Marianne (2011) User Reviews

Not bad, just not terribly interesting to watch either.

[Boba_Fett1138 · 5/10 · 9 April 2012]

This is not an horrible movie by any means but it still does some stuff wrong, which prevents this movie from ever becoming a truly compelling or effective one.

One of the problems with this movie is that is doesn't always manages to find a right balance between its drama and thriller/horror aspects. The entire movie is being buildup like a slow moving, family-drama, with at times simply some thriller and horror elements thrown into it. You feel that the movie would had been better if it went for one simple approach instead; either as a drama or as a thriller/horror but not a combination of these different genres.

The movie also never becomes all that interesting or compelling to watch because of that. It's not being effective enough in any way. Not with its story, not with its tension/mystery and not with its characters.

Because the movie is getting told so slowly, like you could expect of course from a good old fashioned Swedish production, the movie becomes even somewhat less interesting to watch. Also because some of the moments within it feel stretched out and at times the movie could had gotten to its point earlier. The movie does drag a little at certain points and it feels a bit overlong, even while its being only 103 minutes short.

You still have to give the movie some credit of course. It was an obvious low budget production but this doesn't ever become anything distracting or something that can take you out of the movie at times. It still is a skilfully made movie, with both lots of great people behind- and in front of the camera involved.

And please don't watch this movie for Peter Stormare, or when you expect to see a lot of him in this. He plays a secondary character, that isn't an awful lot this movie. It looks like all of his scenes got shot within a day or maybe two but still its good to see him in this of course. He obviously doesn't see himself as too big or important to play in a little movie from his native country as well.

It's really nothing too bad. Just something I can't rate very highly.

5/10

http://bobafett1138.blogspot.com/

The Mares Come Out At Night...

[azathothpwiggins · 26 July 2021]

After losing his wife in a tragic accident, Krister (Thomas Hedengran) must raise his infant daughter, while his teenage daughter, Sandra (Sanrda Larsson) deals with the loss in her own dark, rebellious way.

Adding to his immense stress, Krister believes he's being visited at night by a malevolent spirit. Robbed of sleep, Krister's life begins to unravel.

MARIANNE is a grim ghost story with a foreboding atmosphere. It builds up slowly like a coming storm. The finale, though somewhat predictable, is nonetheless haunting.

Every role is convincing, especially Hendengran's tormented character.

Co-stars Peter Stormare as Krister's therapist, Sven...

The scariest part was the acting

[matti-vx · 2/10 · 3 June 2012]

After seeing an online review which compared this film to Mulholland Drive (my favourite film) and the work of Stanley Kubrick, I was naturally interested. Upon seeing it, I think Lynch and the Kubrick estate should sue whoever wrote that.

Without a doubt, the worst thing about Marianne was the acting. In places it was just bad, in others it was so bad we actually started laughing, which I'm pretty sure wasn't intentional. Even Peter Stormare, an otherwise extremely confident actor, didn't seem to be trying his hardest. It may not have been solely the fault of the actors however, as the dialogue was extremely stilted and unnatural.

Since the release of the brilliant F**king Åmål (Show me Love), it has become almost obligatory for Swedish teenagers in film to be moody, rude and rather volatile - and Marianne proves to be no exception - although in this film, the teenage daughter's character is so over-done that it borders on the comical. (Though I do wonder if all teenagers in this country are really like that, ha-ha!)

The general idea for the film, with its basis in Swedish folklore was very interesting, and a subject which has not been covered so widely in film! Unfortunately, the whole project was so badly executed that it would be more entertaining to read a Wikipedia article about the topics covered.

My thoughts on Marianne

[petracahill · 7/10 · 29 October 2012]

I just finished watching Marianne and I did enjoy it! Granted it is not this intense, nail biting Horror/Thriller, but 1 that is leaving you wanting to know the next thing happening. This movie has a lot going on and if I had to put into words or phrases the following comes to mind: woman scorned, Paranormal Activities, dealing with loss & young female adult to give you a few. Those alone will give you an idea of what all this movie entails. I like the quality of the film, the aerial shots, the way it was shot, with clear pictures and no obscured views. It didn't feel awkward, but more like this is what real people do deal with at times in everyday lives. Personally I would not call it a Horror movie, but rather a Thriller with Drama I guess. But that is my opinion. I have been watching a few movies lately that seem to have the same approach of dealing more with no music in the background and I have to say it works. It does take a bit to get used to, but I think that it also gives you a chance to show of the actors talent and let the scene speak for itself. I think the end speaks for itself and some may not like the way it ended or it didn't make it clear enough. For me it worked. Are there any problems with this movie? Perhaps, but I have no complaints. I liked it and on a day where Hurricane Sandy is barring down on us, it kind of added to the mood! Will I recommend this movie? Absolutely! So go ahead and watch it!

A slow-burning chiller

[guerre-211-363269 · 8/10 · 12 November 2011]

Just caught this at the Leeds International Film Festival as part of their Day Of The Dead horror flick marathon. It's a slow-burning chiller about an errant father quite literally haunted by his past, but plays out as a closely observed family drama that flits through time unexpectedly, but never confusingly, to tell the whole story. It expertly balances the human drama with supernatural elements in a similar way to Let The Right One In, which lends a believability to the whole disturbing scenario. The performances are all spot on, especially Dylan M. Johannsson as the wide- eyed Stefan, and the cinematography is captivating.

Great film on a low budget, but you have to see it the right way.

[dracula2000-342-133252 · 9/10 · 12 April 2012]

I've read a lot about this film and was curious to see what it was about. I had seen the trailers but they didn't really give much information and people seem really split on liking it or not.

Technically, the low budget shines through, but it looks much better than most indies. It's slow and the pacing is a bit uneven but the acting is good.

I like it very much because you can decide for yourself if it's about a man going crazy or a man who's haunted by a ghost. When I've talked to people online who saw it at festivals, the most people who like it are the ones who say he's imagining the ghost and that he is schizophrenic. As a straight horror movie it doesn't hold up because there is too much drama, but as a psychological thriller or family tragedy it's actually really, really good. You just have to see it like that.

So much more than a horror flick

[henrik-perala · 9/10 · 14 July 2013]

In it's genre and section - a low budget debute indie film - this is so much more than a horror movie. What could be expected to be a simple horror dramaturgy of classic cut, turns out to develop into a interesting social drama, spiced up with colorful characters, humor and great storytelling. The acting is a chapter on it's own. Most impressive are the unestablished actors, like Sandra Larsson, that really sparkles as the daughter, conveniently named Sandra. That veteran actors like Thomas Hedengran and international movie star Peter Stormare would deliver great work was not as unexpected. Hedengran gives a convincing portrait of the troubled father, balancing on the edge to a mental breakdown. Stormare is also great as the eccentric psychiatrist, yet somewhat a less complex role, but still making an impression in the film. It should be said that for those waiting for the monster, their time will come. The characters may be given a lot of space, but the tickeling foreboding of horror is always present. As a debut feature film script, it's hard to wish for more. Writer and director Filip Tegstedt shows what he is able to do with small resources, which is very promising for projects to come.