Although Panti Bliss has performed in cities all over the world I wonder just how well known she is outside of Ireland and by that I mean within gay circles, outside of which I am sure she is virtually unheard of. Here, of course, she is simply The Queen of Ireland, an iconic figure known the length and breadth of the land, a gay icon and a 'heroine' to the Irish people. 'She', of course, is a he for Panti is a drag artist who in 'real life' is a handsome, slightly rugged small-town boy called Rory O'Neill who might have passed into obscurity, like so many drag artists before him, were it not for a few crucial events, both in his life and in the life and fabric of Irish society.
Firstly 'Panti' appeared on RTE's Saturday Night Television show where his comments lead to law suits being taken out against the station leading to an out-of-court settlement and a public apology. This, in turn, lead to a public outcry and an attack on the validity of the Irish media by members of the Irish parliament and to Panti being invited to address the audience, in the form of a Noble Call speech, at Ireland's Abbey Theatre, (filmed naturally and subsequently going viral on Youtube). After this, it only seemed natural Panti would become the poster 'girl' for the Yes Campaign in the Equality referendum that lead to Ireland being the first country in the world to vote yes for same sex marriage. Panti's role in the campaign was almost certainly the defining reason for the massive yes vote.
All of this and more is chronicled in Conor Horgan's terrific documentary "The Queen of Ireland" which begins on the day of the vote then takes us back, via home movies and various other footage, through Panti/Rory's life. This is a funny, deeply moving picture of one boy's life in the first instance and of a history of the Gay Right's Movement in Ireland in the second, making it a wonderful historical, as well as a wonderfully personal record, fueled by its tremendously likable central character.
Panti is, of course, the ideal drag queen; funny, eccentric and so over-the-top she's already half down the other side, a cartoon woman as she describes herself, part Betty Boop and part Jessica Rabbit while Rory, her real-life alter-ego, is the sweetest of men who simply can't believe his own good fortune and who has taken the blows that life has dealt him with a self-regarding shrug and a 'let's get on with it' attitude. Of course, as a gay man growing up in rural Ireland he was blessed with a highly supportive family and a community that was more embracing than not, (his return to his home town in the guise of Panti is one of the film's highlights). Here is a 'gay' movie with the widest possible appeal which certainly shouldn't be missed and could well push Horgan towards a Best Documentary Oscar next year.
Firstly 'Panti' appeared on RTE's Saturday Night Television show where his comments lead to law suits being taken out against the station leading to an out-of-court settlement and a public apology. This, in turn, lead to a public outcry and an attack on the validity of the Irish media by members of the Irish parliament and to Panti being invited to address the audience, in the form of a Noble Call speech, at Ireland's Abbey Theatre, (filmed naturally and subsequently going viral on Youtube). After this, it only seemed natural Panti would become the poster 'girl' for the Yes Campaign in the Equality referendum that lead to Ireland being the first country in the world to vote yes for same sex marriage. Panti's role in the campaign was almost certainly the defining reason for the massive yes vote.
All of this and more is chronicled in Conor Horgan's terrific documentary "The Queen of Ireland" which begins on the day of the vote then takes us back, via home movies and various other footage, through Panti/Rory's life. This is a funny, deeply moving picture of one boy's life in the first instance and of a history of the Gay Right's Movement in Ireland in the second, making it a wonderful historical, as well as a wonderfully personal record, fueled by its tremendously likable central character.
Panti is, of course, the ideal drag queen; funny, eccentric and so over-the-top she's already half down the other side, a cartoon woman as she describes herself, part Betty Boop and part Jessica Rabbit while Rory, her real-life alter-ego, is the sweetest of men who simply can't believe his own good fortune and who has taken the blows that life has dealt him with a self-regarding shrug and a 'let's get on with it' attitude. Of course, as a gay man growing up in rural Ireland he was blessed with a highly supportive family and a community that was more embracing than not, (his return to his home town in the guise of Panti is one of the film's highlights). Here is a 'gay' movie with the widest possible appeal which certainly shouldn't be missed and could well push Horgan towards a Best Documentary Oscar next year.
