Rosebud-49 Reviews

Dogma (1999)

Dogma's Critics Go Home!

[23 November 1999]

The negative controversy surrounding Kevin Smith's "Dogma" is ill deserved. It's humor is priceless, the actors are flawless, and its themes attack centuries of Catholic dissension and unrest. What more could the viewer desire?

The storyline is twisted yet simple. Bartleby and Loki (Affleck and Damon) are two angels banned from Heaven to Hell by God for centuries. While working in Wisconsin, the mischievous duo discovers a loophole in the "system" that will allow them to re-enter Heaven without God's permission. The backlash for re-entry would be a blemish to God's infallible reputation as the Supreme Being, and as a result, faith would vanish and society would cease to exist. Bethany (Linda Fiorentino), a distant relative of Christ, and two screwball prophets are called upon by Rufus, the unknown 13th apostle, to stop the angels and preserve the world's existence.

Admittingly, the film attacks Catholic tradition from all angles. From the boredom of Sunday Mass to God's gender and race, Smith's characters are ruthless in debating the boundaries of Catholic Dogma. And, although some scenes can seem offensive and unjust, all references to Catholicism are intelligent, lighthearted, and comical.

Note to the critics: The United States Constitution was drafted in the late 1700s after the American Revolution. Its impeccable writers, notably Jefferson, were wise enough to understand and incorporate that times can, and will, change. The document was drafted loosely, preserving general principles and ideas, but most importantly, allowing them to mold and change with society. These changes, as you may recognize, are called Amendments.

As a Catholic, I say this with the deepest respect. Society has changed significantly since the Crusades. Perhaps the clergy should take a step outside their doors and look around. Every issue addressed in Smith's "Dogma" exists and is real. I wasn't the least bit offended by anything noted in the film for two reasons: 1.) I have heard them before. 2.) I agree with them.

Kevin Smith is an artist and, although is films may be a vehicle to communicate personal ideas, calling his film blasphemous is absurd. It's an intelligent comedy. Enjoy it.

Mystery, Alaska (1999)

Film's success is no Mystery

[8/10 · 18 October 1999]

"Feel-good" movies like Mystery never seem to fail. There is always something about them that will send you home with a broad smile and a subtle motivation to pursue success. All the same, "Mystery, Alaska" proved to be uplifting, entertaining, and just plain nice.

The characters were all admirable, except, of course, the corporate invaders from New York City. Residents of Mystery were wide-eyed and simple, with a passion for hockey, devotion to their community, and an uncanny excitement for the Saturday Game. From the immaturity and lightning speed of young Stevie Weeks, to the experience and leadership of Mystery's Town Sheriff, all of the film's major players had something of substance to entertain the viewer. Even Burt Reynolds played an exceptional supporting role as the town's Judge.

Again, I'll admit, I have an overwhelming weakness for American Dramas and never seem to criticize them too deeply. But, films like "Mystery", "October Sky" or "Pleasantville" all seem to have simple, underlying themes that affect the heart.

If you get the chance, go see "Mystery".

In Dreams (1999)

"Dreams" is a nightmare

[4/10 · 23 September 1999]

Neil Jordan's "In Dreams" is a tragic example of a good idea gone wrong. For the first 60 minutes, the film is impeccable. Its confident cinematography superbly illustrates an innocent mother's twisted dream world, which she ultimately shares with a cold blooded killer. This second dimension is engulfed with red, juicy apple orchards, wild scenery, and a mysterious, disturbing voice that whispers in the night. Through this dream world, Claire Cooper (Annette Benning) witnesses several murders, only to become terrified beyond her imagination when she discovers that these dreams are testimony to the future crimes of her small town.

Unfortunately for Neil Jordan, this is where the film takes a discouraging turn for the worst. The cinematography and established mood that made the movie so fascinating to this point, essentially vanishes into thin air. We are introduced to the disturbed Vivian Thompson (Robert Downey, Jr.), a serial killer who kidnaps a young girl and summons Claire to save her life and end the madness. The remainder of the movie is spent analyzing the crooked mind of a young boy trying to fabricate a family life that never existed. Finally, the film is quickly put to rest through a weak helicopter chase that ends in tragedy.

The movie had great potential, including a solid storyline and impressive imagery. Regrettably, the closing scenes with Vivian and Claire ruin its karma and ultimately, the entire film suffers the consequenses.

Psycho (1960)

Spellbound by Hitch

[9/10 · 21 September 1999]

Only a sinister organization such as the Academy would bypass Alfred Hitchcock as Best Director in 1960. Psycho is a masterpiece and Hitch will be remembered for centuries regarding his classic portrayal of a young Norman Bates, his run-down motel, and the mysterious relationship and death of his Mother. From Sam Loomis, Marion and Lila Crane, Detective Arbogast, Mr. Lowry, and even the used car salesman, Psycho is filled with astonishing characters, suspenseful plot twists, and a climax that would make every child in America think twice before entering the basement.

Alfred Hitchcock was an American icon and Psycho is a true reflection of his genius. To his day, Psycho remains one of best films of its genre. Further, Hitchcock's talent has stood the test of time, ultimately earning him the most honorable surname "The Master of Suspense".

October Sky (1999)

October's themes feel good.

[7/10 · 19 September 1999]

First, I want to note that I saw this movie by myself one Saturday afternoon because none of my friends were interested in viewing such a "boring" movie. However, being such a film fanatic, I like to give everything a good chance. So, I journeyed down the sidewalk to the local theater, bought some popcorn, and prepared myself for a nice, "boring" matinee on an extremely cold day in Boston.

My conclusion...I loved it. Admittingly, I'm a pushover for American dramas, and although this movie didn't involve the decorated war hero or the powerful statesman, it definately gives the viewer a warm feeling upon leaving the theater. Centered around Homer's struggle with his father and a determination to design a rocket, the film does justice in proving that the American Dream still exists. Furthermore, solid performances from a young cast and an emotional, thought provoking musical score added to its appeal.

I am looking forward to more films like "October" in the future.

Snow Falling on Cedars (1999)

Snow shines in Boston

[8/10 · 15 September 1999]

Last night I had the privilege of viewing the United States premiere of Scott Hick's "Snow Falling on Cedars" at the Boston Film Festival. It was a great experience. The film had an exciting combination of impressive acting (particularly from Hawke), confident directing, and an explosive cinematography and score to effectively re-create Guterson's novel. Although the mood of the film is somewhat heavy, there was sporadic instances of comic relief to ease the tension. Most importantly, the film gives America a rare look at the Japanese Relocation in our country during WWII.

To summarize, Hicks did an amazing job and I enjoyed the film very much. It's a bit long (2.5 hrs), but the combination of its three intertwining themes of love, war, and murder keeps the audience interested throughout. I am looking forward to seeing more work from Scott Hicks.