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Gozu (2003)
9/10
Welcome to Miike-Styled Nightmare
27 February 2006
Warning: Spoilers
"Gozu, Gozu, Gozu~~." This song has been stuck in my head every since I watched Takashi Miike's 'GOZU: Yakuza Horror Theater.' Well, to tell you the truth, it's not just stuck in my head-- I've actually been singing it whenever I space out walking down the street.

Among all the films I've watched recently 'GOZU' was the most entertaining flick. In fact, after watching it, I screamed (in my own little world) "This is the kind of entertainment I was looking for!!!"

I knew the film was gonna be crazy from the beginning. The film opened with a delusive yakuza Ozaki beat a chihuahua to death on the outside of a café in Shinjuku (Tokyo), claiming that the dog was a yakuza attack dog that had been trained to kill yakuza, so they should kill it before it killed them. There's no use for a crazy henchman. The boss also started getting paranoid that he might become the next victim of Ozaki's whacked illusion. So, he commanded Minami to take Ozaki to Yakuza Disposal (what the heck!?) in Nagoya. It was not an easy assignment for Minami since they had a brother-like relationship and even shared very personal secrets. Despite the hesitation, Minami drove a car to Nagoya with Ozaki in the back seat.

Once they got to a small rural town in Nagoya Minami accidentally killed Ozaki, and things began to get madder like you entered the Twilight Zone where you encounter a bunch of surreal inhabitants and supernatural-like incidents or visions. 'GOZU' which became the title of the film is actually a cow-headed creature with a human body in the Buddhist version of Hell. Yes, you'll meet the creature in the film. As the Japanese distributer described "what if David Lynch made a yakuza film?", 'GOZU' takes you to a Lynch or Cronnenburg like weird fantasy world, yet certainly with a Miike signature. In the interview on the DVD extra feature, Miike says that we used to get an impression that we entered another universe where unfamiliar people lived when we turned a corner we normally didn't take in a town, but as we grow up we get used to it and lose that sort of sensation. Sure enough there are many different universes around us, but the universe Miike created is a nightmarish labyrinth. While Minami stayed in Nagoya, people there kept asking him "you're not from Nagoya, are you?" As being an outsider, how can this naive and confused yakuza Minami handle all those oddities? Well, surprising twists keep coming until the end.

The film is a V-Cinema (straight to video) with limited budget and production, yet the quality of entertainment 'GOZU' is very impressive that contain comedy, yakuza-story, drama and horror all in one package.
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Charisma (1999)
8/10
The Rule of A Game in Karisuma (Charisma)
4 March 2005
Warning: Spoilers
Karisma (Charisma) directed by Kiyoshi Kurosawa

The thing 'Karisma (Charisma)' impressed me the most is how the director Kiyoshi Kurosawa delivered this psychological/philosophical story with a calculated manner. When Goro Yabuike, a detective from Tokyo, lost his way in an isolated and peculiar community in a countryside, he started getting involved with different groups of people who were disputing over this one tree they called 'Karisma (Charisma).' The tree was imported from outside of the country by the director of the asylum who passed away, and later the community learned that the tree was actually poisoning all other trees and grass around it for its solo survival. They argued whether they should protect the tree, which was destroying the woods, or they should get rid of the poisonous tree to save the woods. The 'Karisma' tree becomes a medium of their communication, and Yabuike, the outsider, suddenly got a position to play the God to make the decision. Kiyoshi Kurosawa is trying to show a conception of nature in the film. The answer the detective Yabuike suggests is that the chaos over the 'Karisma' is based on human's selfish interest and not the natural order. The director Kiyoshi Kurosawa mathematically composed "the rule of a game" in a fictional story setting. 'Karisma (Charisma)' is a very interesting psychological and philosophical film.
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10/10
Tastes of Spicy Love Soup
2 June 2000
What a charming film 'Spicy Love Soup' is! I especially enjoyed the story about a bored young married couple who rebuilt their tarnished relationship with remote control toy cars that they got on the wife's birthday. By playing with lots of different kids' toys together, they started communicating again and rediscovered their love. Different people may find different episodes they can relate to in this modern Chinese film. The well construction, good acting, and humorous conversation immediately take you into the film. 'Spicy Love Soup' will give a lot of spices into your heart for sure.
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The Eel (1997)
9/10
A Great Human Drama
28 November 1999
'The Eel' proved how the director Shohei Imamura is good at describing life-sized characterization and mental state. The main character's suspicion, madness, kindness and love, are closely related to what we have inside. Which made me sympathetic and devoted to the character. Shohei Imamura described the main character's complication by using the character's delusion. And, the usage of psychological and fantastic images strongly helped to express the human mind. 'The Eel' is a unique human drama.
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Tulennielijä (1998)
10/10
An Emotionally Powerful Film
6 June 1999
"Life consists of the gifted and those who serve"(the 25th Seattle International Film Festival official program). The film nostalgically shows a middle-aged lady (Helena)'s memory of her relationship with her twin sister, Irene, who was a star in a circus. Their extraordinary love led them to a fatal separation, when Helena found out that Irene stole her only skill 'fire-eating'. It's a memory of remorse. The stunning images and repeated symbological scenes made an emotionally powerful film.
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