Dismal. Everything about this is dismal: the light, the tone, the direction; the writing; the people. The liveliest thing has been irritating, situationally foolish teen, Willa. She has been the only spark of light in the piece. She is at least curious about where she is. Even Raylon is grey. Kentucky Raylon would not have watched the bad guy slowly drive by a crime scene when the police and he (Raylon) were there to find him and his dumb as dirt moll!
Also, the folks of Detroit should protest at the depiction of their city. If nothing else, it should have a little... heft. Especially more than an obligatory, fleeting and oblique reference to Miles Davis. I am not really an Elmore Leonard fan except that he does create solid characters and a strong sense of place. This is more akin to Frank Miller Sin City graphic novel noir. Givens is on autopilot here. Competent, but ...dismal.
Also, the folks of Detroit should protest at the depiction of their city. If nothing else, it should have a little... heft. Especially more than an obligatory, fleeting and oblique reference to Miles Davis. I am not really an Elmore Leonard fan except that he does create solid characters and a strong sense of place. This is more akin to Frank Miller Sin City graphic novel noir. Givens is on autopilot here. Competent, but ...dismal.
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