Directed by
| Emily Diana Ruth | ||
Writing Credits (in alphabetical order)
| Emily Diana Ruth | ||
| Jamie Miller | ||
| Laura Spencer | ||
Cast
| Laura Spencer | ... | Harper | |
| Bea Santos | ... | June | |
| Rosemary Dunsmore | ... | June | |
Produced by
| Coral Aiken | ... | associate producer |
| Luise Docherty | ... | co-producer |
| Paul Komoroski | ... | associate producer |
| Jamie Miller | ... | producer |
Music by
| Casey Manierka-Quaile | ||
Cinematography by
| Ryan Haas | ||
Editing by
| Thom Smalley | ||
Production Design by
| Chris Crane | ||
Set Decoration by
| Carlee Diamond | ||
Makeup Department
| Christina Spina | ... | makeup department head |
Production Management
| Breann Smordin | ... | assistant production manager |
Second Unit Director or Assistant Director
| Edward Hillier | ... | first assistant director |
Art Department
| Joël Guzman | ... | graphic designer |
| Janae Vandevyvere | ... | set dresser |
| Daniel Vella | ... | property master |
Sound Department
| James M. Findlay | ... | re-recording mixer / sound designer / sound editor / sound recordist |
Camera and Electrical Department
| Rachel Bundy | ... | second assistant camera |
| Kay Grospe | ... | daily grip |
| Richard Liani | ... | best boy grip |
| Ryan McIntyre | ... | assistant camera |
| John Palanca | ... | key grip |
| Cat Patrichi | ... | gaffer |
| Matt Witty | ... | best boy electric |
Costume and Wardrobe Department
| Hanna Puley | ... | wardrobe |
Editorial Department
| Conor Fisher | ... | colorist |
Script and Continuity Department
| Glynnis Grant-Henderson | ... | script supervisor |
Additional Crew
| Thaddeus Eng | ... | production assistant |
| Elizabeth Fraser | ... | production assistant |
Thanks
| Michael Edward Staley | ... | special thanks |