In an amateur manner, a movie was created for public viewing, the hardest part was to find the mental line for the achievement of what we expect from a movie. The dispersion and decentralization of the audience needed for what we describe the director's goal and the mission of the film seems to be the last priority. Perhaps the film did not plan at all for this.
The presence of important actors in the film, each cinema encourages friendship to see the film, but the key question is: Is it enough?
It is difficult to give a moderate score, but if we want to fairly depart from any line and the academic definition and relevance of the film, we can only have two peaks. One with the presence of Navid Mohammadzadeh in the role of police appearance and the other in the suicide of Levan in the pool showing all three mental illusions of a permanent man. The film also has irregularities in terms of imaging and editing, which can hardly be conceived for this form of structure or attribute it to a specific meaning.
But you must see every movie, even moderate or bad, that ultimately leads to the definitions and characteristics of these outputs.
With a general conclusion, it's only possible to imagine a postmodern structure for the film, so far as it is not being seen, it is a definite result, both in terms of paying and giving a question or, consequently, a satisfactory answer.