Kasinadhuni Viswanath, an Indian filmmaker known for highlighting social issues, died Feb. 2 in Hyderabad of age-related illnesses. He was 92.
After serving as an assistant director for several years, Viswanath debuted as a director in 1965 with “Pathala Bhairavi.” A glittering career in the Telugu-language film industry followed with highlights including “Kalam Marindi” (1972), “Sarada” (1973), “O Seeta Katha” (1974), “Jeevana Jyoti” (1975), “Siri Siri Muvva” (1976), “Sankarabharanam” (1980), “Saptapadi” (1981), “Sagara Sangamam” (1983), “Swathi Muthyam” (1986), “Sirivennela” (1986), “Swayam Krushi” (1987) and “Aapadbandhavudu” (1992).
Viswanath also enjoyed a career in the Hindi-language film industry with several hit films including “Sargam” (1979), “Kaamchor” (1982), “Shubh Kaamna” (1983), “Jaag Utha Insan” (1984), “Sur Sangam” (1985), “Sanjog” (1985), “Eeshwar” (1989), “Sangeet” (1992) and “Dhanwan” (1993).
During the course of his filmmaking career the themes Viswanath tackled included the Indian caste system, disability, gender discrimination, misogyny, alcoholism and the challenges faced by Indian classical performing art forms.
K. Viswanath, Adurthi Subba Rao
His last film as director was “Subhapradam” (2010). He directed more than 50 films. He won...
After serving as an assistant director for several years, Viswanath debuted as a director in 1965 with “Pathala Bhairavi.” A glittering career in the Telugu-language film industry followed with highlights including “Kalam Marindi” (1972), “Sarada” (1973), “O Seeta Katha” (1974), “Jeevana Jyoti” (1975), “Siri Siri Muvva” (1976), “Sankarabharanam” (1980), “Saptapadi” (1981), “Sagara Sangamam” (1983), “Swathi Muthyam” (1986), “Sirivennela” (1986), “Swayam Krushi” (1987) and “Aapadbandhavudu” (1992).
Viswanath also enjoyed a career in the Hindi-language film industry with several hit films including “Sargam” (1979), “Kaamchor” (1982), “Shubh Kaamna” (1983), “Jaag Utha Insan” (1984), “Sur Sangam” (1985), “Sanjog” (1985), “Eeshwar” (1989), “Sangeet” (1992) and “Dhanwan” (1993).
During the course of his filmmaking career the themes Viswanath tackled included the Indian caste system, disability, gender discrimination, misogyny, alcoholism and the challenges faced by Indian classical performing art forms.
K. Viswanath, Adurthi Subba Rao
His last film as director was “Subhapradam” (2010). He directed more than 50 films. He won...
- 2/3/2023
- by Naman Ramachandran
- Variety Film + TV
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