After bursting onto the international stage with roles in Xavier Dolan’s “Heartbeats” and “Laurence Anyways,” and premiering her own directorial debut, “A Brother’s Love,” at the Cannes Film Festival in 2019, Quebecoise filmmaker Monia Chokri approached her sophomore feature as a kind of challenge.
Adapted from the 2017 play by author Catherine Léger, “Babysitter” — premiered at the Sundance Film Festival on Jan. 22 — marks Chokri’s first directorial outing working from someone else’s text.
“Taking someone else’s words and transposing them to images was a formative experience,” Chokri tells Variety. “[In doing so] I wanted to focus on my own directing, on how best to highlight and improve my work behind the camera. That’s where I could contribute deeply to the project, and could advance from a visual and technical standpoint.”
Diving into the source material — which tracks a proto-MeToo narrative as it follows a macho engineer Cedric dealing with the fallout...
Adapted from the 2017 play by author Catherine Léger, “Babysitter” — premiered at the Sundance Film Festival on Jan. 22 — marks Chokri’s first directorial outing working from someone else’s text.
“Taking someone else’s words and transposing them to images was a formative experience,” Chokri tells Variety. “[In doing so] I wanted to focus on my own directing, on how best to highlight and improve my work behind the camera. That’s where I could contribute deeply to the project, and could advance from a visual and technical standpoint.”
Diving into the source material — which tracks a proto-MeToo narrative as it follows a macho engineer Cedric dealing with the fallout...
- 1/24/2022
- by Ben Croll
- Variety Film + TV
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