44
Metascore
12 reviews · Provided by Metacritic.com
- 60Time Out LondonTime Out LondonThe strands don’t so much intersect as float into each other’s peripheries to basically inconsequential effect, despite attempts to tie them together.
- It’s not Altman, but its heart is in the right place and Drameh impresses.
- 50The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenThough there’s clearly a compassionate impulse behind Leon F. Butler’s class-conscious screenplay, it rapidly devolves into implausible melodrama.
- 40The GuardianPeter BradshawThe GuardianPeter BradshawThe complete jigsaw doesn’t fit together, hampered by plot implausibilities and unrealities.
- 40The TelegraphRobbie CollinThe TelegraphRobbie CollinIntertwining, Altman-esque social tapestries are all well and good, but the connections between characters should ideally run a little deeper than having them occasionally stroll past each other in the street.
- 40Los Angeles TimesGary GoldsteinLos Angeles TimesGary GoldsteinIt’s six or so characters in search of a meaningful movie.
- 25Slant MagazineSlant MagazineThroughout the film's three interconnected stories, Jim O'Hanlon favors the blunt, maudlin manipulations of Crash.