Alma Matters: Dulude-De Celles Yields Heartrending Results with Docu Debut
Following last year’s Sundance award-winning selected fictional short La Coupe, Geneviève Dulude-De Celles makes her feature debut splash in the non-fiction form with a film that draws on the stylistic virtues of Errol Morris, the woozy observational lyricism found in Rich Hill and the intimacy and eclecticism on display in Tinatin Gurchiani’s The Machine Which Makes Everything Disappear. And despite all the subconscious cinema quoting, the Quebec helmer’s portrait of Sorel-Tracy’s middle class high school encapsulated within Welcome to F.L. is of its own unique fibre full of color, meaning, beauty and emotion.
Ten years after graduating, Dulude-De Celles returned to her alma mater with the intention of making a film about bullying, but once she embarked on the project she realized that the topic of the teenage experience is much more rich and heartrending,...
Following last year’s Sundance award-winning selected fictional short La Coupe, Geneviève Dulude-De Celles makes her feature debut splash in the non-fiction form with a film that draws on the stylistic virtues of Errol Morris, the woozy observational lyricism found in Rich Hill and the intimacy and eclecticism on display in Tinatin Gurchiani’s The Machine Which Makes Everything Disappear. And despite all the subconscious cinema quoting, the Quebec helmer’s portrait of Sorel-Tracy’s middle class high school encapsulated within Welcome to F.L. is of its own unique fibre full of color, meaning, beauty and emotion.
Ten years after graduating, Dulude-De Celles returned to her alma mater with the intention of making a film about bullying, but once she embarked on the project she realized that the topic of the teenage experience is much more rich and heartrending,...
- 9/14/2015
- by Jordan M. Smith
- IONCINEMA.com
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