The writing of Annie is incredibly schizophrenic at the moment. Sometimes she seems like a more grown-up version of the character she was, sometimes she seems like a completely different and less interesting character who just happens to be played by the same actress.She's leaning towards the former here, managing not to complain too much about how Romeo won't kiss her and actually seeming like a child, which makes all the talk about how grown-up she is seem all the more ridiculous.Irene once more voices some objections to her basing the whole future of her life on some boy she hardly knows, although she needs to do more than glare a bit and moan to Leah if she's going to come across as a decent parent.
Angelo begins to take his work home with him as he spies on Michael and comes close to interrogating Charlie and really needs to back off. Someone else who needs to back off is Leah, who manages to make Elijah feel uncomfortable by dropping far too many hints.Rabbit gets another precognitive moment which again suggests she's far more than a simple hallucination.The cliffhanger puts the viewer in the position of knowing more than the characters since we were already aware that Vinnie was still alive and the reasons for it.Miles' dismissal of him as a "crim" is somewhat jarring in the circumstances.
Angelo begins to take his work home with him as he spies on Michael and comes close to interrogating Charlie and really needs to back off. Someone else who needs to back off is Leah, who manages to make Elijah feel uncomfortable by dropping far too many hints.Rabbit gets another precognitive moment which again suggests she's far more than a simple hallucination.The cliffhanger puts the viewer in the position of knowing more than the characters since we were already aware that Vinnie was still alive and the reasons for it.Miles' dismissal of him as a "crim" is somewhat jarring in the circumstances.
