Nele Wohlatz's The Future Perfect (2016), which is receiving an exclusive global online premiere on Mubi, is showing from September 29 - October 29, 2017 as a Special Discovery.Language determines our thinking. So what happens when, for whatever reason, we move to another country, lose the use of our mother tongue and start to live in a new language? The language books teach us phrases like, “The dog is grey. The cat is white,” or “Mary talks to her clients over the phone and sells plane tickets. She is a travel agent.” We didn’t write these phrases, nor do they necessarily help us in what we actually want to say to express ourselves. They are texts for a role still unknown and therefore uncomfortable to us. It takes weeks or month until an actor assumes ownership of a new character, and even more until an immigrant is able to assume ownership...
- 10/16/2017
- MUBI
Close-Up is a feature that spotlights films now playing on Mubi. Nele Wohlatz's The Future Perfect (2016), which is receiving an exclusive global online premiere on Mubi, is showing from September 29 - October 29, 2017 as a Special Discovery.Aquí el incierto ayer y el hoy distintoMe han deparado los comunes casosDe toda suerte humana; aquí mis pasosTejen su incalculable laberinto.— Jorge Luis Borges, "Buenos Aires", El otro, el mismo (1964)Nele Wohlatz’s The Future Perfect opens with a wide shot of the Río de La Plata. In a far away, indistinguishable point, a ship sails. Later on in the film, we see a clear blue sky with a plane crossing it, leaving its ephemeral vapoury mark. The river and the sky appear as places to which we are all foreign but through which most of us, often inevitably, transit. Xiaobin (Xiaobin Zhang) is one of them, a Chinese teenager who has...
- 10/7/2017
- MUBI
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
The Bad Batch (Ana Lily Amirpour)
Ana Lily Amirpour’s second feature shoots for Harmony Korine meets Mad Max and would have nearly almost hit the mark were it not for the gratingly aloof attitude and the swaths of directorial license being taken. The Bad Batch — an ambitious, expansive dystopian sci-fi western which features partying, drugs, and cannibals — might come as music to the ears of diehard fans of...
The Bad Batch (Ana Lily Amirpour)
Ana Lily Amirpour’s second feature shoots for Harmony Korine meets Mad Max and would have nearly almost hit the mark were it not for the gratingly aloof attitude and the swaths of directorial license being taken. The Bad Batch — an ambitious, expansive dystopian sci-fi western which features partying, drugs, and cannibals — might come as music to the ears of diehard fans of...
- 9/29/2017
- by Jordan Raup
- The Film Stage
El Futuro Perfecto (The Future Perfect) Director: Nele Wohlatz Written by: Pio Longo, Nehle Wahlatz Cast: Zhang Xiaobin, Saroj Malik, Jiang Mian, Wang Dong Xi, Nahuel Pérez Biscayart Screened at: Critics’ link, NYC, 8/27/17 Opens: September 15, 2017 If you wonder why your Korean-American dry cleaner does not always understand your requests, or even less […]
The post El Futuro Perfecto Movie Review: Not About The Politics of North Korea appeared first on Shockya.com.
The post El Futuro Perfecto Movie Review: Not About The Politics of North Korea appeared first on Shockya.com.
- 9/28/2017
- by Harvey Karten
- ShockYa
A preview of this year’s San Francisco International Film Festival.The Cinema Travellers
With nationalism on the rise there is a palpable hunger for art than connects nations and peoples. No art form bridges cultural divides like film. The programmers at the San Francisco International Film Festival (rechristened “Sffilm”) have always taken on this mission with enthusiasm and a keen eye for quality. Sffilm celebrates its 60th birthday this year and is the longest running film festival in the Americas. It is precisely this year’s slate of foreign films that poignantly illustrate the capacity of cinema to speak universally.
A perfect example is the extraordinary The Cinema Travelers — Shirley Abraham and Amit Madheshiya’s indescribable real-life ride-along with the travelling tent theaters of India, alive but struggling in the most remote of remote corners of that huge country for more than 70 years.
In focusing on two tent cinema operators and their milieu, on...
With nationalism on the rise there is a palpable hunger for art than connects nations and peoples. No art form bridges cultural divides like film. The programmers at the San Francisco International Film Festival (rechristened “Sffilm”) have always taken on this mission with enthusiasm and a keen eye for quality. Sffilm celebrates its 60th birthday this year and is the longest running film festival in the Americas. It is precisely this year’s slate of foreign films that poignantly illustrate the capacity of cinema to speak universally.
A perfect example is the extraordinary The Cinema Travelers — Shirley Abraham and Amit Madheshiya’s indescribable real-life ride-along with the travelling tent theaters of India, alive but struggling in the most remote of remote corners of that huge country for more than 70 years.
In focusing on two tent cinema operators and their milieu, on...
- 4/5/2017
- by Mark James
- FilmSchoolRejects.com
It's April already! We're too impatient to wait for the "halfway" mark for year in review listicles. So why not do it each quarter to encourage more moviegoing? Unlike many critics orgs and the Oscars, The Film Experience believes that moviegoing is a 12 month long activity and each month can hold worthy efforts. Here are 3 (or 4 if we're torn) highlights of what we've seen thus far this year per Oscar category in alpha order. How will they measure up to what's still to come? (We'll hit favorite performances on Sunday or Monday)
Key films I missed in the first quarter that I might try and catch up with later: Cure for Wellness, The Great Wall, Staying Vertical, T2 Trainspotting, United Kingdom, and Wilson
Picture / Director / Screenplay
Frantz (François Ozon, written by Philippe Piazzo & François Ozon)
Future Perfect (Nele Wohlatz, written by Pío Longo & Nele Wohlatz)
Get Out (Jordan Peele)
Personal Shopper...
Key films I missed in the first quarter that I might try and catch up with later: Cure for Wellness, The Great Wall, Staying Vertical, T2 Trainspotting, United Kingdom, and Wilson
Picture / Director / Screenplay
Frantz (François Ozon, written by Philippe Piazzo & François Ozon)
Future Perfect (Nele Wohlatz, written by Pío Longo & Nele Wohlatz)
Get Out (Jordan Peele)
Personal Shopper...
- 4/1/2017
- by NATHANIEL R
- FilmExperience
Now in its 46th iteration, Film Society Of Lincoln Center and The Museum Of Modern Art’s annual New Directors/New Films series has routinely introduced the film world to some of the most interesting and singular young voices within cinema. Be it their first lineup in 1972 which included Wim Wenders’ The Goalie’s Anxiety At The Penalty Kick or last year’s selection that included this writer’s favorite film of 2016, Neon Bull, Nd/Nf has become one of the great film series on any year’s calendar.
And 2017 is no different.
Three films lead the way for this year’s slate, all of which are Sundance-approved entries into the greater American Independent Cinema canon. Opening the festival is Geremy Jasper’s Patti Cake$, with Eliza Hittman’s latest Beach Rats and Dustin Guy Defa’s New York-set Person to Person, all of which garnered solid notices out of Park City this January,...
And 2017 is no different.
Three films lead the way for this year’s slate, all of which are Sundance-approved entries into the greater American Independent Cinema canon. Opening the festival is Geremy Jasper’s Patti Cake$, with Eliza Hittman’s latest Beach Rats and Dustin Guy Defa’s New York-set Person to Person, all of which garnered solid notices out of Park City this January,...
- 3/15/2017
- by Joshua Brunsting
- CriterionCast
Get in touch to send in cinephile news and discoveriesNEWSThe Summer Is GoneCineuropa reports on an open letter of protest by "500 Portuguese and international personalities from the film industry" over "a new amendment to the [Portuguese] film law, which relieves national film body the Ica of the responsibility of choosing the juries for the institution’s financial support schemes." The proposed shift in approval power is a significant one, and the protest has drawn signatures from such figures as Leos Garax, Pedro Almodóvar, Aki Kaurismäki.The lineup for New Directors/New Films, New York's annual collaboration between the Film Society of Lincoln Center and the Museum of Modern Art, is announced and looks great, including Notebook favorites Person to Person (Dustin Guy Defa), Arábia (João Dumans & Affonso Uchoa), The Dreamed Path (Angela Schenelac), The Future Perfect (Nele Wohlatz), and The Summer Is Gone (Dalei Zhang). Recommended VIEWINGThe trailer for It Comes At Night,...
- 2/15/2017
- MUBI
One of the best festivals during the first half of the year is The Museum of Modern Art and the Film Society of Lincoln Center’s New Directors/New Films, which kicks off its 46th year this March, running from the 15th to the 26th. With last year’s line-up including some of the year’s best films, including Cameraperson, The Fits, Kaili Blues, Neon Bull, Weiner, and more, we can expect many more discoveries this year.
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
Opening with Patti Cake$ and closing with Person to Person, in between will be one of our favorite films from Sundance as the centerpiece, Beach Rats. Also among the line-up is a handful of other festival favorites, including The Dreamed Path, The Giant, Menashe, and Lady Macbeth.
“Authenticity is an elusive thing these days, and without it we risk ruin. This is particularly true in cinema,” says Rajendra Roy, the Celeste Bartos Chief...
- 2/15/2017
- by Jordan Raup
- The Film Stage
The Museum of Modern Art and the Film Society of Lincoln Center has today announces their complete lineup for the 46th annual New Directors/New Films (Nd/Nf), running March 15 – 26. Dedicated to the discovery of new works by emerging and dynamic filmmaking talent, this year’s festival will screen 29 features and nine short films. This year’s lineup boasts nine North American premieres, seven U.S. premieres, and two world premieres, with features and shorts from 32 countries across five continents.
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
The opening, centerpiece, and closing night selections showcase three exciting new voices in American independent cinema that all recently debuted at Sundance: Geremy Jasper’s “Patti Cake$” is the opening night pick, while Eliza Hittman’s “Beach Rats” is the centerpiece selection and Dustin Guy Defa will close the festival with “Person to Person.” Other standouts include “Menashe,” “My Happy Family,” “Quest” and “The Wound.”
Read More: The Sundance Rebel:...
- 2/15/2017
- by Kate Erbland
- Indiewire
Films and projects travel from Sundance to Rotterdam and Rotterdam’s love affair with Latin America becomes apparent.
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
- 2/8/2017
- by Sydney Levine
- Sydney's Buzz
Plus: Land Of Mine triumphs at AFI Fest; Warner Bros confirms Machinima acquisition; Tooley Productions, Square One sign German deal; and more.
Women In Film has announced the recipients of its 31st annual Film Finishing Fund grant programme in support of films by, for or about women.
The narrative winners are: Solace by Tchaiko Omawale; Band Aid by Zoe Lister-Jones; Miracle by Egle Vertelyte; and The Darkest Days Of Us by Astrid Rondero.
Documentary recipients are: Amor Puro Y Duro by Catherine Gund and Daresha Kyi; Canary In A Coal Mine by Jennifer Brea; Farida And Gulnaz by Clementine Malpas; Mudflow by Cynthia Wade and Sasha Friedlander; Tribe by Jordan Bryon; and When A Girl Is Born by Sarita Khurana and Smriti Mundhra.
Martin Zandvliet’s Danish Oscar submission Land Of Mine won AFI Fest 2016’s World Cinema Audience Award, while Divines took the Breathrough Audience Award. The Future Perfect took New Auteurs Grand Jury Award. For the...
Women In Film has announced the recipients of its 31st annual Film Finishing Fund grant programme in support of films by, for or about women.
The narrative winners are: Solace by Tchaiko Omawale; Band Aid by Zoe Lister-Jones; Miracle by Egle Vertelyte; and The Darkest Days Of Us by Astrid Rondero.
Documentary recipients are: Amor Puro Y Duro by Catherine Gund and Daresha Kyi; Canary In A Coal Mine by Jennifer Brea; Farida And Gulnaz by Clementine Malpas; Mudflow by Cynthia Wade and Sasha Friedlander; Tribe by Jordan Bryon; and When A Girl Is Born by Sarita Khurana and Smriti Mundhra.
Martin Zandvliet’s Danish Oscar submission Land Of Mine won AFI Fest 2016’s World Cinema Audience Award, while Divines took the Breathrough Audience Award. The Future Perfect took New Auteurs Grand Jury Award. For the...
- 11/17/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Festival director Jacqueline Lyanga opened this morning’s AFI Fest Awards brunch citing the record number of filmmakers who attended the festival this year, and many of those were gathered in the Cinema Lounge at the Roosevelt Hotel to recognize the achievements that made up the 30th iteration of the annual fest.
With an acting prize and two audience awards, Houda Benyamina’s “Divines” was the festival’s most-recognized film. (Judging by the reaction in the lounge, it was also a favorite among the filmmakers and patrons gathered.) When introducing the film’s New Auteurs Audience Award prize, AFI Fest Director of Programming Lane Kneedler explained how “Divines” became a festival favorite even after coming in late in the programming process.
Read More: AFI Fest 2016: 14 Movies We Can’t Wait to See at the Festival
Martin Zandvliet’s “Land of Mine” took the World Cinema Audience Award. “The movie is a hard sell,...
With an acting prize and two audience awards, Houda Benyamina’s “Divines” was the festival’s most-recognized film. (Judging by the reaction in the lounge, it was also a favorite among the filmmakers and patrons gathered.) When introducing the film’s New Auteurs Audience Award prize, AFI Fest Director of Programming Lane Kneedler explained how “Divines” became a festival favorite even after coming in late in the programming process.
Read More: AFI Fest 2016: 14 Movies We Can’t Wait to See at the Festival
Martin Zandvliet’s “Land of Mine” took the World Cinema Audience Award. “The movie is a hard sell,...
- 11/17/2016
- by Steve Greene
- Indiewire
Mueller said his unexpected resignation was due to “divergent opinion” with the festival organisers.
The inaugural International Film Festival and Awards Macao (Iffam) today unveiled its lineup of 49 feature films, one day after the abrupt departure of festival director Marco Mueller.
The six-day festival will open on Dec 8 with the Asian premiere of Valérie Müller and Angelin Preljocaj’s Polina, which recently premiered at Venice Days.
The 11-strong international competition section consists of three world premieres (Macao-born Tracy Choi’s debut feature Sisterhood, Shinobu Yaguchi’s Survival Family and Shanker Raman’s debut feature Gurgaon) and two international premieres (Elon Doesn’t Believe In Death by Ricardo Alves Jr and Hide And Seek by Liu Jie).
The rest of the competition is filled by six Asian premieres, including 150 Milligrams by Emmanuelle Bercot, Free Fire by Ben Wheatley [pictured], Queen Of Spades by Pavel Lungin, Saint George by Marco Martins, The Winter by Emiliano Torres and Trespass Against Us by [link...
The inaugural International Film Festival and Awards Macao (Iffam) today unveiled its lineup of 49 feature films, one day after the abrupt departure of festival director Marco Mueller.
The six-day festival will open on Dec 8 with the Asian premiere of Valérie Müller and Angelin Preljocaj’s Polina, which recently premiered at Venice Days.
The 11-strong international competition section consists of three world premieres (Macao-born Tracy Choi’s debut feature Sisterhood, Shinobu Yaguchi’s Survival Family and Shanker Raman’s debut feature Gurgaon) and two international premieres (Elon Doesn’t Believe In Death by Ricardo Alves Jr and Hide And Seek by Liu Jie).
The rest of the competition is filled by six Asian premieres, including 150 Milligrams by Emmanuelle Bercot, Free Fire by Ben Wheatley [pictured], Queen Of Spades by Pavel Lungin, Saint George by Marco Martins, The Winter by Emiliano Torres and Trespass Against Us by [link...
- 11/14/2016
- ScreenDaily
Mueller said his unexpected resignation was due to “divergent opinion” with the festival organisers.
The inaugural International Film Festival and Awards Macao (Iffam) today unveiled its lineup of 49 feature films, one day after the abrupt departure of festival director Marco Mueller.
The six-day festival will open on Dec 8 with the Asian premiere of Valérie Müller and Angelin Preljocaj’s Polina, which recently premiered at Venice Days.
The 11-strong international competition section consists of three world premieres (Macao-born Tracy Choi’s debut feature Sisterhood, Shinobu Yaguchi’s Survival Family and Shanker Raman’s debut feature Gurgaon) and two international premieres (Elon Doesn’t Believe In Death by Ricardo Alves Jr and Hide And Seek by Liu Jie).
The rest of the competition is filled by six Asian premieres, including 150 Milligrams by Emmanuelle Bercot, Free Fire by Ben Wheatley [pictured], Queen Of Spades by Pavel Lungin, Saint George by Marco Martins, The Winter by Emiliano Torres and Trespass Against Us by [link...
The inaugural International Film Festival and Awards Macao (Iffam) today unveiled its lineup of 49 feature films, one day after the abrupt departure of festival director Marco Mueller.
The six-day festival will open on Dec 8 with the Asian premiere of Valérie Müller and Angelin Preljocaj’s Polina, which recently premiered at Venice Days.
The 11-strong international competition section consists of three world premieres (Macao-born Tracy Choi’s debut feature Sisterhood, Shinobu Yaguchi’s Survival Family and Shanker Raman’s debut feature Gurgaon) and two international premieres (Elon Doesn’t Believe In Death by Ricardo Alves Jr and Hide And Seek by Liu Jie).
The rest of the competition is filled by six Asian premieres, including 150 Milligrams by Emmanuelle Bercot, Free Fire by Ben Wheatley [pictured], Queen Of Spades by Pavel Lungin, Saint George by Marco Martins, The Winter by Emiliano Torres and Trespass Against Us by [link...
- 11/14/2016
- ScreenDaily
Indiewire reached out to the filmmakers with films in the “New Auteurs” and “American Independent” sections of this year’s AFI Fest to find out what cameras they used and why they chose them.
Read More: AFI Fest 2016: 14 Movies We Can’t Wait to See at the Festival
“One Week and a Day”
Arri Alexa Xt
Dir. Asaph Polonsky: “It allowed scenes in long takes and the use of zoom lenses, sticks, dolly, Steadicam and handheld, were the tools that served the D.P., Moshe Mishali, and I the most as we tried to be subtle about reflecting the characters journeys visually.”
“Dark Night”
Arri Amira with Cooke lenses
Dir. Tim Sutton: “Good combination.”
“Divine”
Red Dragon
Dir. Houda Benyamin: “We wanted to work on the idea of focus — getting to details from the big picture, getting to things from a distance, which in a way symbolizes...
Read More: AFI Fest 2016: 14 Movies We Can’t Wait to See at the Festival
“One Week and a Day”
Arri Alexa Xt
Dir. Asaph Polonsky: “It allowed scenes in long takes and the use of zoom lenses, sticks, dolly, Steadicam and handheld, were the tools that served the D.P., Moshe Mishali, and I the most as we tried to be subtle about reflecting the characters journeys visually.”
“Dark Night”
Arri Amira with Cooke lenses
Dir. Tim Sutton: “Good combination.”
“Divine”
Red Dragon
Dir. Houda Benyamin: “We wanted to work on the idea of focus — getting to details from the big picture, getting to things from a distance, which in a way symbolizes...
- 11/11/2016
- by Casey Coit and Chris O'Falt
- Indiewire
Paul Feig tweeted a photo of four Ghostbusters reboot figures on Friday that look pretty rad. We have details, as well as a look at the figures, below. A Q&A with Daniel Abella, the director of the Philip K. Dick Film Festival, and info on Robert Englund's upcoming appearance at Silver Scream Festival, are also in this round-up.
Mattel's Ghostbusters Figures: The photo below features the prototypes of all four of the figures which stand at six inches tall. The official release date for these items is not available at this time.
Starring Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones, Paul Feig's Ghostbusters reboot is slated to hit theaters on July 15th, 2016. Chris Hemsworth will play Kevin the receptionist, with Andy Garcia, Matt Walsh, Michael Kenneth Williams, and Cecily Strong also along for the ride.
Original Ghostbusters stars Ernie Hudson, Bill Murray, Dan Aykroyd, Annie Potts,...
Mattel's Ghostbusters Figures: The photo below features the prototypes of all four of the figures which stand at six inches tall. The official release date for these items is not available at this time.
Starring Melissa McCarthy, Kate McKinnon, Kristen Wiig, and Leslie Jones, Paul Feig's Ghostbusters reboot is slated to hit theaters on July 15th, 2016. Chris Hemsworth will play Kevin the receptionist, with Andy Garcia, Matt Walsh, Michael Kenneth Williams, and Cecily Strong also along for the ride.
Original Ghostbusters stars Ernie Hudson, Bill Murray, Dan Aykroyd, Annie Potts,...
- 1/9/2016
- by Tamika Jones
- DailyDead
UK horror photography studio, Horrify Me, has created a photo tribute to George A. Romero's Dawn of the Dead, and we have a look at it below. Also: trailer for Intruders, two clips from Anguish, a new clip from Under the Shadows, and details on the Philip K. Dick Science Fiction Film Festival 2016 lineup.
Dawn of the Dead Tribute: Press Release: "UK horror photography studio Horrify Me has created a brand new set of images to pay tribute to one of the greatest zombie flicks of all time, the original 1978 version of Dawn of the Dead. Directed by George A. Romero and with groundbreaking gore effects by Tom Savini, the film has passed effortlessly into a classic status and has a rich following today, despite its age.
Horrify Me, one of the UK's leading horror photography studios, spends a lot of time creating horrific portraits for people, and in between jobs,...
Dawn of the Dead Tribute: Press Release: "UK horror photography studio Horrify Me has created a brand new set of images to pay tribute to one of the greatest zombie flicks of all time, the original 1978 version of Dawn of the Dead. Directed by George A. Romero and with groundbreaking gore effects by Tom Savini, the film has passed effortlessly into a classic status and has a rich following today, despite its age.
Horrify Me, one of the UK's leading horror photography studios, spends a lot of time creating horrific portraits for people, and in between jobs,...
- 12/17/2015
- by Tamika Jones
- DailyDead
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