‘The Invisible Man’ (Photo credit: Universal Pictures).
Given that they appeal to very different audiences, the first-day ticket sales for The Invisible Man and Miss Fisher and the Crypt of Tears in Australia were very healthy.
Leigh Whannell’s Sydney-shot edge-of-the-seat thriller opened bigger yesterday, although the murder-mystery/adventure/romance staring Essie Davis and Nathan Page had already earned a hefty sum from paid prevews.
Produced by Blumhouse Productions’ Jason Blum and Goalpost Pictures’ Kylie du Fresne, The Invisible Man grossed $375,000 on 315 screens for Universal, tracking just below A Quiet Place’s first day.
Roadshow launched Every Cloud Productions’ movie directed by Tony Tilse on 376 screens, raking in $180,000 and $389,000 including advance screenings, outperforming the Universal release in some regional locations.
Both are set to generate very good business over the weekend, particularly as Miss Fisher’s more mature fans aren’t the type to rush out to see movies on day one.
Given that they appeal to very different audiences, the first-day ticket sales for The Invisible Man and Miss Fisher and the Crypt of Tears in Australia were very healthy.
Leigh Whannell’s Sydney-shot edge-of-the-seat thriller opened bigger yesterday, although the murder-mystery/adventure/romance staring Essie Davis and Nathan Page had already earned a hefty sum from paid prevews.
Produced by Blumhouse Productions’ Jason Blum and Goalpost Pictures’ Kylie du Fresne, The Invisible Man grossed $375,000 on 315 screens for Universal, tracking just below A Quiet Place’s first day.
Roadshow launched Every Cloud Productions’ movie directed by Tony Tilse on 376 screens, raking in $180,000 and $389,000 including advance screenings, outperforming the Universal release in some regional locations.
Both are set to generate very good business over the weekend, particularly as Miss Fisher’s more mature fans aren’t the type to rush out to see movies on day one.
- 2/27/2020
- by The IF Team
- IF.com.au
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