Exclusive: Montreal-based film sales and marketing consultancy Film Associates International has unveiled a slew of international deals on new 4K restorations of the work of celebrated Canadian director Patricia Rozema.
New York-based arthouse distributor Kino Lorber has acquired North America for her second and third features White Room (1990) and When Night Is Falling (1995) and U.S. rights for more recent work Mouthpiece (2018).
Regarded as a classic in the LGBTQ+ cinema canon, the lesbian love story When Night Is Falling revolves around a literature professor in a religious college, in a relationship with a male colleague, who embarks on a passionate affair with a female circus performer.
Following its debut at the Berlinale in 1995, its North American release prompted unexpected controversy after Canada’s ‘The Globe and Mail’ dropped an advertisement for the film showing two women kissing, and in the U.S. the Motion Picture Assn. of America applied an Nc-17 rating.
New York-based arthouse distributor Kino Lorber has acquired North America for her second and third features White Room (1990) and When Night Is Falling (1995) and U.S. rights for more recent work Mouthpiece (2018).
Regarded as a classic in the LGBTQ+ cinema canon, the lesbian love story When Night Is Falling revolves around a literature professor in a religious college, in a relationship with a male colleague, who embarks on a passionate affair with a female circus performer.
Following its debut at the Berlinale in 1995, its North American release prompted unexpected controversy after Canada’s ‘The Globe and Mail’ dropped an advertisement for the film showing two women kissing, and in the U.S. the Motion Picture Assn. of America applied an Nc-17 rating.
- 8/23/2022
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
30 year old Cassandra’s mother has just passed away suddenly. With the funeral two days away, she has to cope with helping to make the arrangements, and is insisting that she, as the writer in the family, be the one to give the eulogy.
The framework of the story of Mouthpiece is, sadly, commonplace. Almost all of us will have to deal with the death of a parent at some time and the process, while unique to each of us, is also one that will be, to a degree, universal. The way that Mouthpiece presents this story is what marks it out from many other films that have looked at how their characters process death. The central conceit here is that Cassandra is played by two actresses (Amy Nostbakken as ‘Tall Cassandra’ and Norah Sadava as ‘Short Cassandra). It’s not always quite this simple, but generally speaking Tall Cassandra...
The framework of the story of Mouthpiece is, sadly, commonplace. Almost all of us will have to deal with the death of a parent at some time and the process, while unique to each of us, is also one that will be, to a degree, universal. The way that Mouthpiece presents this story is what marks it out from many other films that have looked at how their characters process death. The central conceit here is that Cassandra is played by two actresses (Amy Nostbakken as ‘Tall Cassandra’ and Norah Sadava as ‘Short Cassandra). It’s not always quite this simple, but generally speaking Tall Cassandra...
- 3/15/2021
- by Sam Inglis
- HeyUGuys.co.uk
As 2019 draws to a close, the busy cinephile can mostly be found in his or her natural habitat, the theater. However, there are lots of books to catch up with once Oscar season is finished—or, at least, dies down. Let’s start with two killer eBooks.
Read Also: The Film Stage’s 2019 Holiday Gift Gide
Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir and The 2019 Canadian Cinema Yearbook (Seventh Row)
One of the finest film-related texts of 2019 was the Seventh Row team’s analysis of Mike Leigh’s Peterloo, and this series of deep cinema exploration continues with Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir and The 2019 Canadian Cinema Yearbook. Both eBooks are once again edited by two of the smartest, most readable writers on film art, Orla Smith and Alex Heeney. In Tour of Memories, Smith and Heeney study...
Read Also: The Film Stage’s 2019 Holiday Gift Gide
Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir and The 2019 Canadian Cinema Yearbook (Seventh Row)
One of the finest film-related texts of 2019 was the Seventh Row team’s analysis of Mike Leigh’s Peterloo, and this series of deep cinema exploration continues with Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir and The 2019 Canadian Cinema Yearbook. Both eBooks are once again edited by two of the smartest, most readable writers on film art, Orla Smith and Alex Heeney. In Tour of Memories, Smith and Heeney study...
- 12/26/2019
- by Christopher Schobert
- The Film Stage
Jess Salgueiro is circling a role in a Netflix project related to the novel “Tiny Pretty Things,” Variety has learned exclusively.
The potential series would be based on the 2016 young adult novel of the same name from from authors Dhonielle Clayton and Sona Charaipotra. The novel explores the darker side of an elite ballet academy.
The character which Salgueiro would play is called Isabel, and is described as a cop with a dancer’s rigidity and discipline born out of two tours of duty in Afghanistan who decided to trade in one uniform for another. With her ambition and keen moral compass, Isabel is uniquely qualified to search for the truth of what happened during a mysterious accident at the academy.
The actress currently recurs on the Amazon series “The Boys,” which was recently picked up for a second season. She also recurs on the Hulu series “Letterkenny” and will...
The potential series would be based on the 2016 young adult novel of the same name from from authors Dhonielle Clayton and Sona Charaipotra. The novel explores the darker side of an elite ballet academy.
The character which Salgueiro would play is called Isabel, and is described as a cop with a dancer’s rigidity and discipline born out of two tours of duty in Afghanistan who decided to trade in one uniform for another. With her ambition and keen moral compass, Isabel is uniquely qualified to search for the truth of what happened during a mysterious accident at the academy.
The actress currently recurs on the Amazon series “The Boys,” which was recently picked up for a second season. She also recurs on the Hulu series “Letterkenny” and will...
- 8/2/2019
- by Will Thorne
- Variety Film + TV
Shooting continues on director Steven Spielberg's Fox musical feature "West Side Story", adapting the original 'street gang' Broadway musical, inspired by Shakespeare's "Romeo and Juliet", starring Ansel Elgort as 'Tony' and Rachel Zegler as 'Maria', targeting a December 2020 Disney release:
Cast includes the 'Jets' members 'Anybodys' (Ezra Menas), 'Mouthpiece' (Ben Cook), 'Action' (Sean Harrison Jones), Jets leader 'Riff' (Mike Faist), 'Baby John' (Patrick Higgins), Maria’s brother and 'Sharks' leader 'Bernardo' (David Alvarez), Sharks members 'Quique' (Julius Anthony Rubio), 'Chago' (Ricardo Zayas), 'Chino' (Josh Andrés Rivera), 'Braulio' (Sebastian Serra) and 'Pipo' (Carlos Sánchez Falú).
Spielberg organized open casting calls for the new film in New York City April 29, 2018 and Orlando Florida May 25, 2018.
Casting was seeking actors to play four leading roles: 'Maria' (18-20), 'Tony' (18-23), 'Bernardo' (20-24) and 'Anita' (20-24 years): "...All four actors must be able to sing. Maria,...
Cast includes the 'Jets' members 'Anybodys' (Ezra Menas), 'Mouthpiece' (Ben Cook), 'Action' (Sean Harrison Jones), Jets leader 'Riff' (Mike Faist), 'Baby John' (Patrick Higgins), Maria’s brother and 'Sharks' leader 'Bernardo' (David Alvarez), Sharks members 'Quique' (Julius Anthony Rubio), 'Chago' (Ricardo Zayas), 'Chino' (Josh Andrés Rivera), 'Braulio' (Sebastian Serra) and 'Pipo' (Carlos Sánchez Falú).
Spielberg organized open casting calls for the new film in New York City April 29, 2018 and Orlando Florida May 25, 2018.
Casting was seeking actors to play four leading roles: 'Maria' (18-20), 'Tony' (18-23), 'Bernardo' (20-24) and 'Anita' (20-24 years): "...All four actors must be able to sing. Maria,...
- 6/17/2019
- by Unknown
- SneakPeek
Relatively few new limited releases are launching against the likes of Rocketman and Godzilla this weekend. Sony Pictures Classics is rolling out The Fall Of The American Empire, from French-Canadian filmmaker Denys Arcand and starring Alexandre Landry, in New York and Los Angeles, and after more than a decade of very limited screenings at a few film festivals, British filmmaker Gerald Fox’s doc Leaving Home, Coming Home: A Portrait of Robert Frank is finally getting a regular theatrical release. Indie Rights is heading out with satirical comedy Loners in Los Angeles, and Strand Releasing is launching Cannes 2018 title Yomeddine by Abu Bakr Sawky in New York.
Among other limited release titles headed to theaters this weekend are Mouthpiece from Crucial Things and First Generation Films, and Dogwoof’s For The Birds and Vertical Entertainment’s Rich Boy, Rich Girl.
The Fall Of the American Empire
Director-writer: Denys Arcand
Cast: Alexandre Landry,...
Among other limited release titles headed to theaters this weekend are Mouthpiece from Crucial Things and First Generation Films, and Dogwoof’s For The Birds and Vertical Entertainment’s Rich Boy, Rich Girl.
The Fall Of the American Empire
Director-writer: Denys Arcand
Cast: Alexandre Landry,...
- 5/31/2019
- by Brian Brooks
- Deadline Film + TV
“Mouthpiece,” Patricia Rozema’s defiantly experimental drama, gives voice to many conflicts. Most of these are cleaved bluntly down the middle: internal dichotomies, familial divides, generational gaps, gender inequality. But it’s the singular, and universal, pain of loss that proves most shattering.
Rozema (“I’ve Heard the Mermaids Singing”) was inspired to adapt the award-winning play of the same name when she saw it in Toronto, and she works in striking synchrony with her collaborators, Amy Nostbakken and Norah Sadava. Nostbakken and Sadava, who co-wrote the play and the screenplay, also portray simultaneously co-existent versions of our protagonist, Cassandra.
Confused? The approach is indeed destabilizing at first. As they move in perfect tandem or argue with evident intimacy, we wonder if the two women are lovers, or perhaps sisters. But their duality quickly comes to feel utterly normal.
Also Read: Top 10 Highest-Grossing Music Biopics, From Tupac to Queen (Photos)
Ultimately,...
Rozema (“I’ve Heard the Mermaids Singing”) was inspired to adapt the award-winning play of the same name when she saw it in Toronto, and she works in striking synchrony with her collaborators, Amy Nostbakken and Norah Sadava. Nostbakken and Sadava, who co-wrote the play and the screenplay, also portray simultaneously co-existent versions of our protagonist, Cassandra.
Confused? The approach is indeed destabilizing at first. As they move in perfect tandem or argue with evident intimacy, we wonder if the two women are lovers, or perhaps sisters. But their duality quickly comes to feel utterly normal.
Also Read: Top 10 Highest-Grossing Music Biopics, From Tupac to Queen (Photos)
Ultimately,...
- 5/30/2019
- by Elizabeth Weitzman
- The Wrap
Following its world premiere at Tiff last year, the first trailer for the unique experimental film Mouthpiece has arrived for Mouthpiece, coming from director Patricia Rozema. The film delves into the conflict surrounding a young woman named Catherine (Amy Nostbakken) and her personified inner conflict, which is embodied by another woman also named Catherine (Norah Sadava). She struggles with heartache and contemplation after the death of her mother (Maev Beaty), who gave up her career to have children, a facet that dispels Catherine’s worldview as a headstrong single writer playing by her own rules.
Jared Mobarak wrote in his Tiff review, “Rozema does a great job adapting things to the needs of a cinematic medium. She keeps them close, but not always together. While they ride her bike on two seats, they can also find themselves watching the other make a fool of herself or speak a necessary truth...
Jared Mobarak wrote in his Tiff review, “Rozema does a great job adapting things to the needs of a cinematic medium. She keeps them close, but not always together. While they ride her bike on two seats, they can also find themselves watching the other make a fool of herself or speak a necessary truth...
- 5/23/2019
- by The Film Stage
- The Film Stage
Female filmmakers have faced many challenges over the year, but few experienced the outright hostility of their government, as Wanuri Kahiu did on her film, “Rafiki.” a lesbian love story.
Speaking at TheWrap’s Power Women Lunch at the Toronto Film Festival on Saturday, Kahiu related how Kenya’s censorship board complained that her lesbian love story was too “hopeful” in a country where homosexuality is banned — and that her film could only be released there if she changed her ending.
Homosexuality is banned in Kenya, and so was Kahiu’s film. She said the censorship board complained that her film was too “hopeful,” and that they would allow its release if she changed the ending.
“The [Kenya Film Commission] asked if I had an ending that showed my lead as more remorseful. I said ‘No,'” she told a packed room of top women in the film industry. She...
Speaking at TheWrap’s Power Women Lunch at the Toronto Film Festival on Saturday, Kahiu related how Kenya’s censorship board complained that her lesbian love story was too “hopeful” in a country where homosexuality is banned — and that her film could only be released there if she changed her ending.
Homosexuality is banned in Kenya, and so was Kahiu’s film. She said the censorship board complained that her film was too “hopeful,” and that they would allow its release if she changed the ending.
“The [Kenya Film Commission] asked if I had an ending that showed my lead as more remorseful. I said ‘No,'” she told a packed room of top women in the film industry. She...
- 9/8/2018
- by Matt Donnelly
- The Wrap
Cassandra (played by Amy Nostbakken and Norah Sadava) reminds her mother (Maev Beaty’s Elaine) that we (humans) used to only live until forty. I think we often forget this fact—subjectively rather than objectively. The disparity between my generation and my parents’ is a veritable canyon as far as notions of domesticity, parenthood, and identity as a whole. Boomers were married with two kids by the time they exited college and now it’s not unusual to wait that long just to pick a major. We don’t move as fast as we used to both because we don’t have to and perhaps because we shouldn’t. And we certainly shouldn’t believe we have just one chance to get it right. It takes years to find a single semblance of self that’s worthy of unleashing upon the world let alone the series of reinventions necessary for our very survival.
- 9/8/2018
- by Jared Mobarak
- The Film Stage
This year’s Canadian feature slate — 25 in all — can be seen in six Tiff sections including Discovery, Tiff Docs and Wavelengths.
Among the selected features are highly anticipated films from fest alumni including Denys Arcand, Barry Avrich and the late Rob Stewart.
Arcand’s “The Fall of the American Empire” stars Alexandre Landry as Pierre-Paul Daoust, who faces a moral dilemma after discovering two bags of money. Sony Classics bought the North American rights to the film during the Cannes Film Festival in May. The film, which will play in Tiff’s special presentations section, is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Avrich returns to Tiff’s docu section with “Prosecuting Evil: The Extraordinary World of Ben Ferencz,” a portrait of the United States’ chief prosecutor during the Nuremberg trial. Stewart’s final film, “Sharkwater Extinction” will...
Among the selected features are highly anticipated films from fest alumni including Denys Arcand, Barry Avrich and the late Rob Stewart.
Arcand’s “The Fall of the American Empire” stars Alexandre Landry as Pierre-Paul Daoust, who faces a moral dilemma after discovering two bags of money. Sony Classics bought the North American rights to the film during the Cannes Film Festival in May. The film, which will play in Tiff’s special presentations section, is a thematic cousin to Arcand’s Oscar-nominated “The Decline of the American Empire” and the Oscar-winning “The Barbarian Invasions” (2003).
Avrich returns to Tiff’s docu section with “Prosecuting Evil: The Extraordinary World of Ben Ferencz,” a portrait of the United States’ chief prosecutor during the Nuremberg trial. Stewart’s final film, “Sharkwater Extinction” will...
- 9/7/2018
- by Addie Morfoot
- Variety Film + TV
“Grief manifests itself in unexpected ways,” muses an extraordinarily understanding mortician in Patricia Rozema’s “Mouthpiece,” as a grieving client climbs into a cedar casket. But the most unexpected way grief manifests itself in the film is that the bereaved heroine is played by two actresses, Amy Nostbakken and Norah Sadava, who aren’t entirely in sync about the best way forward.
Based on Nostbakken and Sadava’s stage play, this metaphysical two-hander about a young woman’s struggle to write a eulogy for her mother roils in guilt, resentment, sadness, and thorny notions of feminine identity. The conceit isn’t a natural for the screen, despite Rozema’s attempts to give a strong visual dimension, but it’s a thoughtful interrogation of modern womanhood, leavened by gallows humor. A warm reception in Rozema’s native Canada seems assured, but its intimate scope and semi-experimental device presents a challenge in other territories.
Based on Nostbakken and Sadava’s stage play, this metaphysical two-hander about a young woman’s struggle to write a eulogy for her mother roils in guilt, resentment, sadness, and thorny notions of feminine identity. The conceit isn’t a natural for the screen, despite Rozema’s attempts to give a strong visual dimension, but it’s a thoughtful interrogation of modern womanhood, leavened by gallows humor. A warm reception in Rozema’s native Canada seems assured, but its intimate scope and semi-experimental device presents a challenge in other territories.
- 9/7/2018
- by Scott Tobias
- Variety Film + TV
Launched in 2011 as a four-day intensive mentorship that spotlights four homegrown actors on the brink of global breakout, Tiff Rising Stars this year not only expands its scope — officially adding four international thesps — but also embodies the festival’s increasingly proactive commitment to industry change (also reflected in its new Share Her Journey initiative). The eight 2018 stars all appear in Toronto films — including some of the hottest titles.
“Rising Stars not only celebrates achievements in the actors’ careers so far, but also helps them see the bigger picture of their lives as entrepreneurs and collaborative artists,” says its producer Natalie Semotiuk.
Canada is repped by Devery Jacobs (Veenda Sud’s “The Lie”), Lamar Johnson, pictured above, (George Tillman’s “The Hate U Give”), Michaela Kurimsky (Jasmin Mozaffari’s “Firecrackers”) and Jess Salgueiro (Patricia Rozema’s “Mouthpiece”); the international contingent is Ahmed Malek (Patricia Chica’s “Montreal Girls”), Stephane Bak (Joel Karekezi...
“Rising Stars not only celebrates achievements in the actors’ careers so far, but also helps them see the bigger picture of their lives as entrepreneurs and collaborative artists,” says its producer Natalie Semotiuk.
Canada is repped by Devery Jacobs (Veenda Sud’s “The Lie”), Lamar Johnson, pictured above, (George Tillman’s “The Hate U Give”), Michaela Kurimsky (Jasmin Mozaffari’s “Firecrackers”) and Jess Salgueiro (Patricia Rozema’s “Mouthpiece”); the international contingent is Ahmed Malek (Patricia Chica’s “Montreal Girls”), Stephane Bak (Joel Karekezi...
- 9/6/2018
- by Jennie Punter
- Variety Film + TV
The Toronto International Film Festival has added another 19 new titles to its 2018 festival lineup, comprised entirely of features directed by Canadian filmmakers. Each year, Tiff highlights the films that hail from its own shores in a standalone announcement, and this year it includes nine new films from female directors, six debut features, a number of titles from fixtures of the Canadian film scene, and the world premiere of three films that showcase some of the country’s Indigenous talent.
The festival will also play home to a special event world premiere and tribute dedicated to the late filmmaker and conservationist Rob Stewart, centered around his final film, “Sharkwater Extinction.” Stewart passed away in 2017 while working on the film, a followup to his 2006 documentary “Sharkwater.”
“We’re especially proud to present such a diverse group of films,” said Steve Gravestock, Tiff Senior Programmer, in an official statement. “Ranging from science fiction to fantasy,...
The festival will also play home to a special event world premiere and tribute dedicated to the late filmmaker and conservationist Rob Stewart, centered around his final film, “Sharkwater Extinction.” Stewart passed away in 2017 while working on the film, a followup to his 2006 documentary “Sharkwater.”
“We’re especially proud to present such a diverse group of films,” said Steve Gravestock, Tiff Senior Programmer, in an official statement. “Ranging from science fiction to fantasy,...
- 8/1/2018
- by Kate Erbland
- Indiewire
New films from Canadian filmmakers Denys Arcand, Maxime Giroux, Jennifer Baichwal and Bruce Sweeney have been added to 2018 Toronto International Film Festival lineup, which announced its slate of Canadian films on Wednesday.
Nine of the films are directed by women, fsix are debut features and 14 are world premieres.
Canadian features will include Arcand’s “The Fall of the American Empire,” Giroux’s “The Great Darkened Days” and Sweeney’s “Kingsway.”
Also Read: 'Beautiful Boy,' 'A Star Is Born' Highlight Toronto Film Festival Lineup
The Canadian documentaries include Baichwal, Nicholas de Pencier and Edward Burtynsky’s “Anthropocene,” Ron Mann’s “Carmine Street Guitars” and Thom Fitzgerald’s “Splinters.”
Three of the films – Gwaii Edenshaw and Helen Haig-Brown’s “Edge of the Knife,” Darlene Naponse’s “Falls Around Her” and Miranda de Pencier’s “The Grizzlies” – feature indigenous talent.
A special event will screen the documentary “Sharkwater Extinction,...
Nine of the films are directed by women, fsix are debut features and 14 are world premieres.
Canadian features will include Arcand’s “The Fall of the American Empire,” Giroux’s “The Great Darkened Days” and Sweeney’s “Kingsway.”
Also Read: 'Beautiful Boy,' 'A Star Is Born' Highlight Toronto Film Festival Lineup
The Canadian documentaries include Baichwal, Nicholas de Pencier and Edward Burtynsky’s “Anthropocene,” Ron Mann’s “Carmine Street Guitars” and Thom Fitzgerald’s “Splinters.”
Three of the films – Gwaii Edenshaw and Helen Haig-Brown’s “Edge of the Knife,” Darlene Naponse’s “Falls Around Her” and Miranda de Pencier’s “The Grizzlies” – feature indigenous talent.
A special event will screen the documentary “Sharkwater Extinction,...
- 8/1/2018
- by Steve Pond
- The Wrap
Anthropocene and The Fall Of The American Empire are among films joining the line-up.
The Toronto International Film Festival has added another 19 Canadian titles to its line-up, among them the world premieres of documentary Anthropocene, Rob Stewart’s Sharkwater Extinction and Miranda de Pencier’s feature directorial debut The Grizzlies.
The new titles for the forty-third edition of the festival – which runs from September 6 to 16 - include nine films directed by women and five debut features and senior programmer Steve Gravestock emphasised the diversity represented.
Scroll down for full line-up
“We’re especially proud to present such a diverse group of films,...
The Toronto International Film Festival has added another 19 Canadian titles to its line-up, among them the world premieres of documentary Anthropocene, Rob Stewart’s Sharkwater Extinction and Miranda de Pencier’s feature directorial debut The Grizzlies.
The new titles for the forty-third edition of the festival – which runs from September 6 to 16 - include nine films directed by women and five debut features and senior programmer Steve Gravestock emphasised the diversity represented.
Scroll down for full line-up
“We’re especially proud to present such a diverse group of films,...
- 8/1/2018
- by John Hazelton
- ScreenDaily
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