Directed by
| Malcolm Goodwin | ||
Writing Credits (in alphabetical order)
| Victor Hawks | ||
Cast (in credits order)
Produced by
| Angie Canuel | ... | producer |
| Julie Desjardins | ... | executive producer |
| Steve DesJardins | ... | executive producer |
| Mike Evariste | ... | associate producer |
| Juana Gauthier | ... | associate producer |
| Malcolm Goodwin | ... | producer |
| Denny Hawks | ... | executive producer |
| Victor Hawks | ... | producer |
| Nikki Love | ... | line producer / producer |
| Craig Mahlstedt | ... | executive producer |
| Gina Santori | ... | executive producer |
| Rosanne Tan | ... | associate producer |
Music by
| Pancho Burgos-Goizueta | ||
Cinematography by
| Travis Hoffman | ||
Editing by
| Rosanne Tan | ||
Casting By
| Danielle Aufiero | ||
| Amber Horn | ||
Production Design by
| Jennifer Williams | ||
Art Direction by
| Nathalie Ruiz | ||
Costume Design by
| Juliette Lunger | ||
Makeup Department
| Rebekah Aladdin | ... | assistant hair stylist |
| Starlynn Burden | ... | key makeup artist |
| Danielle Casino | ... | assistant makeup artist |
| Sarah Yewchuk | ... | makeup artist |
Production Management
| Vanessa Goodwin | ... | unit production manager |
Second Unit Director or Assistant Director
| Margot Boecker | ... | third assistant director |
| Ricardo Herrera | ... | first assistant director / second unit director |
| Beau Johnson | ... | second assistant director |
| Keith Loneker | ... | football stunt director |
| Tyler McGee | ... | first assistant director: second unit |
Art Department
| Carly Lujan | ... | property master |
| Marilyn Smith-Williams | ... | set dresser |
| David Valdez | ... | art production assistant |
| Rainer Weinbrenner | ... | on set dresser |
| Amber Dee Williams | ... | 2nd unit art director / assistant art director / assistant property master |
Sound Department
| Armando Macias | ... | sound mixer |
| Ashley Maria | ... | boom operator |
| Greg Mauer | ... | foley mixer |
| William Tabanou | ... | sound designer and re-recording mixer |
Visual Effects by
| Clint Nitkiewicz Hernandez | ... | digital compositor / visual effects supervisor |
| Domingos Silva | ... | massive crowd technical director |
| Rosanne Tan | ... | visual effects |
Camera and Electrical Department
| Charles Bae | ... | first assistant camera: "a" camera |
| Joe Bou | ... | additional second assistant camera: "b" camera |
| Matt Grace | ... | best boy electric (as Matthew Grace) |
| John Hafner | ... | gaffer |
| Boyd Hobbs | ... | camera operator: "b" camera / director of photography: second unit / steadicam operator |
| Jake Humbert | ... | first assistant camera: "b" camera |
| Wojciech Kielar | ... | second assistant camera: "a" camera |
| Michael David Lynch | ... | camera operator: "c" camera |
| Naoe | ... | still photographer |
| Nickolas Redfud | ... | grip |
| Julio Salcedo | ... | second assistant camera |
| Edward Sarkisov | ... | best boy (as Eddie Sarkisov) |
Costume and Wardrobe Department
| Barbara Little | ... | wardrobe assistant |
| Juliette Lunger | ... | costume design |
| Lisa Tatum | ... | costume supervisor |
Editorial Department
| Gennady Fridman | ... | assistant editor |
| Rebekah Fridman | ... | first assistant editor (as Rebekah Parmer) |
Location Management
| Jason DeHanley | ... | locations manager |
Music Department
| Pancho Burgos-Goizueta | ... | score mixer |
| Vicki Palatas | ... | composer: additional music: song |
| Tom Villano | ... | music supervisor |
| Andrew J. Wentzel | ... | score preparation / additional orchestration (uncredited) |
Script and Continuity Department
| Melinda Labita | ... | script supervisor |
Additional Crew
| Greg Brown | ... | talent wrangler |
| Emilie Erskine | ... | publicist (as Emilie Chan-Erskine) |
| Nate Kincy | ... | production assistant |
| Keith Loneker | ... | football technical advisor |
| Chad Mathis | ... | legal services |
| Chris Medlin | ... | choreographer |
| Michael J. Wickham | ... | production assistant |
