Directed by
| Adam Morse | ||
Writing Credits (in alphabetical order)
| Adam Morse | ||
Cast (in credits order)
Produced by
| Reinhard Besser | ... | co-producer |
| Walter Mair | ... | co-producer |
| Adam Morse | ... | executive producer |
| Adam Rose | ... | producer |
| Adam Rose | ... | executive producer |
| Kristyna Sellnerova | ... | line producer |
| Julia Varvara | ... | producer |
| Ben White | ... | executive producer |
| Pat Wintersgill | ... | co-producer |
Music by
| Walter Mair | ||
Cinematography by
| Michel Dierickx | ||
Editing by
| Gabriel Foster Prior | ||
Casting By
| Carl Proctor | ||
Production Design by
| Niina Topp | ||
Art Direction by
| Rosalind Boulton | ||
Set Decoration by
| Luke Nash | ||
| Sandra Szpytko | ||
Makeup Department
| Sandra O'Brien | ... | hair and makeup designer / makeup and hair department head |
| Jackie Saundercock | ... | makeup and hair artist |
| Jin Ong | ... | make-up artist: dailies (uncredited) |
Production Management
| Jordan Kotras | ... | production manager |
| Denis Sewell | ... | unit manager |
Second Unit Director or Assistant Director
| Kate Hartnoll | ... | second assistant director |
| Taryn Cassidy Poole | ... | third assistant director: crowd (as Taryn Poole) |
| Imogen Smalley | ... | third assistant director |
| Jay Salomon | ... | third assistant director (uncredited) |
Art Department
| Olive Boland | ... | art department assistant |
| Nick Hope | ... | standby props |
| Archie Knowles | ... | carpenter |
| Ashleigh Latter | ... | set dresser daily |
| Matt Foster London | ... | jewellery designer (as Matt Foster) |
Sound Department
| Nick Baldock | ... | supervising sound editor |
| Peter Baldock | ... | sound designer |
| Ben Carr | ... | re-recording mixer |
| Jack Cheetham | ... | sound mix technician |
| Dustin Fisher | ... | sound recordist |
| Adrian Furdui | ... | dialogue editor |
| James Matthews | ... | foley editor |
| Filipe Pinheiro | ... | boom operator |
| James Shannon | ... | dolby sound consultant |
| Patrick Singer | ... | foley artist (uncredited) |
| Kristiana Udre | ... | foley artist (uncredited) |
Special Effects by
| Alex Price | ... | graphic designer |
Visual Effects by
| Max Horton | ... | colourist |
Camera and Electrical Department
| Edward Bishop | ... | still photographer: dailies |
| Gareth Gatrell | ... | still photographer |
| Ossi Jalkanen | ... | camera operator |
| Antti Janhunen | ... | gaffer |
| George Jenkins | ... | electrician |
| John Kolthammer | ... | grip |
| Greg McFarlane King | ... | electrician: dailies |
| Peter Muncey | ... | grip |
Casting Department
| Lennie Varvarides | ... | extras casting |
| Rose Watson | ... | casting coordinator |
Costume and Wardrobe Department
| Cally Lathey | ... | Head of Costume and Wardrobe |
Editorial Department
| Chris Burton | ... | assistant editor |
| Adam McHattie | ... | assistant editor |
| Jamie Webb | ... | assistant editor / post production supervisor |
Location Management
| Dorothy Daisy | ... | location manager |
| Matat Levin | ... | location assistant |
| Marc Paul Stolworthy | ... | location assistant |
Music Department
| Reinhard Besser | ... | composer: additional music |
| Timo Jagersberger | ... | score producer |
| Livio Perrotta | ... | musician |
| Andrew Stamp | ... | music supervisor |
| Tevenisse | ... | musician |
Additional Crew
| Jonathan Cross | ... | AD Runner |
| Dennis Davidson | ... | International Publicity DDA Public Relations |
| Shane Gentles | ... | runner |
| Sara Rovetto-Stamp | ... | production assistant |
| Imogen Smalley | ... | production coordinator |
| Rebekah Louisa Smith | ... | film festival strategist |
| Bob Storer | ... | legal advisor |
