The contemporary horror scene is glutted with tired rehashes of familiar concepts and an over-reliance on quick jump scares, with far too little in the way of character-driven, nuanced, complex storytelling. Absentia is definitely an exception to these low standards.
The core ideas are both original and clever, and, while supernatural and high-concept, they are totally rooted in the characters and their relationships. The human drama is fundamental to, rather than coincidental with, the structure of the narrative. The script even takes the risk of presenting multiple audience-identification characters among its leads, which in less careful hands could run the risk of alienating viewers used to having a single, simple narrative point of view, but the differing perspectives - psychological and emotional - of the two leads are well-balanced and complementary.
There are a couple of effective jump scares early on, but, as the story progresses, the thrust moves entirely to the slow burn, with the carefully maintained atmosphere and psychological implications of the scenario serving as the locus of the horror.
The core ideas are both original and clever, and, while supernatural and high-concept, they are totally rooted in the characters and their relationships. The human drama is fundamental to, rather than coincidental with, the structure of the narrative. The script even takes the risk of presenting multiple audience-identification characters among its leads, which in less careful hands could run the risk of alienating viewers used to having a single, simple narrative point of view, but the differing perspectives - psychological and emotional - of the two leads are well-balanced and complementary.
There are a couple of effective jump scares early on, but, as the story progresses, the thrust moves entirely to the slow burn, with the carefully maintained atmosphere and psychological implications of the scenario serving as the locus of the horror.
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