Directed by
| Paul Campion | ||
Writing Credits
| Paul Finch | ... | (screenplay) and |
| Paul Campion | ... | (screenplay) & |
| Brett Ihaka | ... | (screenplay) |
| Paul Campion | ... | (story) |
Cast (in credits order)
Produced by
| Paul Campion | ... | executive producer |
| Melissa Dodds | ... | line producer |
| Richard Matthews | ... | associate producer |
| Leanne Saunders | ... | executive producer / producer |
Music by
| Andrea Possee | ||
Cinematography by
| Rob Marsh | ||
Editing by
| Jeff Hurrell | ||
Casting By
| Mike Dwyer | ||
Production Design by
| Mary Pike | ||
Art Direction by
| Zoe Wilson | ||
Set Decoration by
| Nathan Gray | ||
| Laki Laban | ... | lead set decorator |
Costume Design by
| Tristan McCallum | ||
Makeup Department
| Davina Lamont | ... | makeup designer / makeup supervisor |
| Dordi Moen | ... | special makeup effects artist |
| Hayley Ness | ... | makeup artist |
| Michele Perry | ... | makeup artist |
| Dara Wakely | ... | makeup artist |
| Deb Watson | ... | makeup artist |
Production Management
| Gabe Page | ... | unit manager |
Second Unit Director or Assistant Director
| Jonny Eagle | ... | third assistant director |
| Kendall Finlayson | ... | second assistant director |
| Richard Matthews | ... | first assistant director |
Art Department
| Colin Davidson | ... | construction foreman / construction manager |
| Les Edwards | ... | illustrator |
| Laki Laban | ... | lead set decorator |
| Ben Price | ... | props |
| Richard Thurston | ... | standby props |
| Paul Campion | ... | storyboard artist (uncredited) |
Sound Department
| Joel Anscombe-Smith | ... | boom operator |
| Phil Burton | ... | re-recording mixer / supervising adr editor / supervising dialogue editor |
| Jeremy Cullen | ... | foley recordist |
| David Goodall | ... | sound mixer |
| Darren Maynard | ... | adr mixer / foley artist / foley editor |
| Nic McGowan | ... | sound recordist |
| Nick Tapp | ... | sound trainee |
| James West | ... | supervising sound editor |
| Lloyd Young | ... | supervising sound editor |
Special Effects by
| Jason Docherty | ... | prosthetic technician: Weta Workshop |
| Sean Foot | ... | sculptor: Weta Workshop / special effects makeup supervisor |
| Rob Gillies | ... | supervisor: Weta Workshop (as Robert Gillies) |
| Simon Godsiff | ... | photography: Weta Workshop |
| Gary Hunt | ... | sculptor: Weta Workshop |
| Jade Jolly | ... | on set prosthetic technician |
| Dordi Moen | ... | special effects technician: Weta Workshop |
| Danielle Prestidge | ... | production coordinator: Weta Workshop |
| Frances Richardson | ... | prosthetic technician: Weta Workshop |
| Brian Stendebach | ... | prosthetic technician: Weta Workshop |
| Richard Taylor | ... | design & effects supervisor: Weta Workshop |
| Steve Unwin | ... | additional stills: Weta Workshop |
Visual Effects by
| Daniel Ashton | ... | film recording technician: Weta Digital (as Dan Ashton) |
| Nick Booth | ... | film recording supervisor: Weta Digital |
| Scott Chambers | ... | compositing |
| Richard Chasemore | ... | modeling artist / texture artist |
| Max Dennison | ... | matte painting supervisor |
| Storm Gezentsvey | ... | compositing |
| Melissa Goddard | ... | compositing |
| Juan Pablo Lampe | ... | digital compositor |
| Jake Lee | ... | lead compositor / visual effects supervisor |
| Felicity Moore | ... | texture artist |
| Stephen Roucher | ... | film recording technician: Weta Digital |
| Frank Rueter | ... | lead compositor / visual effects supervisor |
| Malcolm Tween | ... | additional modeler |
| Kara Vandeleur | ... | visual effects artist |
| Pete Williams | ... | film recording manager: Weta Digital |
| Paul Campion | ... | matte painter (uncredited) |
Stunts
| Augie Davis | ... | stunt coordinator |
Camera and Electrical Department
| Andrew Ayrton | ... | lx assistant |
| Adrian Hebron | ... | gaffer |
| Morris Kapua | ... | grip |
| Joseph Michael | ... | second assistant camera: "a" camera |
| Matt Mueller | ... | additional stills |
| Chris Murphy | ... | lx assistant |
| Simon Oliver | ... | lighting technician |
| Ulric Raymond | ... | a camera operator / steadicam operator |
| Philip Smith | ... | a camera focus puller / first assistant camera: "a" camera |
| Philip A.T. Smith | ... | first assistant camera: "a" camera |
| Byron Sparrow | ... | key grip |
| Matt Tuffin | ... | a camera first assistant |
| Steve Unwin | ... | still photographer |
| Angus Ward | ... | b camera focus puller |
| Roger Wong | ... | still photographer |
Costume and Wardrobe Department
| Paul Hambleton | ... | costume stand-by |
| Coco Miles | ... | costume stand-by |
| Josie Thomas | ... | costume consultant |
Editorial Department
| Victoria Chu | ... | deliverables mastering supervisor: Park Road Post Production |
| David Hollingsworth | ... | head of digital intermediate: Park Road Post |
| Tom Kelly | ... | post-production coordinator |
| Nina Kurzmann | ... | mastering and deliverables |
| Tim Willis | ... | on-line editor |
Location Management
| Peter Tonks | ... | location manager |
Music Department
| Mike Newport | ... | composer: additional trailer music |
Script and Continuity Department
| Kathryn Burnett | ... | script consultant |
| Pete Wellington | ... | script supervisor |
Additional Crew
| Andy Buckley | ... | health and safety coordinator |
| Bonny Crayford | ... | production assistant |
| Ben Gazey | ... | publicist |
| Richard Husband | ... | german translator |
| Tom Kelly | ... | production coordinator |
| Krystian Morgan | ... | title design |
| Jed Soane | ... | epk crew |
| Tainui Stephens | ... | consultant: Maori |
| Teone Taare Te Tuakana | ... | assistant to producer |
Thanks
| Terri Champney-Willis | ... | special thanks |
| Brian Keene | ... | special thanks |
| Barry Purves | ... | special thanks |
| Daniel Story | ... | special thanks |
