Directed by
| Scott Essman | ||
Writing Credits (in alphabetical order)
| Scott Essman | ... | (writer) |
| Ricco Ross | ... | (additional material) |
Cast
Produced by
| Scott Essman | ... | producer |
| Ricco Ross | ... | co-producer |
| Sheila Marie Shostac | ... | co-producer |
Music by
| James Linahon | ||
Cinematography by
| Bryan Greenberg | ||
Editing by
| Jacqueline Bastawroos | ||
Casting By
| Scott Essman | ... | (uncredited) |
Production Design by
| Allissa Morgan-Kelly | ||
| Amber Summers | ||
Art Direction by
| Allissa Morgan-Kelly | ||
| Amber Summers | ||
Set Decoration by
| Norma Cid Camino | ||
Makeup Department
| Sharon Epstein | ... | special makeup effects artist |
| Marlene Hoffman | ... | makeup artist |
Production Management
| Rachel Creagan | ... | unit production manager |
Second Unit Director or Assistant Director
| Jacqueline Bastawroos | ... | assistant director |
| Ryan Alexander Clague | ... | second assistant director |
Art Department
| Chuck Bocchino | ... | graphic designer |
Sound Department
| Tony Ayala | ... | boom operator / sound mixer |
| James Linahon | ... | sound editor |
Camera and Electrical Department
| Andrew Bell | ... | digital imaging technician |
| David Brown | ... | best boy grip: interior scenes |
| Cameron Cannon | ... | assistant camera |
| Sheri DiPietro | ... | still photographer |
| Desiree Duzich | ... | electrician |
| Frank Anthony Garbutt | ... | key grip |
| Bryan Greenberg | ... | camera operator |
| Leroy Medina | ... | electrician |
| Jair Millan | ... | grip |
| Chelton Perry | ... | video operator: documentary segments |
| Mark A. Shelton | ... | gaffer |
| Wil Steepleton | ... | grip |
| Jessica Wautlet | ... | second assistant camera |
| Jordan Woollen | ... | best boy electric |
Editorial Department
| Chelton Perry | ... | editor: video: documentary segment |
| Allison Winter | ... | additional post-production services: documentaries |
| Nicole Miller | ... | promo editor (uncredited) |
Music Department
| Markus Burger | ... | musician: piano |
| Ken Foerch | ... | musician: tenor saxophone |
| Marshall Hawkins | ... | musician: bass |
| Steve Johnson | ... | music consultant: temp score |
| Paul Kriebich | ... | musician: drums |
| James Linahon | ... | musician: trumpet |
| Jan Van Kleiwitz | ... | musician: alto saxophone |
| Bill Yeager | ... | musician: trombone |
Script and Continuity Department
| Michelle Briddell | ... | script supervisor (as Michelle Juhlin) |
Transportation Department
| Ian Plumlee | ... | transportation coordinator |
Additional Crew
| Sarah Deister | ... | craft service |
| Krista Franceschini | ... | unit publicist |
| Chelsea Kimberling | ... | set production assistant |
| Guadalupe Leon | ... | production staff: video documentary camera / production staff: video documentary sound |
| Nicole Miller | ... | production assistant |
| Jason Robleto | ... | production assistant |
| Erilyn Salumbides | ... | production assistant |
| Veronica Sepulveda | ... | production assistant |
| Jose Serra | ... | production assistant |
| Jonathan Switzer | ... | production staff: video documentary camera |
| Christina Tafoya | ... | production assistant |
| Jesus Vargas-Lopez | ... | production assistant |
| Tanya Velazquez | ... | publicist (as Tanya Velasquez) |
| Jetske Wauran | ... | publicist |
| Allison Winter | ... | production assistant |
Thanks
| Alan Gordon | ... | the filmmakers wish to extend their personal thanks: for their contribution to the making of this movie |
| James Linahon | ... | the producers and director wish to thank |
| Wm. Alan Pezzuto | ... | very special thanks |
