Doha Film Institute, said: “Animated films are very popular in our region so it is very encouraging to see an acclaimed filmmaker like Haifaa Al Mansour turn her skills to this important genre; we...
Haifaa Al Mansour, the director of 2012 Bafta-nominated Wadjda, has received a grant for her first animated feature project Miss Camel (in development) as part of the Doha Film Institute’s Fall 2015 round of funding.
The film will follow a teenage camel in Saudi Arabia which travels across the country to compete in a beauty pageant.
In total, 30 projects have received grants, including 16 feature films, three of which are animations, and 10 documentaries.
Of the projects selected, 24 are from the Mena region, while for the first time filmmakers from Chile, Peru and Spain will all receive funding.
Fatma Al Remaihi, CEO of the Doha Film Institute, said: “Animated films are very popular in our region so it is very encouraging to see an acclaimed filmmaker like Haifaa Al Mansour turn her skills to this important genre; we...
- 12/21/2015
- ScreenDaily
For cinephiles, English band Tindersticks are perhaps best known for the soundtracks they've composed for the films of Claire Denis, while music fans have been taken by the group's distinctive arrangements and intimate emotion. Next year, Tindersticks will release their tenth album, The Waiting Room, and it finds them taking another ambitious step. The upcoming long player will not only feature guest appearances by Jehnny Beth of Savages and the late, beloved singer Lhasa De Sela, it will also find the band collaborating with filmmakers. Each track on The Waiting Room will be accompanied by a music video helmed by such figures as Christoph Girardet, Pierre Vinour, Claire Denis, Gregorio Graziosi,and Gabriel Sanna. And today, we're excited to unveil "Hey Lucinda," featuring the vocals of Lhasa De Sela, and directed Rosie Pedlow and Joe King. The beautiful video finds the camera lingering down a row of shops and storefronts,...
- 11/10/2015
- by Edward Davis
- The Playlist
Full line-up of the Stockholm film festival includes feature and documentary competition line-ups.Scroll down for full line-up
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
The Stockholm International Film Festival (Nov 11-22) has unveiled the line-up for its 26th edition, comprising more than 190 films from over 70 countries.
The Stockholm Xxvi Competition includes Marielle Heller’s Us title The Diary of a Teenage Girl and László Nemes’ Holocaust drama Son Of Saul.
It marks the first time Stockholm has a greater number of women than men competing for the Bronze Horse – the festival’s top prize.
The documentary competition includes Amy Berg’s An Open Secret, an investigation into accusations of teenagers being sexually abused within the film industry; and Cosima Spender’s Palio, centred on the annual horse race in Siena, Italy.
Announcing the programme, festival director Git Scheynius also revealed that Chinese artist Ai Weiwei will visit Stockholm for the first time as chairman of the jury for the first Stockholm Impact Award, which...
- 10/20/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Read More: Locarno Review: If Louie C.K. Were a Struggling Bosnian Actor, He Would Star in 'The Waiting Room' A never-before-seen poster for "The Waiting Room," Igor Drrljaca's sophomore feature, has arrived. The film combines fictional accounts with biographical elements into an emotional and sometimes unsettling film. "The Waiting Room" had its World Premiere at Locarno and is now headed for its North American debut at Tiff as part of the Contemporary World Cinema slate. The official synopsis reads, "Jasmin, once a successful actor in former Yugoslavia, now lives in Toronto with his second wife and young son. While juggling a construction job and a busy audition schedule, he dreams of re-launching an old televised stage show that made him famous in his homeland. When he is cast in a role that triggers recollections of the civil war, he is forced to reconcile his current reality with memories of his past success.
- 9/10/2015
- by Aubrey Page
- Indiewire
Awards Locarno Film Festival Announces 2015 Open Door Awards Interviews Edward Norton Has a Solution to the 'Monetization' of the Oscars Features & Analysis Edward Norton Discusses the Collaborative Process in Highlights from Locarno Film Festival Panel Some of the Best Discoveries of the Year Are About to Screen in Switzerland Film Reviews Locarno Review: 'Right Now, Wrong Then' is Hong Sang-soo's 'Groundhog Day' Locarno Review: 'Chevalier' is a Buddy Comedy With a Bigger Purpose From Athina Rachel Tsangari Locarno Review: Romantic Comedy or Philosophical Debate? Jose Luis Guerin's 'The Academy of Muses' is Both Locarno Review: Satire and Surrealism Meet in Otar Iosseliani's Delightful 'Winter Song' Locarno Review: 'Schneider vs. Bax' is a Hilarious Dark Comedy of Errors Locarno Review: Andrzej Zulawski's First Film in 15 Years, 'Cosmos,' Delivers the Crazy Locarno Review: If Louie C.K. Were a Struggling Bosnian Actor, He Would Star in 'The Waiting Room' Locarno.
- 8/12/2015
- by Indiewire
- Indiewire
Ashley Hamilton's attorney, Keith Davidson, tells TMZ, "Unfortunately, Ashley's friend was the victim of a violent crime. Ashley was acting as a Good Samaritan whom escorted his friend to the medical center." Davidson added, "Ashley accepts responsibility for his actions and regrets the misunderstanding. He looks forward to addressing this situation at the appropriate time and thanks the Lapd for their tremendous work in this and every case. The brave men and women of...
- 1/15/2015
- by TMZ Staff
- TMZ
The Jason Statham action thriller also stars Michael Angarano, Milo Ventimiglia and Dominik García-Lorido and will open theatrically and on VOD in a day-and-date pattern on January 30.
Anne Heche, Sofia Vergara, Jason Alexander, Hope Davis and Stanley Tucci also appear in the film.
Simon West directed from the novel Heat by William Goldman who also wrote the screenplay.
TimeLapse Pictures, Gearshift Films and Yn Films have started shooting Igor Drljaca’s sophomore feature, The Waiting Room. The Canadian production is currently shooting in and around Toronto. The film will be ready for delivery in summer 2015.Michael Worth’s romance Broken Memories has wrapped principal photography in southern California on the drama starring Ivan Sergei, Rance Howard, Cerina Vincent and Kelly Greyson.
Anne Heche, Sofia Vergara, Jason Alexander, Hope Davis and Stanley Tucci also appear in the film.
Simon West directed from the novel Heat by William Goldman who also wrote the screenplay.
TimeLapse Pictures, Gearshift Films and Yn Films have started shooting Igor Drljaca’s sophomore feature, The Waiting Room. The Canadian production is currently shooting in and around Toronto. The film will be ready for delivery in summer 2015.Michael Worth’s romance Broken Memories has wrapped principal photography in southern California on the drama starring Ivan Sergei, Rance Howard, Cerina Vincent and Kelly Greyson.
- 12/1/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
'Neighbours' star Alan Fletcher is set to star in 'Celebrity Big Brother'. The 56-year-old actor, who plays Dr. Karl Kennedy in the Australian soap, has landed a six-figure deal to appear on the next series of the Channel 5 reality show, according to The Sun newspaper, Alan is expected to be popular with the British public because as well as his popular character in 'Neighbours', he has toured UK universities on several occasions with his band The Waiting Room. Alan's 'Neighbours' co-star Ryan Moloney, who plays Toadfish in the soap, was in the show last year and proved popular with viewers...
- 12/20/2013
- Virgin Media - TV
The San Francisco Film Society has announced $425,000 in grants spread over nine projects, made in partnership with the Kenneth Rainin Foundation. The grants have gone to Peter Nicks ("The Waiting Room"), Aurora Guerrero ("Mosquita y Mari") and Ira Sachs ("Keep the Lights On") among others. The panelists who reviewed the finalists’ submissions are Santhosh Daniel, creative consultant; filmmaker Lisa Fruchtman; Sffs Executive Director Ted Hope (who recently announced his impending departure); Jennifer Rainin, president of the Kenneth Rainin Foundation; and Michele Turnure-Salleo, director of Filmmaker360. Descriptions of the projects, with the size of each grant, supplied by the Sffs are below: Doctor — Musa Syeed, director/producer/writer; Nicholas Bruckman, coproducer $35,000 for screenwriting Salim, a disgraced young doctor from India, will do anything to rebuild his former life. But when he starts practicing medicine illegally in New York, he's drawn into a medical...
- 10/31/2013
- by Indiewire
- Indiewire
From International Film Circuit, the distributor of the The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare, comes a new documentary release titled Sweet Dreams, a film by Academy Award-winning filmmaker Lisa Fruchtman and Rob Fruchtman. Sweet Dreams follows a remarkable group of Rwandan women, post the 1994 genocide, who collect to form the country’s first all-female drumming troupe and open the country's first ice cream parlor. Ingoma Nshya is Rwanda’s first and only all women’s drumming troupe. Made up of women from both sides of the 1994 Rwandan...
- 10/28/2013
- by Tambay A. Obenson
- ShadowAndAct
After its premiere on PBS' Independent Lens on Monday night, as part of the first PBS Indies Showcase, The Waiting Room, is now available on home video (DVD and VOD) for those who missed it and want to check it out. It's on DVD, Amazon VOD and iTunes. With unprecedented access, the Itvs-funded, character-driven, cinema verité documentary takes the viewer inside the doors of an ER at an American public hospital struggling to care for a community of largely uninsured patients. It promises a raw, intimate, and uplifting look at how patients, caregivers and hospital staff deal with each other, illness, bureaucracy and hard choices. ...
- 10/23/2013
- by Natasha Greeves
- ShadowAndAct
A medical drama served up non-scripted style. It's called The Waiting Room, an Itvs-funded, character-driven, cinema verité doc that, thanks to unprecendented access, takes the viewer inside the doors of an ER at an American public hospital struggling to care for a community of largely uninsured patients. It promises a raw, intimate, and uplifting look at how patients, caregivers and hospital staff deal with each other, illness, bureaucracy and hard choices. Further... The ER waiting room serves as the grounding point for the film, capturing in vivid detail what it means for millions of Americans to live without health insurance. Young victims of gun...
- 10/22/2013
- by Tambay A. Obenson
- ShadowAndAct
Sure, Sunday tends to be overcrowded with high-end TV, including "Boardwalk Empire," "Eastbound and Down," "Homeland," "Masters of Sex," "The Walking Dead" and more, but what to watch the rest of the time? Every Monday, we bring you five noteworthy highlights from the other six days of the week. "Independent Lens": "The Waiting Room" Monday, October 21st at 10pm on PBS Peter Nicks' award-winning documentary following several patients who pass through the emergency room of an Oakland hospital could not be more timely. The film offers a gripping look into our health care crisis and the people who are left at the fringes of the system. "The Waiting Room," which will air alongside an excerpt from Anna Deavere Smith's "Let Me Down Easy," also has an online transmedia component you can find here. "30 for 30": "Big Shot" Tuesday, October 22nd at 8pm on Espn "Entourage" star Kevin Connolly,...
- 10/21/2013
- by Alison Willmore
- Indiewire
From International Film Circuit, the distributor of the The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare, comes a new documentary release titled Sweet Dreams, a film by Academy Award-winning filmmaker Lisa Fruchtman and Rob Fruchtman. Sweet Dreams follows a remarkable group of Rwandan women, post the 1994 genocide, who collect to form the country’s first all-female drumming troupe and open the country's first ice cream parlor. Ingoma Nshya is Rwanda’s first and only all women’s drumming troupe. Made up of women from both sides of the 1994 Rwandan...
- 10/16/2013
- by Tambay A. Obenson
- ShadowAndAct
On October 21, PBS’s Independent Lens presents The Waiting Room, from filmmaker Peter Nicks. The film examines the nation’s health care woes as seen through Oakland’s Highland Hospital which is the primary care facility for 250,000 patients of nearly every nationality, race, and religion, with 250 patients — most of them uninsured — crowding its emergency room every day. You can see a clip here: http://www.itvs.org/films/waiting-room Pete Nicks' Ted Talk he recently gave. http://tedxtalks.ted.com/video/TEDxMaastricht-Peter-Nicks The Waiting Room Premieres on Monday, October 21, 2013 at 10 Pm Et as Part of the First PBS Indies Showcase from PBS The Waiting Room is an extraordinary immersive documentary that goes behind the doors of Oakland’s Highland Hospital, a safety-net hospital...
- 10/2/2013
- by April Neale
- Monsters and Critics
A medical drama served up non-scripted style. It's called The Waiting Room, an Itvs-funded, character-driven, cinema verité doc that, thanks to unprecendented access, takes the viewer inside the doors of an ER at an American public hospital struggling to care for a community of largely uninsured patients. It promises a raw, intimate, and uplifting look at how patients, caregivers and hospital staff deal with each other, illness, bureaucracy and hard choices. Further... The ER waiting room serves as the grounding point for the film, capturing in vivid detail what it means for millions of Americans to live without health insurance. Young victims of gun...
- 9/9/2013
- by Tambay A. Obenson
- ShadowAndAct
It made its world premiere at the Sundance Film Festival this year, competing in the World Cinema Documentary category, and it now has an official USA theatrical release date, courtesy of International Film Circuit (the distributor of other topical, socially-relevant docs like The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare). The feature documentary is titled Fire In The Blood, from director Dylan Mohan Gray, and is described as an intricate tale of "medicine, monopoly and malice," which follows an improbable...
- 9/6/2013
- by Tambay A. Obenson
- ShadowAndAct
Documentary series "Independent Lens" launches its 12th season on PBS on September 30th with a lineup of 23 films from both new and established filmmakers. The season will kick off with Ramona Diaz's "Don't Stop Believin': Everyman's Journey," about Filipino singer Arnel Pineda, who was plucked from YouTube to become the frontman for the iconic American rock band Journey. Following on Monday, October 21 is "The Waiting Room," directed by Peter Nicks, which examines the current state of public health, told through 24 hours in an Oakland, California hospital waiting room stretched to the breaking point. Read More: Series Producer Lois Vossen Talks The New Season of 'Independent Lens' and the Current Conversation About Donors and Public Broadcasting "The Graduates/Los Graduados," a two-part special by filmmaker Bernardo Ruiz that profiles six remarkable students who are challenging the Latino dropout crisis, will air October 28 and November 4. November will see the...
- 9/4/2013
- by Alison Willmore
- Indiewire
It made its world premiere at the Sundance Film Festival this year, competing in the World Cinema Documentary category, and it now has an official USA theatrical release date, courtesy of International Film Circuit (the distributor of other topical, socially-relevant docs like The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare). The feature documentary is titled Fire In The Blood, from director Dylan Mohan Gray, and is described as an intricate tale of "medicine, monopoly and malice," which follows an improbable...
- 9/3/2013
- by Tambay A. Obenson
- ShadowAndAct
It made its world premiere at the Sundance Film Festival this year, competing in the World Cinema Documentary category, and it now has an official USA theatrical release date, courtesy of International Film Circuit (the distributor of other topical, socially-relevant docs like The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare). The feature documentary is titled Fire In The Blood, from director Dylan Mohan Gray, and is described as an intricate tale of "medicine, monopoly and malice," which follows an improbable...
- 8/5/2013
- by Tambay A. Obenson
- ShadowAndAct
It made its world premiere at the Sundance Film Festival this year, competing in the World Cinema Documentary category, and it now has an official USA theatrical release date, courtesy of International Film Circuit (the distributor of other topical, socially-relevant docs like The Waiting Room, Emmy-winner Where Soldiers Come From, Peabody-winner My Perestroika, The Devil Came on Horseback and the Academy Award-nominated film Darwin's Nightmare). The feature documentary is titled Fire In The Blood, from director Dylan Mohan Gray, and is described as an intricate tale of "medicine, monopoly and malice," which follows an improbable...
- 7/2/2013
- by Tambay A. Obenson
- ShadowAndAct
Title: Tumor: It’s In the System Directors: Valerie McCaffrey and Cindy Pruitt A recent Los Angeles premiere at the 16th annual Dances With Films, “Tumor: It’s in the System” joins a considerable slate of contemporary documentaries — inclusive of Peter Nicks’ raw, verité-style “The Waiting Room” — offering up a damning assessment of different elements of the American health care system. Here it’s a look at how potential alternative treatments and even cures for cancer have been suppressed since the early 1900s — the implication being that some combination of the bureaucratic regulatory system and the rapacious self-interest of capitalism have combined to incentivize managed treatment of symptoms over the [ Read More ]
The post Tumor: It’s In the System Movie Review appeared first on Shockya.com.
The post Tumor: It’s In the System Movie Review appeared first on Shockya.com.
- 6/11/2013
- by bsimon
- ShockYa
So, this weekend we’ve an example of the true-crime feature-length documentary with West Of Memphis. Turns out we’ve got another type of doc opening up. It’s the one-day-in-the life-of feature film. These slice-of-life films have followed a couple of policemen over a twenty-four period, or perhaps the kitchen area of a restaurant’s busy Saturday night. Well, this doc’s about a place that’s busy seven days a week: the emergency room of a hospital. That’s why the check-in area is known as The Waiting Room (and this award-winning film’s title). Director Peter Nicks and his film makers converged on Oakland, California’s Highland Hospital, known as a public safety-net hospital. The under-staffed and overwhelmed crew must not only deal with the endless tide of mostly uninsured sick and injured, but rush to save the lives of those being brought in by the EMTs.
- 3/22/2013
- by Jim Batts
- WeAreMovieGeeks.com
Each year, the awards season comes to a close with two of the biggest ceremonies in the Us. Tonight is of course the best known, with the Academy Awards being the most prestigious handed out in the industry. But every year, the previous night is reserved for recognising the achievements in filmmaking outside of the studio system with the Independent Spirit Awards.
I’m a big fan of the Independent Spirit Awards, and look forward to their results every year. Last night, some of the finest talents across the independent industry were recognised, and Silver Linings Playbook came away on top with an impressive four category wins.
David O. Russell’s latest feature took home the Best Feature award, it won him personally the Best Director and Best Screenplay awards, and Jennifer Lawrence’s remarkable performance in it won her the Best Female Lead award.
Derek Connolly’s script in...
I’m a big fan of the Independent Spirit Awards, and look forward to their results every year. Last night, some of the finest talents across the independent industry were recognised, and Silver Linings Playbook came away on top with an impressive four category wins.
David O. Russell’s latest feature took home the Best Feature award, it won him personally the Best Director and Best Screenplay awards, and Jennifer Lawrence’s remarkable performance in it won her the Best Female Lead award.
Derek Connolly’s script in...
- 2/24/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Although there rarely seems to be much (if any) overlap between the Independent Spirit Awards and the Oscars when it comes to the winners, it's always nice to see some of these movies getting recognition when they will likely be ignored by the Academy. Silver Linings Playbook does not seem to have much of a shot at winning anything tonight (with the exception of Jennifer Lawrence for Best Actress), but it dominated the competition last night winning 4 out of the 5 categories it was nominated in including Best Picture. Jennifer Lawrence also won for Best Female Lead and David O. Russell won Best Director and Best Screenplay. Other winners included The Sessions co-stars John Hawkes for Best Male Lead and Helen Hunt for Best Supporting Female, while Matthew McConaughey won Best Supporting Male for his performance in Magic Mike. Amour took home the Best Foreign Film Award and The Invisible War won Best Documentary.
- 2/24/2013
- by Sean
- FilmJunk
It would be the film with the juju in David O. Russell’s zany black comedy that was the toast of the 28th Independent Spirit Awards beating Beasts Of The Southern Wild – its fiercest rival in all major categories. Silver Linings Playbook cleaned up, grabbing Best Feature, Director, Screenplay and Best Actress went to Jennifer Lawrence – the heavy favorite for tomorrow’s Oscar. Fox Searchlight might have grabbed only one award for Beasts in the Cinematography category, but it’s other Sundance pick-up The Sessions managed to nab a pair of acting prizes for Helen Hunt and Oscar snubbed John Hawkes for Best Male Lead. In our favorite grant categories, Adam Leon (Gimme the Loot) nabbed the Someone to Watch Award (last year it went to Mark Jackson), the Piaget Producers Award went to Mynette Louie (she produced Tze Chun’s sophomore film Eye of Winter which we are keeping...
- 2/24/2013
- by Eric Lavallee
- IONCINEMA.com
Russell's Slp win four major Spirit Awards 2013 -- and that's no surprise As every awards-season pundit was expecting, David O. Russell's Silver Linings Playbook was the big winner at this year's Film Independent Spirit Awards, though the dramatic comedy featuring a couple of mentally unbalanced characters failed to make a clean sweep. Distributed by The Weinstein Company, Slp won Spirits for Best Film, Best Director, Best Screenplay, and Best Actress (Jennifer Lawrence). (Pictured above: Lawrence and Cooper get into a fight in Slp.) On the other hand, the Best Actor Award didn't go to Slp's Bradley Cooper: John Hawkes was the winner for The Sessions, and so was his leading lady, Helen Hunt, the winner in the Best Supporting Actress category. The Best Supporting Actor was Matthew McConaughey for Steven Soderbergh's comedy-drama and box-office success Magic Mike, featuring McConaughey, Channing Tatum, and Matt Bomer as dancers / strippers in various degrees of undress.
- 2/24/2013
- by Andre Soares
- Alt Film Guide
It's one of the biggest night's in the independent film industry, and as the 2013 Spirit Awards come to an end, we grant you with the complete list of winners!
Earlier this evening (February 23), celebrities flocked to Santa Monica Beach for a night of celebrations honoring the best and brightest from the world of independent film.
Taking home the prize for Best Feature was the cast and crew of "Silver Linings Playbook," while John Hawkes (The Sessions) and Jennifer Lawrence ("Silver Linings Playbook") took home the awards for Best Actor and Best Actress, respectively.
In addition, Matthew McConaughey ("Magic Mike") scored a win for Best Supporting Actor, while Helen Hunt (The Sessions) took home the prize for Best Supporting Actress.
Meanwhile, David O. Russell ("Silver Linings Playbook") proved victorious in the Best Director category and "Middle of Nowhere" received the John Cassavetes award, which pays homage to the best film created...
Earlier this evening (February 23), celebrities flocked to Santa Monica Beach for a night of celebrations honoring the best and brightest from the world of independent film.
Taking home the prize for Best Feature was the cast and crew of "Silver Linings Playbook," while John Hawkes (The Sessions) and Jennifer Lawrence ("Silver Linings Playbook") took home the awards for Best Actor and Best Actress, respectively.
In addition, Matthew McConaughey ("Magic Mike") scored a win for Best Supporting Actor, while Helen Hunt (The Sessions) took home the prize for Best Supporting Actress.
Meanwhile, David O. Russell ("Silver Linings Playbook") proved victorious in the Best Director category and "Middle of Nowhere" received the John Cassavetes award, which pays homage to the best film created...
- 2/24/2013
- GossipCenter
It's one of the biggest night's in the independent film industry, and as the 2013 Spirit Awards come to an end, we are granting you with the complete list of victors!
Earlier this evening (February 23), celebrities headed over to the Santa Monica Beach for a night of celebrations honoring the best Indie films from the past year.
Taking home the prize for Best Feature was the cast and crew of "Silver Linings Playbook," while John Hawkes and Jennifer Lawrence took home the awards for Best Actor and Best Actress, respectively.
In addition, Matthew McConaughey scored a win for Best Supporting Actor, while Helen Hunt took was honored with a nod for Best Supporting Actress.
Meanwhile, David O. Russell proved victorious in the Best Director category and "Middle of Nowhere" received the honor of the John Cassavetes, which pays homage to the best film created with a budget under $500,000.
Take a look...
Earlier this evening (February 23), celebrities headed over to the Santa Monica Beach for a night of celebrations honoring the best Indie films from the past year.
Taking home the prize for Best Feature was the cast and crew of "Silver Linings Playbook," while John Hawkes and Jennifer Lawrence took home the awards for Best Actor and Best Actress, respectively.
In addition, Matthew McConaughey scored a win for Best Supporting Actor, while Helen Hunt took was honored with a nod for Best Supporting Actress.
Meanwhile, David O. Russell proved victorious in the Best Director category and "Middle of Nowhere" received the honor of the John Cassavetes, which pays homage to the best film created with a budget under $500,000.
Take a look...
- 2/24/2013
- GossipCenter
David O. Russell's "Silver Linings Playbook" was the big winner at the 28th annual Independent Spirit Awards held in Santa Monica, CA this afternoon and hosted by Andy Samberg. "Silver Linings" took home the Best Feature, Actress (Jennifer Lawrence), Director, and Screenplay trophies.
McConaughey, who nearly stole the show in Steven Soderbergh's "Magic Mike," won the Best Supporting Male award for a performance that was largely ignored by the Academy Awards. As Samberg astutely observed, "We've got Matthew McConaughey...Hollywood fuck you!"
Jennifer Lawrence won the Best Female Lead award for "Silver Linings Playbook," while John Hawkes took home the Best Male Lead trophy for "Sessions." His co-star, Helen Hunt, won the Best Supporting Female award.
Michael Haneke's "Amour," a darling of the 85th Academy Awards, deservingly won Best International Film.
The awards show can be seen on IFC tonight at 10 pm (Est).
Here's the full list...
McConaughey, who nearly stole the show in Steven Soderbergh's "Magic Mike," won the Best Supporting Male award for a performance that was largely ignored by the Academy Awards. As Samberg astutely observed, "We've got Matthew McConaughey...Hollywood fuck you!"
Jennifer Lawrence won the Best Female Lead award for "Silver Linings Playbook," while John Hawkes took home the Best Male Lead trophy for "Sessions." His co-star, Helen Hunt, won the Best Supporting Female award.
Michael Haneke's "Amour," a darling of the 85th Academy Awards, deservingly won Best International Film.
The awards show can be seen on IFC tonight at 10 pm (Est).
Here's the full list...
- 2/24/2013
- by Manny
- Manny the Movie Guy
David O. Russell's "Silver Linings Playbook" had a heyday at the 28th Independent Spirit Awards, taking home four prizes out of five nominations, including Best Feature, Best Director, Best Screenplay, and Best Female Lead for Jennifer Lawrence.
"The Sessions" also got its due after being shut out at the Golden Globes and the Screen Actors Guild Awards. John Hawkes beat out "Silver Linings'" Bradley Cooper for Best Male Lead and Helen Hunt won Best Supporting Female. Also worth noting? Matthew McCounaghey's Best Supporting Male win for "Magic Mike," and his Best Male Lead loss for "Killer Joe."
Here is the full list of Independent Spirit Awards 2013 winners:
Best Feature
"Beasts of the Southern Wild"
"Bernie"
"Keep the Lights On"
"Moonrise Kingdom"
"Silver Linings Playbook"
Best Director
Benh Zeitlin, "Beasts of the Southern Wild"
Ira Sachs, "Keep the Lights On"
Julia Loktev, "The Loneliest Planet"
Wes Anderson, "Moonrise Kingdom"
David O. Russell,...
"The Sessions" also got its due after being shut out at the Golden Globes and the Screen Actors Guild Awards. John Hawkes beat out "Silver Linings'" Bradley Cooper for Best Male Lead and Helen Hunt won Best Supporting Female. Also worth noting? Matthew McCounaghey's Best Supporting Male win for "Magic Mike," and his Best Male Lead loss for "Killer Joe."
Here is the full list of Independent Spirit Awards 2013 winners:
Best Feature
"Beasts of the Southern Wild"
"Bernie"
"Keep the Lights On"
"Moonrise Kingdom"
"Silver Linings Playbook"
Best Director
Benh Zeitlin, "Beasts of the Southern Wild"
Ira Sachs, "Keep the Lights On"
Julia Loktev, "The Loneliest Planet"
Wes Anderson, "Moonrise Kingdom"
David O. Russell,...
- 2/24/2013
- by editorial@zap2it.com
- Pop2it
The weekend’s other big movie awards ceremony—the Independent Spirit Awards—was held this afternoon in Santa Monica, Calif., with Andy Samberg on board as host. The big winner was David O. Russell’s romantic dramedy Silver Linings Playbook, which took home four prizes: best feature, best director, best actress, and best screenplay. But there was plenty of love spread around the year’s top indies. Here’s the full list of winners:
Best Feature
Beasts of the Southern Wild
Bernie
Keep the Lights On
Moonrise Kingdom
Silver Linings Playbook – Winner
Best Director
Benh Zeitlin, Beasts of the Southern Wild
Ira Sachs,...
Best Feature
Beasts of the Southern Wild
Bernie
Keep the Lights On
Moonrise Kingdom
Silver Linings Playbook – Winner
Best Director
Benh Zeitlin, Beasts of the Southern Wild
Ira Sachs,...
- 2/24/2013
- by Josh Rottenberg
- EW - Inside Movies
Here's the full list of winners at the 28th annual Independent Spirit Awards, which was held in Santa Monica, CA this afternoon/evening, hosted by Andy Samberg. The awards show will actually be broadcast on the IFC channel at 10 pm tonight (Est). As social networking sites are all abuzz about why a Hollywood film like Silver Linings Playbook won in 4 key categories at what is supposed to be an *indie film* award show, below is a list of the nominees, along with the winners highlighted (projects covered on S&A, like Middle Of Nowhere, Beasts Of The Southern Wild, Stones In The Sun, The Waiting Room and Gimme the Loot, all walked away with...
- 2/24/2013
- by Courtney
- ShadowAndAct
Today the 2013 Spirit Awards were handed out and it was a dominating effort from Silver Linings Playbook as it won Best Picture, Director (David O. Russell), Actress (Jennifer Lawrence) and Screenplay (Russell). The only award it was nominated for and didn't win was Best Actor where Bradley Cooper lost to John Hawkes for The Sessions, but that's only a minor blip on the radar when you win this big. Among the early awards handed out, Stephen Chbosky's The Perks of Being a Wallflower won for Best First Feature while Derek Connolly won for Best First Screenplay for the romantic sci-fi film Safety Not Guaranteed. Then the Twitterverse exploded with a Best Supporting Actor win for Matthew McConaughey and his work in Magic Mike, which, for a time, seemed like it may be able to eek into that last Supporting slot at the Oscars. No dice, a Spirit Award it will have to be.
- 2/23/2013
- by Brad Brevet
- Rope of Silicon
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