Far-out cineaste Santiago Mohar Volkow (“Los Muertos”) will deliver his fourth feature “A History of Love & War” (“Una Historia de Amor y de Guerra”) to audiences at the 53rd edition of the International Film Festival Rotterdam.
A viscally ludicrous examination of Mexico’s colonial history and the duplicitous nature of high-wealth, the film screens as part of the Harbor strand, dedicated to a wide range of contemporary narratives.
The plot opens on insufferably spoilt and corrupt real estate mogul Pepe Sanzhez Campo (Andrew Leland Rogers) as his mega-mall development plans roil on and an engagement offer to his affluent love interest Constanza (Lucía Gómez Robledo) proves a success.
When militant forces challenge his land rights and an otherwise cliche bachelor party turns sour after his fiancé’s lover Teo (Darío Yazbek Bernal) sets off a rip-roaring tide change, Pepe’s left with a reckoning that derails his privileged future.
Providing...
A viscally ludicrous examination of Mexico’s colonial history and the duplicitous nature of high-wealth, the film screens as part of the Harbor strand, dedicated to a wide range of contemporary narratives.
The plot opens on insufferably spoilt and corrupt real estate mogul Pepe Sanzhez Campo (Andrew Leland Rogers) as his mega-mall development plans roil on and an engagement offer to his affluent love interest Constanza (Lucía Gómez Robledo) proves a success.
When militant forces challenge his land rights and an otherwise cliche bachelor party turns sour after his fiancé’s lover Teo (Darío Yazbek Bernal) sets off a rip-roaring tide change, Pepe’s left with a reckoning that derails his privileged future.
Providing...
- 1/26/2024
- by Holly Jones
- Variety Film + TV
Mexico has selected the Berlin competition title Tótem, the latest film from Lila Avilés, as its entry for the Best International Feature Film category at the 2024 Oscars.
The family drama is Avilés’s second film after the award-winning feature debut The Chambermaid, which debuted in Toronto in 2018 and then traveled the international festival circuit before being selected as Mexico’s Oscar submission.
Tótem stars newcomer Naíma Sentíes as a 7-year-old girl navigating the strange atmosphere of a special surprise party being held for her dying artist father, from whom she herself feels temporarily estranged.
Further cast members include stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez, Francisco Maldonado, Iazua Larios and Alberto Amador. The picture was produced by Tatiana Graullera, Avilés, and Louise Riousse.
After playing Berlin, Tótem made its North American bow at New Directors/New Films and played Telluride earlier this month,...
The family drama is Avilés’s second film after the award-winning feature debut The Chambermaid, which debuted in Toronto in 2018 and then traveled the international festival circuit before being selected as Mexico’s Oscar submission.
Tótem stars newcomer Naíma Sentíes as a 7-year-old girl navigating the strange atmosphere of a special surprise party being held for her dying artist father, from whom she herself feels temporarily estranged.
Further cast members include stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez, Francisco Maldonado, Iazua Larios and Alberto Amador. The picture was produced by Tatiana Graullera, Avilés, and Louise Riousse.
After playing Berlin, Tótem made its North American bow at New Directors/New Films and played Telluride earlier this month,...
- 9/28/2023
- by Zac Ntim
- Deadline Film + TV
Mexico’s Teresa Sánchez, winner of a 2022 Sundance World Cinema Dramatic Special Jury Award for acting in Juan Pablo González’s “Dos Estaciones,” is set to star in the follow-up, his sophomore outing “Warm Water.”
Co-directed with Ana Isabel Fernández, co-writer of “Dos Estaciones,” “Warm Water” will also star Rafaela Fuentes, who played opposite Sánchez in “Dos Estaciones.”
Set up at Mexico’s Sin Sitio Cine, whose partners are González, Ilana Coleman, Makena Buchanan and Jamie Gonçalves, “Warm Water,” produced by Bruna Haddad and Gonçalves, will be brought onto the market at the San Sebastian Europe-Latin American Co-Production Forum, where it ranks as one of its highest-profile projects.
In development and scheduled to shoot in fall 2024, “Warm Water” turns on Ana María, a renowned actress who, after a devastating break-up, reluctantly travels to the rural countryside in Mexico to lead an acting workshop.
When an enthusiastic participant with whom she...
Co-directed with Ana Isabel Fernández, co-writer of “Dos Estaciones,” “Warm Water” will also star Rafaela Fuentes, who played opposite Sánchez in “Dos Estaciones.”
Set up at Mexico’s Sin Sitio Cine, whose partners are González, Ilana Coleman, Makena Buchanan and Jamie Gonçalves, “Warm Water,” produced by Bruna Haddad and Gonçalves, will be brought onto the market at the San Sebastian Europe-Latin American Co-Production Forum, where it ranks as one of its highest-profile projects.
In development and scheduled to shoot in fall 2024, “Warm Water” turns on Ana María, a renowned actress who, after a devastating break-up, reluctantly travels to the rural countryside in Mexico to lead an acting workshop.
When an enthusiastic participant with whom she...
- 9/1/2023
- by John Hopewell
- Variety Film + TV
Multi-prized Latin American directors Federico Veiroj, Theo Court, Alicia Scherson and Daniel Hendler head a muscular project lineup at September’s San Sebastian Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece which underscores this year a welling sea-change in the region’s filmmaking.
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
“The Moneychanger,” the latest film from Uruguay’s Veiroj, was selected for Toronto’s 2019 Platform; “White on White,” from Chile’s Court, won a best director Silver Lion at 2019’s Venice Horizons; Chile’s Alicia Scherson’s debut “Play” snagged new narrative director at Tribeca in 2005: multi-hyphenate Hendler, from Uruguay, scooped best director at Miami for “The Candidate” in 2017.
Also making the cut are Mexico’s Juan Pablo González and Ana Isabel Fernández, director and co-writer of 2022 Sundance Special Jury Prize winner “Dos Estaciones.” Ezequiel Yanco’s “La vida en común” took best documentary at the Biarritz Latin American Festival in 2019.
Mixing top cineasts...
- 8/14/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Exclusive: Buchwald on Monday announced its signing of Juan Pablo González, the Mexican filmmaker whose first narrative feature, Dos Estaciones, claimed a Special Jury Award for Acting and a Grand Jury Prize nom upon its premiere in World Cinematic Dramatic Competition at the 2022 Sundance Film Festival.
The drama picked up for distribution by Cinema Guild is set in the bucolic hills of Mexico’s Jalisco highlands, watching as iron-willed businesswoman Maria (Teresa Sánchez) fights against the impending collapse of her tequila factory. It also notably screened at New Directors/New Films (MoMA/Lincoln Center), the San Sebastián Film Festival and the Morelia International Film Festival, where Sánchez received the Eye for Best Acting Award, additionally picking up nominations at both the Cinema Eye Honors and the Gotham Awards. Institutions supporting the film, which González co-wrote and directed, included Imcine, Nouvelle Aquitaine Fond de Soutien au Cinéma, the Venice Biennale, the Sundance Institute,...
The drama picked up for distribution by Cinema Guild is set in the bucolic hills of Mexico’s Jalisco highlands, watching as iron-willed businesswoman Maria (Teresa Sánchez) fights against the impending collapse of her tequila factory. It also notably screened at New Directors/New Films (MoMA/Lincoln Center), the San Sebastián Film Festival and the Morelia International Film Festival, where Sánchez received the Eye for Best Acting Award, additionally picking up nominations at both the Cinema Eye Honors and the Gotham Awards. Institutions supporting the film, which González co-wrote and directed, included Imcine, Nouvelle Aquitaine Fond de Soutien au Cinéma, the Venice Biennale, the Sundance Institute,...
- 7/31/2023
- by Matt Grobar
- Deadline Film + TV
Alongside programming celebrating hip-hop, actress Kay Frances, Roger Corman’s Poe adaptations and “eurothrillers,” this August’s streaming selections on the Criterion Channel heavily feature filmmakers who’ve appeared in this publication, including in our recent Summer 2023 print issue. First up, Juan Pablo González’s highly-recommended Dos Estaciones will have its exclusive streaming premiere on the platform. González made our 25 New Faces of Film list back in 2015, and Dos Estaciones is the director’s sophomore feature. Described by Criterion as blending a “fictional character study and documentary-like observation,” the film follows tequila ranch owner María (Teresa Sánchez, winner of a Special Jury […]
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
- 7/19/2023
- by Natalia Keogan
- Filmmaker Magazine - Blog
Alongside programming celebrating hip-hop, actress Kay Frances, Roger Corman’s Poe adaptations and “eurothrillers,” this August’s streaming selections on the Criterion Channel heavily feature filmmakers who’ve appeared in this publication, including in our recent Summer 2023 print issue. First up, Juan Pablo González’s highly-recommended Dos Estaciones will have its exclusive streaming premiere on the platform. González made our 25 New Faces of Film list back in 2015, and Dos Estaciones is the director’s sophomore feature. Described by Criterion as blending a “fictional character study and documentary-like observation,” the film follows tequila ranch owner María (Teresa Sánchez, winner of a Special Jury […]
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
- 7/19/2023
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
It was more than a little heartening to see Roger Corman paid tribute by Quentin Tarantino at Cannes’ closing night. By now the director-producer-mogul’s imprint on cinema is understood to eclipse, rough estimate, 99.5% of anybody who’s touched the medium, but on a night for celebrating what’s new, trend-following, and manicured it could’ve hardly been more necessary. Thus I’m further heartened seeing the Criterion Channel will host a retrospective of Corman’s Edgar Allan Poe adaptations running eight films and aptly titled “Grindhouse Gothic,” though I might save the selections for October.
Centerpiece, though, is a hip hop series including Bill Duke’s superb Deep Cover, Ghost Dog, and numerous documentaries––among them Beats, Rhymes & Life: The Travels of a Tribe Called Quest, making Michael Rapaport a Criterion-approved auteur. Ten films starring Kay Francis and 21 Eurothrillers round out series; streaming premieres include the Dardenne brothers’ Tori and Lokita,...
Centerpiece, though, is a hip hop series including Bill Duke’s superb Deep Cover, Ghost Dog, and numerous documentaries––among them Beats, Rhymes & Life: The Travels of a Tribe Called Quest, making Michael Rapaport a Criterion-approved auteur. Ten films starring Kay Francis and 21 Eurothrillers round out series; streaming premieres include the Dardenne brothers’ Tori and Lokita,...
- 7/19/2023
- by Nick Newman
- The Film Stage
Today, Bavc Media (formerly Bay Area Video Coalition) announces their 2023 MediaMaker Fellowship cohort, comprised of emerging and mid-career artists embarking on social documentary projects. All seven participants will receive $10,000 in unrestricted funding as well as mentorship, feedback sessions and workshops during a nine-month period. The fellows are Paige Bethmann (Remaining Native), Aurora Brachman (Dear You), ilana coleman, Tommy Franklin (You Don’t Know My Name), Cyrus Moussavi (Somebody’s Gone), Hannah Myers (Daddy) and tashi […]
The post Bavc Media Announces 2023 MediaMaker Fellows first appeared on Filmmaker Magazine.
The post Bavc Media Announces 2023 MediaMaker Fellows first appeared on Filmmaker Magazine.
- 4/10/2023
- by Natalia Keogan
- Filmmaker Magazine - Blog
Today, Bavc Media (formerly Bay Area Video Coalition) announces their 2023 MediaMaker Fellowship cohort, comprised of emerging and mid-career artists embarking on social documentary projects. All seven participants will receive $10,000 in unrestricted funding as well as mentorship, feedback sessions and workshops during a nine-month period. The fellows are Paige Bethmann (Remaining Native), Aurora Brachman (Dear You), ilana coleman, Tommy Franklin (You Don’t Know My Name), Cyrus Moussavi (Somebody’s Gone), Hannah Myers (Daddy) and tashi […]
The post Bavc Media Announces 2023 MediaMaker Fellows first appeared on Filmmaker Magazine.
The post Bavc Media Announces 2023 MediaMaker Fellows first appeared on Filmmaker Magazine.
- 4/10/2023
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
At Variety’s 10 Producers to Watch panel, held March 31 at the Sun Valley Film Festival, the first order of business was defining what it means to be a producer, a title — and a role — that encapsulates a number of responsibilities on a film.
“The way that I describe it is you’ve got to know a little bit about a lot of things in filmmaking,” said Rachael Fung, whose film “Fremont” later won best narrative film in the festival’s One in a Million category, recognizing features made for less than $1 million. “You’ve got to be able to understand and talk to every single person that touches the film at every single stage. And also it’s about finding those directors and filmmakers and understanding their vision and figuring out the best way to get that to screen.”
“There are practical things like getting money for the movie, casting,...
“The way that I describe it is you’ve got to know a little bit about a lot of things in filmmaking,” said Rachael Fung, whose film “Fremont” later won best narrative film in the festival’s One in a Million category, recognizing features made for less than $1 million. “You’ve got to be able to understand and talk to every single person that touches the film at every single stage. And also it’s about finding those directors and filmmakers and understanding their vision and figuring out the best way to get that to screen.”
“There are practical things like getting money for the movie, casting,...
- 4/5/2023
- by Todd Gilchrist
- Variety Film + TV
Exclusive: Cinema Guild has acquired North American rights for Belgian director Bas Devos’s film Here which won best film in the Berlin Film Festival’s Encounters section last month as well as the Fipresci prize.
The film revolves around a Romanian construction worker living in Brussels who is making preparations ahead of his return home to visit his mother for the holidays, not knowing if he will come back to the city.
While waiting for his car to be fixed, he meets a Belgian-Chinese woman bryologist, or expert in the study of moss and lichen, who is preparing her doctorate while working in her aunt’s restaurant. Her attention to the near-invisible stops him in his tracks.
Like Devos’s previous 2019 film Ghost Tropic, Brussels is inherent to the storyline as the director explores ideas of longing in contemporary urban life and the potential for enchantment that still exists...
The film revolves around a Romanian construction worker living in Brussels who is making preparations ahead of his return home to visit his mother for the holidays, not knowing if he will come back to the city.
While waiting for his car to be fixed, he meets a Belgian-Chinese woman bryologist, or expert in the study of moss and lichen, who is preparing her doctorate while working in her aunt’s restaurant. Her attention to the near-invisible stops him in his tracks.
Like Devos’s previous 2019 film Ghost Tropic, Brussels is inherent to the storyline as the director explores ideas of longing in contemporary urban life and the potential for enchantment that still exists...
- 3/14/2023
- by Melanie Goodfellow
- Deadline Film + TV
Exclusive: Cinema Guild has nabbed North American rights to the feature doc Our Body directed by Venice prize winner Claire Simon (The Competition), which premiered to critical acclaim at last month’s Berlin Film Festival before touching down stateside at MoMA’s Doc Fortnight as well as True/False. Pic is slated for release in theaters later this year.
Related Story Tribeca Prize-Winning Abortion Dramedy ‘Cherry’ Acquired By Entertainment Squad Related Story Cinema Guild Acquires Jacquelyn Mills' Berlin Prize-Winning Doc 'Geographies Of Solitude' Related Story Cinema Guild Acquires Rodrigo Reyes Documentary 'Sansón And Me'
Simon looks, with Our Body, at the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. We see cancer screenings and fertility appointments,...
Related Story Tribeca Prize-Winning Abortion Dramedy ‘Cherry’ Acquired By Entertainment Squad Related Story Cinema Guild Acquires Jacquelyn Mills' Berlin Prize-Winning Doc 'Geographies Of Solitude' Related Story Cinema Guild Acquires Rodrigo Reyes Documentary 'Sansón And Me'
Simon looks, with Our Body, at the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. We see cancer screenings and fertility appointments,...
- 3/8/2023
- by Matt Grobar
- Deadline Film + TV
Sideshow & Janus Films have snapped up North American rights for Mexican director Lila Avilés’s family drama Tótem following its world premiere in competition at the Berlinale last week.
The movie is the second film from Avilés after award-winning feature debut The Chambermaid, which debuted in Toronto in 2018 and then travelled the international festival circuit before being selected as Mexico’s Oscar submission.
Tótem stars newcomer Naíma Sentíes as a seven-year-old girl navigating the strange atmosphere of a special surprise party being held for her dying artist father, from whom she herself feels temporarily estranged.
Further cast members include stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez, Francisco Maldonado, Iazua Larios and Alberto Amador.
The picture is produced by Tatiana Graullera, Avilés and Louise Riousse.
“We were fans of Lila Avilés’ The Chambermaid, but we were not prepared for the overwhelming...
The movie is the second film from Avilés after award-winning feature debut The Chambermaid, which debuted in Toronto in 2018 and then travelled the international festival circuit before being selected as Mexico’s Oscar submission.
Tótem stars newcomer Naíma Sentíes as a seven-year-old girl navigating the strange atmosphere of a special surprise party being held for her dying artist father, from whom she herself feels temporarily estranged.
Further cast members include stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez, Francisco Maldonado, Iazua Larios and Alberto Amador.
The picture is produced by Tatiana Graullera, Avilés and Louise Riousse.
“We were fans of Lila Avilés’ The Chambermaid, but we were not prepared for the overwhelming...
- 2/28/2023
- by Melanie Goodfellow
- Deadline Film + TV
Tótem, the 2023 Berlinale competition title that amassed solid reviews and eventually won the festival’s Ecumenical Jury Prize, has found a home in North America.
Frequent art house distribution bedfellows Sideshow and Janus Films have acquired the feature, from Mexican filmmaker Lila Avilés and the follow-up to The Chambermaid. A theatrical release later this year is planned.
The family drama — produced by Tatiana Graullera, Lila Avilés and Louise Riousse — introduces newcomer Naíma Sentíes in her first role and also stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez (The Chambermaid, Dos Estaciones), Francisco Maldonado, Iazua Larios and Alberto Amador. Tótem follows 7-year-old Sol, who spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they are throwing for her father, Tonatiuh. As daylight fades, a strange and chaotic atmosphere takes over, shattering the bonds that hold the family together.
Frequent art house distribution bedfellows Sideshow and Janus Films have acquired the feature, from Mexican filmmaker Lila Avilés and the follow-up to The Chambermaid. A theatrical release later this year is planned.
The family drama — produced by Tatiana Graullera, Lila Avilés and Louise Riousse — introduces newcomer Naíma Sentíes in her first role and also stars Montserrat Marañon (Bardo), Marisol Gasê, Saori Gurza, Mateo García Elizondo, Teresita Sánchez (The Chambermaid, Dos Estaciones), Francisco Maldonado, Iazua Larios and Alberto Amador. Tótem follows 7-year-old Sol, who spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they are throwing for her father, Tonatiuh. As daylight fades, a strange and chaotic atmosphere takes over, shattering the bonds that hold the family together.
- 2/28/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Luxbox pickup “Martinez,” starring Chile’s Francisco Reyes, best known for his indelible performance in Sebastian Lelio’s Oscar-winning “A Fantastic Woman,” is debuting its trailer and poster ahead of its world premiere at the 40th Miami Film Festival.
Written and directed by upcoming Mexican director Lorena Padilla, the dark comedy follows the titular Martinez, a cantankerous, lonely bureaucrat whose humdrum life is upended by two changes: a pending retirement that is driven home when the guy sent to replace him starts working alongside him; and, secondly, when a neighbor, a woman about his age, is found dead in her home only after several months have passed. As he sifts through her belongings and finds out more about this woman he never knew, he finds himself changing for the better and enjoying life once more.
“’Martínez’ began as an attempt to get to know and understand my dad more, and as we progressed,...
Written and directed by upcoming Mexican director Lorena Padilla, the dark comedy follows the titular Martinez, a cantankerous, lonely bureaucrat whose humdrum life is upended by two changes: a pending retirement that is driven home when the guy sent to replace him starts working alongside him; and, secondly, when a neighbor, a woman about his age, is found dead in her home only after several months have passed. As he sifts through her belongings and finds out more about this woman he never knew, he finds himself changing for the better and enjoying life once more.
“’Martínez’ began as an attempt to get to know and understand my dad more, and as we progressed,...
- 2/6/2023
- by Anna Marie de la Fuente
- Variety Film + TV
This review originally ran in conjunction with the world premiere of “Dos Estaciones” at the 2022 Sundance Film Festival.
Globalization can easily obscure the fact that a beautiful place with a rich history, hardworking people and a precious resource is as much someone’s home as it is an outsider’s opportunity.
What Mexican filmmaker Juan Pablo González would like viewers to think about after seeing his melancholically picturesque “Dos Estaciones” is that the next time you bolt down some multinational conglomerate’s new celebrity-marketed, substandard tequila, there’s a local — like González’ factory-owning protagonist — in an ever-deepening despondency about the slipping away of a long-cherished culture.
This is González’s first narrative feature after establishing his meditative style in a handful of documentaries (including “Caballerango”), and it’s a hybrid of story, regional verisimilitude and personal knowledge. (The director comes from a family of tequila makers.) But while “Dos Estaciones...
Globalization can easily obscure the fact that a beautiful place with a rich history, hardworking people and a precious resource is as much someone’s home as it is an outsider’s opportunity.
What Mexican filmmaker Juan Pablo González would like viewers to think about after seeing his melancholically picturesque “Dos Estaciones” is that the next time you bolt down some multinational conglomerate’s new celebrity-marketed, substandard tequila, there’s a local — like González’ factory-owning protagonist — in an ever-deepening despondency about the slipping away of a long-cherished culture.
This is González’s first narrative feature after establishing his meditative style in a handful of documentaries (including “Caballerango”), and it’s a hybrid of story, regional verisimilitude and personal knowledge. (The director comes from a family of tequila makers.) But while “Dos Estaciones...
- 9/16/2022
- by Robert Abele
- The Wrap
Thanks in part to a strong co-production drive, 13 Mexican-nationality movies play at San Sebastian this year, a major presence.
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
- 9/16/2022
- by John Hopewell
- Variety Film + TV
Indonesian thriller ‘Autobiography’ and Mexican documentary ‘Sanson And Me’ among line-up.
Australia’s Adelaide Film Festival (Oct 19-30) has unveiled its first line-up since shifting from a biennial to an annual event, including 12 titles in competition.
This year’s event comprises 129 films, of which 22 world premieres, from more than 40 countries.
The competition features include Indonesian thriller Autobiography, which scooped a Fipresci prize at the weekend after playing in the Horizons strand of the Venice Film Festival. The debut feature of film critic-turned-director Makbul Mubarak is about a young man who keeps house for a retired general, finding himself torn between...
Australia’s Adelaide Film Festival (Oct 19-30) has unveiled its first line-up since shifting from a biennial to an annual event, including 12 titles in competition.
This year’s event comprises 129 films, of which 22 world premieres, from more than 40 countries.
The competition features include Indonesian thriller Autobiography, which scooped a Fipresci prize at the weekend after playing in the Horizons strand of the Venice Film Festival. The debut feature of film critic-turned-director Makbul Mubarak is about a young man who keeps house for a retired general, finding himself torn between...
- 9/12/2022
- by Sandy George
- ScreenDaily
Maria (Teresa Sánchez) visits hairdresser Tatín (Tatín Vera) in Dos Estaciones. Juan Pablo González: 'There's this belief that these regions are culturally super-static, and that gender roles are absolutely defined. I feel like that is one of the biggest misconceptions of these places' Photo: Courtesy of Cinema Guild In the second part of our conversation with director Juan Pablo González about his debut fiction feature Dos Estaciones, we talk about long-running stereotypes attached by Hollywood to Mexico where the action is set. His story, which is loosely driven by the struggles of middle-aged Maria (Teresa Sánchez) to keep her tequila factory afloat, is a character-driven piece that also explores gender themes, another area where the director says he was keen to avoid stereotypes.
He says: “I always wanted to have time to sit and just go through all the Hollywood films and when a character like a US American...
He says: “I always wanted to have time to sit and just go through all the Hollywood films and when a character like a US American...
- 9/9/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Paris-based sales agency and production company Luxbox has snagged the rights to “Trenque Lauquen,” the fourth feature by Argentine director-producer Laura Citarella, ahead of its Sept. 8 world premiere in the Venice Horizons sidebar.
The pick-up continues Luxbox’s strong line in Latin American titles, seen this year in Sundance entry “Dos Estaciones” and Cannes Directors’ Fortnight title “1976” as well as “Pornomelancholia,” the latest documentary feature from award-winning director Manuel Abramovich, which competes in San Sebastián.
Filmed in two parts, “Trenque Lauquen” begins with a couple of men, Rafael and Ezequiel, who are on the road, both searching for a woman, Laura, who has vanished.
Rafael claims to be her boyfriend while Ezequiel drove her around as she investigated the mystery behind multiple love letters that she discovered hidden in library books. Flashbacks of the time Ezequiel spends with her reveals that he has fallen in love with Laura as he...
The pick-up continues Luxbox’s strong line in Latin American titles, seen this year in Sundance entry “Dos Estaciones” and Cannes Directors’ Fortnight title “1976” as well as “Pornomelancholia,” the latest documentary feature from award-winning director Manuel Abramovich, which competes in San Sebastián.
Filmed in two parts, “Trenque Lauquen” begins with a couple of men, Rafael and Ezequiel, who are on the road, both searching for a woman, Laura, who has vanished.
Rafael claims to be her boyfriend while Ezequiel drove her around as she investigated the mystery behind multiple love letters that she discovered hidden in library books. Flashbacks of the time Ezequiel spends with her reveals that he has fallen in love with Laura as he...
- 9/6/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Brussels-based company Best Friend Forever has acquired Laura Baumeister’s feature debut “Daughter of Rage” ahead of its world premiere at Toronto and San Sebastian film festivals.
Baumeister previously directed the shorts “Isabel im Winter” which played at Cannes Critics’ Week in 2014 and “Ombligo De Agua” which screened in Rotterdam and Clermont-Ferrand in 2018.
The Spanish-language film follows Maria, an 11-year-old girl who lives with her mother Lilibeth at the edge of a massive waste-disposal site in Nicaragua. Their future depends on selling a litter of purebred puppies to a local thug. After the deal falls through, Maria is dropped off by her mother at a recycling center in the city and realizes her mother won’t be coming back for her. Feeling lost, bewildered and angry, Maria meets Tadeo, an imaginative new friend who is determined to help her to reunite with her mother.
“We are thrilled to be working...
Baumeister previously directed the shorts “Isabel im Winter” which played at Cannes Critics’ Week in 2014 and “Ombligo De Agua” which screened in Rotterdam and Clermont-Ferrand in 2018.
The Spanish-language film follows Maria, an 11-year-old girl who lives with her mother Lilibeth at the edge of a massive waste-disposal site in Nicaragua. Their future depends on selling a litter of purebred puppies to a local thug. After the deal falls through, Maria is dropped off by her mother at a recycling center in the city and realizes her mother won’t be coming back for her. Feeling lost, bewildered and angry, Maria meets Tadeo, an imaginative new friend who is determined to help her to reunite with her mother.
“We are thrilled to be working...
- 8/22/2022
- by Elsa Keslassy
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAnne Heche in Psycho.Anne Heche has died at the age of 53, one week after sustaining critical injuries in a car accident. At Vulture, Matt Zoller Seitz offers a tribute to her "elastic," unclassifiable talent over 35 years of screen roles.Best known for Half of a Yellow Sun, an adaptation of the Chimamanda Ngozi Adichie novel, Nigerian director and novelist Biyi Bandele died aged 54 last week. His second feature, Elesin Oba, The King’s Horseman, is set to premiere at the Toronto International Film Festival next month.In New York, the Downtown Community Television Center (Dctv) will open a documentary cinema in lower Manhattan's Chinatown district, screening first-run debuts and curated programs starting on September 22.Mid-century Italian screen icon Gina Lollobrigida has said she will run for the Sovereign and Popular Italy party (ISP...
- 8/16/2022
- MUBI
The trailer has been released for Juan Pablo González’s sophomore feature Dos Estaciones, a naturalistic gem that details the daily minutiae (and unusually gorgeous monotony) integral to the operations of a struggling tequila ranch. The film focuses on the ranch’s stony owner Maria (Teresa Sánchez), a pillar of her community who can’t always deliver paychecks but consistently finds the time to attend employee family gatherings. The film premiered earlier this year at Sundance, where Sánchez won the Special Jury Award Acting Prize. González was one of Fiilmmaker‘s 25 New Faces of Film back in 2015, and Vadim Rizov interviewed the […]
The post Trailer Watch: Juan Pablo González’s Dos Estaciones first appeared on Filmmaker Magazine.
The post Trailer Watch: Juan Pablo González’s Dos Estaciones first appeared on Filmmaker Magazine.
- 8/12/2022
- by Natalia Keogan
- Filmmaker Magazine - Blog
The trailer has been released for Juan Pablo González’s sophomore feature Dos Estaciones, a naturalistic gem that details the daily minutiae (and unusually gorgeous monotony) integral to the operations of a struggling tequila ranch. The film focuses on the ranch’s stony owner Maria (Teresa Sánchez), a pillar of her community who can’t always deliver paychecks but consistently finds the time to attend employee family gatherings. The film premiered earlier this year at Sundance, where Sánchez won the Special Jury Award Acting Prize. González was one of Fiilmmaker‘s 25 New Faces of Film back in 2015, and Vadim Rizov interviewed the […]
The post Trailer Watch: Juan Pablo González’s Dos Estaciones first appeared on Filmmaker Magazine.
The post Trailer Watch: Juan Pablo González’s Dos Estaciones first appeared on Filmmaker Magazine.
- 8/12/2022
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
Festival’s Europe-Latin America forum is set to run from September 19-21.
New projects from Ulises Porra and Beatriz Seigner are among the 14 taking part in this year’s San Sebastian Europe-Latin America Co-production Forum, now in its 11th edition.
Spanish filmmaker Porra returns to San Sebastian after Carajita, co-written and co-directed with Silvina Schnicer, received a special mention from last year’s New Directors jury. Porra’s new project Bajo El Mismo Sol is produced by Dominican Republic’s Wooden Boat Productions, a company founded by Ulla Prida, who also produced Carajita.
The feature is set in 1820, and tells...
New projects from Ulises Porra and Beatriz Seigner are among the 14 taking part in this year’s San Sebastian Europe-Latin America Co-production Forum, now in its 11th edition.
Spanish filmmaker Porra returns to San Sebastian after Carajita, co-written and co-directed with Silvina Schnicer, received a special mention from last year’s New Directors jury. Porra’s new project Bajo El Mismo Sol is produced by Dominican Republic’s Wooden Boat Productions, a company founded by Ulla Prida, who also produced Carajita.
The feature is set in 1820, and tells...
- 8/12/2022
- by Mona Tabbara
- ScreenDaily
Juan Pablo González‘s Sundance winning Dos Estaciones, Manuela Martelli‘s Quinzaine section winning 1976, Andrés Ramírez Pulido‘s Critics’ Week winner La Jauría, Carolina Markowicz‘s Platform (TIFF) competing Charcoal and Ana Cristina Barragán‘s Octupus Skin are all part of the dozen films selected for the Horizontes Latinos line-up at the 2022 San Sebastian International Film Festival. Clearly a section filled with 2022 film festival riches, the section will open with Patricio Guzmán’s My Imaginary Country – a Cannes entry that Icarus Films will premiere next month.
It’s worth noting that Barragán’s Octopus Skin (aka La Piel Pulpo) (also a Guadalajara Film Festival post prod fund winner) is one of four films featured in this year’s Horizontes line-up that screened in last year’s Wip Latam.…...
It’s worth noting that Barragán’s Octopus Skin (aka La Piel Pulpo) (also a Guadalajara Film Festival post prod fund winner) is one of four films featured in this year’s Horizontes line-up that screened in last year’s Wip Latam.…...
- 8/11/2022
- by Eric Lavallée
- IONCINEMA.com
"My father started it. But I've expanded it." The Cinema Guild has unveiled the US trailer for the Mexican indie drama titled Dos Estaciones, which translates to Two Seasons - it's also the name of the tequila in this film. This initially premiered at the 2022 Sundance Film Festival earlier this year and it also played at New Directors/New Films. 50-year-old María García is the owner of Dos Estaciones, a once-majestic tequila factory struggling to stay afloat and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have all folded to foreign corporations. When a persistent plague and an unexpected flood cause irreversible damage and put the factory's financial situation in grave danger, María is forced to do everything she can to save her community's pride. Starring Teresa Sánchez as María, with Rafaela Fuentes, Manuel Garcia-Rulfo, and Tatín Vera. This looks stunning -...
- 8/11/2022
- by Alex Billington
- firstshowing.net
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the line-up
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
Manuela Martelli’s 1976 and documentary My Imaginary Country, both Chilean titles, are among the 12 films selected for the Horizontes Latinos section of the 70th edition of the San Sebastian International Film Festival (September 16-24).
Scroll down for full line-up
Martelli’s drama premiered in Cannes Directors’ Fortnight selection earlier this year and recently picked up the best first feature film award at Jerusalem. The film follows a middle-class woman re-evaluating her beliefs when she’s asked to secretly take care of an injured man. Luxbox are handling sales.
- 8/11/2022
- by Ellie Calnan
- ScreenDaily
A look at a place and its people and an ode to the craft of making tequila, “Dos Estaciones” is the debut feature film for Juan Pablo González, which made its world premiere at the Sundance Film Festival where its lead, Teresa Sánchez, won the Special Jury Award Acting prize. The film also won the Grand Jury Prize for Outstanding Screenwriting at Outfest Los Angeles LGBTQ+ Film Festival and the True Vision Award at the True/False Film Festival.
Continue reading ‘Dos Estaciones’ Trailer: Juan Pablo González’s Absorbing & Critically-Acclaimed Sundance Drama Arrives September 9 [Exclusive] at The Playlist.
Continue reading ‘Dos Estaciones’ Trailer: Juan Pablo González’s Absorbing & Critically-Acclaimed Sundance Drama Arrives September 9 [Exclusive] at The Playlist.
- 8/10/2022
- by Jamie Rogers
- The Playlist
Cinema Guild has acquired the North American distribution rights for Hong Sangsoo’s upcoming film “Walk Up.” The film will world premiere at the Toronto International Film Festival in September and will also play in competition at the San Sebastián International Film Festival. Cinema Guild will open the film in theaters in 2023 following its release of Hong’s other 2022 title, “The Novelist’s Film,” this fall.
Kwon Haehyo, in his ninth film for Hong, plays Byungsoo, a film director who goes with his daughter, an aspiring interior designer, to a building owned by an old friend who is already established in the design field. The film dives into Hong’s interest in structure — a defining characteristic of his work to date — this time exploring the literal structure of the building which serves as a central figure to the plot. Throughout the film, Byunsgoo works his way up the floors of the building,...
Kwon Haehyo, in his ninth film for Hong, plays Byungsoo, a film director who goes with his daughter, an aspiring interior designer, to a building owned by an old friend who is already established in the design field. The film dives into Hong’s interest in structure — a defining characteristic of his work to date — this time exploring the literal structure of the building which serves as a central figure to the plot. Throughout the film, Byunsgoo works his way up the floors of the building,...
- 8/8/2022
- by EJ Panaligan
- Variety Film + TV
Summer is around the corner, which means Rooftop Films is almost back. New York cinephiles can look forward to another season of film screenings from the longtime nonprofit, which screens independent films in a variety of outdoor locations throughout New York City. Over time, Rooftop Films has become an essential institution in the indie film world, helping top directors get their work seen while connecting undiscovered artists to the resources that they need.
Notable films on the year’s lineup include Chloe Okuno’s “Watcher,” a Sundance horror hit in the tradition of paranoid classics like “Rosemary’s Baby;” James Morosini’s “I Love My Dad,” a comedy that took the top prizes in the Narrative category at SXSW; and Andrew Semans’ “Resurrection,” a psychological thriller that earned high marks from critics and fans alike at Sundance this year.
Tickets for select upcoming screenings are on sale now via the Rooftop Films website,...
Notable films on the year’s lineup include Chloe Okuno’s “Watcher,” a Sundance horror hit in the tradition of paranoid classics like “Rosemary’s Baby;” James Morosini’s “I Love My Dad,” a comedy that took the top prizes in the Narrative category at SXSW; and Andrew Semans’ “Resurrection,” a psychological thriller that earned high marks from critics and fans alike at Sundance this year.
Tickets for select upcoming screenings are on sale now via the Rooftop Films website,...
- 5/2/2022
- by Christian Zilko
- Indiewire
With nearly every feature film at the 2022 Sundance Film Festival reviewed, it’s time to wrap up the first major cinema event of the year. We already got the official jury and audience winners here, and now it’s time to highlight our favorites.
Our Sundance contributors have shared their top picks from the festival, also including a handful of shorts (with a more substantial shorts overview coming soon). Check out everything below and stay tuned to our site, and specifically Twitter, for acquisition and release date news on the below films in the coming months.
Mitchell Beaupre
1. Emily the Criminal (John Patton Ford)
2. After Yang (kogonada)
3. Speak No Evil (Christian Tafdrup)
4. God’s Country (Julian Higgins)
5. A Love Song (Max Walker-Silverman)
6. Resurrection (Andrew Semans)
7. Nanny (Nikyatu Jusu)
8. Happening (Audrey Diwan)
9. Emergency (Carey Williams)
10. Good Luck to You, Leo Grande (Sophie Hyde)
John Fink
1. The Worst Person in the World (Joachim Trier...
Our Sundance contributors have shared their top picks from the festival, also including a handful of shorts (with a more substantial shorts overview coming soon). Check out everything below and stay tuned to our site, and specifically Twitter, for acquisition and release date news on the below films in the coming months.
Mitchell Beaupre
1. Emily the Criminal (John Patton Ford)
2. After Yang (kogonada)
3. Speak No Evil (Christian Tafdrup)
4. God’s Country (Julian Higgins)
5. A Love Song (Max Walker-Silverman)
6. Resurrection (Andrew Semans)
7. Nanny (Nikyatu Jusu)
8. Happening (Audrey Diwan)
9. Emergency (Carey Williams)
10. Good Luck to You, Leo Grande (Sophie Hyde)
John Fink
1. The Worst Person in the World (Joachim Trier...
- 2/1/2022
- by The Film Stage
- The Film Stage
Chicago – The 2022 Sundance Film Festival announced their Grand Jury Prizes on January 28th, and the top films were “Nanny” (U.S. Dramatic), “The Exiles” (U.S. Documentary), “Utama” (World Cinema Dramatic) and “All That Breathes” (World Cinema Documentary).
After nine days, 84 feature films and 59 Short Films, honors were also given for Audience Awards, Festival Favorite Award, Jury Awards for Directing, Screenwriting & Editing and Special Jury Awards.
The list of all award winners are below.
Grand Jury Prize
‘Nanny’
Photo credit: Sundance Film Festival
U.S. Dramatic: “Nanny” directed by Nikyatu Jusu
U.S. Documentary: “The Exiles,” directed by Ben Klein & Violet Columbus
World Cinema Dramatic:: “Utama” (Bolivia/Uraguay/France) directed by Alejandro Loayza Grisi
World Cinema Documentary: “All That Breathes” (India/UK) directed by Shaunak Sen
Audience Awards
Cha Cha Real Smooth
Photo credit: Sundance Film Festival
U.S. Dramatic: “Cha Cha Real Smooth” directed by Cooper Raif
U.S.
After nine days, 84 feature films and 59 Short Films, honors were also given for Audience Awards, Festival Favorite Award, Jury Awards for Directing, Screenwriting & Editing and Special Jury Awards.
The list of all award winners are below.
Grand Jury Prize
‘Nanny’
Photo credit: Sundance Film Festival
U.S. Dramatic: “Nanny” directed by Nikyatu Jusu
U.S. Documentary: “The Exiles,” directed by Ben Klein & Violet Columbus
World Cinema Dramatic:: “Utama” (Bolivia/Uraguay/France) directed by Alejandro Loayza Grisi
World Cinema Documentary: “All That Breathes” (India/UK) directed by Shaunak Sen
Audience Awards
Cha Cha Real Smooth
Photo credit: Sundance Film Festival
U.S. Dramatic: “Cha Cha Real Smooth” directed by Cooper Raif
U.S.
- 1/29/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
“Nanny” was the big winner at the 2022 Sundance Film Festival, picking up the Grand Jury Prize in the U.S. Dramatic Competition in a virtual awards ceremony Friday.
Cooper Raiff’s “Cha Cha Real Smooth” was also a winner, nabbing the Audience Award in the U.S. Dramatic category, while “Navalny,” a late addition to the festival, won the U.S. Documentary Audience Award. The Sundance jury also recognized “The Exiles” in the documentary category and “Utama” in the World Cinematic category.
This year’s Best of the Fest announcement caps off the second year in a row in which the festival was forced to go virtual amid the pandemic.
Although the awards were announced virtually, the emotion was palpable when juror Chelsea Bernard announced that “Nanny” director and screenwriter Nikyatu Jusu had won for her harrowing story of an undocumented nanny working for a privileged couple in New York...
Cooper Raiff’s “Cha Cha Real Smooth” was also a winner, nabbing the Audience Award in the U.S. Dramatic category, while “Navalny,” a late addition to the festival, won the U.S. Documentary Audience Award. The Sundance jury also recognized “The Exiles” in the documentary category and “Utama” in the World Cinematic category.
This year’s Best of the Fest announcement caps off the second year in a row in which the festival was forced to go virtual amid the pandemic.
Although the awards were announced virtually, the emotion was palpable when juror Chelsea Bernard announced that “Nanny” director and screenwriter Nikyatu Jusu had won for her harrowing story of an undocumented nanny working for a privileged couple in New York...
- 1/28/2022
- by Brian Welk
- The Wrap
The virtual Sundance Film Festival concluded with a virtual awards show — no host this year, just a series of statements and videos parceled out across two hours by Twitter. It was a strangely anti-climactic way of wrapping a low-key festival, while giving winners a chance to prep polite, crew-inclusive acceptance speeches.
Among the audience prizes, U.S. Dramatic winner “Cha Cha Real Smooth” represents the biggest sale of the festival so far, scooped up by Apple for $15 million — 1,000 times the budget of writer-director-star Cooper Raiff’s shoestring-budgeted debut, “Shithouse.”
The Festival Favorite award went to “Navalny.” This prize, selected by audiences from across all sections of the festival, recognizes a late addition to the lineup (“Navalny” was not announced until this past Monday), protected on account of its political sensitivity, as the documentary tracks Russian opposition leader Alexei Navalny while he was recovering from an assassination attempt in Berlin. Accepting the honor,...
Among the audience prizes, U.S. Dramatic winner “Cha Cha Real Smooth” represents the biggest sale of the festival so far, scooped up by Apple for $15 million — 1,000 times the budget of writer-director-star Cooper Raiff’s shoestring-budgeted debut, “Shithouse.”
The Festival Favorite award went to “Navalny.” This prize, selected by audiences from across all sections of the festival, recognizes a late addition to the lineup (“Navalny” was not announced until this past Monday), protected on account of its political sensitivity, as the documentary tracks Russian opposition leader Alexei Navalny while he was recovering from an assassination attempt in Berlin. Accepting the honor,...
- 1/28/2022
- by Peter Debruge
- Variety Film + TV
In the opening sequence of Juan Pablo González’s second feature, Dos Estaciones, Dp Gerardo Guerra’s Steadicam roves a tequila farm’s fields as workers chop down agave plants; when they pause for lunch, the camera pans equally slowly, seemingly without planning, to bring whoever’s speaking into frame. In these opening moments, Dos Estaciones could be any one of a number of post-Lisandro Alonso films composed of tracking shots, slow pans and nonprofessional performances by Latin American laborers, differentiated only by the skill and specifics of their execution. A static shot then introduces farm owner, Maria Garcia (Teresa Sánchez), trying and failing to start her […]
The post Sundance 2022 Critic’s Notebook: Dos Estaciones, Meet Me in the Bathroom first appeared on Filmmaker Magazine.
The post Sundance 2022 Critic’s Notebook: Dos Estaciones, Meet Me in the Bathroom first appeared on Filmmaker Magazine.
- 1/24/2022
- by Vadim Rizov
- Filmmaker Magazine - Blog
In the opening sequence of Juan Pablo González’s second feature, Dos Estaciones, Dp Gerardo Guerra’s Steadicam roves a tequila farm’s fields as workers chop down agave plants; when they pause for lunch, the camera pans equally slowly, seemingly without planning, to bring whoever’s speaking into frame. In these opening moments, Dos Estaciones could be any one of a number of post-Lisandro Alonso films composed of tracking shots, slow pans and nonprofessional performances by Latin American laborers, differentiated only by the skill and specifics of their execution. A static shot then introduces farm owner, Maria Garcia (Teresa Sánchez), trying and failing to start her […]
The post Sundance 2022 Critic’s Notebook: Dos Estaciones, Meet Me in the Bathroom first appeared on Filmmaker Magazine.
The post Sundance 2022 Critic’s Notebook: Dos Estaciones, Meet Me in the Bathroom first appeared on Filmmaker Magazine.
- 1/24/2022
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
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