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9/10
Who Knows?
20 August 2011
I just watched this film and, I must admit, I was baffled with the many inconsistencies, or should I say, the plot holes in the film.

I wanted to believe, but I kept going back to the obvious gaps. For example, Guetta had been filming every moment of his life (even flushing the toilet), but his family videos seemed frozen in time. There was little progression in the filming of his family life--we never saw his children grow. But, he has all of this footage of his excursions with street artists that must have taken place over years. Very perplexing.

This movie is satire. It is a critique of the contemporary art world.

I think back to this ridiculous piece of "art" I saw at MOMA in June of 2009. It was literally a piece of purple yarn thumb-tacked to the wall and floor in the shape of a trapezoid. Nothing else--just string and tacks. And MOMA proudly announced they had just acquired the piece for thousands of dollars. If I remember correctly, it was in the neighborhood of $75,000 (I am not sure of the exact figure because I was so outraged that this was considered a piece of art and what they paid for it, I lost all sensibility and reason). It was not art. Or maybe it was; true art is supposed to elicit a reaction, even anger. Maybe the act of proclaiming it art and advertising how much it cost made it art. But, my initial feeling was (and still is) that it was not worth a major payout and a place in MOMA.

I think this is the point of Exit Through the Gift Shop. True art is so hard to create in our current overexposed media culture that even the art gatekeepers can't decipher what is brilliant and what isn't.

Whomever made this film made the point of the ridiculousness of what constitutes art. And they did a brilliant job of it.
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Malcolm X (1992)
10/10
As good as it gets
21 May 2006
If this film were made 40 years ago, it would have been relevant. A blockbuster? Definitely not. Most southern theaters would not have shown it. And the ones that did would have certainly faced, at the least, protests, vandalism and most likely financial ruin.

Fast forward twenty five years and those same southern theaters could show Malcolm X. Sure, there would be protests, but the theater owners would not have put their livelihoods on the line.

Today, this movie would be a cog in the cycle of the movie year.

How times have changed.

Watching Malcolm X today (5/20/06) for the umpteenth time, I was struck by how timeless it is. Made in 1992, it still plays as a current film. It is an outstanding movie; one that is studied and will continue to be studied for ages.

Regardless of your politics, the life and times of Malcolm Little as portrayed in Malcolm X is a true American story. In a capsule--suppression, poverty, education then success. His life was the triumph of an individual above all odds. The film celebrates the cognitive revelation of a truly exceptional person that changed not only the United States, but also the world for the better.

Purists will surely take umbrage with the liberal telling of his life story, but that is sour grapes. Malcolm X captures the essence of Malcolm Little as a man with a pure message. Glossing over the finer points and ignoring the message would be a travesty.

Any film connoisseur's library has this movie in stock.
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Surprised...
18 November 1999
It isn't Oscar material by any stretch of the imagination, but I laughed.

Generally weak, but this movie is full of chuckles. If you stumble upon this movie while flipping around, stop and watch it.
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