With the last seasons being such a great spectacle to witness, the expectations were held high by all – would the new season's starter be able to repeat the success of the last season starter? Well, it definitely matched up to it in a way, but was always to be a slightly different episode, as the main events of the episode were be the explanation of how Sherlock's still alive, rather than planting a new villain story and also offer a deep mystery to solve in the first episode. All this would not fit into 90 minutes, would the editors provide maximum attention and detail to everything, it's going to be too intense and too much mystery would make the episode a little too twisty would not provide enough integrity - it would be all around the place. So the balance had to be found between all of these aspects and boy, wasn't that balance found! All of it was wrapped up into a perfect sequence of events that rolled open in front of our eyes and none of the sequences dominated the others... too much... and hence created an episode with excellent integrity. The acting and especially the visuals were always to be spot on, there is no other option with Sherlock. I can't compare it to Scandal in Belgravia and say its better, since they are not really comparable, as in Scandal of Belgravia, the directors needed about 5 minutes to close all the loose ends from the previous season and start another great mystery. This one needed a lot more of it and yet still made a great episode. 9.5 out of 10.
48 Reviews
The Empty Hearse - an explosive opening episode in what is promising to be the most action-packed season of Sherlock yet!
katherinecmcmanus-881-4306732 January 2014
It ended with a bang. Or, rather, a quick drop and a sudden stop - one that sent fans and critics alike reeling and demanding more, more, more. And this past New Years Day 2014, the two- year-long wait finally ended for millions worldwide as the infamous Consulting Detective returned to London with a theatrical flair that can only be described as, well
Sherlockian.
In many regards, the latest and newest installment of BBC's smash hit, Sherlock (2010 - present) did not disappoint fans worldwide - and why would it? Finally, Sherlock Holmes (Benedict Cumberbatch) and Dr. John Watson (Martin Freeman) are back to embark upon more exciting and thrilling adventures! This is the moment that we've all been waiting for! Yet, this first episode - while exciting - did have a few shortcomings that made it less than what some fans might expect.
When a TV show opens its door to the fandom world - i.e. Tumblr - and brings it into the fold of its own plot, it often risks laughing at itself, becoming a pantomime of the speculations, theories and obsession that have propelled it forward - in short, it risks lessening itself by approaching and enveloping the - sometimes, frankly alarming - fan world. Yet, somehow, Sherlock avoided this entirely, carefully balancing itself on the knife's edge of playful, poking jokes which Sherlockians will probably die over, and that the average viewer can appreciate in the grander scheme of the episode's overall and surprisingly cheeky nature. The fact remains that no one listens to their fans better than Mark Gatiss and Steven Moffat, and, while some fans might find offense in their references to the, again, frankly alarming Sherlock fan-base, being toyed with was actually quite enjoyable.
The laughs weren't too far behind in regards to this episode, either. Again, "cheeky" is the word for this script - as perhaps are the words, "confident," "smart" and "clever," as Gatiss once again shows off his prowess as not only a co-creator of the show, but a writer as well.
One thing that no one had to worry about for this new series is the superb acting. Benedict Cumberbatch is simply flawless as Sherlock Holmes, supporting an argument that he is, in fact, the best actor to have ever portrayed the sociopathic, genius sleuth. Martin Freeman once again shone as a modern John Watson, showing a wide array of emotions simultaneously. And fans who were worried about the introduction of John's romantic interest, Mary Morstan (played by Amanda Abbington, Martin Freeman's real-life partner) have little to fear. Mary is as charming, brazen and clever as we could have possibly ever hoped for. Though only shown sparingly in this episode, she's sure to become a fantastic character in the near future, one that will not only add to the plot, but help shape a wonderful, new dynamic for this new series.
The plot itself was, overall, very intriguing. From the get go, the audience is immediately thrown back into the excitement and adventure that makes Sherlock exactly that - an adventure unlike anything television has seen before. This new series is sure to be a unique experience.
However, somehow, the plot was very convoluted and sometimes choppy and jaggedly presented for those that couldn't catch every single word of dialog being presented. However, after my second viewing of the show (after my disastrous first attempt at a live stream), I could completely comprehend the plot of "The Empty Hearse" and its implications towards the later episodes. It's truly a masterpiece - yet one that was initially confusing. Yet, despite its many pros, there is one crucial con to "The Empty Hearse" that made it less than what many fans have been expecting - the relationship between John and Sherlock.
Again, it's been two years since Sherlock's faked suicide, and it's been only days since he's been vindicated of all of the charges that had been brought against him, thanks to one "Richard Brook." Somehow, the thrill of the new plot took away from that developing reconnection, and their struggle to reconcile after many years of hurt and loneliness. Again, we understand - Sherlock is an adventure, a wild ride through the twisting alleys of London, filled with danger, excitement and deductions galore. And, again, "The Empty Hearse" did not disappoint in this regard. Yet, the one thing that this episode should have been about - John's forgiving Sherlock, their friendship - was not touched upon enough. After a third viewing (yes, a third), I could see the small hints towards the larger picture, but they were vague and barely noticeable for those who weren't looking. If not for the fantastic performances by Cumberbatch and Freeman, Sherlock and John's character arcs would have been completely lost in the grandeur, the danger and the thrill.
Perhaps this crucial shortcoming has to do with the restrictive time set for Sherlock episodes - ironic, seeing as they're practically feature length films. Yet, an extra half hour would have been enough to help bring this absolutely vital dynamic to life. If not that, then taking away some of the action would have helped - it certainly would've helped clear up some confusion with the intense and rapidly moving plot line.
All in all, however, "The Empty Hearse" was an explosive opening episode in what is promising to be the most action-packed season of Sherlock yet. And its hints towards a greater danger for not only London, but Holmes and Watson, give a glimpse into the new, exciting plot that Gatiss and Moffat have lined up for Sherlock fans globally. I was only slightly disappointed with this opening episode, and I cannot wait to see what happens next!
In many regards, the latest and newest installment of BBC's smash hit, Sherlock (2010 - present) did not disappoint fans worldwide - and why would it? Finally, Sherlock Holmes (Benedict Cumberbatch) and Dr. John Watson (Martin Freeman) are back to embark upon more exciting and thrilling adventures! This is the moment that we've all been waiting for! Yet, this first episode - while exciting - did have a few shortcomings that made it less than what some fans might expect.
When a TV show opens its door to the fandom world - i.e. Tumblr - and brings it into the fold of its own plot, it often risks laughing at itself, becoming a pantomime of the speculations, theories and obsession that have propelled it forward - in short, it risks lessening itself by approaching and enveloping the - sometimes, frankly alarming - fan world. Yet, somehow, Sherlock avoided this entirely, carefully balancing itself on the knife's edge of playful, poking jokes which Sherlockians will probably die over, and that the average viewer can appreciate in the grander scheme of the episode's overall and surprisingly cheeky nature. The fact remains that no one listens to their fans better than Mark Gatiss and Steven Moffat, and, while some fans might find offense in their references to the, again, frankly alarming Sherlock fan-base, being toyed with was actually quite enjoyable.
The laughs weren't too far behind in regards to this episode, either. Again, "cheeky" is the word for this script - as perhaps are the words, "confident," "smart" and "clever," as Gatiss once again shows off his prowess as not only a co-creator of the show, but a writer as well.
One thing that no one had to worry about for this new series is the superb acting. Benedict Cumberbatch is simply flawless as Sherlock Holmes, supporting an argument that he is, in fact, the best actor to have ever portrayed the sociopathic, genius sleuth. Martin Freeman once again shone as a modern John Watson, showing a wide array of emotions simultaneously. And fans who were worried about the introduction of John's romantic interest, Mary Morstan (played by Amanda Abbington, Martin Freeman's real-life partner) have little to fear. Mary is as charming, brazen and clever as we could have possibly ever hoped for. Though only shown sparingly in this episode, she's sure to become a fantastic character in the near future, one that will not only add to the plot, but help shape a wonderful, new dynamic for this new series.
The plot itself was, overall, very intriguing. From the get go, the audience is immediately thrown back into the excitement and adventure that makes Sherlock exactly that - an adventure unlike anything television has seen before. This new series is sure to be a unique experience.
However, somehow, the plot was very convoluted and sometimes choppy and jaggedly presented for those that couldn't catch every single word of dialog being presented. However, after my second viewing of the show (after my disastrous first attempt at a live stream), I could completely comprehend the plot of "The Empty Hearse" and its implications towards the later episodes. It's truly a masterpiece - yet one that was initially confusing. Yet, despite its many pros, there is one crucial con to "The Empty Hearse" that made it less than what many fans have been expecting - the relationship between John and Sherlock.
Again, it's been two years since Sherlock's faked suicide, and it's been only days since he's been vindicated of all of the charges that had been brought against him, thanks to one "Richard Brook." Somehow, the thrill of the new plot took away from that developing reconnection, and their struggle to reconcile after many years of hurt and loneliness. Again, we understand - Sherlock is an adventure, a wild ride through the twisting alleys of London, filled with danger, excitement and deductions galore. And, again, "The Empty Hearse" did not disappoint in this regard. Yet, the one thing that this episode should have been about - John's forgiving Sherlock, their friendship - was not touched upon enough. After a third viewing (yes, a third), I could see the small hints towards the larger picture, but they were vague and barely noticeable for those who weren't looking. If not for the fantastic performances by Cumberbatch and Freeman, Sherlock and John's character arcs would have been completely lost in the grandeur, the danger and the thrill.
Perhaps this crucial shortcoming has to do with the restrictive time set for Sherlock episodes - ironic, seeing as they're practically feature length films. Yet, an extra half hour would have been enough to help bring this absolutely vital dynamic to life. If not that, then taking away some of the action would have helped - it certainly would've helped clear up some confusion with the intense and rapidly moving plot line.
All in all, however, "The Empty Hearse" was an explosive opening episode in what is promising to be the most action-packed season of Sherlock yet. And its hints towards a greater danger for not only London, but Holmes and Watson, give a glimpse into the new, exciting plot that Gatiss and Moffat have lined up for Sherlock fans globally. I was only slightly disappointed with this opening episode, and I cannot wait to see what happens next!
"The Empty Hearse" is indeed the best Sherlock episode till date.
mayankjames2 January 2014
DISCLAIMER- Yes, you are reading this article as a movie review. It is so because I believe these episodes are more like a series of TV films; 90 minutes long TV films, and not a TV-Series! That being said, now you continue with the review. So it has been a little under two years since we last saw Sherlock Holmes fake his death. But the painful 717 days wait finally came to an end with the splendid "The Empty Hearse". Both Benedict Cumberbatch and Martin Freeman have found fame in Hollywood with movies like Star Trek Into Darkness and The Hobbit. But it is indeed a huge relief that the series has returned; even though if it's only for another three episodes. With no more Moriarty in the picture, the opening instalment of Sherlock teased a new foe for the Baker Street detective and explained just how and why the lead character vanished from London for two years
well almost! "The Empty Hearse" then tells us the reason of detective's return which involves an underground terrorist cell planning an attack on London. It also shows the two year old John Watson preparing for his marital life whilst trying to move on with the grief of his best friend's death.
Like the rest of the Sherlock episodes, this Season 3 opener is brilliantly shot, astoundingly edited and stunningly directed by Jeremy Lovering and team. Though "The Empty Hearse" is a little more about the Watson-Holmes reunion; throughout the episode, there are plenty of intriguing moments that we've come to love about this series, both with certain visual and stylistic cues. Although it still feels surprisingly new and viewer friendly.
PS: There are some interesting new wrinkles added to the Sherlock Holmes myths – his parents – as well as some genuinely very funny moments for fans (Molly's fiancée). But to conclude it all, "The Empty Hearse" is indeed the best Sherlock episode till date. I would undoubtedly rate the entire series a flawless 10, but for once I just wish if there was something beyond 10 reserved for this masterpiece.
"The holiday is over Back to Baker Street, Sherlock Holmes "
Like the rest of the Sherlock episodes, this Season 3 opener is brilliantly shot, astoundingly edited and stunningly directed by Jeremy Lovering and team. Though "The Empty Hearse" is a little more about the Watson-Holmes reunion; throughout the episode, there are plenty of intriguing moments that we've come to love about this series, both with certain visual and stylistic cues. Although it still feels surprisingly new and viewer friendly.
PS: There are some interesting new wrinkles added to the Sherlock Holmes myths – his parents – as well as some genuinely very funny moments for fans (Molly's fiancée). But to conclude it all, "The Empty Hearse" is indeed the best Sherlock episode till date. I would undoubtedly rate the entire series a flawless 10, but for once I just wish if there was something beyond 10 reserved for this masterpiece.
"The holiday is over Back to Baker Street, Sherlock Holmes "
Bad Sherlock, Bad Serbians.....
riverside-704-59606112 January 2014
Warning: Spoilers
OK, to be honest, I waited for this episode for months. Of course, I knew that Sherlock was in fact alive, and the only thing was how he pulled out with falling from the roof top. I made a dinner. Turned off my cell phone before the start of the show. Prepared myself for total immersion into Sherlock deduction universe. And I got....swearing is not allowed so....lets's say I got nothing of it.Even worse, I felt really cheated. If I haven't watched previous Sherlocks,it would have been like watching something average just to get my time spent.But knowing how brilliant the previous episodes were, I was really disappointed. And that is why I give it 1(Awful) out of ten. Just like waiting for months to meet again some beautiful girl, smart, lovely in every way,just to find out she has lost her hair, gained 80 pounds, have very strong cold and hasn't slept for two nights.You would definitely characterize her as awful, because you knew her before....That is the problem with Sherlock. And yes, besides Serbs always being the bad guys torturing someone when they have noting else to do, how come they wear Russian parade uniforms and talk their Serbian like a parrot with Aerosinusitis, which is hardly intelligible.I know that Mycroft had few hours to learn Serbian, but the other Serbian guy speaks his mother tongue like a text-to-speech software (seems using google translate instead of human keeps production costs low...just as the quality of it!). This episode, in brief, is....Unacceptable, my dear Watson.
Amazing. Completely faultless.
ravhikaria1 January 2014
2 years. 2 years. But by god it was worth it, with everything from moustaches to Mycroft fitting together like cogs in the most perfect piece of machinery. this is the type of television that makes the world stop for 85 minutes for one evening and let yourself be taken away by the stunning acting of Benedict Cumberbatch and Martin Freeman. the best part has to be the flawless cinematography, every millisecond was so perfectly from the iconic "words around the head" to the posters in some window that flashes for a second. My one regret about the episode, is I watched it so now when i see it again i know what is going happen. please watch this, it will be the best thing you do the week and will hook you to the screen for 85 minutes of perfection.
A Marvelous Return of the great detective
vaibhavkumar5672 January 2014
2 years is a pretty long time to wait for something so excellent.Being a big fan of the source material,I've followed this show from the beginning and this episode lived up to our expectations..the wait was worth it!We finally got an explanation to the riddle which had been bugging our minds so long.
Is there something better than Sherlock and Moriarty about to make out, and Sherlock's parents, and Sherlock's scarf, and Sherlock kissing Molly, and John repeatedly attacking Sherlock, and Anderson's first name?I think not. This was by far one of the best episode of this show and provided a full dose of spectacular performances by Benedict and Freeman with a script full of amazing wit,whizz and humour.Also the way Sherlock explains the fall is stunning and it opened with a breathtaking sequence. And hats off to the creators for such an excellent episode. It deserves a 10/10.
Is there something better than Sherlock and Moriarty about to make out, and Sherlock's parents, and Sherlock's scarf, and Sherlock kissing Molly, and John repeatedly attacking Sherlock, and Anderson's first name?I think not. This was by far one of the best episode of this show and provided a full dose of spectacular performances by Benedict and Freeman with a script full of amazing wit,whizz and humour.Also the way Sherlock explains the fall is stunning and it opened with a breathtaking sequence. And hats off to the creators for such an excellent episode. It deserves a 10/10.
Underrated
Bored_Dragon19 March 2017
My favorite episode so far. It's badly bashed online because it really has its flaws. The main argument is that this episode is more of a parody to Sherlock than it is new Sherlock story. The fact is that this episode does not bring new complicated crime and Sherlock's genius solution, and to a certain extent I can understand the disappointment of those who waited two years for this episode. But I, who waited for it just a few minutes, really cannot recall last time I had so much fun. It may be bad from the crime/mystery genre point of view, but it's not written in the stone that every episode must follow that pattern. It's premium entertainment and I am thrilled.
9/10
However, I have one objection. It is not a big deal and most of the audience won't even notice it, because it is obvious only to former Yugoslavian audience and Russians, but it needlessly undermines the quality of this awesome show. I will quote Bosnian guy who presented this issue par excellence:
"Besides Serbs always being the bad guys, torturing someone when they have nothing else to do, how come they wear Russian parade uniforms and talk their Serbian like a parrot with Aerosinusitis, which is hardly intelligible. I know that Mycroft had few hours to learn Serbian, but the other Serbian guy speaks his mother tongue like a text-to-speech software. It seems that using google translate instead of human keeps production costs low... just as the quality of it."
9/10
However, I have one objection. It is not a big deal and most of the audience won't even notice it, because it is obvious only to former Yugoslavian audience and Russians, but it needlessly undermines the quality of this awesome show. I will quote Bosnian guy who presented this issue par excellence:
"Besides Serbs always being the bad guys, torturing someone when they have nothing else to do, how come they wear Russian parade uniforms and talk their Serbian like a parrot with Aerosinusitis, which is hardly intelligible. I know that Mycroft had few hours to learn Serbian, but the other Serbian guy speaks his mother tongue like a text-to-speech software. It seems that using google translate instead of human keeps production costs low... just as the quality of it."
How did Sherlock survive?
Tweekums1 January 2014
Warning: Spoilers
After Sherlock's fall from a tall building the big question was 'how did he survive?' and as this episode begins it looks as if we are about to find out. We see a complicated scheme involving a bungee rope and Darren Brown
all very far-fetched and in fact just a theory being proposed to Watson. Watson doesn't believe it though; he accepts that his friend died two years ago
except he didn't of course; in fact he was hunting Moriarty's network until he was captured in Serbia. He escapes with his brothers help and returns to London. Needless to say Watson is more than a little surprised to see Holmes again; especially as he appears just as he was about to propose to his girlfriend! Mycroft seeks Holmes' assistance as he has heard that an 'Underground Network' is plotting a terrorist attack in London. Before Holmes can solve the case he will have to unravel many almost impossible problems and save Watson from imminent immolation!
This marked a welcome return for Sherlock although I admit I was unsure at first the opening scenes suggested a silly escape that didn't fit in with the programme; thankfully we are immediately shown that it was just a theory. In fact we'll get two more of these theories before the show is over and still not learn the truth; something I was not displeased with as the mystery is better than any likely solution. The case itself is intriguing as it is clearly setting things up for the season as a whole Holmes might foil the terrorist attack put there are still more questions than answers. As always the cast do a fine job; especially Benedict Cumberbatch and Martin Freeman as Holmes and Watson. The story contains the right blend of mystery, tension and humour and there are even one or two moments where the viewer can solve a clue ahead of the great man. Overall I'd say that while this episode wasn't flawless it was still a great start to the season and it left me keen to see more.
This marked a welcome return for Sherlock although I admit I was unsure at first the opening scenes suggested a silly escape that didn't fit in with the programme; thankfully we are immediately shown that it was just a theory. In fact we'll get two more of these theories before the show is over and still not learn the truth; something I was not displeased with as the mystery is better than any likely solution. The case itself is intriguing as it is clearly setting things up for the season as a whole Holmes might foil the terrorist attack put there are still more questions than answers. As always the cast do a fine job; especially Benedict Cumberbatch and Martin Freeman as Holmes and Watson. The story contains the right blend of mystery, tension and humour and there are even one or two moments where the viewer can solve a clue ahead of the great man. Overall I'd say that while this episode wasn't flawless it was still a great start to the season and it left me keen to see more.
It was well worth the wait!
dara60113 January 2014
This episode was definitely written for the die hard fans of the show, (like me) and I have to say, it didn't disappoint!
The whole cast works so well together. They all have perfect chemistry, and it shows! I loved the humor throughout the episode, especially all of the different theories. (The one with Sherlock and Moriarty made me laugh probably harder than I should have!)
I'm so glad that nothing completely soul crushing happened in this episode, or the fans of this show would COMPLETELY lose their minds. It was the perfect way to welcome back an amazing show.
I look forward to future episodes!
The whole cast works so well together. They all have perfect chemistry, and it shows! I loved the humor throughout the episode, especially all of the different theories. (The one with Sherlock and Moriarty made me laugh probably harder than I should have!)
I'm so glad that nothing completely soul crushing happened in this episode, or the fans of this show would COMPLETELY lose their minds. It was the perfect way to welcome back an amazing show.
I look forward to future episodes!
Finding the Tipping Point...
A_Different_Drummer21 January 2014
Warning: Spoilers
Each of us at some point in our lives has had the experience of being in a "group environment" that suddenly became uncomfortable as, inwardly, it became momentarily unclear whether the other members of that specific group were laughing with us ... or at us? The "tipping point" between the two states is subtle but, once crossed, there is no turning back. Bond purists often argue that the best Bond films were FROM Russia WITH LOVE and GOLDFINGER (Dr. No suffered from idiosyncratic plot issues having to do with essentially taking place in a cave), and they do this with some measure of justification. Virtually all the Bonds which followed (excepting the most current iteration) were written with a built-in sense of self-mockery, because, much too early in the franchise, the tipping point and been violated. Which brings us to this episode. If you are a purist, if you fell in love with the early episodes which were a near-perfect balance between the nuances of the relationship and the actual mysteries, this over the top, self-congratulatory episode might have you reaching for your nitroglycerin pills. On the other hand, if you are a certified fanboy of EITHER Sherlock Holmes or Cumberbatch or Moffat (pick one, or you may MIX AND MATCH) then you are in TV heaven here because the writing skews wildly back and forth between comedy and drama; no opportunity to wind up the audience with a reference to past episodes is ever missed EVEN WHEN IT SHOULD BE; and they do manage to deal with a terrorist plot to wipe out London between the "I'm not gay", "I'm really sorry" and "I'm getting married" bits. **Bottom line, depending on individual proclivities, you are either going to love or hate this episode. The truth possibly lies somewhere in the middle. But of this one thing I am certain -- wherever the tipping point point actually lies, they are very very close ...
I have answered your doubts about the bomb off switch in my review,see below .Sherlock Season 3 Episode 1 The Empty Hearse(2014)...
dhruviekandhari28 June 2014
Warning: Spoilers
Wow!!!!This episode was worth it and it was extremely witty and catchy 90 minutes.This is a very different and unusual episode of the series but yet a deliciously brilliant one.Sherlock has returned,but will everything be the same again and most of all How Did he Fake it,which has been a national talking point for 2 years and your all questions will be answered.The performance By Benedict Cumberbatch as Sherlock Holmes is as usual Spellbinding and Just wonderful to see Sherlock Holmes,Martin Freeman is as usual Brilliant.The Empty Hearse started off brilliant and maintained brilliant.This one is not really about a specific case but what happens when sherlock comes back and How did he fake it and deceived the audience"s eyes.How did he perform That magic trick,Most of all since 2 years what has changed in lives of everyone and what is being discussed about sherlock,The plot answers these questions.It is a really witty,spellbinding,emotional,thrilling episode and is real fun.Just love it. And the directors also have played a game with you in this episode which will be very unexpected.10/10, Don't read ahead if you have not watched the episode,This is a must read for the people who have seen the episode and are in doubt about the off switch.I researched about the bomb off switch,First of all there are mostly booby trapped off switches and there are very less off switches like this as shown in the episode.So this satisfies the statement which sherlock says to John "There"s always an off switch" maybe it can be booby trapped or simple rotary switch(Like the one shown in the episode).There is a term known as Dead man"s switch.This type of switch only depends on the main person,who heads the attack.If the leader is in any type of danger or is killed,this switch is there to switch the bomb off.Rotary switch in the episode was kept as the timer was 2mins 30 seconds as the leader wanted.Due to its short time limit and secret location which was near to impossible to imagine that it would be kept in an abandoned train station called Sumatra road.If the leader is in high danger that can even occur in 2 mins 30 seconds,he could not keep the switch booby trapped as it takes a lot of time to switch off booby trapped switches and Lord Moran wanted it to explode it on a specific time and date because the blast should be on the specific time because it was for a reason.And if the bomb must be switched off in 2 mins 30 seconds ,booby trapping would require more time.So he put a rotary switch that could switch off the bomb in well time.And he did not want it to explode before specific date and time,even if the bomb disposal came to know about the bomb ,they would switch it off ,it would be easier for the rotary switch,In case it was booby trapped,it would have led to the exploding of bomb before the date and the plan would not have worked because a sudden jerk would let the bomb to explode and even if the the trap was not made to explode on a sudden jerk,A wrong push on a wire would lead to technical default and hence it could explode.For dead man"s switch,you can read on internet or Wikipedia.If you find any questions regarding my theory,please feel free to message me on my IMDb id.
The indeed EMPTY hearse
kattykomal-569-290732 January 2014
Warning: Spoilers
The wait was long, very long. Expectations were high, we all knew that Sherlock didn't die, but for us - the audience, unlike John, the question was how, and not why . And the episode offered just that - the various plausible explanations of the fake death - the Reichenbach fall. The expose of the imminent terrorist attack on London, that goes on parallely , was slow, and substandard when compared to benchmarks set by Sherlock in the earlier episodes. Every bomb has an on and off switch!Come on, it could have been better! A few good moments in this relatively empty episode - the game between the Holmes brothers(Mycroft was simply amazing); Mr. Watson was definitely not joking and more humane in his reflexes on seeing his buddy ,Sherlock, alive, and Benedict's Cumberbatch's parents themselves playing Sherlock's parents. However, the loose ends rather the open ends that keep us anxious and wanting for more: now that Moriarty is dead, why did Sherlock escape, and from whom? And surprising it was that Mycroft despite knowing that Sherlock was alive didn't know where he went and why! Why John is made the target during the ritualistic burning of the wicker man? Perhaps these are the things to watch out for in the coming episodes, apart from the hopefully hilarious speech that Sherlock will be giving as the Best Man!
It's good, but it is a bit smug
Sleepin_Dragon13 August 2015
I waited keenly to see the conclusion of the Reichenbach fall, and we get the Empty Hearse.
I enjoyed it as it continues to be bursting with exuberance, it's fun and wacky, but it is not the best, the plot is a bit on the thin side, and it just feels overly self satisfied. I could imagine Mark Gatiss and Steven Moffat laughing maniacally and patting each other on the back during its creation.
It feels a little like we have a 15 minuted story with 75 minutes explaining Sherlock's bizarre survival, the on/off switch has been slammed many times, I need not add to that, it just seems a wee bit lazy.
There are great points though, some of the imaginings of Sherlocks death are fun, his actual parents are brilliant, the bonfire scene was superbly done, and Louise Brealey continues to shine brightly as Molly.
It delivers largely, but the bar has been set so high more was expected, 7/10
I enjoyed it as it continues to be bursting with exuberance, it's fun and wacky, but it is not the best, the plot is a bit on the thin side, and it just feels overly self satisfied. I could imagine Mark Gatiss and Steven Moffat laughing maniacally and patting each other on the back during its creation.
It feels a little like we have a 15 minuted story with 75 minutes explaining Sherlock's bizarre survival, the on/off switch has been slammed many times, I need not add to that, it just seems a wee bit lazy.
There are great points though, some of the imaginings of Sherlocks death are fun, his actual parents are brilliant, the bonfire scene was superbly done, and Louise Brealey continues to shine brightly as Molly.
It delivers largely, but the bar has been set so high more was expected, 7/10
The biggest fall from grace
soulsoup8 January 2014
Warning: Spoilers
I sincerely hope that morning isn't any indication for rest of the day, at least for the Sherlock season 3 episode 1!
Apparently two years of hiatus caused Sherlock a mega transformation, from a master of deductive skills to a constipated mentalist, who gets psychedelic visions when he rubs his temples with forefingers - and voilà, crime is solved. A monstrosity in name of Sherlock who enjoys playing useless pranks on poor Watson, rather solving crime, and lecture Mycroft on social skills! Lame explanations or none at all are highlights of this episode.
Why such elaborate staging death plan when Mycroft already took care of the snipers? Why everyone but Watson knows Sherlock is alive? An on/off switch for a bomb? Seriously? Why the hell we are still paying for bomb squads?
I refuse to believe that Steven Moffat got anything to do with this stupid script!
Apparently two years of hiatus caused Sherlock a mega transformation, from a master of deductive skills to a constipated mentalist, who gets psychedelic visions when he rubs his temples with forefingers - and voilà, crime is solved. A monstrosity in name of Sherlock who enjoys playing useless pranks on poor Watson, rather solving crime, and lecture Mycroft on social skills! Lame explanations or none at all are highlights of this episode.
Why such elaborate staging death plan when Mycroft already took care of the snipers? Why everyone but Watson knows Sherlock is alive? An on/off switch for a bomb? Seriously? Why the hell we are still paying for bomb squads?
I refuse to believe that Steven Moffat got anything to do with this stupid script!
Many botched returns
stillworkingfortheknife1 August 2014
If you choose to end a series of your internationally worshipped TV programme with its protagonist jumping to what looks to be ineluctable decease, orchestrate it in a way that contracts the credible possibilities to no more than a dozen, and then take a two-year hiatus to let innumerable amounts of blogs and websites speculate about how that character isn't yet pushing up daisies after all, you're going to have quite a bit explaining to do once you return. Sherlock's creators, Mark Gatiss and Steven Moffat, were aware of that and did the best thing they could under such circumstances: choosing one of these much contemplated possibilities, while also factoring in that a good deal of the fans of their product will ten to one be disappointed with their decision.
The slightly insane former police officer Philip Anderson is the embodiment of all the uploaders of conjecturing YouTube videos, essayists of circumstantial analyses of "The Reichenbach Fall", and participants in online forums that scrutinise every shot from Sherlock's pilot onwards; and as Sherlock spells his complex scheme out to him, Anderson's reactions precisely mirror those of some of the programme's fandom. Gatiss and Moffat were bright enough to accept that, no matter what they did, they couldn't really confound their audience anymore, nor could they leave the mystery open without avoiding the loss of their entire viewership, bar the critics earning their living for watching their work. Hence, they opted to resolve their conundrum in a rather ordinary manner, while counterbalancing it with acknowledging just that – which, to my mind, is as audacious as it is clever.
However, if they've thought that a simple »We know it isn't perfect.« could stop me from picking holes in the explanation for Sherlock's survival, I feel obliged to quote Dr Cox for a second: »Good God in heaven, Newbie. There are just so very many ways for me to say this to you: Never. Not in a million years. Absolutely not. No way, José. No chance, Lance. Njet. Negatory. Mm-mm. Nuh-uh. Uh-uh. And of course, my own personal favourite of all time, man falling off of a cliff: Noooooooooo!«
Sorry about that. If you've understandably had enough of all the inspection that has been surrounding Sherlock ever since that one jump, I suggest skipping the rest of this paragraph, but to account for my merely semi-enthusiastic rating for this episode, here be the nit- picking: if Mycroft was able to 'get to' the sniper aiming at John, why couldn't he do that with the ones responsible for Mrs Hudson and Lestrade and thereby render all the fuss about Sherlock's fake suicide utterly useless? Did the Holmes brothers actually risk John finding out everything about their manoeuvre if he just were to move his fundament for a few metres or would have been able to elude the assailant on a bicycle? And last, though really quite the opposite of least: a doppelgänger? The only plot device lazier than that would be Sherlock genuinely dying, but a divinity stepping in to revive him for the reason of him 'having not yet attained his true mission'.
Just like writing wit clashes with the messy reasons for Sherlock's survival, "The Empty Hearse" as a whole is comprised of nothing but ups and downs. The introduction of Mary as a human and amiable character stands in sharp contrast to John's unduly aggressive response to the apparent resurrection of his best friend. Furthermore, the ensuing alliance of Sherlock and Molly is propelled by a lovely chemistry between the two of them, as the latter has finally moved on from Sherlock at least a bit, but all of that is at odds with a Hollywoodised and clichéd rescue sequence that slackly reunites Sherlock's two main characters for the last third of the episode. There, an enjoyable if not particularly noteworthy case is solved quite logically after both John and the audience were initially put on the wrong track (no pun intended), though the scene is roughly interrupted for the required clarification of Sherlock's Reichenbach fall, which screenwriter Mark Gatiss ostensibly couldn't fit anywhere else.
Charles Augustus Magnussen, the primary antagonist in this series, who here makes his first appearance in an intriguingly chilling final scene, would be better off rewatching the footage of Sherlock's previous episodes instead of this one's.
My detective scribblings: The episode tackles this only marginally, but how did the investigators ascertain that Moriarty was lying about Sherlock? And since they did, Moriarty's plan was entirely non-effective, since Sherlock not only didn't die, but wasn't disgraced either. As was demonstrated in the previous two series, John has had plenty of girlfriends during his time at 221B Baker Street, many of whom he brought there with him. So, sorry, but that running gag about him being gay just doesn't work for Mrs Hudson. Cinematographer Steve Lawes did a phenomenal job at deceiving the viewers into believing that Mycroft and Sherlock are playing chess in a scene that is also exquisitely written and acted. In fact, now that I've started thinking about it, I'm fairly sure that this is the best scene in "The Empty Hearse". »I like trains.« - Is that a cameo from the creator of asdf movie? Oh, a character mistaking an eccentric-looking character for another character in disguise. This is the very first time I've seen this! I've already touched on Gatiss and Moffat's ingenuity at playing with expectations in this episode, and a prime case in point for that would be John getting jabbed with the needle of a syringe during his abduction in a brilliant nod to one of the theories concerning "The Reichenbach Fall". Sherlock pressing his hands to his face when in deep thought is frankly fatuous. And the same goes for his atypical exclaiming of 'Oh!' after having found a solution.
The slightly insane former police officer Philip Anderson is the embodiment of all the uploaders of conjecturing YouTube videos, essayists of circumstantial analyses of "The Reichenbach Fall", and participants in online forums that scrutinise every shot from Sherlock's pilot onwards; and as Sherlock spells his complex scheme out to him, Anderson's reactions precisely mirror those of some of the programme's fandom. Gatiss and Moffat were bright enough to accept that, no matter what they did, they couldn't really confound their audience anymore, nor could they leave the mystery open without avoiding the loss of their entire viewership, bar the critics earning their living for watching their work. Hence, they opted to resolve their conundrum in a rather ordinary manner, while counterbalancing it with acknowledging just that – which, to my mind, is as audacious as it is clever.
However, if they've thought that a simple »We know it isn't perfect.« could stop me from picking holes in the explanation for Sherlock's survival, I feel obliged to quote Dr Cox for a second: »Good God in heaven, Newbie. There are just so very many ways for me to say this to you: Never. Not in a million years. Absolutely not. No way, José. No chance, Lance. Njet. Negatory. Mm-mm. Nuh-uh. Uh-uh. And of course, my own personal favourite of all time, man falling off of a cliff: Noooooooooo!«
Sorry about that. If you've understandably had enough of all the inspection that has been surrounding Sherlock ever since that one jump, I suggest skipping the rest of this paragraph, but to account for my merely semi-enthusiastic rating for this episode, here be the nit- picking: if Mycroft was able to 'get to' the sniper aiming at John, why couldn't he do that with the ones responsible for Mrs Hudson and Lestrade and thereby render all the fuss about Sherlock's fake suicide utterly useless? Did the Holmes brothers actually risk John finding out everything about their manoeuvre if he just were to move his fundament for a few metres or would have been able to elude the assailant on a bicycle? And last, though really quite the opposite of least: a doppelgänger? The only plot device lazier than that would be Sherlock genuinely dying, but a divinity stepping in to revive him for the reason of him 'having not yet attained his true mission'.
Just like writing wit clashes with the messy reasons for Sherlock's survival, "The Empty Hearse" as a whole is comprised of nothing but ups and downs. The introduction of Mary as a human and amiable character stands in sharp contrast to John's unduly aggressive response to the apparent resurrection of his best friend. Furthermore, the ensuing alliance of Sherlock and Molly is propelled by a lovely chemistry between the two of them, as the latter has finally moved on from Sherlock at least a bit, but all of that is at odds with a Hollywoodised and clichéd rescue sequence that slackly reunites Sherlock's two main characters for the last third of the episode. There, an enjoyable if not particularly noteworthy case is solved quite logically after both John and the audience were initially put on the wrong track (no pun intended), though the scene is roughly interrupted for the required clarification of Sherlock's Reichenbach fall, which screenwriter Mark Gatiss ostensibly couldn't fit anywhere else.
Charles Augustus Magnussen, the primary antagonist in this series, who here makes his first appearance in an intriguingly chilling final scene, would be better off rewatching the footage of Sherlock's previous episodes instead of this one's.
My detective scribblings: The episode tackles this only marginally, but how did the investigators ascertain that Moriarty was lying about Sherlock? And since they did, Moriarty's plan was entirely non-effective, since Sherlock not only didn't die, but wasn't disgraced either. As was demonstrated in the previous two series, John has had plenty of girlfriends during his time at 221B Baker Street, many of whom he brought there with him. So, sorry, but that running gag about him being gay just doesn't work for Mrs Hudson. Cinematographer Steve Lawes did a phenomenal job at deceiving the viewers into believing that Mycroft and Sherlock are playing chess in a scene that is also exquisitely written and acted. In fact, now that I've started thinking about it, I'm fairly sure that this is the best scene in "The Empty Hearse". »I like trains.« - Is that a cameo from the creator of asdf movie? Oh, a character mistaking an eccentric-looking character for another character in disguise. This is the very first time I've seen this! I've already touched on Gatiss and Moffat's ingenuity at playing with expectations in this episode, and a prime case in point for that would be John getting jabbed with the needle of a syringe during his abduction in a brilliant nod to one of the theories concerning "The Reichenbach Fall". Sherlock pressing his hands to his face when in deep thought is frankly fatuous. And the same goes for his atypical exclaiming of 'Oh!' after having found a solution.
An incredible return to an incredible series
kmcloone963 January 2014
Warning: Spoilers
First and foremost, this review will contain major spoilers about how season 2 of BBC's amazing adaptation of Sherlock Holmes ended, so don't read on if you plan on watching it some time (which you definitely should). It would be impossible to talk about the latest episode without spoiling those prior, as the plot heavily revolves around what happened back in 2012.
Almost two years ago, Sherlock Holmes died. Or so the end of Sherlock led viewers to believe. The internet was rife with rumours and speculation as to how he was still alive, and that is precisely where season 3 picks up. The opening scene re-tells the ending of the previous season, but with an explanation of how it is Sherlock Holmes managed to survive a seemingly fatal fall. It's soon revealed however, that this is just yet another idea of yet another pundit, although things seemed suspicious once Derren Brown appeared out of nowhere. It then cuts to a long-haired man being tortured in a dark basement, who is revealed to be Sherlock (Benedict Cumberbatch) himself, and soon we are taken back to London where Watson (Martin Freeman) is trying to carry on with his life after mourning for his best friend. The first third of the lengthy 90 minute episode revolves around Watson's reluctant attitude towards the return of his seemingly dead friend, and this is filled with the incredibly witty humour Sherlock has become known for.
The programme would be nowhere near as funny or entertaining without the two leading stars Martin Freeman & Benedict Cumberbatch, whom have both become huge celebrities since the previous season with both starring in the very recent The Hobbit: The Desolation of Smaug. They play off of one another perfectly and there were countless scenes within this episode where the superb editing and acting proved just how incredible Sherlock is, and why it was definitely worth the two year wait. Quick, snappy transitions and subtle text return in order to present how Sherlock's mind is working, which make the programme very unique and incredibly enjoyable to watch.
Due to the movie-like 90 minute runtime, The Empty Hearse is full of twists and turns which only Sherlock could pull off so successfully and not become too convoluted or obnoxious. Frequent references to prior episodes mean that it feels familiar, but new threats and characters distinguish this episode as different from those that came before. Because each season of Sherlock is only three episodes, a lot needs to happen in each so that a story-arc can be told, but thankfully nothing is left out unless it seems like it will be revealed in a future instalment.
The Empty Hearse is an incredible return for the Sherlock series, and one which appeals hugely to fans but is still watch-able for those who have not seen the other episodes. Benedict Cumberbatch still remains the perfect actor to play the leading man himself, and Martin Freeman works perfectly as his apprehensive assistant. The episode flies all over the place, but you never feel like you need to catch up. It ends on a cliffhanger which has me very excited for the next instalment, and one which solidifies why Sherlock is easily the best TV series the BBC has ever offered.
Almost two years ago, Sherlock Holmes died. Or so the end of Sherlock led viewers to believe. The internet was rife with rumours and speculation as to how he was still alive, and that is precisely where season 3 picks up. The opening scene re-tells the ending of the previous season, but with an explanation of how it is Sherlock Holmes managed to survive a seemingly fatal fall. It's soon revealed however, that this is just yet another idea of yet another pundit, although things seemed suspicious once Derren Brown appeared out of nowhere. It then cuts to a long-haired man being tortured in a dark basement, who is revealed to be Sherlock (Benedict Cumberbatch) himself, and soon we are taken back to London where Watson (Martin Freeman) is trying to carry on with his life after mourning for his best friend. The first third of the lengthy 90 minute episode revolves around Watson's reluctant attitude towards the return of his seemingly dead friend, and this is filled with the incredibly witty humour Sherlock has become known for.
The programme would be nowhere near as funny or entertaining without the two leading stars Martin Freeman & Benedict Cumberbatch, whom have both become huge celebrities since the previous season with both starring in the very recent The Hobbit: The Desolation of Smaug. They play off of one another perfectly and there were countless scenes within this episode where the superb editing and acting proved just how incredible Sherlock is, and why it was definitely worth the two year wait. Quick, snappy transitions and subtle text return in order to present how Sherlock's mind is working, which make the programme very unique and incredibly enjoyable to watch.
Due to the movie-like 90 minute runtime, The Empty Hearse is full of twists and turns which only Sherlock could pull off so successfully and not become too convoluted or obnoxious. Frequent references to prior episodes mean that it feels familiar, but new threats and characters distinguish this episode as different from those that came before. Because each season of Sherlock is only three episodes, a lot needs to happen in each so that a story-arc can be told, but thankfully nothing is left out unless it seems like it will be revealed in a future instalment.
The Empty Hearse is an incredible return for the Sherlock series, and one which appeals hugely to fans but is still watch-able for those who have not seen the other episodes. Benedict Cumberbatch still remains the perfect actor to play the leading man himself, and Martin Freeman works perfectly as his apprehensive assistant. The episode flies all over the place, but you never feel like you need to catch up. It ends on a cliffhanger which has me very excited for the next instalment, and one which solidifies why Sherlock is easily the best TV series the BBC has ever offered.
Sheer Perfection
BrentAMG23 January 2014
Warning: Spoilers
Alright, my fellow Americans, Sherlock premiered in the good ole U S of A last night. As with previous Sherlock seasons, the show will broadcast on PBS' Masterpiece on Sunday nights. For those who have been patiently waiting, I hope you found yourselves satiated. And for those who have yet to join the Sherlockian bandwagon, what the heck are you waiting for? I, Saying Something's Brent Glass, will be covering each episode following the American air date. Hope you will join me.
The episode that fans have been anticipating for two years, "The Empty Hearse," was sheer perfection. Sherlock's first and second seasons ended with mammoth cliffhangers. At the end of the first, viewers were left wondering how Sher and John would escape the clutches of Moriarty, while the second season ended with the staged suicide, leaving fans confounded with the question: How did he survive?
Bloggers blog, and in the years between "The Final Problem" (S2E3) and "The Empty Hearse" (S3E1) there were myriads of theories – some bad and some good – about the methods Sherlock employed to ensure his clean, deathless suicide. While a few theories were partly true, none completely captured the acumen. Good news: I will not reveal the actual way he did it.
The third season begins with an over-the-top action scene explaining Holmes' survival. Returning to the moment just before Sherlock jumped from St. Barts, the viewers watch a complex system of people Sherlock put in place work to make the death happen. Two shady men abscond with Moriarty's limp body, transporting him to a lower level of the hospital. Sherlock makes the jump, John is knocked to the ground by an intentional biker and, whilst John lay unconscious, Holmes smashes through a hospital window – thanks to the building-colored bungee cord – where Molly Hooper is waiting. He flips his hair and kisses her. (What!?) Meanwhile, Moriarty's body was fitted with a lifelike Sherlock mask. His body was placed on the cement. When John returns to consciousness and runs to check Sherlock's pulse, it is Moriarty's contorted body. Unlike any other moment in the Sherlock series, fans had to feel just a bit off. Those fans were right. Come to find out, Sherlock's fan club (in the show) have turned into a cultish band of misfits, led by Holmes' former nuisance, Anderson. Remember him? Anderson, don't talk out loud. You lower the IQ of the whole street. Yeah, he now loves Sherlock and believes in him. That crazy sequence at the beginning? That didn't really happen. That's Anderson's latest conspiracy theory. Oh Steven Moffat and Mark Gatiss (Sherlock creators). How clever of you.
The rest of the episode fixated on the reuniting of doctor and sleuth. In (what I'm convinced is) one of TV's greatest comical scenes, Sherlock reveals himself to John – just as he is about to propose to his girlfriend, Mary. Antithesis of apropos. Unsurprisingly, John is upset. Don't worry, they get engaged by the end of the episode I won't detail the rest of the opener. I want to spend the rest of this piece applauding the writers.
While I have had no reason to doubt Gatiss and Moffat, one just never knows. They could have tried to ride solely on the successful dynamics of the first two seasons, but they didn't. They changed it up. Now, John's love interest (both in Sherlock and real life) is a factor. John won't live with Sherlock anymore which means they can't be mistaken for gay lovers anymore. Where is the fun in that? Also, Sherlock will have to share his precious John. He won't have him available at his every beck and call. How will he ever function? Now that he's done tearing apart Moriarty's global network (yes, that's what Sher's been doing for the past two years).
All joking aside, this episode was great, and, next episode we have a wedding to look forward to!
The episode that fans have been anticipating for two years, "The Empty Hearse," was sheer perfection. Sherlock's first and second seasons ended with mammoth cliffhangers. At the end of the first, viewers were left wondering how Sher and John would escape the clutches of Moriarty, while the second season ended with the staged suicide, leaving fans confounded with the question: How did he survive?
Bloggers blog, and in the years between "The Final Problem" (S2E3) and "The Empty Hearse" (S3E1) there were myriads of theories – some bad and some good – about the methods Sherlock employed to ensure his clean, deathless suicide. While a few theories were partly true, none completely captured the acumen. Good news: I will not reveal the actual way he did it.
The third season begins with an over-the-top action scene explaining Holmes' survival. Returning to the moment just before Sherlock jumped from St. Barts, the viewers watch a complex system of people Sherlock put in place work to make the death happen. Two shady men abscond with Moriarty's limp body, transporting him to a lower level of the hospital. Sherlock makes the jump, John is knocked to the ground by an intentional biker and, whilst John lay unconscious, Holmes smashes through a hospital window – thanks to the building-colored bungee cord – where Molly Hooper is waiting. He flips his hair and kisses her. (What!?) Meanwhile, Moriarty's body was fitted with a lifelike Sherlock mask. His body was placed on the cement. When John returns to consciousness and runs to check Sherlock's pulse, it is Moriarty's contorted body. Unlike any other moment in the Sherlock series, fans had to feel just a bit off. Those fans were right. Come to find out, Sherlock's fan club (in the show) have turned into a cultish band of misfits, led by Holmes' former nuisance, Anderson. Remember him? Anderson, don't talk out loud. You lower the IQ of the whole street. Yeah, he now loves Sherlock and believes in him. That crazy sequence at the beginning? That didn't really happen. That's Anderson's latest conspiracy theory. Oh Steven Moffat and Mark Gatiss (Sherlock creators). How clever of you.
The rest of the episode fixated on the reuniting of doctor and sleuth. In (what I'm convinced is) one of TV's greatest comical scenes, Sherlock reveals himself to John – just as he is about to propose to his girlfriend, Mary. Antithesis of apropos. Unsurprisingly, John is upset. Don't worry, they get engaged by the end of the episode I won't detail the rest of the opener. I want to spend the rest of this piece applauding the writers.
While I have had no reason to doubt Gatiss and Moffat, one just never knows. They could have tried to ride solely on the successful dynamics of the first two seasons, but they didn't. They changed it up. Now, John's love interest (both in Sherlock and real life) is a factor. John won't live with Sherlock anymore which means they can't be mistaken for gay lovers anymore. Where is the fun in that? Also, Sherlock will have to share his precious John. He won't have him available at his every beck and call. How will he ever function? Now that he's done tearing apart Moriarty's global network (yes, that's what Sher's been doing for the past two years).
All joking aside, this episode was great, and, next episode we have a wedding to look forward to!
So That's How He Did It
josephjacob211 January 2014
Warning: Spoilers
It has been two years since we saw sherlock jumping of the roof at St Bart's and I can tell you this episode was really well put together John has moved on with his life and trying to marry his girlfriend Mary. Sherlock has been halfway across the world doing things like taking town Moriarty's network and after he takes it down there is only one place to go 221 B Baker's Street and stop a terrorist attack on London so he goes back to John a bit to happy John and at first John is Like WTF your dead I saw you jump of the roof a couple of punches to the face and a head but and he can forgive him for what he has done so these people come up to john stick a needle in his neck and it is up to sherlock to find him. There is a great part of this episode that sherlock drives a motorbike on the streets of London it was really well done and after he finds John and save his grime a certain blaze sherlock is looking for the terrorist that's going to bomb London so John forgives him and there soon find what they are looking for the bomb was under the Big Ben in abandoned train sherlock can't disarm the bomb and the moment every body was wait for how he survived the fall so it went like this it was all set up the street was closed of all the people around Sherlock's body were in on it he told john to stay where he was and jumped there was a big blue airbag waiting for him at the bottom so John ran over and saw a body the body he saw was not Sherlock's it was a look alike dressed up as he John got closer he got hit by a guy on a bike and was all over the place so they removed the look a likes body and sherlock got in to position the people put blood beside and on his head and got rid of the big blue airbag and also sherlock place a ball under his arm this allowed him to stop his pulse to look like he was dead and that's how he did it. Back to the train sherlock stopped the bomb there was an off switch and they stopped the bad guy an had a victory party and it ended with a look a the new baddie of this series there's not much to tell only he wears glasses. Through the episode there are many theories to how sherlock did survive the fall one of them has Derren Brown in it another one has a theory that sherlock was gay but it was a great episode it also had Benedict Cumberbatch parents in it playing Sherlock's mother and father. I only can't wait for the next episode this is one hell of a show good afternoon.
an explosive opening episode in what is promising to be the most action-packed season of Sherlock yet!
dhruvbehl2413 December 2014
Warning: Spoilers
It ended with a bang. Or, rather, a quick drop and a sudden stop - one that sent fans and critics alike reeling and demanding more, more, more. And this past New Years Day 2014, the two- year-long wait finally ended for millions worldwide as the infamous Consulting Detective returned to London with a theatrical flair that can only be described as, well
Sherlockian.
In many regards, the latest and newest installment of BBC's smash hit, Sherlock (2010 - present) did not disappoint fans worldwide - and why would it? Finally, Sherlock Holmes (Benedict Cumberbatch) and Dr. John Watson (Martin Freeman) are back to embark upon more exciting and thrilling adventures! This is the moment that we've all been waiting for! Yet, this first episode - while exciting - did have a few shortcomings that made it less than what some fans might expect.
When a TV show opens its door to the fandom world - i.e. Tumblr - and brings it into the fold of its own plot, it often risks laughing at itself, becoming a pantomime of the speculations, theories and obsession that have propelled it forward - in short, it risks lessening itself by approaching and enveloping the - sometimes, frankly alarming - fan world. Yet, somehow, Sherlock avoided this entirely, carefully balancing itself on the knife's edge of playful, poking jokes which Sherlockians will probably die over, and that the average viewer can appreciate in the grander scheme of the episode's overall and surprisingly cheeky nature. The fact remains that no one listens to their fans better than Mark Gatiss and Steven Moffat, and, while some fans might find offense in their references to the, again, frankly alarming Sherlock fan-base, being toyed with was actually quite enjoyable.
The laughs weren't too far behind in regards to this episode, either. Again, "cheeky" is the word for this script - as perhaps are the words, "confident," "smart" and "clever," as Gatiss once again shows off his prowess as not only a co-creator of the show, but a writer as well.
One thing that no one had to worry about for this new series is the superb acting. Benedict Cumberbatch is simply flawless as Sherlock Holmes, supporting an argument that he is, in fact, the best actor to have ever portrayed the sociopathic, genius sleuth. Martin Freeman once again shone as a modern John Watson, showing a wide array of emotions simultaneously. And fans who were worried about the introduction of John's romantic interest, Mary Morstan (played by Amanda Abbington, Martin Freeman's real-life partner) have little to fear. Mary is as charming, brazen and clever as we could have possibly ever hoped for. Though only shown sparingly in this episode, she's sure to become a fantastic character in the near future, one that will not only add to the plot, but help shape a wonderful, new dynamic for this new series.
The plot itself was, overall, very intriguing. From the get go, the audience is immediately thrown back into the excitement and adventure that makes Sherlock exactly that - an adventure unlike anything television has seen before. This new series is sure to be a unique experience.
However, somehow, the plot was very convoluted and sometimes choppy and jaggedly presented for those that couldn't catch every single word of dialog being presented. However, after my second viewing of the show (after my disastrous first attempt at a live stream), I could completely comprehend the plot of "The Empty Hearse" and its implications towards the later episodes. It's truly a masterpiece - yet one that was initially confusing. Yet, despite its many pros, there is one crucial con to "The Empty Hearse" that made it less than what many fans have been expecting - the relationship between John and Sherlock.
Again, it's been two years since Sherlock's faked suicide, and it's been only days since he's been vindicated of all of the charges that had been brought against him, thanks to one "Richard Brook." Somehow, the thrill of the new plot took away from that developing reconnection, and their struggle to reconcile after many years of hurt and loneliness. Again, we understand - Sherlock is an adventure, a wild ride through the twisting alleys of London, filled with danger, excitement and deductions galore. And, again, "The Empty Hearse" did not disappoint in this regard. Yet, the one thing that this episode should have been about - John's forgiving Sherlock, their friendship - was not touched upon enough. After a third viewing (yes, a third), I could see the small hints towards the larger picture, but they were vague and barely noticeable for those who weren't looking. If not for the fantastic performances by Cumberbatch and Freeman, Sherlock and John's character arcs would have been completely lost in the grandeur, the danger and the thrill.
In many regards, the latest and newest installment of BBC's smash hit, Sherlock (2010 - present) did not disappoint fans worldwide - and why would it? Finally, Sherlock Holmes (Benedict Cumberbatch) and Dr. John Watson (Martin Freeman) are back to embark upon more exciting and thrilling adventures! This is the moment that we've all been waiting for! Yet, this first episode - while exciting - did have a few shortcomings that made it less than what some fans might expect.
When a TV show opens its door to the fandom world - i.e. Tumblr - and brings it into the fold of its own plot, it often risks laughing at itself, becoming a pantomime of the speculations, theories and obsession that have propelled it forward - in short, it risks lessening itself by approaching and enveloping the - sometimes, frankly alarming - fan world. Yet, somehow, Sherlock avoided this entirely, carefully balancing itself on the knife's edge of playful, poking jokes which Sherlockians will probably die over, and that the average viewer can appreciate in the grander scheme of the episode's overall and surprisingly cheeky nature. The fact remains that no one listens to their fans better than Mark Gatiss and Steven Moffat, and, while some fans might find offense in their references to the, again, frankly alarming Sherlock fan-base, being toyed with was actually quite enjoyable.
The laughs weren't too far behind in regards to this episode, either. Again, "cheeky" is the word for this script - as perhaps are the words, "confident," "smart" and "clever," as Gatiss once again shows off his prowess as not only a co-creator of the show, but a writer as well.
One thing that no one had to worry about for this new series is the superb acting. Benedict Cumberbatch is simply flawless as Sherlock Holmes, supporting an argument that he is, in fact, the best actor to have ever portrayed the sociopathic, genius sleuth. Martin Freeman once again shone as a modern John Watson, showing a wide array of emotions simultaneously. And fans who were worried about the introduction of John's romantic interest, Mary Morstan (played by Amanda Abbington, Martin Freeman's real-life partner) have little to fear. Mary is as charming, brazen and clever as we could have possibly ever hoped for. Though only shown sparingly in this episode, she's sure to become a fantastic character in the near future, one that will not only add to the plot, but help shape a wonderful, new dynamic for this new series.
The plot itself was, overall, very intriguing. From the get go, the audience is immediately thrown back into the excitement and adventure that makes Sherlock exactly that - an adventure unlike anything television has seen before. This new series is sure to be a unique experience.
However, somehow, the plot was very convoluted and sometimes choppy and jaggedly presented for those that couldn't catch every single word of dialog being presented. However, after my second viewing of the show (after my disastrous first attempt at a live stream), I could completely comprehend the plot of "The Empty Hearse" and its implications towards the later episodes. It's truly a masterpiece - yet one that was initially confusing. Yet, despite its many pros, there is one crucial con to "The Empty Hearse" that made it less than what many fans have been expecting - the relationship between John and Sherlock.
Again, it's been two years since Sherlock's faked suicide, and it's been only days since he's been vindicated of all of the charges that had been brought against him, thanks to one "Richard Brook." Somehow, the thrill of the new plot took away from that developing reconnection, and their struggle to reconcile after many years of hurt and loneliness. Again, we understand - Sherlock is an adventure, a wild ride through the twisting alleys of London, filled with danger, excitement and deductions galore. And, again, "The Empty Hearse" did not disappoint in this regard. Yet, the one thing that this episode should have been about - John's forgiving Sherlock, their friendship - was not touched upon enough. After a third viewing (yes, a third), I could see the small hints towards the larger picture, but they were vague and barely noticeable for those who weren't looking. If not for the fantastic performances by Cumberbatch and Freeman, Sherlock and John's character arcs would have been completely lost in the grandeur, the danger and the thrill.
An amazing episode as ever- with slight issues of script
vksherlockholmes4 January 2014
I didn't have any preconceived notions about this episode as being "Fantastic" like Watson would say but I must admit, this one takes a completely different turn from the other episodes as they focused on Sherlock's intellect and non-human nature, this one shows the sarcastic, funny and witty side of him and how people(Watson, Hudson and Lestrade in particular) react on his return after two years. The script was great with certain issues of clarity, like you can't say which theory of Sherlock's-fake-death is true and why did he do it, missing out the premise of it's predecessor. Maybe Mark and Steven allowed us to decide which is the best scenario. Also, mind you, do not expect this to be as brain-crunching(a bit less) as this is devoted to Sherlock making his re-entry. And the acting is magnificent with Watson giving his best as the emotional war-vet, friends with the cold-hearted world's greatest detective. The cinematography is outstanding as it pays homage to Edgar Rice's fast paced cuts perfect for scenes of "uproarious comedy". Overall this one does not disappoint you at all if you are okay with it's lighthearted tone. Personally, I think it's the second best episode of Sherlock.(Reichenbach fall being the first)
Breathtaking absolutely worth waiting for 2 yrs
amitelectronics-acme3 January 2014
Benedict brings back his charismatic timing in this new season as well and Martin's acting was also amazing. The meeting of both was amazingly crafted and well acted (jst see the expressions of Watson). Looking up to the fake death sequence was mind boggling.The different scenarios made by people of Sherlock's death was good fun. The background music as always rocks and definitely suits this episode. The analysis of Sherlock is back and his guessings are just so awesome that it blows everyone's mind . Direction was perfect and eagerly excited to see the new villain , well the previous one did a decent job.Well made and exciting new season is coming up with more fun and thrill.... Stay tuned ...
Not the start i was hopping for
Mimi_12320 April 2020
This has been one of the best series i watched in the past five years, so i was looking forward to this episode. The author is brilliant, so are the actors, but please stop using Serbs as evil guys, it's getting boring and a stupid stereotype. Don't put things that you know nothing about, it's shamful for people that do have some knowledge. However, great show, i'd recommend it to anyone.
Back from the dead
grantss30 July 2016
Two years after he "died", Sherlock Holmes is very much alive and has just completed the dismantlement of Moriarty's crime network. Mycroft tells him he needs to come back to London - a terrorist threat is imminent. Sherlock goes back, and gets reunited with many old friends, many of whom thought he was dead. Watson does not take the reunion well though...
A good follow-up to the season ending episode, The Reichenbach Fall. From the final image of that episode we knew Sherlock was still alive, now we see how it was done. Moreover, we see the effect of his resurrection, particularly on Watson.
A good human drama element, good closure to Sherlock's "death", plus we have the action-mystery-drama element of the impending terrorist attack, which makes for some tense viewing.
A good follow-up to the season ending episode, The Reichenbach Fall. From the final image of that episode we knew Sherlock was still alive, now we see how it was done. Moreover, we see the effect of his resurrection, particularly on Watson.
A good human drama element, good closure to Sherlock's "death", plus we have the action-mystery-drama element of the impending terrorist attack, which makes for some tense viewing.
Disappointing.
tjmonteith5 January 2014
Warning: Spoilers
I waited two years for a new episode of Sherlock. What I got... wasn't exactly what I expected or hoped for.
The entire episode felt cartoon-y. There was a distinct lack of realism to it, like everything that was happening was just a dream of sorts. And by the end of the episode, I'm just sitting back feeling distinctly disappointed. It lacked what the previous episodes clearly had, which is depth. There were twinges and hints of depth all throughout but overall... it was a bit like watching caricatures of John Watson and Sherlock Holmes.
Let's start with the beginning. We left off with a very somber episode, John talking to Sherlock at his grave. We come back and the first thing that they assault us with is a completely implausible theory as to how Sherlock did it as told by a very scruffy looking Anderson. This wouldn't be so bad if Anderson didn't continually make reappearances through out the episode. Which is confusing to me; is he important in the grand scheme of things? Does he provide some sort of importance at the conclusion of this season? What is he *there* for?
And from there, it seems to be a series of jokes upon jokes with a few meaningful moments in between. The scene at the restaurant where Sherlock finally reveals himself is heart breaking and really takes your breath away. But then its awkwardly broken by a joke and a followed by corny, cartoon-y actions. Then there is the heart breaking moment at the end where they're on the train that's about to blow up. It was so deep and sad and riveting but then... out of the blue, they awkwardly have Anderson and Sherlock on screen again. And Sherlock is explaining how he did it to ANDERSON of all people.
And it isn't just the awkward timing of this scene that makes it god awful. Its the fact that it just... doesn't make any sense and serves no purpose what-so-ever. Sherlock explains how he does it. How he does it is so disappointing however. And then this is brought up by Anderson who proceeds to poke holes in it and go crazy when Sherlock has left behind his back. And then you, as a viewer, is left wondering, Did Anderson imagine that? Is he going crazy? And this is only further assisted by the burning question, that Anderson himself even asked: WHY would Sherlock tell Anderson before he told anyone else? This makes absolutely no sense.
And then suddenly we're back to John and Sherlock and the resolution of the bomb and, consequently, Moran's storyline is extremely unsatisfactory. An off switch? Really? That's your answer? And Moran is so easily apprehended? And how does this episode even vaguely relate to the Empty House?
The primary problem with this episode is that there isn't. a single. resolution. You aren't told how Sherlock did it, there isn't a proper climax to the show, and Moran is easily subdued. Furthermore, its messy and prone to diverging everywhere. It isn't as neat and clean as previous episodes.
Furthermore, there seem to be many story lines started and then never finished. What was the scene between Mycroft and Sherlock *for?* Why did Sherlock feel the need to discuss Mycroft's social life? Is it leading to something? Hinting at something? What? What the hell was it for?
As for Mary, well... she is likable but easily forgettable. Its suspicious how fast she figured out the skip code, as well. Overall, the episode was not what expected for the start of the long awaited Season 3. There were plenty of things that could have been done better and overall, the episode felt sloppy and rushed.
The entire episode felt cartoon-y. There was a distinct lack of realism to it, like everything that was happening was just a dream of sorts. And by the end of the episode, I'm just sitting back feeling distinctly disappointed. It lacked what the previous episodes clearly had, which is depth. There were twinges and hints of depth all throughout but overall... it was a bit like watching caricatures of John Watson and Sherlock Holmes.
Let's start with the beginning. We left off with a very somber episode, John talking to Sherlock at his grave. We come back and the first thing that they assault us with is a completely implausible theory as to how Sherlock did it as told by a very scruffy looking Anderson. This wouldn't be so bad if Anderson didn't continually make reappearances through out the episode. Which is confusing to me; is he important in the grand scheme of things? Does he provide some sort of importance at the conclusion of this season? What is he *there* for?
And from there, it seems to be a series of jokes upon jokes with a few meaningful moments in between. The scene at the restaurant where Sherlock finally reveals himself is heart breaking and really takes your breath away. But then its awkwardly broken by a joke and a followed by corny, cartoon-y actions. Then there is the heart breaking moment at the end where they're on the train that's about to blow up. It was so deep and sad and riveting but then... out of the blue, they awkwardly have Anderson and Sherlock on screen again. And Sherlock is explaining how he did it to ANDERSON of all people.
And it isn't just the awkward timing of this scene that makes it god awful. Its the fact that it just... doesn't make any sense and serves no purpose what-so-ever. Sherlock explains how he does it. How he does it is so disappointing however. And then this is brought up by Anderson who proceeds to poke holes in it and go crazy when Sherlock has left behind his back. And then you, as a viewer, is left wondering, Did Anderson imagine that? Is he going crazy? And this is only further assisted by the burning question, that Anderson himself even asked: WHY would Sherlock tell Anderson before he told anyone else? This makes absolutely no sense.
And then suddenly we're back to John and Sherlock and the resolution of the bomb and, consequently, Moran's storyline is extremely unsatisfactory. An off switch? Really? That's your answer? And Moran is so easily apprehended? And how does this episode even vaguely relate to the Empty House?
The primary problem with this episode is that there isn't. a single. resolution. You aren't told how Sherlock did it, there isn't a proper climax to the show, and Moran is easily subdued. Furthermore, its messy and prone to diverging everywhere. It isn't as neat and clean as previous episodes.
Furthermore, there seem to be many story lines started and then never finished. What was the scene between Mycroft and Sherlock *for?* Why did Sherlock feel the need to discuss Mycroft's social life? Is it leading to something? Hinting at something? What? What the hell was it for?
As for Mary, well... she is likable but easily forgettable. Its suspicious how fast she figured out the skip code, as well. Overall, the episode was not what expected for the start of the long awaited Season 3. There were plenty of things that could have been done better and overall, the episode felt sloppy and rushed.
Way too much style; way too little substance.
flatwatr27 January 2014
I have re-watched Seasons 1 and 2 numerous times. I enjoy them each time. This episode however is wasteful of what has been built to date. I understand they are introducing a new villain, but less than 1/5 of the plot is about that. This episode is about the cult of personality, really, and if this is the new direction, I will be very, very sad because I have no interest in that; I can watch numerous other ...stuff to see celebrities enamored with themselves. The reason Spock/Sherlock Holmes (and yes, maybe even House) has been so successful is that even if/when elements of humanity emerged, it really was in service of something. Understand Spock not Holmes, but the reason people watch these guys is because they represent clarity in the face of adversity; a path to justice and ultimately a path to humanity based on service and loyalty aided by the gift of their respective "eccentricities". They are archetypes because they rise above. This Holmes is NOT Conan Doyle's Holmes. A sadistic Holmes torturing Watson about a bomb - gleefully - does not track, not even for this updated Holmes. It is spiteful, not fun or based on fundamental respect. It is not in service of the plot as are his usual misdirections, disguises, etc. The storyline with Anderson - Huh? I understand about saving face and religious conversions but this smacks of wanting to elevate the character that writers have already gone to lengths to discredit and viewers have come to disrespect. All I see in this episode is the writer and director; the manipulation too egregious for me.
Anyway, friends to whom I had recommended this series watched, then called perplexed when they viewed this episode. I had to back peddle and point them to starting at the beginning. The shortcomings of this episode are the writer's and director's. I have bought the season on iTunes and am downloading The Sign of Three now. Will see how this one goes but I truly hope The Empty Hearse is an aberration in this excellent - as in driven by excellence - series. I have nothing but respect for the creators' and participants' storytelling skills and will hang with them as long as I can, but to me this presentation has represented a cut below what has gone before. Please do not let Holmes sink into just another personality. He has survived for a long time because he is so clearly drawn, so ...elemental.
Anyway, friends to whom I had recommended this series watched, then called perplexed when they viewed this episode. I had to back peddle and point them to starting at the beginning. The shortcomings of this episode are the writer's and director's. I have bought the season on iTunes and am downloading The Sign of Three now. Will see how this one goes but I truly hope The Empty Hearse is an aberration in this excellent - as in driven by excellence - series. I have nothing but respect for the creators' and participants' storytelling skills and will hang with them as long as I can, but to me this presentation has represented a cut below what has gone before. Please do not let Holmes sink into just another personality. He has survived for a long time because he is so clearly drawn, so ...elemental.
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