Directed by
| Hala Matar | ||
Writing Credits (in alphabetical order)
| Hala Matar | ... | (writer) |
Cast (in credits order)
| Chloë Sevigny | ... | Chloe | |
| Nash Edgerton | ... | Mark | |
| Harry Treadaway | ... | James | |
| Buck Henry | ... | Sheriff | |
Produced by
| Danny Gabai | ... | executive producer |
| Hala Matar | ... | producer |
| Eddy Moretti | ... | executive producer |
| J.B. Popplewell | ... | producer |
| Shane Smith | ... | executive producer |
| Jenny Suen | ... | producer |
| Han West | ... | producer |
Cinematography by
| Eduard Grau | ||
Editing by
| Hugo Peres | ||
Production Design by
| Gideon Ponte | ||
Second Unit Director or Assistant Director
| John David Denison | ... | second assistant director |
| Matt Henderson | ... | first assistant director |
Art Department
| Coryander Friend | ... | assistant art director |
Visual Effects by
| Aaron Kaminar | ... | visual effects artist: Image Flux |
| Joseph Silva | ... | visual effects supervisor: Image Flux |
Camera and Electrical Department
| Jake Bianco | ... | second assistant camera |
| Flavio Buenrostro | ... | dolly grip |
| Robbie Cline | ... | electrician |
| Dan Cooper | ... | first assistant camera |
| Will Elder | ... | best boy electric |
| Jere Free | ... | grip |
| Chuckie Lewis | ... | gaffer |
| David Miller | ... | electrician |
| Ronnie Nelson | ... | electrician |
| Tyler Owens | ... | digital imaging technician |
| David Tayar | ... | best boy grip |
| Matthew B. Verschelde | ... | key grip |
Editorial Department
| Mike Daniels | ... | post-production supervisor |
Additional Crew
| David McNayr | ... | production coordinator |
| Binh C. Than | ... | production assistant |
