Worst special effects ever and most clichés in the book. OK so its a made for TV movie but there are some standards worth adhering to like plausibility for example yes even in a fantasy. You immediately feel sorry for Neil Martin (Joel Gretsch) that he's the father of the dumbest most self satisfied... (My University professor dad is so stupid) ...half wit in the land. A boy, Colin Martin (Reilly Dolman) with so little intuition or empathy, not to mention an annoying smirk of self satisfaction that right the first moment you are hoping he gets struck by lightening. Also this thing of the characters watching as a disaster rolls towards them when you are screaming "Run, run you dumb... 'chappie, fellows...' (you know what I mean)" is so insulting to the intelligence. Yes I can understand people freezing and dying on the spot but not almost dying because they are just too dumb to move, especially as one is a professor, "Ooh look Cleetus, duh there's a big bolder coming down from duh sky and its going to hit us if we don't duh move!" The boy rubbishes the father's every theory and suggestion. He needs a good slap!. This kid was serving coffee from a stall at the beginning of the movie with no apparent understanding of science. "Plausibility?" You'd think that the father would have had a smarter son, unless of course he was doing booze and smoking grass in his younger child creating days or at least mom was. Meanwhile they've acquired a girl called Sophie (Andrea Brooks) also a scientist... kind of, and during a chase scene, between her and the boy, they run through a gamut of hysterical physical emotions that would take most movies two hours to justify. Anyway the plot rumbles on using every cliché in the book, narrow escapes, implausibly long fights and a member of the CIA in a helicopter so small he could only just fit next to the pilot. The CIA running out of cash? Perhaps the production company was. Just what Christopher Lloyd is doing in this movie is anybody's guess, still I did enjoy his ten minutes (or thereabouts). My favourite scene in the whole thing is the very last scene, the tying up of loose ends where Joel Gretsch makes a speech to camera meanwhile behind him, his son and the girl who have shown virtually no interest in each other, suddenly make meaningful eye contact - if you know what I mean - and go into an immediate embrace behind him thrusting their tongues down each other's throats. THAT had me rolling in the aisles. Truth be told, it was a lousy script and a tight budget that did for this movie..... in my opinion.