The children of Hamelin are disappearing in the night. JJ's mother comes to visit.The children of Hamelin are disappearing in the night. JJ's mother comes to visit.The children of Hamelin are disappearing in the night. JJ's mother comes to visit.
Liam James Ramos
- Joey Pryor
- (as Liam Ramos)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCARD is short for Child Abduction Rapid Deployment team.
- GoofsOne of the main reasons Garcia suggests Arthur Brodie as a suspect is because he owns a white cargo van like the one in the surveillance video. However when the video zooms in it can clearly be seen that the van the abductor was driving is a Ford, whereas the van Brodie owned is a Chevy. Garcia has helped the BAU track down enough vehicles over the years that she should be able to tell the difference between a Ford and a Chevy by looking at them.
- Quotes
David Rossi: What's that abrasion on his forehead?
Emily Prentiss: Apparently he gave Lewis a shove and Reid went a little cellblock D on him
David Rossi: Nice
- ConnectionsReferences Criminal Minds: The Tall Man (2018)
Featured review
"There is always one moment in childhood when the door opens and lets the future in"
As has been said quite a number of times, Season 14's twelfth episode (of fifteen) "Hamelin" is heavily influenced by a story made famous by the Brothers Grimm. Won't name it now, it's been mentioned already, as it will give away too much of the plot line. Actually read the story again recently in preparation for the episode after reading up what to expect, and actually forgot and didn't realise when younger how under the surface creepy it is.
"Hamelin" was for me a very well done episode and a big improvement over the disappointing previous outing "Night Lights", which was a case of a lot of good ideas not fully formed or coming together as an overall whole. Also found it one of the better episodes of a mixed bag of a season, made better by its atmosphere and one of the stronger cases of the season. Even if a couple of ideas weren't followed all the way through and "Hamelin" does begin a lot stronger than it finishes.
Once again, the production values don't disappoint. Especially in the early stages where the photography really adds to how unsettlingly the story begins. The music is ominous enough and the theme tune hasn't lost its memorability fourteen seasons on. Actually had no problem with the acting, the regulars are on point as usual (apart from a slightly bland Adam Rodriguez, though his material is to blame). Matthew Gray Gubler and Paget Brewster coming off best. The supporting cast aren't as strong but are solid enough. The side subplot doesn't distract and is suitably bittersweet, while Rossi is a joy as usual. Am so glad that "Hamelin" didn't underuse Reid, which was something that annoyed me about "Night Lights".
The script is again thought-provoking, entertaining and tight. Really enjoyed the story up until the climactic moments. The opening sequence is the single creepiest opening of Season 14, being the only one to actually freak me out. There is genuine tension and one really roots for the outcome to be successful. It was a good move to not reveal the unsub too early or overuse them, which would have taken away from the suspense, and there are some interesting and plausible turns in the plot (including having a character that one is convinced that they are responsible until proven wrong) and a creepy atmosphere throughout. Not just early on but the lead up to the climax unsettles too. The modus operandi is a unique one for Season 14 and in 'Criminal Minds' for a while and very clever and elaborate (risky though too). The motive is not so unique, actually guessed it not too far in but because of the who and how aspects not being obvious.
With all of that being said, "Hamelin" could have been even better than it was. The climax did feel very rushed in pace and how it is staged, it did need a few minutes more to be explained more and it would have helped make the unsub's behaviour more believable and less sudden.
For me too, Alvez is bland and too in the background with little to do. He may as well not been in the episode at all and his absence wouldn't be noticed. Do agree that some of Garcia's writing was too long winded.
Summing up, very impressed. 8/10
"Hamelin" was for me a very well done episode and a big improvement over the disappointing previous outing "Night Lights", which was a case of a lot of good ideas not fully formed or coming together as an overall whole. Also found it one of the better episodes of a mixed bag of a season, made better by its atmosphere and one of the stronger cases of the season. Even if a couple of ideas weren't followed all the way through and "Hamelin" does begin a lot stronger than it finishes.
Once again, the production values don't disappoint. Especially in the early stages where the photography really adds to how unsettlingly the story begins. The music is ominous enough and the theme tune hasn't lost its memorability fourteen seasons on. Actually had no problem with the acting, the regulars are on point as usual (apart from a slightly bland Adam Rodriguez, though his material is to blame). Matthew Gray Gubler and Paget Brewster coming off best. The supporting cast aren't as strong but are solid enough. The side subplot doesn't distract and is suitably bittersweet, while Rossi is a joy as usual. Am so glad that "Hamelin" didn't underuse Reid, which was something that annoyed me about "Night Lights".
The script is again thought-provoking, entertaining and tight. Really enjoyed the story up until the climactic moments. The opening sequence is the single creepiest opening of Season 14, being the only one to actually freak me out. There is genuine tension and one really roots for the outcome to be successful. It was a good move to not reveal the unsub too early or overuse them, which would have taken away from the suspense, and there are some interesting and plausible turns in the plot (including having a character that one is convinced that they are responsible until proven wrong) and a creepy atmosphere throughout. Not just early on but the lead up to the climax unsettles too. The modus operandi is a unique one for Season 14 and in 'Criminal Minds' for a while and very clever and elaborate (risky though too). The motive is not so unique, actually guessed it not too far in but because of the who and how aspects not being obvious.
With all of that being said, "Hamelin" could have been even better than it was. The climax did feel very rushed in pace and how it is staged, it did need a few minutes more to be explained more and it would have helped make the unsub's behaviour more believable and less sudden.
For me too, Alvez is bland and too in the background with little to do. He may as well not been in the episode at all and his absence wouldn't be noticed. Do agree that some of Garcia's writing was too long winded.
Summing up, very impressed. 8/10
helpful•106
- TheLittleSongbird
- Dec 8, 2020
Details
- Runtime43 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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